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Author(s): Walter Benjamin / Language(s): Croatian Issue: 21/2016

Post-antički čovjek zna možda samo za jedan duševni ustroj u kojem svoj unutarnji svijet u punoj veličini i posvemašnjoj čistoći postavlja u odnos prema cjelini prirode, kozmosa, naime bol. Sentimentalni čovjek, kako ga imenuje Schiller, može ostvariti približno čist i velik, što znači približno naivan osjećaj sebe samog samo po visoku cijenu da svoje cijelo unutarnje biće organizira kao jedinstvo odvojeno od prirode.

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Wprowadzenie do problematyki wiedzy w rosyjskim transcendentalizmie — od neokantyzmu do postneokantyzmu

Author(s): Barbara Czardybon / Language(s): Polish Issue: 35/2016

The paper outlines the problem of knowledge in Russian Neo-Kantianism in the broad sense of the term. It presents briefly views held in this respect by Russian thinkers who are considered representative of the so-called academic and non-academic Neo-Kantianism. The author also refers to the ideas of the “Russian Marburger” Nicolai Hartmann in the context of Vasily Seseman’s views. It turns out that the views of the Russian philosophers frequently show interesting similarities to the ideas of German Neo-Kantians. Such is the case with the thesis of the indissolubility of science and knowledge, proclaimed by Boris Jakowienko and Bruno Bauch, Semyon Frank’s and Heinrich Rickert’s theory of judgments, as well as the views of Alexander Vvedensky and Johannes Volkelt concerning the possibility of metaphysics. The article proves that the themes present in the concepts of “late” German Neo-Kantians earlier prevailed in Russian philosophy, where ontologism took a leading position. The author also discusses the impact of phenomenology on the revival of ontology in Neo-Kantianism.

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Ka određenju značenja postmoderne

Author(s): Samir Arnautović / Language(s): Bosnian Issue: 01/1998

Pitanje značenja postmoderne odavno već nije semantički orijentirano i izražava se u preispitivanju tokova otvorenih nastojanjem prevladavanja situacije u kojoj je već sve općenito izgubilo važnost u tome što je postalo poznato. U tom smislu "postmoderna" je jedna razdražujuća riječ. Ona plaši i mami (Wolfgang Welsch, Wege aus der Moderne, Akademie Verlag, Berlin 1994., str.l) ona je izraz primarnosti promišljanja svih životno određenih momenata, te se u tom smislu pojavljuje kao izraz vremena. Istovremeno, upravo iz ove određenosti "postmoderna" je izraz koji više neće biti okrenut samo ka literaturi, arhitekturi i drugim oblastima umjetnosti, nego će jednako dobro biti sociološki upućena kako i filozofski, ekonomski, tako i teološki, za nju je pronađen priključak i u historiji i antropologiji, pravu i psihijatriji, teoriji kulture, geografiji i pedagogiji (W. Welsch, Ibid. str.l). Jasno je da postmoderna nije nikakvo relativiziranje stvari radi samog relativiziranja, ona nije izraz zahtjeva za partikularizacijom, čime bi bila samo novum moderne, nego potreba dekonstrukcije tradicije i perspektivističkog promišljanja zbilje. Značenje prefiksa "post" treba tražiti u višeznačnosti i spremnosti na polivalentnost u promišljanju.

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Analiza stylistyczna nazewnictwa w Księgach narodu i pielgrzymstwa polskiego Adama Mickiewicza

Author(s): Łucja Maria Szewczyk / Language(s): Polish Issue: 27/1993

Die Analyse von Namen fremder Provenienz in Księgi narodu i pielgrzymstwa polskiego hat gezeigt, daß sie eine wichtige stilistische Kategorie darstellen. Die genannten Namen wurden hier auf biblische Art stilisiert. Man kann sie in echt biblische Namen und in stilisierte Namen einteilen. Es überwiegen Namen hebräischer und griechischer Herkunft. Sie befinden sich meist im entsprechend stilisierten Kontext. Auf Archaisierung deuten u. a. auch bestimmte grammatische Formen hin, wie z. B. Żydy (=Akk. Pl.), Żydowie, Filistynowie ( = Nom. Pl.), w Polszczę (=L ok. Sg. Fem.). Die Eigennamen und Deskriptionen spielen hier solche Funktionen wie die poetische, anspielende, lokal und temporal anberaumende, wertende und die expressive. Besonders wichtige Funktion kommt der poetischen und der anspieelnden zu, wodurch ein Zusammenhang mit der Bibel, Authentizität und vor allem besondere Ausdruckskraft erzielt werden konnten.

