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The distinctive contribution of psychology to the art of conducting

The distinctive contribution of psychology to the art of conducting

Author(s): Theodora Pavlovitch / Language(s): English Issue: 1/2021

The profound complexity of conducting as a human activity is attracting increased interest from psychologists. Scientific investigations, and reflections by conductors themselves are now widely available in the form of monographs, articles in academic journals, and interviews. This paper interrogates the significance of the conductor’s artistic personality, his relationship with composers on the one hand and musical ensembles on the other, and their expressive consequences for listeners.

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ЗАСОБИ ВИРАЗНОСТІ В РЕКЛАМНОМУ АУДІОВІЗУАЛЬНОМУ ТВОРІ

Author(s): Svitlana Zarya / Language(s): Ukrainian Issue: 41/2022

The purpose of the work. The study focuses on expressiveness in an audiovisual advertising work. The methodology consists in applying the methods of observation, analysis and theoretical generalization of practical data in the field of audiovisual art. Scientific novelty. The type of television audiovisual advertising, which is divided by types, is defined: social advertising with national-patriotic symbols, social-household and commercial musical-image advertising. The system of means of artistic expressiveness of audiovisual works is revealed, and the visual means and the musical-linguistic structure are described, where the functions of music, noise and language in the television advertising audiovisual works are specified. Conclusions. Audiovisual TV advertising is today the most popular cinematic work. Due to the different stylistic direction of the audiovisual work, all means of expressiveness adhere to a certain image. The synthesis of visual and musical sound scores and the whole range of expressive media adds an audiovisual product of saturation and bright palette, which has a strong influence on the viewer and an incredible impression.

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ФЕНОМЕН ВЗАЄМОДІЇ ІТАЛІЙСЬКОЇ ТА АНГЛІЙСЬКОЇ ПРИДВОРНОЇ КУЛЬТУРИ В ПЕРШІЙ ПОЛОВИНІ XVII СТОЛІТТЯ

ФЕНОМЕН ВЗАЄМОДІЇ ІТАЛІЙСЬКОЇ ТА АНГЛІЙСЬКОЇ ПРИДВОРНОЇ КУЛЬТУРИ В ПЕРШІЙ ПОЛОВИНІ XVII СТОЛІТТЯ

Author(s): Alla Sokolova / Language(s): Ukrainian Issue: 4/2022

The purpose of the article is to identify the points of interaction between the English court culture and the Italian court culture of the first half of the 17th century and to highlight their characteristic features. The novelty of the study lies in understanding the interaction, similarities, and differences between the leading court genres of the Italian and English culture in the first half of the 17th century. The research methodology consists in applying the methods of analysis and synthesis, systematisation of facts, comparison, and generalisation of the research results. The systemhistorical method made it possible to consider the formation of Italian court culture in the Renaissance. The comparative method helped to reveal the similarities between court musical and theatrical performances in the above-mentioned countries. Conclusions. The attachment of the court culture of England, in general, and the genre of the English court mask, in particular, to the culture of the educated aristocracy of Italy, is verified by the cultural inclusion in the traditions of Italian carnival values and cult Italian dances. During the reign of the Stuart kings, the Italian carnival was well-known in England along with other European court entertainments. Italian dances, costumes, and scenery were used in court musical and theatrical performances in England. Italian choreographers and musicians were welcome guests at the Royal Palace of Whitehall, which contributed to the interaction and interpenetration of continental court culture with the culture of England. However, despite certain parallels between the court musical-theatrical entertainments of England and Italy, their difference was carried out due to the orientation of the performances to a narrow and, accordingly, wider circle of aristocratic participants.

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STALNA POSTAVAKA: „HERCEGOVAČKO SELO“ U MUZEJU HERCEGOVINE MOSTAR

STALNA POSTAVAKA: „HERCEGOVAČKO SELO“ U MUZEJU HERCEGOVINE MOSTAR

Author(s): Zlatko Zvonić,Ibrahim Dizdar,Aner Duraković / Language(s): Bosnian Issue: 20/2021

Museology as a science often requires that ethnological matters be taken care of as well settings, method of presentation, and especially education. The space of the mentioned exhibition under the name "Herzegovinian village" is in our museum possibilities appropriate, and the presented objects show the Herzegovinian village and way of living in it. The setting is made in proportion to show the culture cultivation of the land, the culture of food and clothing and the interior of rural Herzegovina houses. Central photo showing the interior of a Herzegovinian country house and a larger number of rustic objects with a seating set give a faithful representation of Herzegovinian village. Ethnological settings are mostly interesting and educational for group and individual visits, and especially for educational institutions. The Museum of Herzegovina Mostar with its ethnological opus, which is visible and through the subject work, continues to take care of this branch of museology, regardless that sometimes circumstances are not favorable to such sciences, unless they are in the service of commercialization. The very fact that the exhibits were recently restored and the setting restored and put into operation, speaks in favor of preserving and exhibiting ethnology collection.

