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Fostering Resilience through Fairy Tales: The Girl Without Hands by Jacob and Wilhelm Grimm

Fostering Resilience through Fairy Tales: The Girl Without Hands by Jacob and Wilhelm Grimm

Author(s): Marcin Kaźmierczak / Language(s): English Issue: 4/2017

The purpose of this paper is to exemplify the outstanding potential of literary narrations, and particularly the fairy tales, to foster resilience among primary school students. The starting point of these reflections is the mimetic-cathartic vision of a literary narration proposed already by Aristotle and then developed by such contemporary authors as Paul Ricoeur, Alasdair MacIntyre, David Carr, etc. The specific application of the general idea, according to which great literary stories have a powerful intrinsic pedagogical potential, is depicted with the use of the example of a classic tale by the Grimm brothers, The Girl Without Hands, which is a clear mimesis in both textual and figurative sense of a resilient character. Moreover, the traumatizing circumstances against which the resilient attitude develops in the protagonist are related to family background, which makes the story particularly up-to-date at present times in which we observe an outstandingly high divorce rate as well as many other types of problems affecting large numbers of children in relation with their families. A variety of “pillars” or “factors” of resilience are easily observable in the behaviour of the “girl without hands,” which converts the story into a remarkable and encouraging example of overcoming all sort of difficulties and obstacles which our students encounter on their own way towards a more complete integration and happiness.

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Word in a Transactional Approach to Upbringing through Fairy Tales: The Selected Aspects

Word in a Transactional Approach to Upbringing through Fairy Tales: The Selected Aspects

Author(s): Maria Szymańska / Language(s): English Issue: 4/2017

The word has enormous meaning in a teacher’s practice. Basically, it can be treated as a transmitter of direct and indirect contents that have a positive or negative dimension. The word belongs to elements constituting the phrase, sentence, story, speech, etc. and performs many functions covering varied disciplines of science, one of which is pedagogy. It takes part actively in the process of upbringing that is realized with differentiated methods, techniques. They are rooted in the anthropological, ethical, axiological, and psychological domain and seem to be indispensable in the implementation of content. The results of their usage depend on many factors, perhaps the most important being the teacher’s approach to the choice of methods. The goal of the paper is to elicit the meaning of the word functions while applying a transactional theory to student’s upbringing through fairy tales. Hence, the presentation is to explain the notion of the “word” and then the “transactional theory” of Louise M. Rosenblatt, the “transactional approach” to upbringing, and the interpretation of words in the fairy tales.

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The Educational and Moral Message in Antoine de Saint Exupéry’s The Little Prince

The Educational and Moral Message in Antoine de Saint Exupéry’s The Little Prince

Author(s): Mária Potočárová / Language(s): English Issue: 4/2017

Stories help us to understand our own mental world and the soul of the child and its education. In stories we often find a moral message and the basis for the practical solutions to various educational problems. To understand the nature of the parable means also to find the key to open the spiritual dimension of our being. We deal just with a very small book, and allegorical story about the little prince from the planet B 612 in it, as Antoine de Saint-Exupéry described him, which carries an important message to a man at any age. The paper analyses the moral and educational message of the work The Little Prince as a description of the dramatic era in which the book was written. The universality of the message of this book (which can be possibly described also as a fairy tale for adults) bases in the fact that the message goes across every period, and every age of recipients in a various environments and conditions of life. It clearly speaks not only to kids who are being educated, but also to adults and teachers, regardless of whether they are simple or highly educated people. The Little Prince is a guide to the inner world of each human person. From a pedagogical point of view this work deals with the application of narrative as well as educative method, which are based on dialogic paradigm of philosophy and Christian humanism, especially personalism. The outline of the article develops the following analytical sequence: the background of the creation of the book, The Little Prince in us—a psychological reflection, the ideas in The Little Prince in relation to education, focusing on the moral formation of the child and the every human person.

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With Frankness on Wars?

With Frankness on Wars?

