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Mueller dwudziestoletnia oraz „Hista & her sista”. O dziewczyńskiej rewolucyjności twórczości poetki-matki

Mueller dwudziestoletnia oraz „Hista & her sista”. O dziewczyńskiej rewolucyjności twórczości poetki-matki

Author(s): Agnieszka Waligóra / Language(s): Polish Issue: 1 (21)/2023

The article summarizes the current state of research devoted to the works of Joanna Mueller. The author of the text points out the critical impasse – the decline in interest in the poetry of Mueller, which seems to be caused by the reproduction of interpretive stereotypes about the nature of her works. In turn, the changes in the poet’s writing, which have not been taken into account in the reception, are shown on the example of the analysis of her latest volume, Hista & her sista, published in 2021. The article shows how Mueller’s poetry reveals its emancipatory potential, opposing accusations of excessive intellectualism and exaggerated formal sophistication, which has been said to mask the poet’s conservative worldview. It takes into account the context of Michel Foucault’s thought, whose concept of discourse Mueller draws on as she explores the multiple implications of the title’s notion of hysteria. Indeed, given its discursive and disciplinary nature, the poet performs a significant political subversion of the phenomenon. Hysterical women turn out to be subjects fighting for their own independence by transgressing the boundaries of the norm, while the supposed eternal immaturity of women, who were denied the right to rationality, is transformed into a positive value – it becomes the engine of a revolution.

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Ambiwalencja jako próba odzyskania autentyzmu w reprezentacji Szoa. Przykład Arnošta Goldflama

Ambiwalencja jako próba odzyskania autentyzmu w reprezentacji Szoa. Przykład Arnošta Goldflama

Author(s): Agata Firlej / Language(s): Polish Issue: 24/2023

The starting point for this research is the crisis in discourse and pedagogy related to the representation of the Holocaust, as well as the crisis of empathy in its perception, signaled by, among others, Ernst van Alphen. With the passage of time increasing numbers of representations appear that push the boundaries of inappropriateness, requiring new approaches and new scientific findings. The Czech playwright Arnošt Goldflam, a representative of the second generation of survivors and at the same time an artist associated with the independent culture of the 1960s and 1970s, uses the category of ambivalence in his plays about the Holocaust, which may be considered as flirting with inappropriate representations of Shoah, leading to a convincing attempt to overcome its crisis.

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The Holocaust between Pop Literature and High Literature:Maxim Biller’s Inside the Head of Bruno Schulz

The Holocaust between Pop Literature and High Literature:Maxim Biller’s Inside the Head of Bruno Schulz

Author(s): Reinhard Ibler / Language(s): English Issue: 24/2023

Maxim Biller, one of the most prominent, but also most controversial Ger-man-Jewish authors, is an important figure in modern Holocaust literature. Af-ter a short introduction to his early journalistic and literary oeuvre dealing with the Holocaust, we will focus on his novella Inside the Head of Bruno Schulz from 2013. A short outline of the story will be followed by a detailed analysis of the role the Holocaust plays in this story, especially with regard to the two protag-onists, Bruno Schulz and Thomas Mann. It will be shown that the pop-literary provocations that dominate Billers’ early works, are now displaced by clear ten-dencies towards a high literary, artistic standard, which are characteristic for the developments of modern Holocaust literature in general.

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Between Freedom and Imprisonment. The Shanghai Ghetto from the Perspective of the Bulgarian Writer Angel Wagenstein

Between Freedom and Imprisonment. The Shanghai Ghetto from the Perspective of the Bulgarian Writer Angel Wagenstein

Author(s): Marzanna Kuczyńska / Language(s): English Issue: 24/2023

Angel Wagenstein’s novel Farewell, Shanghai is this article’s focal point. The atten-tion focuses on the literary picture of the Shanghai ghetto (Hongkew district) during the Second World War. Wagenstein shows the ghetto as symbol of the end of the Jews’s eternal wandering, where they found autonomy from other nations, and reunification based on sufferings and religion. Before them there stands the long-awaited promised land, where they themselves will govern themselves.

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Takis Würgers Roman Stella (2019) – Holocaustliteratur einer neuen Generation?

Takis Würgers Roman Stella (2019) – Holocaustliteratur einer neuen Generation?

