CEEOL - Browse Subjects Result

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Amintiri digitale: abordări ale memelor românești asupra carantinei naționale

Author(s): Daniel Ungureanu / Language(s): Romanian Issue: 3/2022

Shortly after the Romanian authorities had introduced restrictions amid the rise in COVID-19 cases, the meme pages progressively began to collect images that either brought to mind or made direct references to the lockdown and turn them into memes. This paper examines the production of memes through a multi-layered study of the most popular Romanian MPs from their peak, in early March, through the middle of May 2020. The interval includes the first days of the state of emergency (March 14−21), the night-time curfew (17), the national lockdown (24), the self-declaration for leaving the premises, and the movement restrictions for older people (March 30 – May 14), the Easter celebration and the Labor Day (April 12 / May 1). I use two major research strategies: (a) a quantitative analysis of the Romanian IMs and (b) case studies. Data have been collected from the digital archives of the following Facebook pages: Junimea, Omu Paiangăn, Ion Creangă, and 2Meme. By examining these, the paper seeks to clarify the process by which the exposure to the most popular form of anxiety relief and slacktivism, the IM, either created innocent digital memories of the lockdown or contributed to the spread of fear.

More...

Femeile și ex-libris-ul

Author(s): Clara Fulea-Kranyák / Language(s): Romanian Issue: 41/2022

The emergence of ex libris coincides with the emergence of print and cheap books. Most of the ex-libris of the 15th–17th centuries belong to men, while women’s ex libris are extremely rare. This may be explained by the socio-economic and judicial status of women in that period. In the society of the late Middle Ages and the beginning of the modern era, literate women and owners of libraries were few. The differences between the two genders faded away only by the end of the modern era. This article analyses features of the first ex libris that belonged to women. These are different from those of men due to the drawings’ themes and the slogans or inscriptions below. At first, the ex libris belonged to noble women but starting with the 17th–18th centuries there were more and more ex libris of women from the middle class or relatively wealthy. There are few studies dedicated to this topic, which is why it would be significant to shed light on this neglected research area. The article highlights the fact that, despite being at a disadvantage from a social perspective, women became owners of libraries when they had the chance.

More...

Az Erdélyrészi Szépművészeti Társaság (1899–1904)

Author(s): Jenő Murádin / Language(s): Hungarian Issue: 1/2022

This study describes the establishment and operation of the Transylvanian Fine Arts Society (1899–1904), emphasizing the organization’s commitment to the representation of the interests of artists living in the countryside and its contacts with the prestigious forums of Hungarian art life. The organisation was founded by a painter from Cluj, Róbert Peielle, who used his experiences at the Munich Academy and in the art camp in Dachau, near the Bavarian capital, as an example to follow. The statutes of the association were approved by Gyula Wlassics, Minister of Religion and Public Education, who allocated a large sum of money to Cluj-Napoca to support the initiative. The debut exhibition of the society took place on 12 October 1902, at the inauguration of the Mátyás statue of Fadrusz, with the participation of painters from the Budapest Art Gallery. The exhibition was held in the Skating Hall in Cluj Napoca, which was remodelled by the architect Lajos Pákei with a glass roof and overhead lighting at the Society’s expense. This upstairs wing became the venue for numerous exhibitions and the fi rst Transylvanian College of Fine Arts was opened here in 1925. The Transylvanian Fine Arts Society ceased to operate after a few years due to lack of funds and weak social mobilisation, but it remained an example of self-organising initiatives for artists living in the countryside.

More...

