Zapach malarstwa – zapach sztuki (sensuous theory)

Author(s): Marta Leśniakowska / Language(s): Polish Issue: 3/2022

The affective dimension of experience conceived as a factor organising the psyche is an essential current of the new humanities which accept the “sense-centric“ and multi-sensory perspective derived from French existential phenomenology and based on neuroaesthetics and osmosociology. It resolves the question concerning the manner in which assorted artistic practices are received as a direct multisensory experience upon successive stages of the origin and functioning of art – from the artist’s studio, where art is produced, to the museum/gallery, where it is presented. For the first time in Polish literature the text analyses the participation of scent in the creation and perception of painting by engaging the sensuous theory (Vivian Sobchack) devised by so-called film studies 2.0. The author cites numerous statements made by artists and recipients of art dealing with this theme as well as fragments of the belles lettres, at the same time indicating contemporary art and exposition practices based on scent as well as most recent scientific research (library of the scents of historical objects).

Wprowadzenie. Laboratoria kultury współczesnej. Część 1

Author(s): Piotr Graczyk / Language(s): Polish Issue: 4/2022

Abstrakcja i rzeczywistość. Przedsiębiorstwa PRL-u jako fabryki sztuki

Author(s): Marcin Laberschek / Language(s): Polish Issue: 4/2022

Part of enterprises that were active during the time of Polish People’s Republic was fulfilling the role of an industrial art patrons, sponsoring and organising different types of artistic projects. The factories were however first and foremost obliged to fulfil the national industrial plans and their production norms, both of which could be impeded by their cultural and artistic activities. In this article the author poses a following question: why was it that the enterprises were sponsoring artistic events and how were they benefitting from it? To provide an answer, the author focused on three events under the industrial patronage – Biennale of Spatial Forms in Elbląg, 1st Symposium of Fine Artists and Scientists in Puławy as well as 1st Biennale of Metal Sculptures in Warsaw – and conducted an analysis of scientific and specialist literature on their topic. On this basis, the author drew the conclusion that the advantages related to the patronage had mostly a social character and resulted from building positive relations with the authorities, local communities and employees.

БАЛЕТ «МАЛЕНЬКИЙ ПРИНЦ» У ПОСТАНОВЦІ РАДУ ПОКЛІТАРУ: ОСОБЛИВОСТІ ВТІЛЕННЯ КЛАСИКИ

Author(s): Olena Stalyevna Afonina / Language(s): Ukrainian Issue: 1/2023

The purpose of the article is to reveal artistic images in "The Little Prince" ballet performance by Radu Poklitar with music by V. A. Mozart and Ukrainian lullabies performed by Maria Pylypchak. The methodology of the work is based on cultural analysis with elements of musicological analysis. The performed analysis provides familiarity with the ballet performance, the production of which took place on the theatre stage. Based on the synthesis of the obtained research results, the regularities of stage development in the interaction of choreography, music, and visualisation were established. The method of generalisation helped to record the sequence of formation of ballet images, disclosure of events in dialogue with music and visual series. The scientific novelty of the work lies in the fact that the analysis of the said ballet by Radu Poklitaru has been conducted. The interaction of choreography, music, and visual series in the embodiment of the philosophical fairy tale by Antoine Saint-Exupéry is revealed. The text of the article can be used when preparing a lecture on teaching music-theoretical and music-historical disciplines. Conclusions. Based on the analysis of "The Little Prince" ballet performance, the musical characteristics of the Little Prince, Rose, Snake and other actors were revealed by Radu Poklitaru. The stage unity of choreography, music, and visual series helped embody artistic images in the music-theatre genre. Choreography (elements of classics, free movements, imagery in movements) is supported by musical emotion and visualisation. The visual series significantly influenced the transmission of the philosophy and content of the literary source. The dramaturgy of the ballet is subordinated to the plot development. The musical basis of ballet became the basis for the realisation of artistic images in ballet: Mozart's works (Symphony No. 1, Fantasia in D minor, Piano Concerto with Orchestra No. 23, Part 2) and Ukrainian lullabies.