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PRIKAZ AKTIVNOSTI HISTORIJSKOARHEOLOŠKOG ODJELA MUZEJA HERCEGOVINE OD FORMIRANJA DO SAVREMENOG DOBA

PRIKAZ AKTIVNOSTI HISTORIJSKOARHEOLOŠKOG ODJELA MUZEJA HERCEGOVINE OD FORMIRANJA DO SAVREMENOG DOBA

Author(s): Edin Mulović,Indira Gaštan-Bešo / Language(s): Bosnian Issue: 20/2021

The paper discusses the development and chronological review of the activities of the historical and archaeological department of the Herzegovina museum.The Museum of Herzegovina was founded in 1950.with the aim of researching,collecting,preserving and presenting the rich cultural and historical heritage of Mostar and the region of Herzegovina.Therefore from the very beginning of the establishment, collecting of artefacts from the entire area of Herzegovina has begun. From its establishment to the present day ,it has primarily dealt with the gathering od museum funds for historical and archaeological collections,among other things.The period of the sixties and seventies of the last century was marked by the work of these departments,where enviable results are achieved,as well as field research works,among which are Cim Basilica,the Basilica of Zitomislici etc.,then the organization of mobile exhibitions.Through exhibitions,a large part of the cultural and historical heritage belonging to periods from the most ancient past of Mostar and Herzegovina is presented to the public.The nineties,due to the aggression on the Republic Bosnia and Herzegovina,marked the end of all previous activities with the loss of majority of material and personnel capacity required for the normal functioning of the museum.After the war,the museum recovered,but in new socio-political circumstamces.Special attention was paid to the digitalization of museum materials.The role of the Museum of Herzegovina is to enable,through the work of the historical and archaeological department,all museum materials to be researched,digitalized and presented through activities, lectures, publications, exhibitions and workshops.

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U POHOD KROZ PROSTOR I VRIJEME KNJIŽEVNI PORTRET BLAGAJA U NEKIM TEKSTOVIMA IBRAHIMA KAJANA

U POHOD KROZ PROSTOR I VRIJEME KNJIŽEVNI PORTRET BLAGAJA U NEKIM TEKSTOVIMA IBRAHIMA KAJANA

Author(s): Lejla Žujo-Marić / Language(s): Bosnian Issue: 20/2021

Blagaj is an important place of Bosnian history and culture, a space of inspiration and art, continuity of life and creation, but also a space that reflects the mentality of the Bosnian people in the historical whirlwind. The aim of this work is to show how the literary portrait of Blagaj is shaped in the selected texts of Ibrahim Kajan, and how traces of cultural heritage are condensed into symbols through the literary word, creating a new space of memory.

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Pripovjedna proza u književnome izričaju posavskih Hrvata

Pripovjedna proza u književnome izričaju posavskih Hrvata

Author(s): Mato Nedić / Language(s): Croatian Issue: 128/2022

If one wants to observe the area of Bosanska Posavina as it used to be, that is, before the Homeland War, then it must be remembered that this region consisted of eight municipalities: from Brčko in the east to Derventa in the west, and Gradačac and Modriča in the south. More than 135 thousand Croats lived in that area, which was about 44% of the total population1. However, the war's destruction and suffering significantly changed the ethnic composition of the population in Posavina. Although even today, when one says Bosnian Posavina, one means its entire territory, in reality the Croats held on only in the defended part, which is the area of the municipality of Orašje and parts of the municipality of Bosanski Šamac, from which the municipality of Domaljevac was later formed, and in the area Odžak municipality, which was returned by the aggressors in the Dayton Peace Agreement. In today's Posavina reality, these three municipalities make up the area of the Posavina County, and in them the full-scale development, and that then means the cultural life of the Posavina Croats.

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O susretima književnosti i filma

O susretima književnosti i filma

Author(s): Fahrudin Kujundžić / Language(s): Bosnian Issue: 19/2022

Review of: Film i književnost: Zbornik radova, Marija Grujić i Kristijan Olah (ur.), Institut za književnost i umetnost, Beograd, 2020.