Author(s): Magdalena Sikorska / Language(s): English Issue: 4/2017

This article analyses the question of ethics in war circumstances as portrayed in two picturebooks: The Enemy by Davide Cali and Serge Bloch, and I will not by Naila Farouky and Ora Eitan. Aiming to prove that there are some children’s books capable of tackling complex moral issues, it looks at the underlying attitudes (for instance, the implied concept of the child reader) and artistic devices employed in these books (such as irony, conceit, rhetoric), which allowed the artists to talk about challenging issues with conviction, frankness, and most importantly, with moral insight.

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Vicariousness and Forgiveness in The Chronicles of Narnia

Vicariousness and Forgiveness in The Chronicles of Narnia

Author(s): Cintia Carreira Zafra / Language(s): English Issue: 4/2017

Children’s contemporary literature often presents an ambiguous and even immoral world of values, not to speak of Christian virtues, which are neither emphatically mentioned nor even faintly evoked. Theological virtues enhance human capacities and elevate every person to their highest being, to the supernatural order they are created for. Directly related to the Scriptures, for they are revealed, the theological virtues suggest an unavoidable and clear connection to God. In C.S. Lewis’ Chronicles of Narnia we find a useful counterexample to teaching morals through literature: these seven fantasy novels provide multiple examples of how to be faithful, hopeful and even how to practice the virtue of charity. Considering that through a fictional evocation of certain concepts these might be apprehended more significantly, in this paper we aim to explore new readings of the saga that go beyond a general approach in order to transcend its allegorical mechanisms and respond to criteria such as the virtue of charity and its two main features: vicariousness and forgiveness.

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Potencjał aksjologiczny książki A u nas w domu. Opowieści dzieci fabrykanta

Potencjał aksjologiczny książki A u nas w domu. Opowieści dzieci fabrykanta

Author(s): Edyta SKOCZYLAS-KROTLA / Language(s): Polish Issue: 3 (45)/2017

Through reading, a child learns the values that are important in one’s life. The primary environment in which value transfer takes place is the family. In it the child is influenced by their parents and what they think, what they believe, what they consider the most important, according to which rules they behave. The aim of the article is to show the axiological qualities transmitted by the books of Grażyna Bąkiewicz, especially here at home. These tales of factory children and the values associated with the family are significant: joy, free time together, common conversations. Thanks to them they build a family community. G. Bąkiewicz emphasizes the value of the family home. The presented textual expressions should shape in the minds of contemporary readers the conviction of the importance of spending time together that it is important for family members, rather than just existing side by side. For the unquestionable values that the reader finds within, the diligence, truthfulness and honesty of the book’s heroes must be recognized. They can be a pattern of behavior for both children and adults. In reading you can see the importance of attachment to a small homeland – the city of Lodz. The story of these factory children introduces a young reader into a world of values in a happy, full family. The book provides knowledge, approximates the moral and social norms of behavior, and shapes attitudes toward home and one’s own place.

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Des scarabées
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Des scarabées

Author(s): Ancuţa Mortu / Language(s): French Issue: 1/2012

This paper discusses the image-text relations and puts forth the idea that visual experience is not fully accounted for by the model of textuality. A parallel is drawn between Henri Michaux’s work and Wittgenstein’s remarks about rule following in order to illustrate the pragmatic values of vision.

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AL-ĞĀHIẒ’S AR-RADD ‘ALĀ N-NAṢĀRĀ: FICTIONAL EXTERNAL GEOGRAPHY SUPPORTING DOMESTIC AGENDAS?

AL-ĞĀHIẒ’S AR-RADD ‘ALĀ N-NAṢĀRĀ: FICTIONAL EXTERNAL GEOGRAPHY SUPPORTING DOMESTIC AGENDAS?