Milenyum Öncesi Oyun Yazarlığımızda Eskatoloji Mitleri

Author(s): Banu Ayten Akın / Language(s): Turkish Issue: 111/2022

The nineties are defined by historians as ‘the longest decade’. With the world being coded as a huge village along the axis of globalization, the need for all ethnic, religious, and racial subjectivities to be evaluated as a sub-unit of this ‘global village’, the abolition of national borders, products of the global market reaching beyond the borders of the farthest villages, and magnificent advances in communication technologies have developed at a dizzying speed and has encompased the world like a web, with no public or individual boundaries pertaining to privacy. With this in mind, , I saw that there was a global approach in Turkish playwriting. First I thought that this approach was based on the concern regarding the end of the millennium equaling the end of the world. Long after I completed my doctoral dissertation, I quickly realized that these plays were in fact thematically tied to eschatological myths, without any mythological basis by the authors. I analyzed three plays written in the late nineties from a dramatic perspective. I reviewed the data obtained by the qualitative analysis method based on descriptive model in terms of structure (fictionality), content (the relation to eschatological myths), and the aesthetic dimension (the author’s artistic originality ). This review constitutes an evaluation of authors struggling to produce their own original work, their own reality and subjects, which is a local problem for our theater. At the point of importing surface aesthetics and the world’s theme, I suggestmaking the parable one’s own, by discussing and problematizing with in-depth thought. In the plays I have studied, the apocalypse, which is an ancient theme considered to be an eschatological myth, is reduced to an imported phenomenon. On the other hand, playwriters read about Christian figures like Jesus Christ and the possibilities of nuclear and cosmic catastrophe under the influence of globalization. Reading common ideas of the world as a path to its roots will ensure the originality of our authorship.

More...

The Offensive of the Creative City. The Case of Cluj-Napoca in Romania

Author(s): Miki Braniște / Language(s): English Issue: 2/2021

This article aims to analyse the transformation of the cultural scene in Cluj-Napoca as influenced by structural changes in the field of arts and culture brought about by the global creativity paradigm. This transformation materializes in several tensions caused by the shift from a vision of art and culture—as having a symbolic or critical-social function—to one in which economic value prevails. The creativity paradigm, based on the contribution of cultural and creative industries to job creation and economic growth, has been adopted by European policies that directly influence local development in Cluj-Napoca. The city has applied for multiple European titles that would bring international fame and attractiveness (for example, European Capital of Culture). Although the city gained a certain degree of international recognition thanks to the local art scene—developed by grass-roots projects—cultural production was overtaken by the music and event industry mainly based on the distribution of cultural products. The focus on distribution (by local authorities and sponsors) creates an imbalance in local cultural production, but large-scale festival events are valued for their contribution to the city’s visibility and income. Their development marks the festivalization of the city, transforming the way these events are organised and communicated on an industrial scale, much like for-profit companies. This trend imposes new standards that far exceed the capabilities of the majority of local actors on the not-for-profit cultural scene. Mega-festivals are the new brand of “a festival city” in search of an educated, entrepreneurial, creative workforce. The creative city accelerates gentrification, stimulates entrepreneurial cultural practices, neutralises critical artistic discourse and commodifies the presence of culture. In addition to this, the city’s policies shifting towards increasing the quality of life of the creative class generates a series of inequalities related to the working class and disadvantaged groups.

More...

4.90 €

Preview

Modernsus ja naiselikkuse ruumid

Author(s): Griselda Pollock / Language(s): Estonian Issue: 03+04/2022

New Yorgi Moodsa Kunsti Muuseumi 1936. aasta näitusega „Kubism ja [---] abstraktne kunst” kaasnenud Alfred Barri kataloogi kaaneillustratsiooniks on skeem, mis on paradigmaatiline viis kaardistada moodsa kunsti kujunemislugu kunstiajaloos (ill 1). 19. sajandi lõpu kunstipraktikad on paigutatud kronoloogilisse skeemi, kus üks kunstivool järgneb teisele ning need on omavahel ühendatud ühesuunaliste nooltega, mis tähistavad mõjutusi ja reaktsioone. Iga kunstivoolu juurde on lisatud olulisima kunstniku nimi. Kõik need moodsa kunsti kanoniseeritud rajajad on meeskunstnikud. Kas seetõttu, et naisloojad ei osalenud varamodernistlikes kunstivooludes? Sugugi mitte. Kas seetõttu, et naiste looming ei mänginud rolli moodsa kunsti vormi ja iseloomu määramisel? Ei. Või pigem ehk seetõttu, et moodsa kunsti ajalugu ülistab valikulist traditsiooni, mis normaliseerib ainuõige modernismina vaid teatud – ja soolisustatud – kunstipraktikad? Mulle tundub tõene viimane selgitus. Järelikult tuleb selleks, et uurida varamodernismi ajalukku kuuluvaid naiskunstnikke, dekonstrueerida modernismi maskuliinsed müüdid.