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PHILOSOPHY, HISTORY, EXISTENCE – INTERSECTIONS IN THE ROMANIAN SPIRITUAL LIFE, FROM DIMITRIE CANTEMIR TO LUCIAN BLAGA

Author(s): Alexandru Ştefănescu / Language(s): English Issue: 1/2018

The present paper takes a threefold look inside Dimitrie Cantemir’s destiny as a pivotal Romanian thinker and political figure. Although much has been written about Cantemir’s political, philosophical and cultural activity, my approach here is set on superimposing aspects that pertain to different areas of investigation. Since I am more interested in Cantemir as a whole, I turn to an encomiastic speech delivered by Lucian Blaga, who depicts key aspects of Cantemir’s work and personality. Blaga’s conference is virtually unmentioned in the Romanian research on Cantemir. So, at least in part, my intention here is to reach back to Dimitrie Cantemir through Blaga’s observations and interpretive tools.

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Postumanismul

Author(s): Alex Ciorogar,Robert Cincu,Vasile Mihalache,Cristina Diamant,Daniela Petroşel,Doru Pop,Radu Vancu,Laura T. Ilea,Denisa Adriana Moldovan,Laurentiu Malomfalean,Marius Puscas,Andrei Codrescu,Aurel Codoban,Daniel Clinci,Florina Ilis,Cosmina Morosan,Anca Chiorean,Ana-Maria Deliu,Laura Pavelescu,Olga Stefan,Zeltil Yigru,Ştefan Borbély,Paul Cernat,Bogdan Alexandru Stanescu,Marius Popa,Alex Cistelecan / Language(s): Romanian Issue: 03+04/2017

This sections contains a large number of interventions related to the theme of the issue, which is Posthumanism.

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Филозофско контекстуисање (пост)хашке истине

Author(s): Slobodan Nagradić / Language(s): Serbian Issue: 2/2011

Приказ/Review: Зоран Арсовић, Оно што након Хага остаје, Арт принт, Бања Лука, 2010.

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Recenzia: K noetice historické vědy a teorii kulturního vývoje

Author(s): Juraj Šuch / Language(s): Slovak Issue: 4/2018

The review of: HORSKÝ, Ján. TEORIE A NARACE. K noetice historické vědy a teorii kulturního vývoje. Praha: Argo, 2015, 274 s. ISBN 9788025713204.

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Poročilo o položaju, problemih in perspektivah pouka zgodovine, zlasti novejše, v naših šolah

Author(s): Tomaž Weber / Language(s): Slovenian Issue: 1-2/1967

Nous ne pouvons traiter de l’enseignement de l' histoire récente en dehors du problème de l' enseignement de l’ histoire en général dans nos écoles. Nous mettons pourtant un accent particulier sur l' histoire, à cause de sa portée éducatrice, c' est-à-dire de la portée qu’ elle a dans la formation de la personnalité du socialiste. Cela apparaît au dehors dans la conception des buts instructifséducatifs du sujet, chez celui qui dispense cet enseignement, et dans les subventions destinées à permettre de donner plus d’importance à l'histoire récente. A l’intérieur, on devrait reconnaitre la- portée de l’histoire récente par le soin plus marqué du cadre enseignant pour la réalisation de ses buts d’instruca-tion et d’éducation et pour les résultats obtenus.

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Autobiografija politizovanog veka

Author(s): Cvetka Hedžet Tóth / Language(s): Serbian Issue: 7/2007

The paper is an extended problem-focused analytical outline of the work of the English Marxist Eric Hobsbawm entitled Interesting Times. A Twentieth−Century Life. What is particularly underscored is the fact that Hobsbawm is someone who persists to the end, thus even today, even though everything that served as the build-up of the Russian Revolution fell to pieces. His interpretation of history delves into two concepts that have to be subjected to a critical analysis, namely distance and identity. One of the leading and at the same time concluding ideas of his Interesting Times is: “But history needs distance, not only from the passions, emotions, ideologies and fears of our own wars of religion, but from the even more dangerous temptations of ‘identity’.” His autobiography offers also the following thought that in many ways represents the leitmotif of his extremely interesting work: “We are the first generation to have lived through the historic moment when the rules and conventions that had hitherto bound human beings together in families, communities and societies ceased to operate. If you want to know what it was like, only we can tell you. If you think you can go back, we can tell you, it can’t be done.” Regardless of the fact that he is willing to admit, “I am prepared to concede, with regret, that Lenin’s Comintern was not such a good idea,” Hobsbawm as a Marxist and communist is aware that the world and its conditions are yet to change. “Still, let us not disarm, even in unsatisfactory times. Social injustice still needs to be denounced and fought. The world will not get better on its own.” To cherish and maintain the utopia of this possibility is Hobsbawm’s lasting contribution to the materialist and Marxist interpretation of history that calls for our reaching beyond frontiers of the past – also the frontiers of his politicized century.