Author(s): Andra Ramona Dodiță / Language(s): English,Arabic Issue: 18/2018

For the longest time, perhaps because of its genre as polemic, Ar-radd ‘alā n-naṣārā (Rebuttal against Christians) has rarely been taken into consideration or taken seriously as a historical source, despite its potential relevance to history. However, the treatise is deemed, nowadays, as a primary source for understanding shifting Muslim sensibilities towards Christian ḏimmī social status in a period of official anti- Christian sentiment. The accuracy and intentions of Al-Ğāhiẓ’s writings have been drawn into question on numerous occasions, by both his contemporaries and by later historians, and Rebuttal is not an exception as the timing of its creation and the motivation behind it suggest a connection to Al-Mutawakkil’s anti-ḏimmī measures of 850. The purpose of this paper is to show how, in order to achieve his goal, Al-Ğāhiẓ actively tries to blur the lines between (various) ḏimmī and Byzantine Christians by simultaneously taking on doctrinal and social issues while perpetrating generalizations and decontextualizations. Structured as responses to a series of questions asked by some fellow Muslims and initially addressed by some Christians, al-Ğāhiẓ’s purpose was either to provide a genuine answer or to raise awareness over what was perceived as haughtiness from Christians, as ahlu ḏ-ḏimma, in the Abbasid society at that time. Ultimately, the goal of his criticism and rebuttal was the (re)enforcement of the law, either as a natural, next-logical-step measure, or as a calculated measure, enforcing the caliph’s agenda. Despite being, almost certainly, exaggerated for effect, Rebuttal nevertheless gives a unique insight into the mixed urban life of the period and contains relevant information about the social and legal conditions of Muslim-ḏimmī, especially Christian, relations in ‘Abbasid society.

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“The Play’s the Thing”: Re-imagining Shakespeare’s The Tempest in Forbidden Planet, Prospero’s Books and Hag-Seed

“The Play’s the Thing”: Re-imagining Shakespeare’s The Tempest in Forbidden Planet, Prospero’s Books and Hag-Seed

Author(s): / Language(s): English Issue: 2/2020

This paper examines a number of contemporary adaptations of The Tempest - Fred McLeod Wilcox’s Forbidden Planet (1956), Peter Greenaway’s Prospero’s Books (1991) and Margaret Atwood’s Hag-Seed (2016) - which indicate new avenues for exploring the phenomenon of past-and-present rebonding through re-telling. If adaptation theory suggests, at its best, that an adaptation may encourage the public to read the ad apted text, if unfamiliar, as Linda Hutcheon argues, these particular adaptations of Shakespeare’s play, I contend, take a step forward. Not only do they spur the ir readers/spectators on to (re) read The Tempest, but they elicit (re)considering the relationships amongst (certain of) Shakespeare’s plays. It is what happened to this author too whilst reading Hag-Seed, even before reaching the page where Atwood’s protagonist - Felix qua Prospero actor and figure - contemplates the opportunity offered by mounting The Tempest to unmask his usurpers. “The play’s the thing”, Felix thinks in Hamletian terms, allowing the readers familiar with Hamlet to complete mentally “wherein I’ll catch the conscience of the king”. More than being Shakespeare’s swan song, as typically regarded, The Tempest thus becomes the metatheatrical light on Hamlet’s own metatheatricality - also courtesy of the former’s adaptations.

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The Humour-Pathos Link from Late-Victorian Aestheticism to Modernism and After in British Literature

The Humour-Pathos Link from Late-Victorian Aestheticism to Modernism and After in British Literature

Author(s): Ioana Zirra / Language(s): English Issue: 1/2023

By using Freud’s theory of humour (1927) and his Jokes in their relation to the unconscious (1905), we follow the dominant features of the humour-pathos nexus from the late Victorian to the postmodernist literary decadence, taking in our stride the two peaking twentieth century modernist texts published by T.S. Eliot and James Joyce in 1922 Britain. We begin with Oscar Wilde’s popular The Importance of Being Earnest (1895) in relation to Walter Pater’s less well-known autobiographical novel Marius the Epicurean (1885), showing what relation the latter has with T.S. Eliot’s The Waste Land and James Joyce’s Ulysses. The modernist genial humour of Eliot’s 1939 Old Possum’s Book of Practical Cats is contrasted with Tom Stoppard’s in Rosencrantz and Guildenstern Are Dead (1966) and with the dark humour closer to pathos in The Life and Songs of the Crow (1970) by Ted Hughes.