Author(s): Andreas Ohme / Language(s): German Issue: 24/2023

Takis Würger’s novel Stella, published in 2019, has received mostly unenthusias-tic reviews from literary critics because, in their opinion, it does not do justice to Stella Goldschlag's historical persona. Rather, the text merely turns a tragic conflict into Holocaust kitsch. In order to examine this judgement, the article analyses the poetics of the novel. This analysis reveals two things: the text does not in fact strive for a historically accurate portrayal of Stella Goldschlag, but reflects on the different ways of accessing the historical phenomenon. In this sense, Stella may be seen as an passable attempt to write modern literature about the Holocaust for today's generation. It does not, however, do so consistently be-cause it oscillates between the genre of the historical novel and allegory. The fic-titious narrator, Friedrich, also proves inconsistent. His mixture of naivety and pathos indeed tends towards kitsch.

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Wielogłos. Polskie, czeskie i słowackie teksty o Zagładzie

Wielogłos. Polskie, czeskie i słowackie teksty o Zagładzie

Author(s): Kinga Piotrowiak-Junkiert / Language(s): Polish Issue: 24/2023

Review of: Wielogłos. Polskie, czeskie i słowackie teksty o Zagładzie Handbook of Polish, Czech, and Slovak Holocaust Fiction. Eds. Elisa-Maria Hiemer, Jiří Holý, Agata Firlej, Hana Nichtbur-gerová. Berlin: De Gruyter. 2021, 514 s.

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Giving Voice to the Psalms in the Alfredian Metre 4 of Boethius

Giving Voice to the Psalms in the Alfredian Metre 4 of Boethius

Author(s): Tatyana Solomonik-Pankrashova / Language(s): English Issue: 115/2023

This article will read the Alfredian Boethius Metre 4 as a lamentation, spoken in the voice of Mod (Mind) and recited by the inner voice of the reader. The voice of Mod is mingled with the Alfredian voice, which is given a further authority by the voices of king David and the Psalter itself. The aim of this article is to highlight the echoes of Old English Psalms in the thought and rhetoric of the Alfredian Boethius Metre 4. The Old English translation of the Psalms embraces the Old English Prose Psalms (represented by Psalms 1–50) and the Old English Metrical Psalms (represented by Psalms 51–150). The Old English translation of the Prose Psalms traditionally ascribed to King Alfred the Great of Wessex (c. 871–899) is of particular interest for the present study. Yet, the inner space of Metre 4 is redolent of the vernacular voice of the selected Old English Psalms both in prose and verse.

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Zapożyczenia czy przełączanie kodów? Analiza integracji morfo­-syntak­tycznej litewskich i rosyjskich rzeczowników w powieści Bartosza Połońskiego „Robczik”

Zapożyczenia czy przełączanie kodów? Analiza integracji morfo­-syntak­tycznej litewskich i rosyjskich rzeczowników w powieści Bartosza Połońskiego „Robczik”

Author(s): Irena Masojć / Language(s): Polish Issue: 1/2023

One of the most debated issues in the research on linguistic interactions includes the problem of differentiating between borrowings and effects of code-switching, which is solved in a particularly complex way by studying the interaction of closely related languages. The aim of the article is to reveal various ways of integrating Lithuanian and Russian nouns used in informal communication in the Polish language in Lithuania and to make attempts to answer the question of whether the degree of morphosyntactic adaptation can be used to determine the boundary between the borrowings and effects of code-switching. The study is based on the linguistic material of the novel Robczik by Bartosz Połoński, in which the author fairly accurately reconstructed the slang of young people at the end of the 20th and the beginning of the 21st centuries. The analysis shows that in the case of typologically and genetically similar languages, foreign lexical items are incorporated into the syntactic structure of the language in several ways. However, the morphosyntactic integration of Lithuanian and Russian words is not a sufficient criterion to distinguish the phenomenon of borrowing from that of code-switching. Other criteria, such as phonological ones, which can only be applied to spoken linguistic material, may be of utmost importance.

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Христианские ценности в историософской концепции авангардной книги Алексея Ремизова «С. П. Р.-Д.»

Христианские ценности в историософской концепции авангардной книги Алексея Ремизова «С. П. Р.-Д.»