More...

SANAT ESERLERİNİN DEKOR VE AKSESUARLARDA KULLANIMININ SANAT YAPITI AÇISINDAN DEĞERLENDİRİLMESİ

Author(s): Birsen Çeken,Sibel Kurtoğlu / Language(s): Turkish Issue: 1/2022

Advancement of technology ensures proliferates of mass production and consumer goods with the help of industrial evaluation. Inserting fabrication products into sustainable life decreasing authenticity in indirect proportion to production gives rise to increasing imitation product and knockoff. Manufactured products’ serial production shows up within the context of supply demand and it has been turned into monument which comes into prominence of ostentatious decoration and ornament as much as the production of output from necessity in time. Kick of popular culture, demand of basic components based on “vanity-driven” and delice on daily use and consumption arises in time. That change in production has been used on masterpieces, several products which individual can never have, have been produced not from necessity but on-demand to satisfy the sense of pleasure. Using unattainable masterpieces by displayed on decorative productions, goods of textile and daily use causes questioning of value. It has been investigated that Imitation of masterpieces usage in an artificial setting has affected the commercial value of finished product and impact of marketing perceptive on real monument to what extent. Research is supposed to be the source for the next research in this context not only by handling the recent subject but also the variation of perspectives about the masterpiece. The aim of this research is searching the reflection of archaic masterpieces displayed on museum to daily use products and investigating the differentiation of their usage on the masterpieces. It is possible to say that the usage of masterpieces on decorative and daily use products effects the variables like familiarness and advertisement of piece of art.

More...

Yürümek Bir Devrimdir: Henry David Thoreau’nun Yürümeye Dair Felsefesi ile Heraklitos’un Ateşe Atfettikleri Bağlamında The Way Filmi

Author(s): Berceste Gülçin Özdemir / Language(s): Turkish Issue: Sp. Iss./2022

Walking is an act that has been attached importance by philosophers and thinkers for centuries. Walking is in close connection with nature, and it has revolutionary qualities with the possibilities it offers to human beings in their search for meaning. Based on this framework and questionings, the monologues of the main character (Tom) in the movie The Way (Emilio Estevez, 2019), his dialogues with other characters, his relationality with the concepts of walking and journey in the distance he established with life, are discussed with the dialectical method Socrates based his questionings on. In many of the works of Henry David Thoreau, the shocking importance of walking is presented to readers in different contexts for them to think about it again. This study, within the framework of the discourses that constitute Thoreau’s philosophy on walking, questions situations such as the close relationship of nature with human beings, the effort of humans to make sense of life while walking, and the facts related to these situations, together with the concept of journey. The importance attributed to the element of fire by Heraclitus, one of the natural philosophers, draws the framework of the study in the context of the immanence of human existence to nature under these questionings. With the questions it reveals and the ideas it discusses, the study allows other questions to be asked and provides the progress of the discussed ideas, and these ideas are presented with the answers that emerge. Thus, by accessing the existing questioning issues in the focus, the study provides an opportunity to reveal and discuss the issues in its focus. While applying this method, the study aims to return to the essence of speech, which constitutes the essence of the dialectical method, based on Socrates’ sentence “I know that I know nothing”, to reach this situation, and also to enable the development of questionings that emerge outside the study. Also, the questioning of Thoreau’s thoughts on walking and nature and Heraclitus’s thoughts on the element of fire with the dialectical method carries integrity and significance in itself

More...

