Śluby. Poemat dramatyczny w trzech aktach

Author(s): Karolina Goławska / Language(s): Polish

In his 1907 review in the Słowo Polskie daily published in Lwów, the Polish writer Kornel Makuszyński ventured a tentatively critical judgment on The Vows, suggesting that appropriate distancing might be prerequisite when evaluating Przybyszewski’s work. That condition seems to have been met today: the passing of over a hundred years since the original publication has created not only a temporal but also a cognitive distance. A re-edition of the play offers an opportunity to read it anew. The word “read” is key here, since The Vows is by all means a literary text.

Košnice

Author(s): Ružica Aščić / Language(s): Croatian

The dramatic trilogy Beehives by the award-winning author Ružica Aščić places in the centre of each play one family with their key problems. The protagonists want more from their life than just passively going with the flow, but their endeavours face the opposition of their community that pushes their desires in the area of unacceptable. Because of the circumstances the characters become apathetic, and too weak to change their situation. The atmosphere of emptiness and hopelessness, realised through apparently empty dialogues, emanates strongly from the texts, and wraps the reader like cobweb. The plays show a reverse gradation of the lack of willpower, and weakness, beginning with the first one, where the desire is clearly articulated but hits the wall repeatedly. In the second play, there is no desire anymore, just the sense of impossibility of realising any closeness. The third play is dominated by the general prohibition of love and humaneness. Ružica Aščić creates Antonioni-like atmosphere of desert where one has difficulty with finding a landmark, not to mention an oasis. Ružica Aščić was born in 1987. She published the short story collection The Good Days of Violence (2016). For the plays It Grows Inside of Me and Beehives she won the »Marin Držić« Award. She has published short stories in numerous Croatian magazines and one of them was included in the anthology Without Doors, Without Knocking: New Croatian Writers of Fiction.

Utwory dramatyczne – komedie i dramy

Author(s): Wincenty Ignacy Marewicz / Language(s): Polish

The publication constitutes a critical edition complemented with an introduction to the three comedies and two dramas by Wincenty Ignacy Marewicz (1755–1822) – a poet, prose writer, publicist, playwright and actor. It is the first modern edition of these dramatic works since their first publication in the late 18-th century. The introduction focuses on the publications and theatrical performances of the edited dramas, the author's inscriptions included in them. It also presents the main themes and subjects of these works, and highlights their theatrical and moral values. The editorial part of the study includes comedy and drama texts as well as commentaries.

L’art de vivre, de survivre, de revivre/L’arte di vivere, di sopravvivere, di rivivere/El arte de vivir, de sobrevivir, de revivir. Approches littéraires. Le 50e anniversaire des études romanes à l’Université de Łódź/50º anniversario degli studi dir

Author(s): / Language(s): French,Spanish,Italian

The publication, created to celebrate the jubilee of Romance studies at the University of Lodz, is a polyphonic reflection on the art of living / surviving, reviving. The chosen topic deals with the issues of a breakthrough, a reevaluation of the current modus vivendi. It also discusses the issue of relations with time, the themes of passing away, returning, and duration. From the perspective of literary studies, this topic was captured as the art of life understood as a set of intellectual, emotional, spiritual and moral attitudes of an individual towards existence in specific communities and in specific historical and socio-political conditions. The scientific character of the publication is ensured by an organized choice of content aimed at analyzing the aforementioned points, based on a wide corpus of texts from various eras and countries, and the use of multiple methodologies supported by a carefully selected bibliography. Since the monograph addresses the needs of a wide range of readers (students, literary scholars, literature lovers who speak Romance languages), it has the potential to exert considerable social influence.

François de Curel et la crise du drame : de la « pièce bien faite » à la « pièce bien défaite »

Author(s): Tomasz Kaczmarek / Language(s): French

Curel’s works give tangible proof of a “rupture”, and not of a crisis of the drama, allowing the advent of a more open and free form ― in a word, more rhapsodic. It constitutes a departure from the traditional dramatic structure which is based on an ever-increasing tension that goes from the exposition through a myriad of adventures to the culmination of the action. As we remove the dynamic and logical attribute from it, the characters will not have their active function supposed to push the plot forward, either. In this context, the French playwright breaks the unity of time for the “benefit of temporal gaps between past and present” while emphasizing the drama experienced by the characters to the detriment of the agonistic action. It is in this way that these witnesses rather than agents of action no longer resemble acting heroes, but the unfortunate figures who incessantly and in an almost absolute passivity ruminate on their existential distress. Thus, “diegesis” replaces “mimesis”; plot progression being replaced by soul evolution.

Lucjusz Anneusz Seneka. Herkules szalony

Author(s): / Language(s): Polish

The Madness of Hercules is one of the tragedies written by the Roman philosopher and politician Seneca the Younger, who was Nero's tutor and advisor. He spent eight years in exile in Corsica during the reign of Claudius, and briefly exerted an influence over the ruler after Nero's rise to power. However, he was ultimately accused of plotting against Claudius and was forced to commit suicide in 65 AD. The Madness of Hercules is a work depicting a hero who devoted his entire life to fighting monsters in defence of humanity, but who was unable to protect his own wife and children from the monster within himself. Under the influence of the mad frenzy by his stepmother Juno, who hates him, Hercules brutally murders his family and then comes back to his senses and has to live with the crime he committed. The tragedy can be read as an allusion to the reign of Nero, but in essence it touches on the universal theme of evil and madness that lies within each of us, and asks what the basis of humanity really is.