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Историософията на Арнълд Тойнби

Author(s): Zhelyazko Stoyanov / Language(s): Bulgarian Issue: 2/2019

The article presents the basic views of the renowned British historian and philosopher of history (historiosopher) Arnold Toynbee (1889–1975), outlined above all in his 12-volume work 'A Study of History'. First of all, his understanding of the specifics of the emergence, development and existence of civilizations is examined. Special attention is paid to the criteria formulated by the British historian for the development of civilizations. Emphasis is placed on the topic of the relation between society and the individual, which is an essential element in Toynbee’s historiosophy. His views on the decline of civilizations and the “universal state” are also traced, as well as his scenarios for the future of civilizations.

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Місце творчості у добу Відродження як умови зростання людської досконалості у ідейно-естетичному та практичному вимірах

Author(s): Tetiana Viktorivna Andrushchenko,Tetiana Ivanivna Andrushchenko,Valeriy Mykolayovych Denysenko / Language(s): Ukrainian Issue: 4/2018

The purpose of the article is the problem of understanding the dynamic formation of historical forms of human being in the Renaissance Epoch connected with the fundamental principles changes: thinking system, behavior, beliefs, development of realia and the main point - cultural and artistic realia interpretation which is connected with the new content and creative technology modeling. Methodology of the research is based on philosophical and cultural studies, Structural systemic, historical, reconstructive-modeling methods with the purpose to define the place of creativity during the Renaissance Epoc as the issues of human perfection in the ideologically-aesthetic and practical aspects. Scientific novelty of the research is in defining the model of depicting reality within the limited frameworks which are transformed into the paradigm of the Universe creativity itself the same as it becomes the major one for the person herself or himself. Conclusions. We can claim that specifically modeled creativity was the real systemically creative one for the whole qualitatively new Renaissance culture including peculiar concepts of human being philosophy. Specific and inner socium conditions which were created by European and namely by Italian Renaissance caused new forms and principals of world correlations and human life creativity of the person’s post medieval time.

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CRISIS, JUSTICE, MESSIANISM: WALTER BENJAMIN’S “CRITIQUE OF VIOLENCE”

Author(s): Iryna Hlazkova,Oksana Chervenko,Yulia Anatoliyivna Rybinska / Language(s): English Issue: 4/2020

This essay dwells on Walter Benjamin’s early and important essay “Critique of Violence” (1921). I begin by examining the significance and multivalence of crisis for Benjamin’s work. I proceed by outlining the significance Weimar crisis not only for Benjamin’s essay, but for Carl Schmitt’s work. Further, I outline the significance of an internalization of crisis by the “Critique of Violence”, particularly as regards its method of exposition. I subsequently examine Benjamin’s analysis of the significance for justice of the proletarian general strike, especially as regards its similarities and differences from Georges Sorel’s Reflections on Violence (1909). In the last section of the essay, which focuses on Messianism, I dwell on one of the key differences between Benjamin and Sorel, namely the importance of the theological for the former. I conclude with a brief reflection on the surprising affinities between Benjamin’s Messianism and Lenin’s uncharacteristic lapse into utopianism in State and Revolution (1917).

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DIMITRIE CANTEMIR ON THE PROJECT OF UNIVERSAL PEACE

Author(s): Gabriela Pohoață,Ionuț Tatu / Language(s): English Issue: 3/2021

The 17th and 18th centuries were considered as being really "centuries of project makers." In the current text, we propose to analyze the Cantemiriran project drawn up by the Moldavian Prince at Peter the Great’s suggestion. Cantemir's project is an Eastern correlation of the great Western projects. By means of his project exposed in the famous work "Monarchiarum Psihica Examinatio" he extracts the prediction from a legitimacy and a quadrilinear theory of the empire. In Cantemir's vision order cannot be imposed, it stems from the law of the four great imperial stages. In his century, Cantemir prophesied the entry into the fourth "imperial stage." We appreciate that the essence of his project resides in the idea of the concept of order which the Romanian thinker claims, with scientific arguments, that it spreads from East to West and encompasses the whole world. Cantemir records, in his theory, the four great imperial stages which he calls "monarchies" (monarchatus) and which have historically asserted themselves as huge formations, with a sense of empire. Was the idea of a world empire the condition for achieving universal peace?! Time has shown that it was a utopian project, impossible to achieve in such a diverse world dominated by irreconcilable contradictions.