Looking at Cinema through the Perspective of Kant’s Ethics

Author(s): Dimitra Dimou / Language(s): English Issue: Sp. Iss./2022

It is rather true that during this postmodern pandemic time, philosophy tends to be considered as counterproductive and is unfortunately not suggested to enter into a tangible link with reality. This is why the search for alternative propagation of philosophical principles is a modern proposal; during this time of total crisis of any moral system, it is imperative that the average citizen as a philosophical agent becomes acquainted with the kantian moral principles. The importance of this case is underlined by the imperative view of philosophy in the overall context of the social sciences, in order to successfully integrate the traditional into the current post-modern philosophical perspective. On the other hand, the possibility of enrolling ethical philosophy in art is explored as a means of its dissemination and evolution. In particular, when the kind of art is the cinema and the terms of ethics are described through traditional philosophical references, it is not certain whether the classical philosophical conception of ethics can be reconciled with the advanced form of art, that is, whether philosophy can be written in the field of art in the form of a means of “here and now” direct mass communication. And when the framework of moral philosophy is selectively limited to kantian moral philosophy, the required reduction reaches the limit of transcendence: is modern art in the form of cinema able to serve the principles of philosophy of one of the greatest -in objective terms- thinkers of all times, Immmanuel Kant? Using a variety of cinematic examples, in order to ensure the objectivity and timelessness of the possible philosophical effect, a practical description of the categorical imperative will be delivered, bringing the viewer in contact with the Kantian theoretical point of view.

More...

Tarkovski Sinemasında Düşünceye Dönüşen Resim: Deleuze ve Artaud’nun Görüşleri Üzerinden Yeni Bir Analiz

Author(s): Ahmet Fatih Yılmaz / Language(s): Turkish Issue: Sp. Iss./2022

In this study, the paintings encountered in Andrey Tarkovsky’s films are discussed in the light of Gilles Deleuze’s concept of “Time-Image” and Antonin Artaud’s concepts of “violence cinema”, “vibration” and “shock effect”. Deleuze, who has subjected the history of cinema to a new taxonomy as before and after the Second World War, argues that the post-war cinema is the Time-Image cinema. While time was dependent on motion in the first period of cinema, after the war a cinematic understanding developed in which motion was subject to time. Deleuze’s idea of time-first cinema derives from the ideas of Tarkovsky as well as from Henri Bergson. The Time-Image period begins with the MovementImage Crisis and then undergoes a continuous transformation with the productions of new directors. Tarkovsky’s films are in the Time-Image period. If war is to be talked about in his cinema, anti-war ideas should be ignited, not guns. He does this with Albrecht Dürer’s engravings of “Apocalypse” in Ivan’s Childhood. Artaud’s brutal cinema is exactly like that. Encounters with pictures have the function of breaking the sensory-motor habits of the viewer. According to Tarkovsky, when one encounters a masterpiece, one begins to hear that voice that inspired the artist. Such moments, when the audience is deeply shaken and shocked, almost provide a spiritual cleansing. For example, the paintings of Leonardo Da Vinci are like this. The faces he paints bear the traces of lofty thoughts. From the beginning to the end of his career, Tarkovsky continued to include paintings by different artists, especially Renaissance European artists. He uses the paintings to create the “reflective shock” effect in the films Andrey Rublev, Solaris, Mirror, Nostalghia, Stalker and Kurban, respectively. Pictures make people who stopped believing in the world believe again. According to Deleuze, this is one of the most distinctive features of modern cinema.

More...

Borderline Bir Eyleme Vurum Savunması Olarak Aşırı Film/Dizi İzleme: Klinik Bir Olgu Sunumu Üzerinden Sinemaya Çok Yönlü Psikolojik Bakış

Author(s): Muhammed Arıkan,Aylin Tutgun Ünal / Language(s): Turkish Issue: Sp. Iss./2022

Psychotherapy is a treatment in which people get to know, discover and change themselves by working on mental healing mechanisms. Psychotherapy is the child of the 20th century and has been constantly developing, renewing and enriching for nearly a century. In this study, psychology’s view of cinema within the framework of the psychotherapy process, how cinema/series can be a borderline acting out defense, and how cinema can be a mediator function in overcoming the existential crisis and anxiety in which postmodern people fall are discussed through a psychotherapy case. Our main focus in the study is the case of “Samyeli”, who has schizoid defenses and a diagnosis of quiet borderline made by a clinical evaluation within the framework of psychodynamic theories (Masterson Therapy). The psychotherapy process of this person took about 2 years. In the treatment of Samyeli, theoretical and technical Masterson therapy tools were used. When the therapy process was over, it was understood that this case contained a multifactorial diversity that could not be evaluated only with the dynamics of early infancy and childhood experience. It was seen that the case shed light on the existential and socio-psychological problems of the people of the age and even having very deep and rich dynamics in cinema-psychology. For these reasons, the therapy process of this person will be explained with the dynamics of Masterson theory and cinema/series issues will mostly be discussed as acting out defense in the case report. On the other hand, issues such as the relationship between cinema and psychotherapy, the positive psychological, existential and clinical effect mechanisms of cinema; how deterministic theories based on object-relations and existential theories inspired by continental philosophy and based on the criticism of modernity can be combined within the framework of complementarity and holism in understanding people and their problems are focused indirectly within the study.