ЯК YСЕ ПОЧАЛОСЯ...

Author(s): Lenka Gulová,Zdenka Wagnerova / Language(s): Ukrainian Publication Year: 0

У 2011 році «Асоціація з міжнародних питань» у Празі запросила кафедру соціальної педагогіки педагогічного факультету Університету ім. Т. Ґ. Масарика взяти участь у проекті в Україні, мета якого — розвиток і впровадження нових предметів в українських школах, зокрема у Криму. Йшлося, передусім, про реалізацію вокршопів, спрямованих на мультикультурне та драматичне виховання, які були проведені в десятках шкіл та навчальних закладів на всьому півострові. У цих семінарах у 2011-2017 рр. взяли участь сотні вчителів, психологів, методистів, директорів шкіл та інших фахівців у галузі освіти в згаданому Криму, у центральній Україні (у Києві та Київській області) і в Західній Україні, у Львові. Частиною проекту була співпраця з вищими навчальними закладами в Ялті та Сімферополі та подальша співпраця з Київським національним університетом імені Тараса Шевченка, де в Інституті філології було впроваджено новий предмет «Соціальна комунікація», гарантом якого, власне, стала кафедра соціальної педагогіки.

ВСТУП

Author(s): Lenka Gulová / Language(s): Ukrainian Publication Year: 0

З 2016 року у рамках проекту «Підтримка розвитку освіти в Україні», реалізованого у співпраці з Університетом ім. Т. Ґ. Масарика в Брно та «Асоціацією з міжнародних питань» у Празі, виникла можливість у процес навчання майбутніх педагогів в Українському католицькому університеті у Львові ввести спеціалізацію «Драматичне виховання».

ТЕАТР У ВИХОВАННІ

Author(s): Lenka Remsová / Language(s): Ukrainian Publication Year: 0

У цьому розділі розглянемо важливий напрямок прикладної драми (Applied Drama) — театр у вихованні (Theatre in Education). Дослідимо його основні визначення (Valenta, 2011; Machková, 2016), форми (Pavlovská, 2003), виникнення і розвиток від 60-х до 90-х рр. ХХ ст. (Jackson, Vine, 2013), коли він став частиною більш широкого поняття — прикладної драми; тобто драми, що охоплює всі театральні форми, які містять освітній принцип та використані в особливому соціальному контексті (наприклад, школи, театр у в’язниці) з передбачуваними позитивними змінами (Nicholson, 2005). У кінці розділу ми опишемо одну з форм театру у вихованні — інтерактивний театр (Interactive Theatre) за Сомерсом (2008) і представимо проект інтерактивного театру для учнів 7-го і 8-го класів загальноосвітніх шкіл у Чеській Республіці, який спрямований на розв’язання патологічних соціальних явищ (самогубство, вилучення з колективу на базі соціальних відмінностей між учнями, цькування, погане соціально-економічне підґрунтя учнів) із метою підтримки і розвитку особистісних та соціальних компетенцій учнів. Ми доповнимо розділ прикладами лекцій для шкільних педагогів і сценарієм реалізованої вистави інтерактивного театру.

ІГРИ ТА ВПРАВИ, ЯКІ ВИКОРИСТОВУЮТЬСЯ В ЗАГАЛЬНІЙ ПЕДАГОГІЧНІЙ ПРАКТИЦІ ТА ЯК ПРИЙОМИ ІНТЕРВЕНЦІЇ ДЛЯ ДІТЕЙ З ОСОБЛИВИМИ ПОТРЕБАМИ

Author(s): Marie Pavlovská / Language(s): Ukrainian Publication Year: 0

Незважаючи на те, що ігри та вправи поділені на категорії відповідно до свого спрямування, не можна сказати, що вони стосуються лише однієї сфери розвитку дитини. Описуючи мету, ми намагалися відобразити всі сфери, на які впливають вправи.

ПРОЕКТИ СТУДЕНТІВ

Author(s): Author Not Specified / Language(s): Ukrainian Publication Year: 0

ПІСЛЯМОВА

Author(s): Lenka Gulová / Language(s): Ukrainian Publication Year: 0

Ситуація із соціально незахищеними групами складна, і сучасний розвиток вказує на те, що у зв’язку зі змінами в суспільстві кількість таких груп зростатиме. Проблема в системі, яка часто не працює, та недостатній підготовці соціальних педагогів, учителів та інших працівників.