ОБРАЗ ОРФЕЯ В МИСТЕЦТВІ ЯК МОДЕЛЬ, ЩО ПОРОДЖУЄ ДІЙСНІСТЬ

Author(s): Valentyn Shtyrbul / Language(s): Ukrainian Issue: 1/2023

The purpose of the study is to analyse the modern embodiment of the eternal image of Orpheus created on the basis of an artistic revaluation of an ancient myth, which over a significant period of its existence has changed its role from the model of archaic society to inclusion in the great cultural context of the art of today. The methodological base of the study consists of a number of methods. Analytical method is used to penetrate the essence of the Orpheus as an artist, which allows us to learn about the motives of his actions. The comparative method is applied to compare and contrast the primary mythological image with its transformed variants. The use of the historical method is necessary in order to trace the development of the eternal image in art in different historical periods. The study of such a well-known image is impossible without the use of a descriptive method since its origins are in mythological sources. The scientific novelty of the study is to consider the eternal image of Orpheus, which exists in art as a generating model of reality. The proof of this thesis is based on the analysis of the examples of modern revaluated embodiment of the mythological plot by giving it the meaning that is relevant to the present socio-cultural meaning. Demonstration of such plot and motive transformations not only eliminates the distance between history and modernity, but also gives rise to a “new” myth that plays the role of a model of new reality. Conclusions. Some well-known plots, being repeatedly told and retold, inevitably undergo changes, significantly moving away from their primary source. The story of Orpheus, reflected in the works of art of different genres, functions as a kind of evolutionary power within the constantly expanding culture. An ancient legend of the Thracian Singer is a constant motif of new creations that not only contradict the cultural and historical development of humankind, but also contribute to it protecting the artistic heritage of the past from cultural oblivion by creating a transformed model of image that is actively involved in the creation of new reality.

МИКОЛА ЛИСЕНКО І ЯКІВ ГУЛАК-АРТЕМОВСЬКИЙ: ДО ІСТОРІЇ ВЗАЄМИН

Author(s): Iryna Lavrentiyivna Bermes / Language(s): Ukrainian Issue: 1/2023

The purpose of the article is to reveal the peculiarities of communication between Mykola Lysenko-conductor and amateur singer Yakiv Hulak-Artemovskyi. Research methodology. The following methods have been used in the research: exploratory, analysis and generalisation method to reveal the communication of the eminent master with this specific member of the choir, based on the latter’s memories and epistolary. Scientific novelty of the research. The article reveals for the first time certain aspects of Mykola Lysenko's work with the choir and the conductor's collaboration with the amateur singer Yakiv Hulak-Artemovskyi, his faithful assistant, who became the “right hand” of the conductor. Conclusions. Yakiv Hulak-Artemovskyi is a person from Mykola Lysenko's circle, extremely responsible and devoted. Understanding Mykola Lysenko's business, his impracticality in financial affairs, at the same time his great love for his native people and cheering for their future, he agreed to become a voluntary assistant of the artist. The relationship of Mykola Lysenko – an outstanding Ukrainian composer and conductor, with Yakiv HulakArtemovskyi – an amateur singer and choir manager must be a model of deep respect, tolerance, and an example of devoted service to the cause of Ukrainian choral art. The creative tandem of these caring personalities contributed to coordinated and successful work of the choir, preparation of concert programmes, organisation of tour trips, and the popularisation of the native song among the Ukrainian population. Mykola Lysenko and Yakiv Hulak-Artemovskyi were Ukrainian patriots, highly spiritual personalities, and hardworking people who defended the right of the people to be treated with dignity within or under the conditions of the colonialist policy of the Russian Empire: Mykola Lysenko as a defining cultural figure, whereas Yakiv Hulak-Artemovskyi was an average, but dedicated representative of Ukrainian citizenship. Both faithfully served their native people and the Ukrainian culture. Yakiv Hulak-Artemovskyi respected Mykola Lysenko as a talented artist, admired him as a personality, as well as, his ability to maintain independent views, even in the most difficult times. In turn, Mykola Lysenko valued Yakiv Hulak-Artemovskyi as a singer and head of the choir, and as a reliable assistant and adviser.