More...

“İktidar Duvarlarını Yıkmak: Agnès Varda Sinemasında Heterotopya Mekân”

Author(s): Esma Sarman / Language(s): Turkish Issue: Sp. Iss./2022

Place is the existence form and scene of social relations. Place is directly involved in the production process, changes with the society, and cannot be thought of as a structure that consists of emptiness, is exhausted, comes to an end, or has no meaning other than exchange value. On the one hand, place becomes a product that contributes to the maintenance of the status quo shaped by power, the repetition of domination and heteronormative patterns, and the strengthening of hegemony. It is not only related to its social reproduction but also the systematic production of gendered practices and power relations. Gender is constructed through spatial relations and place is gendered. In his studies on place, Michel Foucault “places power against humanism that connects the subjective experience of man to the nature and consciousness of the individual, and on the other hand, tried to analyze the historical ruptures shaped by subjective experiences in the context of place”. He put forward the idea of creating new places, the theory of heterotopia, as a way to erode and destroy the power-subject relationship that creates atomized individuals in modern life. This study is through Agnès Varda’s film “Sans Toit Ni Loi”, which finds the equivalent of the thinking and production relations that dominate the production of place in traditional cinema, breaking the established codes and creating an alternative cinema world; Henri Lefebvre’s production of place, inheriting Michel Foucault’s theories of heterotopia, examines heterotopias as places of otherness. The places in the movie Sans Toit Ni Loi have been effective in creating a sample for the concept of heterotopia and determined the nature of the discussions about the places of otherness. In this context, cemetery heterotopias on the perception of place changing over time old age as deviation heterotopia, and mirror heterotopia as a place without place examined through film. The aim of this study is to show the places of otherness that Agnès Varda presents to the audience through her cinema, who rebels against the domination of place shaped by power and to shed light on the possibility of another place.

More...

Comparative Analysis Between the Cinema of Yılmaz Güney and Dariush Mehrjui A Contextual Analysis of two Films: Hope and The Cow

Author(s): Nafiseh Laleh / Language(s): English Issue: Sp. Iss./2022

This comparative study analyzes two films by two auteur directors of Iran and Turkey; Dariush Mehrjui and Yılmaz Güney to investigate the probable similarities between their cinematic languages and attitudes. For this purpose; Gav (The Cow, Dariush Mehrjui, 1969) and Umut (Hope, Yılmaz Güney, 1970) are sociologically analyzed according to Anthony Giddens’ theory of structuration. The current research makes visual and content codes from both films by using contextual analysis and intends to find out any common obvious and hidden meanings through decoding them. As a result, it leads to finding out similar concepts such as society, culture, identity, political activity, and hegemony critique in their cinematic languages which can be seen in the named films. It proves that there were same problems in both society at the same period of time also there are social and cultural connections between the two countries.

More...

Distopya Filmlerini Neden Severiz? “The Lobster& Idioctracy Filmleri Üzerinden Bir Sorgulama”

Author(s): Esra Keloğlu İşler / Language(s): Turkish Issue: Sp. Iss./2022

Unlike utopias, dystopias often depict a terrifying and terrifying society. According to the basic assumption of the study, dystopias show our fears, worries and anxieties in the age we live in. The Lobster is a 2015 drama film directed by Yorgos Lanthimos, which can also be defined as a black comedy. Idiocracy, on the other hand, is a sci-fi comedy film made in 2006 by Mike Judge and satirizes the future as rather dark. Both films are rooted in social issues and spin their storylines with radical changes for socio-political impasses. The starting point of the study is the assumption that utopia is far from modern man and dystopia is close. In this article, it is aimed to find answers to the following questions based on the examples of two dystopian films, one of which is a film noir and the other in the style of satire/ comedy: 1) Why are these dystopias popular despite the experience of watching a dark and scary society? 2) Although the two films are completely different dystopias, what do they have in common? 3) Can dystopias enable people to question the social situation? Both dystopian movies were not made for box office success, but they were valued by the audience. In this analysis, the dystopian elements in the film, the situation and radical changes in the past-present-future times, the absurd elements, the elements they criticize will be analyzed.