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Between Historiographies of Finitude and Appropriation of the Annales School: The “National Question” in Post-1945 Croatian Intellectual History

Author(s): Lucija Balikić / Language(s): English Issue: 1/2022

The present article outlines the main trends in post-1945 Croatian intellectual history writing, with special attention paid to the unique dynamics of the reception and influence of the Annales school, plus other external historiographical trends dominant in “Western” historiographies of the time. Moreover, the intellectual history was oftentimes written from a teleological perspective, culminating in either the people’s liberation struggle (narodnooslobodilačka borba) and socialist revolution, or in the making of an independent Croatian nation-state, whereby numerous ideologies were fashioned to fit these two goals. In contrast, a more self-reflexive and open-ended intellectual history inspired by the Annales School opposed these type of schemes. Nevertheless, both historiographical traditions of the period primarily grappled with the so-called national question and the historical interplay between the Yugoslav and Croatian national movements and ideologies, debating the intellectual and social origins of the former from a zero-sum perspective, while attempting to alienate the latter from the projects of Yugoslavism and socialism in the period after the wars of the 1990s. Using primarily the example of Mirjana Gross and her treatment of the ideology of rightism (pravaštvo) together with the polemics she developed with other historians about its morphology and relevance for the development and content of Croatian nationalism, the article demonstrates the aforementioned argument about historiographical trends and debates, as well as their notable transformations in the given period.

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World-wide conflicts, insular solutions: Universalizing government, language and race in H. G. Wells’s A Modern Utopia and Kang Youwei’s The Great Unity

Author(s): Johannes D. Kaminski / Language(s): English Issue: 4/2024

In H. G. Wells’ s and Kang Youwei’ s early 20th century utopias, World Governments take center stage by proposing global political orders to prevent large-scale wars. Both texts propose not only the centralization of military and juridical power, but also the homogenization of culture and language as well as race. Despite both texts’ ostentatious cosmopolitanism, however, their visions are compromised by their (Anglo- and Sinocentric) ethnocentrism and racism. In light of the complex narrative forms of both texts, this article proposes an alternative to judging them by today’s liberal values. Their sprawling form requires a consideration of their full heterogeneity, including Wells’ s use of narrative irony and Kang’ s intergalactic vision of cosmic citizenship.

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Коротка історія наших стосунків із темрявою

Author(s): Illia Rudiiko / Language(s): Ukrainian Issue: 05+06/2024

In the quiet of night, the protagonist finds solace in the darkness, where reflections in windows transform into glimpses of the outside world. This intimate relationship with darkness evolves into a profound connection, offering comfort and protection from the chaos beyond the room’s walls. The narrative explores the protagonist’s growing affection for the night, highlighting the contrast between the warmth of darkness and the harshness of light. Over time, this bond deepens, revealing the beauty and safety found in the shadows. The protagonist’s journey with darkness becomes a metaphor for understanding and embracing the unknown, ultimately leading to a sense of peace and belonging.

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Бачити себе як центр, а не околицю

Author(s): Olha Petrenko-Tseunova / Language(s): Ukrainian Issue: 04/2024

Ukraine’s role in the world is evolving, as highlighted by a recent discussion at the Kyiv Book Arsenal. Experts from various fields, including history, political science, and journalism, emphasized Ukraine’s need to see itself as a central player rather than a frontier. The conversation touched on the mental geography of borders, the impact of Russian colonialism, and the importance of Ukraine asserting its narrative globally. The panelists also discussed the geopolitical shifts and the necessity for Ukraine to maintain its cultural and political identity amidst external pressures. The dialogue underscored the significance of Ukraine’s self-perception and its strategic communication to ensure its story is told from its own perspective.

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Конспект розмови „Як ми назвемо цю війну?“

Author(s): Anastasiia Klymenko / Language(s): Ukrainian Issue: 04/2024

In a compelling discussion at the Kyiv Book Arsenal, Ukrainian intellectuals examined the multifaceted nature of the ongoing war, emphasizing its narrative and psychological dimensions. The panelists, including writers and philosophers, highlighted the importance of countering Russian propaganda and asserting Ukraine’s own narrative. They explored the historical roots of Russian narratives and the need for Ukraine to communicate its perspective effectively to the world. The conversation also delved into the psychological impact of the war on Ukrainian society, the role of identity, and the significance of maintaining cultural resilience. The dialogue underscored the necessity of strategic communication and the power of storytelling in shaping public perception and international support for Ukraine.

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CENSORSHIP, CONTROL, AND COMPLIANCE IN BYZANTINE MUSICOLOGY IN COMMUNIST ROMANIA

Author(s): Cătălin Cernătescu / Language(s): English Issue: 21/2024

My paper examines censorship and control in Byzantine musicology during the communist regime in Romania. The investigation draws upon archive materials from the Romanian Composers and Musicologists Union which reveal a previously unknown narrative. Within these records, covering the years 1950 to 1989, I unearthed unpublished accounts on Byzantine musicology and on scholars writing on church chant. In addition to identifying explicit instances of censorship, I have sought evidence for the compliance with the policies that heavily restricted the use of theological vocabulary. Furthermore, I have examined how musicologists outside such expert groups engaged with the research conducted by their peers. Through this pursuit, I aim to enhance the understanding of how specialists in sacred chant navigated the intricate landscape of cultural dynamics during a tumultuous historical period.

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