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Fiction and the Real World: The Aesthetic Experience of Theatre

Fiction and the Real World: The Aesthetic Experience of Theatre

Author(s): Caterina Piccione / Language(s): English Issue: 65/2022

In what sense can aesthetic experience be considered an opportunity for the development of personal identity, cognitive abilities, and emotions? Theatre proves to be an important field of investigation to approach this question. During a theatrical experience, the connection between fiction and reality can take the form of active cooperation between author, actor, and spectator. A better understanding of this point can be drawn by pointing out three kinds of spectator: we can distinguish a critical spectator, an emotional spectator, and an instinctual spectator, who respectively represent: the imaginative and hermeneutic attitude; empathy and fictional emotions; the unconscious satisfaction of drives. So far, a parallel can be established between literature and theatre. However, these two aesthetic experiences are profoundly different: the type of immersion provided by the theatrical experience differs from reading, because the presence of the characters is physical and actual. The pragmatic theatrical framework is the same as that which underlies childhood games. This means that the public too is to some extent called to play, i.e. to act. To appreciate the implications of this thesis, a preliminary analysis of the performance Reality (Deflorian and Tagliarini 2012) is offered, examining how its experience contributes to the development of the spectating subject.

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MILAN SUNKO – A FORGOTTEN WORLD RENOWNED CROATIAN HERALDIC ARTIST

MILAN SUNKO – A FORGOTTEN WORLD RENOWNED CROATIAN HERALDIC ARTIST

Author(s): Željko Heimer / Language(s): English Issue: 1/2022

Milan Sunko (Zidani Most, 5 December 1860 – Zagreb, 9 March 1891) was a heraldic artist, numismatist, and collector, who studied and started his carrer in Vienna working with the most renowned heraldists of the “classical” Austrian heraldic period. He moved to Zagreb where he made number of well received paintings and graphics and was supported by the intelectual elite of the fastly developing city. His brief spectacular carrier was abruptly ended by laryngeal tuberculosis, and he died in his 31st year. His works are preserved in several museums and galleries in Zagreb, and his heraldic lithographs and ex libris bookplates are remembered in specialized bibliography. However, the Croatian heraldic historiography has forgotten all about him and this paper attempts to remedy this. After the establishment of the Brotherhood of Croatian Dragon Society – one of its founders being Emilij Laszowski, notable Croatian heraldist; it took upon a project to preserve Sunko’s grave, exhuming his remains and providing a modest but dignified grave for him at the Zagreb cemetary in 1910. To achieve that, the Draconian Society raised funds in an international action, activating his foreign friends and fans, documenting the project in respectable heraldic periodicals.

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"Moje imię to milion" – onimiczna lektura prozy Olgi Tokarczuk

Author(s): Magdalena Graf / Language(s): Polish Issue: 13/2022

“My name is a million” - an onimic reading of Olga Tokarczuk's prose. This article examines proper nouns in the works of Olga Tokarczuk. I analyse critical assumptions of literary onomastics and try to understand to what extent the onimic layer of the works of the Polish Nobel laureate can be considered as a system. The cited examples of literary proper names appearing in selected Tokarczuk novels allow us to understand the individual features of naming (especially the use of capital letters and the creation of individual descriptors) as well as the way this is rooted in the broader context of literature, culture, science and history, which also influence the use of proper names in the author’s works. The theories put forward by Italian literary historian Franco Moretti provide a complementary analytical framework.

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“Idzie o to, żeby szło. Miało wzięcie. Działało. Żyło”. Improwizowanie filomatów

Author(s): Agata Żaglewska / Language(s): Polish Issue: 13/2022

The point is to get it going, to make it alluring. To make it work. To keep it alive. The Philomaths’ Improvising. The article discusses improvisational performances of the Philomaths in the context of the advent of a so-called modernity which correlated with a rapid change in people’s lifestyles. My starting point in examining the most characteristic phenomena of the literary life in Vilnius is the newly emerged economic environment: the enormous popularity of improvised poems (performed or written impromptu) and the development of the printed press. The analysis of the Philomaths’ performances, letters and poems focuses on various aspects of improvising, and not only on poetry presentations but also on a spontaneous way of living and the process of literary production. I argue that the improvisational activity of the Philomaths can be considered as an act of experimenting with and adapting various (traditional as well as innovative) literary patterns, and therefore as a poetic laboratory of the new romantic era.

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Luigi Marinelli, Noster hic est Dantes. Su Dante e il dantismo in Polonia

Author(s): Andrea Fernando de Carlo / Language(s): Italian Issue: 13/2022

Review of: Luigi Marinelli, Noster hic est Dantes. Su Dante e il dantismo in Polonia, Lithos Editrice, Roma 2022, pp. 206.