СПИСОК ВИКОРИСТАНОЇ ЛІТЕРАТУРИ ТА ІНШИХ ДЖЕРЕЛ

Author(s): Author Not Specified / Language(s): Ukrainian Publication Year: 0

Влияние школьного театра на драматическое творчество Симеона Полоцкого

Author(s): Ivana Petković / Language(s): Russian Publication Year: 0

In the present work we will show how school theatre influenced dramatic works of Simeon Polotsky. Considering him as a founder of drama genre in Russian baroque literature, we will try to demonstrate the importance of school plays in that process (didactic role, elements of rhetoric, and declamation patterns). We will focus on his two dramas in order to examine this influence: Parable of the Prodigal Son, and On Nebuchadnezzar the King. Further, we will examine the importance of Polish and Ukrainian school theatre, National University of Kyiv-Mohyla Academy and Slavonic-Greek-Latin Academy. Moreover, we will focus on the influence of Catholic and Orthodox religions on Simeon Polotsky’s works through the school theatre.

FROM TANGO TO ROCK ‘N’ ROLL. A COMPARATIVE STUDY IN TWO DISSIDENT DRAMAS

Author(s): Katarzyna Jaworska / Language(s): Czech Publication Year: 0

This paper aims to examine Sławomir Mrożek’s Tango and Tom Stoppard’s Rock ‘n’ Roll. Both plays explore the concept of intelligentsia, its role and condition in a postmodern society. Although these plays were written at different periods, they have the same motives of rebellion and conformity. Both texts challenge the conventions of bourgeois drama. Both plays convey an ideological message by criticizing totalitarianism and its influence on society and an individual. Furthermore, popular culture and music that are present in both plays reflect the social and cultural changes of 20th century. Tango and Rock ‘n’ Roll became symbols of a certain culture and ideology. The comparative study of the two plays is aimed at examining such their similarities as, for example, the rise and fall of communist regime in Central Europe.

Близкородствените бракове в творбите на Менандър

Author(s): Daniela Tosheva / Language(s): English,Bulgarian Publication Year: 0

The subject of this paper is the close-kin marriages in Menander’s comedies. The normative preference for close-kin marriage was different in fourth-centry BC Athens from modern societies. However, incestuous relations between full-blood brother and sister pr parent and child were considered wrong, and were never comic material in Menander’s comedy, which was concerned with realities of everyday life. I examine the comic purpose of introducing close-kin marriages in New Comedy, and I try to give explination on the cultural attitude towards endogamy. In order to explain these issues, I classify the close-kin marriages in three groups: (1) Brother-sister marriage, (2) First cousins marriage, (3) Marriage of the epikleros.

Familia Offline. Spectacol de teatru educational

Author(s): Radu Apostol,Mihaela Michailov / Language(s): Romanian

Family Offline is the show of fractured childhood between border parents (parents who go to work abroad) and children who stay at home. Whose parents are the children and how do they mature when mom and dad become a voice on the phone? Who is mother when mother is gone?

Pe ce stam

Author(s): Mihaela Michailov,Radu Apostol / Language(s): Romanian

The play highlights the history of the Replika Educational Theater Center, a space that has gone through several conversions, starting in 1903, when it housed the first Italo-Romanian Hat Factory, and since 2015 it has become a studio theater.

TOTUL E FOARTE NORMAL - scenariu de spectacol

Author(s): Leta Popescu,Viorel Cojanu,Gabi Albu,Alexandra Băcanu,Silvana Negruțiu / Language(s): Romanian Publication Year: 0

The project "EVERYTHING IS VERY NORMAL - DIALOGUE WITHOUT TABOOS." is organized by the Replika Cultural Association and co-financed by the National Cultural Fund Administration - AFCN.

Джан Дай и китайските кратки форми сяопин. Образец от периода на династия Мин

Author(s): Polina Tsoncheva / Language(s): English,Bulgarian Publication Year: 0

The present paper examines Chinese short forms xiaopin or xiaopinwen 小品文 which origins can be traced back to the period of the Six dynasties (3rd – 6th cc.). The focus is specifically on authors from Ming Dynasty period such as Gui Youguan 归有光, Zhang Dai 张岱, Xu Wei 徐渭 and Li Zhi 李贽 in view of the extremes to which the lives of China’s intellectual elite were thrown. Extremes that find their reflection in literature. Zhang Dai (1597–1689) is a prominent ℎ𝑖𝑠𝑡𝑜𝑟𝑖𝑎𝑛 𝑤ℎ𝑜 𝑒𝑥𝑎𝑚𝑖𝑛𝑒𝑠 𝑡ℎ𝑒 𝑑𝑒𝑚𝑖𝑠𝑒 𝑜𝑓 𝑡ℎ𝑒 𝑀𝑖𝑛𝑔 𝑑𝑦𝑛𝑎𝑠𝑡𝑦, 𝑎 𝑝𝑜𝑒𝑡 𝑎𝑛𝑑 𝑑𝑟𝑎𝑚𝑎𝑡𝑖𝑠𝑡, 𝑎 𝑠𝑒𝑙𝑓-𝑑𝑒𝑝𝑟𝑒𝑐𝑎𝑡𝑖𝑛𝑔 𝑒𝑠𝑠𝑎𝑦𝑖𝑠𝑡 (Wang 2022). The essay which translation we present here in Bulgarian is titled “西湖七月半” and describes the celebration of one of the important traditions in the festive calendar of Chinese, namely the Ghost Day 中元节. As this tradition originates from both Taoism and Buddhism, the festival is celebrated in other East Asian countries as well.