GENRE-STYLE DIVERSITY OF INTERPRETATIONS OF UKRAINIAN CLASSICS’ POETRY IN MUSICAL ART

Author(s): Viktoriia Padalko / Language(s): Ukrainian Issue: 1/2023

The purpose of the article is to reveal a variety of genres and styles, in which musical interpretations of Ukrainian classical poets’ texts appear. The methodology. Due to the specific features of the research, the combination of musicology and literary methods should be involved, as well as general scientific methods. So that, the musical analysis and the observation of stage production take place in direct connection with the features of the literal works and in general sociocultural context. Comparative method has been used to identify the characteristic features of such interpretations in different eras and in the works of different artists. The facts were summarised and structured with the use of the analytical method. Scientific novelty of the work lies in the presenting of the genre-style diversity of musical interpretations of the poetry of Ukrainian classics. Features of most musical works of the modern performers are described for the first time. Conclusions. The poetry of Ukrainian classics has a prominent feature – internal musicality, which up till now makes composers and singers turn to it and create their own new interpretations. This feature helps poetry to appear in the great variety of musical genres: from vocal, for example, song, romance or ballade, to genres that are bound with dance or theatre art, such as musical, mono-play, opera, or ballet. Traditionally, musical interpretations of the poetry were related to classical music. However, musicians’ attitude to the interpretation of the poetry of Ukrainian classics totally changed in the end of the XX century. After Ukraine reached its Independence, such interpretations have done the «break-out» and widened their stylistic paradigm to the great diversity – from academic acoustics to rock, rap core and many other different styles. To present these features, the musical compositions of the duo «Telniuk Sisters», bands «Komu Vnyz», «Plach Yeremii», «Haidamaky», and «Tartak» were used in the research. The article also illustrates the interpretations of the literary heritage of the classics in ballet art, as a vivid example of the fact that not only vocal works are born from the interaction of words and music.

«КУПАЛЬСЬКА СПРАВА» МИКОЛИ ЛИСЕНКА: КОНЦЕРТНО-ХОРОВЕ ВТІЛЕННЯ НАРОДНОГО ОБРЯДУ

Author(s): Natalia Tadeyivna Synkevych / Language(s): Ukrainian Issue: 1/2023

The purpose of the article is to identify the peculiarities of concert and choral implementation of the cycle of Kupalo songs in the interpretation by Mykola Lysenko. Research methodology is based on the synthesis of the folkloristic and art-studying approaches, which enable us to prove the fruitfulness of complementarity of various types of the artist’s creative activities. Cultural-historical, system-analytical and didactical methods are used in order to study the ways of concert reinterpretation of the folk-rite performance presented by a mixed choir with piano accompaniment, as well as to generalise the cognitive and spiritual values of that type of the repertoire. The scientific novelty of the research lies in the first analysis of the conformity of the composer’s idea and its implementation through the selected set of the expressive means to the content and essence of the ancient ritual authenticity on the example of a specific choral work. Conclusions. The ritual-choral cycle «The Kupalo Case» is a synthesis of folk archaism and innovative ways of concert enrichment of music language. Three folk songs under the common title are united by a dramatic idea, based on folk philosophy of the summer fest of Kupalo, its symbolism of purification through fire, water, and pairing of youth. The general cyclicality of the composition is cemented by an optimistic idea of glorifying the life. The piano part plays an important formative role, makes the verbal text more detailed and enriches the choral score in figurative and meaningful aspects. The harmonious language of the work contributes to the preservation of the archaic coloration. The general homophonic and harmonic texture sometimes reveals the signs of polyphonic layers, differentiated by male and female voices. Their layering reflects the contrast of timbres, registers, and character of melodies. As a result a peculiar style of choral theatricalisation is achieved, which coincides with the syncretism of the primary calendar-ritual performance.

АНТИЦИПАЦІЯ В КОНЦЕРТНІЙ ПРАКТИЦІ ПІАНІСТА-КОНЦЕРТМЕЙСТЕРА В КОНТЕКСТІ ЕМОЦІЙНОГО ІНТЕЛЕКТУ

Author(s): Mariia Obolenska / Language(s): Ukrainian Issue: 1/2023

The purpose of the article is to investigate the functioning of anticipation in correlation with emotional intelligence in a pianist-accompanist’s work in the concert phase. Emotional intelligence is the ability to work with emotions, including the ability to anticipate them. Anticipation is the property of the psyche to foresee the next events in time, including emotions. This is the point of intersection that the concept of the article is built on. Research methodology. To achieve the declared purpose, we use the following methods. Systemic method allows us to explore the principles of functioning of anticipation as an attribute of the emotional intelligence system. Psychological method is aimed to consider the congenital and acquired patterns of the human brain through the prism of psychology. A method of theoretical modeling helps to construct speculative models of potential real situations. The scientific novelty of the research consists in revealing the direct co-dependence of anticipation and emotional intelligence and projecting their functioning on the pianist-accompanist’s creative work. There is always an element of unpredictability in the process of concert performance, which ensures the openness of the field of emotional reactions. For a pianist-accompanist, the difficulty lies not only in working out one's own emotions, but also in preparing a response to a partner's concert emotion. To minimise losses on stage, one will need the ability to work with the tools of emotional intelligence, among which anticipation plays a significant role. Conclusions. The importance of understanding the acts of anticipation for a successful use of the resources of emotional intelligence is substantiated. Expanding the range of resources of one’s own body by consciously transferring innate predispositions into the processes controlled by consciousness raises the professional activity of a pianist-accompanist to a higher level of creative mastery.