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Кордон як фактор мексикано-американської ідентичності

Кордон як фактор мексикано-американської ідентичності

Author(s): Svitlana Chernyshova / Language(s): Ukrainian Issue: 108/2023

The article explores the dynamics of the formation of Mexican-American identity since the end of the war between Mexico and the United States in 1848. The establishment of a new border between the two countries resulted in the leveling of the culture and traditions of those Mexicans who remained in the territories under the control of the new government. Gradual and coercive state policies against locals who tried to preserve not only their ranches and material possessions but also their spiritual practices, caused a situation of forced historical amnesia. New waves of migration, caused by complex political and economic conditions in Mexico, had a significant impact on both those Mexicans who had long lived on ethnic lands and the migrants themselves, who were forced to assimilate and live according to the laws of the “white world”. It was only in the mid-20th century that the radicalization of the Chicano political movement sparked the beginning of a reconsideration of the identity of Americans of Mexican origin. The border, as a dividing line, not only separates two countries but also splits the inner world of the Mexicans who live in the United States, signifying their border state, belonging to two worlds, two cultures, and two ways of being.

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Les Disparus de Daniel Mendelsohn et La Carte postale d’Anne Berest : deux succès aux antipodes

Les Disparus de Daniel Mendelsohn et La Carte postale d’Anne Berest : deux succès aux antipodes

Author(s): Aurélie Barjonet / Language(s): French Issue: 108/2023

This study compares the success of two books written by descendants of Holocaust victims in France. With The Lost. A search for six of six million (2006) / Les Disparus (2007), Daniel Mendelsohn brought from the United States a new look at the Holocaust and a true originality in the restitution of this event. Fifteen years later, French writer Anne Berest’s La Carte postale (The Postcard) (2021) trivializes the model of third-generation family investigation that The Lost represented. The study first details the markers of success (sales, prices, reception in the media) which already indicate two very different target audiences, then – in a second part – compares these investigations which, despite some similarities, are differently narrated, Anne Berest even adopting on the essential the opposite positioning of Daniel Mendelsohn. Finally, the last part relies on readers’ opinions to verify and clarify the trivialization detailed in the second part.

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Bosanske elifnice (2023)

Bosanske elifnice (2023)

Author(s): Elvir Musić / Language(s): Bosnian Issue: 34/2023

Review of: Bosanske elifnice (2023), priredili Sumeja Bičević i Amir Sakić, Edicija Alhamiadica Bosniaca, Knjiga II Svezak I, urednici Adnan Kadrić i Alen Kalajdžija, Sarajevo: Institut za jezik Univerziteta u Sarajevu i Orijentalni institut Univerziteta u Sarajevu, str. 726.

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Irony and Yearning in W.D. Snodgrass, John Berryman, and Allen Ginsberg: a Close Reading of Three of Their Confessional Poems

Author(s): Hristo Boev / Language(s): English Issue: 28/2023

This paper examines three poems by three American poets – W. D. Snodgrass, J. Berryman and A. Ginsberg who subscribe to the confessionalism of the 1950s and 60s being largely spared the complication of clinical depression which plagued the other three major confessionalists – Sylvia Plath, Anne Sexton, and Robert Lowell. Not having a severe form of it – Snodgrass – has resulted in generally more light-hearted texts by them containing irony and yearning which differ in mood from the rather mostly bleak verses of the other three mentioned American poets. These three, however, were also perfectly capable of their own personal darkness represented in verse and in turn did not fail to scandalize with the content of some of their verses. The paper also discusses the power of sincerity in these autofictional poems vs what could have been mere authenticity of dissimulated lived experience. As such, it aims to dispel possible attacks of self-display or glorification, as well as of possible victimization that autofictive poets, including some of the ones under scrutiny, have come under.