Author(s): Alla Gracheva / Language(s): Russian Issue: 3/2023

The article analyzes the monumental avant-garde work by A. M. Remizov based on materials from the archive of his wife, Serafima Pavlovna Remizova-Dovgello († 1943). Her initials form the title of the new book, entitled “S. P. R.-D.” (1945). Her manuscript has been preserved in Remizov’s archive at Vladimir Dahl State Museum of the History of Russian Literature and is currently published at the Institute of Russian Literature (Pushkinskiy Dom) of the Russian Academy of Sciences. In this work, various documents belonging to S. P. (her diaries, memoirs, letters, dream notes, business papers, etc.) are interspersed by Remizov’s own texts: his extensive comments on S. P.’s notes, memoirs, essays, excerpts from unpublished works. In the book, through the conventional outline of the biography of S. P. (in her youth, she was a member of the revolutionary movement, a follower of the traditions of the populists), Remizov examines and judges not only the bygone era of the Silver Age, but the Russian Revolution of 1917. The era of the Silver Age represented by its leaders (Dmitry Merezhkovsky, Zinaida Gippius, Alexander Blok, Andrey Bely) is characterized by him as an era of decadence, is subjected to harsh criticism for the departure of its masters from the moral, and above all, the Orthodox traditions of Russian literature. In his assessment of the revolution of 1917, Remizov emphasizes its anti-Christian character. According to the writer, Russia, having stepped on the revolutionary path, has moved away from its historical path — the path of its natural development, which is inseparably linked with Christian values

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Мотив искушения в творчестве Л. М. Леонова 1920-х годов

Мотив искушения в творчестве Л. М. Леонова 1920-х годов

Author(s): Alena O. Zadorina / Language(s): Russian Issue: 4/2023

The article analyzes the motif of temptation, which goes back to the texts of the Holy Scriptures, in the early novels of L. M. Leonov, representing the combination of the symbolic aesthetics and the completion of social realistic discourse. The components of the biblical story plot about the Temptation of Christ in the desert were identified, analyzed and compared with their version in L. M. Leonov’s texts using the structural-typological method and the method of motif analysis. The emphasis is on the allomotives of temptation by pride and power and on the related motives of falling/flight, the images of the abyss and the demon-tempter. In the process of analysis, the internal connections of the motif in question with other biblical stories (e.g., the Tower of Babel, christening, the prodigal son) were revealed, which allows us to assess the specifics of the artistic concept. As a result, despite the writer’s obvious reliance on the biblical story through indirect and partial quoting and repetition of actions, the author largely deviates from the very tone of religious discourse, replacing it with an ironic one, which is carried out using travesty, hyperbolization and grotesque. However, a number of the author’s artistic innovations in the treatment of the Holy Scripture plots still retains a connection with the original source, as a result of which the text is read and recognized by a knowledgeable reader through allusions, reminiscences and variations on the theme of the pretext. All of the above becomes a guide to one of the key ideas in Leonov’s work - the idea of cognition.

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Sözlü Kültürden Yazılı Kültüre Kadının Ada/Kule Tutsaklığı: Rapunzel, Kız Kulesi, Hurşid ü Ferahşâd

Sözlü Kültürden Yazılı Kültüre Kadının Ada/Kule Tutsaklığı: Rapunzel, Kız Kulesi, Hurşid ü Ferahşâd

Author(s): Nazire Erbay / Language(s): Turkish Issue: 115/2023

Oral narratives and texts create an effect area from the local to the universal culture and with temporal approaches from the individual to the society. Many events, phenomenons and notions which are carried to the mental world of the society with texts, in time, become settled implementations and behaviours. In social positioning under changing conditions, the narratives and texts which include woman provides continuity. The women’s voices whose presences are shaped with the decisions of other’s and male’s thoughts are heard yet via others and men. While passing from the oral narrative to the written, reflecting women’s biological gender differences , so as to create the perception of “the other” attracts attention. The thing that take attraction is that the women in the narratives, rather than her biological gender, is exposed to gender configuration which derives from sanctions and behaviour forms approved by the society. In the narratives and works named as Rapunzel, Maiden’s Tower and Hurşidname, even before their birth, a life area which lives ordinary people is not prepared for women. Women are not allowed to decide on their bodies and lives. In Rapunzel, Maiden’s Tower and Hurşid ü Ferahşad, it is seen that men, especially the one who is closed to the woman character, is in position of decider on behalf of woman. These works mention about family and society based an asset configuration on women’s biological gender. In this work, the tale of Rapunzel who was isolated from society because of religious and cultural norms, The Maiden’s Tower legend which explains a girl’s tale to the island-shaped towerby her father fort he purpose of saving her from dangers and Hurşid ü Ferşad mathnawi which is one of the important ones in terms of text fiction are approached and compared on account of common sides on viewing women. Firstly, the fact that these narratives and works are not just a text and their contexts cause positioning of woman in the plane of family and society is introduced. These texts give opportunity to search, determine and analyze samenesses of social viewing comes from beyond centuries towards to woman even though these samenesses belong to different cultures and improve in different types.