СИНКРЕТИЗМ ЦЕРКОВНОЇ ПОХОВАЛЬНО-ОБРЯДОВОЇ МУЗИКИ ТА ФОЛЬКЛОРНИХ ЕЛЕМЕНТІВ У ПРАВОСЛАВНІЙ ТРАДИЦІЇ

Author(s): Olga Sapozhnik / Language(s): Ukrainian Issue: 1/2023

The purpose of the article is to discuss the mutual influence of funeral and ritual music and folklore ritual traditions of Ukrainian Orthodoxy. The specifics of the development of folk beliefs, customs and church ritual, and burial music are investigated. It is indicated that Orthodox sacred music developed in interaction with centuries-old folk melos and became the basis for the development of church musical culture. The study aims to identify the relationship of burial ritual music and folklore elements in church chants of the Orthodox tradition, to outline the phenomenon of church burial and ritual music as a specific way of spiritual communication, catharsis, emotional and figurative assimilation, and reflection of personal worldview. The research methodology comprises the general scientific methods of analysis: historicism, systematisation, comparison, and generalisation of the problem under study. Scientific novelty of the research lies in clarifying the fixation and elaboration of the Orthodox taphological repertoire; in the study of the mutual influence of folk household and burial beliefs, customs and church ritual, and burial music of Orthodox Christians on the cultural identity of Ukrainians, their worldview, and national genotype. Conclusions. In the musical burial ritualism of Ukrainians, the symbiosis of customs, beliefs, and church rites is still clearly traced. All of them are aimed to convert an Orthodox Christian to a righteous, sinless life, to the hope of forgiveness and remission of sins, and to giving peace to the soul after death in anticipation of the Kingdom of Heaven, eternal life. They also intend to cleanse the living space from negative action, to ensure the successful transition of the soul of the deceased to the Kingdom of God, to protect living relatives and to unite the living and the dead from the family in Holy Communion (Eucharist). The Orthodox musical and aesthetic tradition states that the soul’s prayer of the deceased is strong and effective in God. Consequently, Christians have a firm belief that the souls of the dead pray for their living descendants of each kin, and the mission of the living is to pray for the eternal peace of their souls and the universal resurrection in the Kingdom of Heaven. If we are to achieve a fullness of synergistic communion with the Lord, we must not only rely on God's help, but also make our spiritual contribution through spiritual effort and compassionate strain, kenosis, self-sacrifice, and personal predestination to the Good. The phenomenon of church burial and ritual music appears as a specific way of spiritual communion, emotional and figurative mastering and reflection of the worldview of an Orthodox Christian, which gives rise to an ethno-national type of a person’s musical and aesthetic thinking, and cultural self-identification. With the help of church chants, including pure funeral and ritual songs, Ukrainian musical culture became the personification of religious and aesthetic ideals, and mental-ideological attitudes of Orthodoxy. This influenced the processes of national identification and left a characteristic imprint on the ethno-national mentality and spiritual and musical culture of Rus-Ukraine throughout the centuries.

New York, the Mecca of the Art World. Initial Study on Polish Migrant Artists who Left for the United States, 1986–1995

Author(s): Anna Rudek-Śmiechowska / Language(s): English Issue: 3/2021

The paper strives to characterize the circle of Polish visual artists who left for the United States in the late 20th century and settled in New York City, where they continued their careers. For the purposes of the paper, the subject matter has been focused on an excerpt from an ample research problem i.e. the analysis of the history of the Polish American Artists Society (PAAS,) operating in New York from 1986 through 1995. Their activities form the basis for the analysis and constitute a database to construct a more profound picture of the organization. Therefore, the years in which PAAS operated shall also constitute the paper’s framework. To foster simplicity, the term ‘artist’ and ‘artists’ shall be used to refer to visual artists born in Poland who came to New York City mainly in the 1970s, 1980s, and 1990s, permanently resided in the United States, and worked as visual artists, regardless of the technique they adopted, be it painters, sculptors, photographers, graphic artists, illustrators, performers, artistic fabric weavers, or video artists. The paper uses their micro-stories to illustrate the phenomenon behind the prolific community of Polish artists in New York City from 1986 through 1995. It is based on research on PAAS, which has become the basis for a monographic book about the Society.