More...

The Brutal Face of the Violent Game of the Capitalist Competition: Squid Game

Author(s): Yavuz Akyıldız,Elif Şeşen / Language(s): English Issue: 14/2022

Globalization, which has gained momentum since the 1970s, is effective in almost every field, but its prominent dimension is economically based and it leads to increasing inequalities throughout the world. This inequality feeds an environment in which uncertainty, competition, risk and anxiety are intense in social life. The sense of weakness and defeat that people feel more and more, makes it easier for them to accept harsher and ruthless competition conditions and deepens the moral contradictions of modern man, who can risk everything for self-interest. Capitalist relations of production, where success is measured by money and where cooperation is replaced by competition, turns a large mass of people who fail in this game into a useless and unnecessary waste. In this study, the Squid Game series is analyzed through the concepts of capitalism, competition and game. The series, which describe people involved in a life-or-death game to solve their financial problems, shows the brutality of the competitive capitalist system in general. The study, in which the series is analyzed with descriptive analysis within the frame of the defined concepts, reveals the destruction of the exploitative system of today’s modern society on people.

More...

KÜLTÜR SORUNSALINA SANATTA DİNSEL METAFORİK YAKLAŞIMLAR

Author(s): Elif Şenel / Language(s): Turkish Issue: 73/2022

Factionary definitions brought to the concept of culture in the historical process have fueled the hierarchical structure both between societies and within class societies. Culture, understood as the measure of civilization with the modernization movements, found its expression with developments in scientific, social, economic and artistic networks and intellectual efforts. In relation to modernity, culture has become a concept determined from a Western perspective. The modern Western meanings of culture implied a perfection determined by the West's own level of civilization and excluded cultures that did not conform to this standard. In addition, the social classes that lagged behind the intellectual framework of Western high culture have also been affected by this cultural limitation. The multiculturalist structure and pluralistic environment of the post-modern period, which affirms cultural diversity and differences, has created a suitable ground for deciphering this problematic structure of culture and making critical approaches to it. The art of the postmodern period criticized the problematic structure of culture with metaphorical expressions; In this context, the ideological structure of the concept of religion has been one of the main reference points. In this research, it is aimed to focus on the approaches to the cultural problematic through religious metaphorical expressions in art. Within the scope of the research method, sources in Turkish and foreign languages were analyzed, the necessary data were interpreted in the context of the subject. The subject was detailed with the artworks of artists who are thought to be suitable for exemplifying the rebellion with religious metaphorical expressions to the problematic structure of culture. In the light of the data obtained in the research, it has been pointed out that the concept of religion, which has been in parallel with the ideological and hierarchical structure of culture throughout history, has moved away from these ideological and hierarchical inferences in the cultural diversity of the postmodern period. It has been determined that critical approaches to the hierarchical structure of cultural conceptualizations and cultural practices find their most effective and controversial expression in religious metaphorical expressions. In this regard, besides the use of metaphor, the structure of religious teachings and sacred texts suitable for producing metaphors, the fact that these metaphors are destined to turn into expressions against social and moral values have been found important.

More...

KAHRAMANMARAŞ’TAKİ KÜLTÜREL MÜZİK BEĞENİSİNİN BÖLGE RADYOLARINDAKİ YANSIMALARI

Author(s): Günsu YILMA ŞAKALAR,Alper Şakalar / Language(s): Turkish Issue: 76/2022

Today, mass media can be used for news and socialization as well as for listening to music. Through technological advances, the number of mass media has increased and people's access to these tools has become easier. This research was carried out to determine the cultural music taste in Kahramanmaraş region and to determine the reflection and effects of this taste in mass media. It is important to determine on which genres the cultural music taste of Kahramanmaraş region is concentrated on, as well as through which communication tools these genres are mostly listened to, in terms of revealing the level of use of mass media. Among the mass media, the research is focused on radio, since the radio is an ergonomic and accessible communication tool. This research, which uses a quantitative research method, is important for the development and sustainability of regional radios. In this research, which we believe will provide benefits in terms of creating and developing broadcasting policies of radios and will provide original contributions in this context, the data were obtained through descriptive and descriptive statistics within the quantitative research method.