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ECOTHEATRE: CHANGING PERSPECTIVE FROM WHO WE ARE TOWARDS WHERE WE ARE

ECOTHEATRE: CHANGING PERSPECTIVE FROM WHO WE ARE TOWARDS WHERE WE ARE

Author(s): Kitija Balcare / Language(s): English Issue: 1/2022

Looking from the perspective of Anthropocene, there is an urgency of environmental concerns which is growing day by day. While there is an emphasis on environmental education made by NGOs, it is important to analyze the role of the performing arts, especially, theatre, to raise awareness of environmental issues among society. The article focuses on the development of ecotheatre on a global perspective and also highlights local examples of ecodramaturgy in the performing arts in Latvia. This article lets to conclude that in the last years (2019–2022) there is a growing trend in Latvia reflecting on environmental topics through medium of theatrical performance and an essential raise in original ecodramaturgy. Also, there is a development of various forms in performing arts related to environmental issues. Ecotheatre becomes the form of environmental activism or, so called artivism, of theatre practitioners in Latvia.

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THEATER ARTISTS BETWEEN THE CITY AND THE NON-CITY: THE SPRING OF WITHDRAWALS AND RETURNS

THEATER ARTISTS BETWEEN THE CITY AND THE NON-CITY: THE SPRING OF WITHDRAWALS AND RETURNS

Author(s): Ramunė Balevičiūtė,Agnė Jurgaitytė-Avižinienė / Language(s): English Issue: 1/2022

In the West, theater has always been strongly associated with city culture and urbanization processes. By combining the methods and insights of the arts and psychology, the article aims to explore the impact of the city and non-city environments on the work of theater artists, to find out what happens when a creator withdraws from a usual city environment. Qualitative approach – case study analysis – is applied in this research by interviewing two theater artists. The research identified four meta-themes: move back and forth, together and separately, change of perspective, create a new universe. Analysis of the aforementioned themes revealed that withdrawal from the city, as from the usual creative space, is useful and productive for the theater artists, but becomes meaningful only when the latter come back to the city. The metaphor of the spring is suitable for describing this process: creativity is most stimulated by dynamics of withdrawals and returns, which determines the change of perspectives and, at the same time, creative states, rather than withdrawal from the city itself. Withdrawal provides impulses for new universes to emerge: both in the aesthetic plane of creation and in the psychological plane.

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Tapybos ontologija Arūno Vaitkūno kūryboje

Tapybos ontologija Arūno Vaitkūno kūryboje

Author(s): Odeta Žukauskienė / Language(s): Lithuanian Issue: 112/2022

The article examines the works of Arūnas Vaitkūnas, in which the contours of the ontology of painting emerge. In Vaitkūnas' art works, two ines are interconnected - being in painting and being of painting. Deepening the tradition of expressionism, the painter delves into the reflection of human existence and the reality proper to paintings. The sense of being and the awareness of its disappearance, a direct experience of specific place and time have become the main subjects of his paintings. He considers the ontological characteristics of painting and reflects on how painting opens being in the surface of the canvas, in the structure itself of the picture through the means of pictorial expression. Besides in his paintings, found objects and installations he questions of the identity of painting to gain a deeper understanding of the peculiarity of the media, the relationship with reality, as well as the limits, liminality and the possibilities of its expansion. The article hermeneutically interprets Vaitkūnas' works, which connect with philosophical insights of Jacques Derrida, Arvydas Šliogeris, Justinas Mikutis, and the paintings of Francis Bacon and Gerhard Richter, revealing attempts to ontologize painting and the searches for its extensiveness, leading to the primeval geoglyphs.

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Arvydo Šliogerio „lietuviškosios“ Būties paieškos tapyboje

Arvydo Šliogerio „lietuviškosios“ Būties paieškos tapyboje

Author(s): Tomas Kavaliauskas / Language(s): Lithuanian Issue: 113/2022

In this article the author analyzes the search for Being in art according to Arvydas Šliogeris. Although Šliogeris selected the picture of The Great Pine tree painted by Paul Cézanne for his art philosophy - we see that in the book The Thing and Art - the philosopher himself is very Lithuanian, his thinking and his theoretical worldview is permeated with Lithuanian spirit. It is especially clear when he interprets Čiurlionis‘ paintings titled Sonata of the Grass Snake, the vision of the Grass Snake. A Grass Snake, who is sacred in the pagan tradition in Southern part of Lithuania called Dzūkija, is interconnected with Šliogeris‘ philotopia in Dzūkija region. From the cultural point of view, it is far away from French region of Provence, which was the inspiration for Cézanne. The article also analyzes why Šliogeris did not choose the sea theme in painting. After all, the openings of Being could be found in the painting of dramatically stormy sea with a sail ship tipping over the waves. By refusing to search for Being in sea paintings, and instead opting for the region of Southern Lithuania, he evidently makes a subjective selection, looking at the world through the prism of the self “I“. It is, owever, impossible otherwise. After all, philotopia as such, inevitably presuposes subjectivity.