Professional and personal self-determination in the conditions of distance learning

Author(s): Sitora Mustafayeva / Language(s): English Issue: 3/2023

Distance education (DE) has actualized the use of media resources for psychological support for schoolchildren and students. However, career guidance work with high-school-age children in a distance learning environment has not been well addressed in the research to date. This study aims to demonstrate the positive influence of cinema art on the attitudes, views, preferences, and motives of schoolchildren in their career choices. A total of 290 students from a humanitarian technical college participated in the experiment conducted by this study. Based on this study's results, film education's effectiveness in forming the professional and personal self-determination of college students has been empirically confirmed. The study made it possible to analyze the process of professional and personal self-determination of college students, as well as to develop a program contributing to the successful professional and personal self-determination of high-school-age children.

Fenomen utworu Baby Sharkz perspektywy akwizycji języka

Author(s): Kinga Michałek / Language(s): Polish Issue: 1/2022

This article is divided into three sections. The first one contains an overview of the available academic research of speech development. Furthermore, its contribution to forming interpersonal relationships is put into consideration. Linguistic, neurobiological and psychological observations are presented here. The following analysis of the Baby Shark video and other publicly available digital material of children’s reactions to the initial sounds of this song, aims to show its phenomenon. It is also an example of the impact that modern culture and technology have on both L1 and L2 acquisition. All of this makes it possible to acknowledge this perspective as an important element of the speech therapy interview. Observations contain in this article might be also worth to put into discussion with other researchers and specialists. The final section of the article is its bibliography containing both Polish and English-language scientific texts and, due to the specificity of this topic, numerous internet sources.

შერმადინ შარია, ბედიის სამონასტრო კომპლექსი, თბ., 2021.

Author(s): Goneli Arakhamia / Language(s): Georgian Issue: 1/2022

The given scientific – popular book, as the title suggests, is dedicated to the history of a prominent monument of Georgian cultural heritage, Bedia Cathedral and the monastery complex established around it. The paper has not only cognitive but also social significance, as this great monument of Georgian Christian culture is located in the territory of occupied Abkhazia.The aim of the book is to introduce the history of the monument from the day of its foundation (end of the X century) until now. The structure of the paper is also relevant to the aim and includes all the main aspects of the adventures related to the monastery.The book contains and analyses the vast material such as written sources and scientific literature available today about the Bedia Monastery complex, which, for obvious reasons, are scattered in various publications and are less accessible to the general public interested in this monument. The value of the book under con-sideration and the author’s merit is that everything the generations of historians, philologists, art critics, archeologists, and epigraphists had created is gathered and organized here.

რომანტიზმის ანტირაციონალისტური ბუნება

Author(s): Paata Gergaia / Language(s): Georgian Issue: 1/2022

The role and significance of Romanticism and Classicism as cultural move-ments in terms of aestheticizing and humanizing the world is substantial.And science, too, has long been in collaboration with them:Numerous scientific and literary works on these movements adorn the world cultural treasures. Postmodernism does not lag behind the scientific and literary unity; that is to say, the replenishment of these treasures has not lost its relevance to this day.And I, as a citizen of the modern cultural society, as a rationalist - a member of the “Hegel-Spinoza Club”, will join the discussion with slightly different touches of my own.These different touches evoke an inner feeling in me prompting to spend more time and, more importantly, much more resources on the subject in the future.