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Hrůza v dětské literatuře

Hrůza v dětské literatuře

Author(s): Eva Svátková / Language(s): Czech Issue: 1/2023

The study deals with the occurrence of the horror genre and its typical aspects in children's and youth literature. First, the genre of horror is introduced, i.e. the definition of horror and its functions in adult literature are described. Some prominent features and characteristics which describe the genre in general are outlined. In addition, such genre elements that are specific to the occurrence of horror in children's and young adult literature are highlighted. Their specific functions in terms of the effect on the reader and the structure of a horror narrative are described. Moreover, the functions of horror in children's literature are presented. The study ends with an attempt to define horror in children's and youth literature based on a summary of the previously presented findings.

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ЯВИЩА ЛІТЕРАТУРНО-МУЗИЧНОЇ ЖАНРОВОЇ МІГРАЦІЇ В УКРАЇНСЬКІЙ ФОРТЕПІАННІЙ ТВОРЧОСТІ (ДРУГА ПОЛОВИНА ХІХ – ПЕРША ТРЕТИНА ХХ СТОЛІТТЯ)

ЯВИЩА ЛІТЕРАТУРНО-МУЗИЧНОЇ ЖАНРОВОЇ МІГРАЦІЇ В УКРАЇНСЬКІЙ ФОРТЕПІАННІЙ ТВОРЧОСТІ (ДРУГА ПОЛОВИНА ХІХ – ПЕРША ТРЕТИНА ХХ СТОЛІТТЯ)

Author(s): Oksana Frait / Language(s): Ukrainian Issue: 4/2023

The purpose of the work is to highlight the intermedial manifestations of the genre migration from literature to music based on the materials of piano compositions of the Ukrainian authors. Research methodology is based on the principles of comparative studies. In particular, intermedial approach to the study of inter-art language codes in musical compositions with the genre titles connected with the literature interaction has been used. Genological, system-analytical, generalised-typological, and comparative methods have been applied to draw parallels, to find similarities and differences between literary genre connotations and piano interpretations of a ballad, elegy, impromptu, fairy tale, legend, and poem. Scientific novelty of the research lies in an attempt of intermedial analysis of piano compositions with the existing in literature genre definitions by means of semantic-semiotic interferences. The concepts of the “genre migration” have been introduced to the comparative sphere of literary and musical genre halos, sometimes supplemented with programme guidelines, including reliance on specific folklore sources. Conclusions. Migration of the literary genres to the sphere of music is one of the dimensions of intermediality caused by paratexts of inter-artistic dialogues and polylogues in semiotics and semantic plane, as well as in composition-structural aspect. Despite the fact that these interferences are quite conditional, genre paradigm borrowings are the evidence of the direct mutual influence of literature and music, especially on the examples of the genres of ballad and elegy, which represent the genres of the double music-poetic genesis. Comparison with the genre primary basis-“paragon”, paratextual combination of musical genres with the literary ones (etude-legend, sonata-ballad) or with the programme title allow to claim the individualisation of the composer’s interpretation at different levels of the artistic organisation of a piano script. To sum it up, using literary genre models enriched figurative-semantic, stylistic, and spiritually-cognitive resources of Ukrainian piano music.

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Prikaz drugih i drukčijih u akadskoj književnoj tradiciji, iz perspektive Emmanuela Levinasa

Prikaz drugih i drukčijih u akadskoj književnoj tradiciji, iz perspektive Emmanuela Levinasa

Author(s): Robert Stubičar / Language(s): Croatian Issue: 7/2023

In the paper Portrait of the different and the others in Akkadian literary tradition, from the perspective of Emmanuel Levinas, the author will, with the help of literary and historical sources from the Akkadian literary tradition, investigate the existence of the different and the others in Akkadian scripture and in their society. The concept of otherness, within Akkadian society, will be linked to the characters of literary works, their sexual orientation, gender, race, disability, ethnic and national affiliation. Furthermore, due to the fact that this topic is socially determined, it is necessary to present the social groups that are identified as the different and the other, not just in the literary, but also in the social and civilizational sense, that is, in the form of their position in Akkadian society. Based on this, with the help of Levinas’s nterpretation of the other and otherness, it will be concluded that the ancient Akkadians were a type of society that successfully integrated the different and the others into their society, and in this way those people were enabled to live a normal and dignified life like other members of their community.