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Wyznaczniki regionalizmu w zbiorze opowiadań Heleny Romer-Ochenkowskiej Tutejsi (1931)

Wyznaczniki regionalizmu w zbiorze opowiadań Heleny Romer-Ochenkowskiej Tutejsi (1931)

Author(s): Irena Fedorovič,Miroslav Davlevič / Language(s): Polish Issue: 2/2022

The object of research is a collection of short stories by Helena Romer-Ochenkowska (1875–1947) titled Tutejsi (Warsaw 1931). It is the third series of short stories by a famous Vilnius writer, poet and journalist, which is devoted to regional issues. The protagonists of the stories are native inhabitants of the Lithuanian-Belarusian border, people of different nationalities (Poles, Belarusians, Lithuanians, Jews) and of various origins (wealthy and poor nobility, peasants, officials). The stories takes place during the years of World War I and in the interwar period, when some of the Lithuanian-Belarusian territories became part of the Second Polish Republic. The indigenous people of the borderland were shown in opposition to “strangers” – German soldiers and former Russian officials and clergy. The most important determinant of regionalism, as exemplified by the collection of Tutejsi stories, is linguistic distinctiveness, visible in the author’s narrative and in the characters’ individualized language. There are regionalisms and dialectisms in the language of the heroes typical of the North-Borderlands Polish language. Based on the methodology of cognitive linguistics, the authors of the article also distinguished several other concepts that characterize regionalism, which are: local territory / patriotism; landscape; customs / traditions; games / songs; costumes. The results of the research confirm the correctness of the scholars’ opinion that people of the borderland tend to position themselves as locals and maintain a sense of their own separateness.

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RİND-ZAHİD ÇATIŞMASININ MOLLA TİPİNE YANSIMASI: TEZVÎRÎ’NİN MONLÂ REDİFLİ HİCVİYYELERİ

RİND-ZAHİD ÇATIŞMASININ MOLLA TİPİNE YANSIMASI: TEZVÎRÎ’NİN MONLÂ REDİFLİ HİCVİYYELERİ

Author(s): Bülent ŞIĞVA,Üyesi Salih ÖZYURT / Language(s): Turkish Issue: 57/2023

Divan poets, who created works in Sufi style, discussed the conflict of rind-zahid both in some of their independent works and in some of their poems that they wrote in verse forms such as odes and ghazels. The poets compared the type of zahid who put the mind to the fore and takes ostentatiousness as the axis, and the type of rind, who are considered as the connoisseur of the heart that isolates himself from the records of the transient world, thanks to his mystical bond stemming from malāmah (blame). While discussing the rind-zahid conflict, the Divan poets, who see themselves as rind, described the zahid type as vulgar and satirized it. In this article, firstly, a general information about the type of satire will be given and the appearance of the rindzahid conflict in Divan poetry will be discussed. Two satirical poems with "monlâ" redif, which are thought to be written by Tezvîrî, will be evaluated in terms of their features of form and content. It will be revealed in which ways Tezvîrî satirized the type of mullah and what kind of satirical styles he adopted. The article will be completed with the transcription of the poems into Latin letters.

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Współczesne teorie „adaptation studies”. Rekonesans badań i nowe kierunki rozwoju

Współczesne teorie „adaptation studies”. Rekonesans badań i nowe kierunki rozwoju

Author(s): Robert Birkholc / Language(s): Polish Issue: 119/2022

W artykule zostają przybliżone argumenty nieomawianej dotychczas szerzej w polskich badaniach debaty metodologicznej toczonej w ramach współczesnych adaptation studies. Autor opisuje trzy tendencje charakterystyczne dla najnowszych teorii adaptacji: metateoretyczne próby przeramowania pojęcia adaptacji, krytykę podejścia typu medium specificity oraz otwieranie się na konteksty kulturowe, społeczne i ekonomiczne. Zdaniem autora jednym z największych wyzwań stojących przed studiami nad adaptacją jest przełamanie obowiązującego w obrębie dyscypliny podziału na badania tekstualne i kontekstualne (na który zwracała uwagę Kamilla Elliott). Kategorią, która może stanowić pomost między ujęciami formalistycznymi a kulturoznawczymi, jest pojęcie dyskursu, które nie było dotąd przedmiotem poważnej debaty w ramach dyscypliny. Posługując się przykładami polskich adaptacji z ostatnich lat, autor wskazuje na możliwe sposoby zastosowania tej kategorii w badaniach porównawczych.

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