ახ.წ. IV-VII საუკუნეებისსამშენებლოკერამიკასამხრეთ-დასავლეთსაქართველოდან

Author(s): Tamaz Darchidze / Language(s): Georgian Issue: 2/2022

The present paper deals with the Ceramic building material (CBM) of 4th-7thcenturies AD found as a result of archaeological works, carried out on different archaeological monuments of south-western Georgia. We are discussing the sig-nificance of the CBM as an archaeological source. It is known that this group of ceramic goods can give a certain idea about the local cultural identity and thus is important in terms of investigation of the urban forms as well. In the present paper we will touch the main groups of CBM discovered recently in Petra Tsikhisdziri, Gonio-Apsaros and the remains of Avgia church, discuss their main characteristics, scope of use, places and techniques of its manufacturing. On the basis of study of materials preserved in the museum funds we managed to determine the main local types and shapes of the flat roof tiles with bent edges and compare them with the contemporary materials. When determining the typology of the flat roof tiles with bent edges, unearthed in the studied region, we mainly followed the principle, already accepted by researchers: the tiles were grouped according to their shapes and sizes of edges. We considered such pronounced characteristics as colour of the pan tile, its structure and dimensions. Considering these characteristics two main groups and four main types of roof tiles have been singled out: type I – high-edge rectangular roof-tiles; II – low-edge rectangular roof-tiles; III - blunt-angle roof-tiles with straight sides; IV - blunt-angle roof-tiles with bent edge. The studied samples differ from each other by the outline of the bent edge, colour, structure and dimensions of the pan tile. This proves that they have been manufactured at different times in different workshops. Common characteristics of roof-tiles united by us in particular types and forms, resemble each other. In our opinion a major part of the studied materials should have been manufactured locally. Based on the processing of archaeological materials the conclusions on dating of particular types of CBM were drawn.

ინსბრუკის ლანგარი, როგორც შუა საუკუნეების ქართული კულტურის ენციკლოპედია

Author(s): Beka Chichinadze / Language(s): Georgian Issue: 1/2021

In Innsbruck, Austria, is preserved a unique Medieval art artefact, an enamel-decorated plate. Its height - five Centimeters, Diameter - twenty-five Centimeters. Dark Red, Yellow, Green, Blue, Turquoise, Black and White Colors are used in his images. In the middle of the plate, a circle depicts a famous story, The Rise of Alexander the Great - the young man holds crossed sticks in his hands, surrounded by two birds. Around the circle containing image of Alexander, there are six other circles below the plate and six on the lower side and images of Peacocks, lions, as well as a wide variety of compositions: Snakes with Eagle claws, Winged Horses, Wrestlers, Dancers and Acrobats, Flute players, Birds and Trees of life. Inscription shows, that this plate received as a gift one of the Artuqid rulers - Amir Daud (1114-1142), the owner of Hisn Kaifa. According to some researchers, this product belongs to the Georgian school of enamel. Many images of plate are repeated on various monuments of Georgian art of this era. We have shown several cases, when various stories and plant motifs reflected on the plate, are repeated in the Georgian ecclesiastical art. In the Middle Ages, enamel products had a very high price, which is why this product was considered a suitable royal gift in Georgia. Georgian chronicles pay great attention to the royal gift and attach special importance to the ability to choose a worthy gift among the qualities necessary for the king. The Innsbruck plate also belongs to this tradition, as a magnificent monument of Medieval art, where many images from this era can be found, which, unlike ecclesiastical art, are not limited.

The Development of National Cinema in Post-Maidan Ukraine

Author(s): Elżbieta Olzacka / Language(s): English Issue: 02/2023

Since the Euromaidan revolution, Ukrainian cinema has been experiencing a renaissance, associated with both the wave of civic and creative activity and the policy of the post-Maidan authorities supporting the film industry. The article analyzes the development of Ukrainian cinema from 2014 to 2019, focusing not only on organizational, institutional, and legal changes but also on the accompanying controversies. It addresses the main socio-political, economic, and cultural factors influencing progress in the number of films produced in Ukraine and their popularization on the domestic and foreign market. The article particularly emphasizes the context of Russian aggression toward Ukraine and the ongoing war in Donbas, as it influences not only the topics taken up by filmmakers but also the priorities of authorities in the field of cultural policy. Cinema has become one of the fronts of the conflict. Thus, the post-Maidan authorities’ concern was both to block Russian content deemed dangerous from the point of view of national security and to produce and promote “Ukrainian-centric” narratives. The last part of the article will discuss the new Ukrainian “patriotic cinema,” supported and subsidized by the state, with a focus on the role it plays in a society experiencing conflict.

Рефлексия на обичайното. Изкуство и философия

Author(s): Andrea Kern / Language(s): Bulgarian Issue: 1/2002

Опит за историзиране на огледалния образ

Author(s): Vladimir Andreev Trendafilov / Language(s): Bulgarian Issue: 1/2002