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Spór o Stanisława ze Szczepanowa. Dyskusje wokół powieści Karola Bunscha Imiennik

Spór o Stanisława ze Szczepanowa. Dyskusje wokół powieści Karola Bunscha Imiennik

Author(s): Przemysław Benken / Language(s): Polish Issue: 2/2022

The article addresses the discussion on the two-volume novel Imiennik (vol. 1: Śladami pradziada [In the Footsteps of the Great-Grandfather], vol. 2: Miecz i pastorał [Sword and Crosier]) by the Cracow lawyer and writer Karol Bunsch, published in 1949. It describes the reign of Bolesław the Bold and the ruler’s conflict with the Bishop of Cracow, Stanislaus of Szczepanów, which ended with the latter’s tragic death in 1079. In the novel, the author combined historical facts, his own interpretations of contentious issues and extant source material, as well as fictional events; in doing so, he strongly outlined the scientifically unverifiable inner motivations of historical figures. The novel sparked a polemic between the author and his critics that took place, among others, in Tygodnik Powszechny [Common Weekly]. It mainly concerned Bunsch’s portrayal of Bishop Stanislaus, which was considered unreliable and hurtful. Critics of the book rejected the historians’ concepts on which Bunsch relied, as well as some of the information given by Gallus Anonymus, or proposed a different interpretation. At the same time, they gave preference to later sources that portrayed Bishop Stanislaus in a positive light. Bunsch defended the hypotheses of older scholars he presented in the novel, as well as many of his own thoughts, accusing his opponents of ignorance of the sources, misinterpretation and even manipulation. The dispute dragged on for many years and had an additional political dimension, becoming part of the complicated relationship between the Catholic Church and the communist government.

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Elmana Cerić i Haris Cerić, Strip kao medij filozofske poruke: stripozofski pristup nastavi filozofije

Elmana Cerić i Haris Cerić, Strip kao medij filozofske poruke: stripozofski pristup nastavi filozofije

Author(s): Kerim Sušić / Language(s): Bosnian Issue: 01+02/2023

Review of: Elmana Cerić i Haris Cerić, Strip kao medij filozofske poruke: stripozofski pristup nastavi filozofije, Druga gimnazija, Sarajevo, 2020, 172 str.

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POGLED U JEZIK MARTIĆEVA EPA OBRANA BIOGRADA GODINE 1456., SLAVJE SVETOGA IVANA KAPISTRANSKOGA

POGLED U JEZIK MARTIĆEVA EPA OBRANA BIOGRADA GODINE 1456., SLAVJE SVETOGA IVANA KAPISTRANSKOGA

Author(s): Marijana Galić / Language(s): Croatian Issue: 29/2023

The paper studies the language in Martić’s epic poem Obrana Biograda godine 1456, slavje svetoga Ivana Kapistranskoga (The Defense of Biograd in 1456, the celebration of Saint John of Capistrano). This literally work is divided into four parts: Poslanstvo, Vieće, Sprema i Pobjeda (Mission, Council, Readiness and Victory). At the beginning of the epic, there is an annual felicitation to Bishop Josip Juraj Strossmayer, and at the end of the epic, Bojna molitva (The Battle Prayer). The epic was printed in Đakovo in 1887 in the diocesan printing house. In the epic, which is based on a historical-religious theme, it can be seen that Martić followed the Franciscan writing tradition, oral literature, and language principles of the Zagreb philological school, while adhering to the Central Bosnian idiom. This is observed through spelling, orthography, phonology, morphology, syntax and lexis.

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