More...

ÇAĞDAŞ TÜRK RESMİNDE İLLÜSTRATİF ETKİLER: İBRAHİM BALABAN ÖRNEĞİ

Author(s): Ömer Oytun Onur,İbrahim Çoban / Language(s): Turkish Issue: 77/2022

People have been urged to make use of drawings or pictures to express or explain texts and ideas better. Illustrations have been categorized according to various application techniques found in accordance with the purpose of application and historical and technological developments. It has been observed that narrations, explanations or descriptions taking place in texts have been used as subject matter in the art of painting all throughout the history of mankind. It has also been explored that in different periods of art history explanatory effects existed in the works of artists due to socio-political needs or artists own initiatives. These effects can be detected in Turkish painting as well as in the paintings of other countries of the world. It can be stated that illustrative effects can be observed in the works of many Turkish painters, as they are related with their choice of subject matter or their expose of cultural elements of the time. It is possible to say that such effects can be consistently observed in the works of Ibrahim Balaban. In this context, the study aims contribute to related literature by exploring and analysing in what form and character these effects take place in the works of the artist.

More...

MİMARİDE DİKROİK CAM KULLANIMI

Author(s): Ayla Birinci,Tuğrul Emre Feyzoğlu / Language(s): Turkish Issue: 79/2022

Since its discovery, glass has existed in many areas of life with its diversity of materials. It has advanced thanks to the developing technology day by day and has become a material that makes a difference with its use between disciplines and sometimes becomes iconic. Its use in architecture has an important place in gaining an artistic dimension in terms of the effect it creates. Dichroic glass, as a material, has enabled the use of glass, such as transparency, permeability, brightness and color, as well as the effects of color changing according to daylight, in architecture. Dichroic glass dating back to the 4th century AD is evaluated in a wide range of history, from coloring a mug with gold and silver powders to its use in architecture. Within the scope of this study, the effective preference of dichroic glass in material selection, the reasons for preference and artistic usage examples are presented. The subject was evaluated by referring to the similar points and differences between the samples.

More...

GÖRSEL SANATLAR DERSİNDE FARKLI ESKİZ ÇALIŞMALARINA İLİŞKİN ÖĞRENCİ GÖRÜŞLERİNİN İNCELENMESİ

Author(s): Davut Hotaman,Nurten Erdoğan / Language(s): Turkish Issue: 79/2022

Education, and therefore learning, is one of the most important variables that enable the individual to know himself, to realize himself, and of course, to be happy. For this purpose, all societies, whether developed or developing, invest in education. One of the types of education is art and art education. Art puts aside the differences, conflicts and oppressions between people and allows them to work on their coexistence skills. In this sense, it can be said that art provides the formation of a universal tool, that is, a common visual language, shared by the whole society in the national sense and the whole world in the universal sense, without discriminating against colour, language, religion or race. Whether people's interest in art is by producing, watching, listening, reading, the situation not only activates emotions and sensitivity in the individual, but also keeps the mental processes of the individual, who are a whole with cognitive and affective aspects, alive. The concept of art education, on the other hand, in a broader sense, defines creative artistic education in and out of school, including all fields and forms of fine arts, and in a narrow sense, the relevant courses in the school. Visual arts education, on the other hand, is a comprehensive educational concept that includes students' knowledge, daily life and information learned in other courses, and aims to establish logical connections between all these knowledges. The aim is to recognize the innate powers of the child at a very young age and to develop them artistically. The aim of this research is to determine the students' views on the realization of sketches using different techniques in the Visual Arts course in the context of Art Education. For this purpose, sketch studies were carried out using four different techniques, and student opinions on semi-structured interview questions at the end of each application, drawings they made in sketchbooks and student diaries were examined and necessary findings were compiled. The findings revealed that the techniques of "collage, print, poster and tale recital with music" used while performing the sketch studies positively affected the students' "motivation, interest, creativity, imagination, enjoyment of the activity and feeling comfortable" in the Visual Arts lesson.

More...