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A Stylistic Approach to Thomas Campion’s There Is a Garden in Her Face

A Stylistic Approach to Thomas Campion’s There Is a Garden in Her Face

Author(s): Halit Alkan / Language(s): English Issue: 115/2023

Literary works come into existence through authors’ use of language units in particular ways. Style is considered as the choice of linguistic characteristics from all the probabilities in language. Stylistics attempts to create an interaction of readers with the language of a literary text to clarify how a reader understands the text. This study examines how Thomas Campion manipulated basic linguistic features to form stylistic effects in order to produce meaning in There Is a Garden in Her Face. The analysis involves lexical, semantic, grammatical (syntactic), graphological, and phonological (sound pattern) levels. It helps to clarify the context of the poem. The stylistic analysis shows that the poem is very carefully constructed. All three stanzas in the poem are grammatically parallel to each other and deal with the lady’s beauty whose face is compared to a garden of heavenly paradise where every kind of delicious fruit grows there. The unity of the poem is secured by the refrain describing a beautiful lady’s lips. The graphological deviation shows a system of capitalization to foreground important words such as “Roses” and “white Lilies” in the poem to represent love/passion, and innocence/purity. The phonetic parallelism reinforces the system of parallel meaning in terms of alliteration and assonance. The poem is based mostly on similes and metaphors to make the imagery of the flowers and fruit growing in a garden much more vivid. With this, the lady’s physical features are portrayed. The noun cherry is used with the adjective sacred which portrays that the lady’s lips have not been touched or kissed by anyone. The same line which is repeated at the end of each stanza foregrounds that this beautiful lady is unattainable unless if she says her lips are fully ripe to become most valuable. Here, female beauty signals the ideals of Elizabethan beauty: white skin, blushing cheeks, and red lips. This study shows how Campion has been able to manipulate language which is an integral part of a literary work. Campion has created changes through a systemic use of language to get his message across to readers. This study may help researchers understand how Campion used stylistic tools in his poem.

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Ahmet Gazioğlu ve Andreas Onoufriou’nun Romanlarında “Öteki” İmajları: Kıbrıs, Milliyetçilik ve Savaş

Ahmet Gazioğlu ve Andreas Onoufriou’nun Romanlarında “Öteki” İmajları: Kıbrıs, Milliyetçilik ve Savaş

Author(s): ŞevkI Kıralp / Language(s): Turkish Issue: 116/2023

This paper examines the images of “others” in Turkish Cypriot author Ahmet Gazioğlu’s novel War and Love in Cyprus and Greek Cypriot author Andreas Onoufriou’s novel The Native Land in a comparative perspective. Both novels focus on the war in 1974 that constituted a significant threshold for the two communities. Both novels comprise nationalist narratives. While for Gazioğlu, Greeks (particularly the coup makers) and Greek Cypriots are the “others”, for Onoufriou the “others” are Türkiye, Greek Junta, USA, UK and Greek Cypriot terrorist organizations. Onoufriou characterizes Turkish Cypriots as a friendly group constituting a part of the “people” yet emphasizes that they are a “minority”. In Gazioğlu’s novel, for Turkish Cypriots the trustworthy actor is Türkiye and Greek Cypriots are identified with the suppression that made Turkish Cypriots suffer. In the literature, there is a growing trend to analyze novels based on the image of the “other” they present. Nevertheless, the number of studies comparatively analyzing the “others” in Greek Cypriot and Turkish Cypriot novels is not yet satisfactory. This paper aims to fill this gap. This paper utilizes documentary analysis as its main research method. It follows a qualitative, descriptive and comparative methodology.

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The Soundscape of Man in the Holocene: An Exercise in Sensitization

The Soundscape of Man in the Holocene: An Exercise in Sensitization

Author(s): Dong Xia / Language(s): English Issue: 1/2022

This paper discusses how the natural soundscape of Max Frisch’s novella Man in the Holocene (1979) affords a contemplation on the inadequacy of human epistemology against the immense temporality of the geological deep time. The sound of rain, wind, and thunderclaps in Frisch’s narrative evokes a vaster temporal scale and constantly challenges its protagonist Herr Geiser’s faith in science and objective knowledge. Following Émilie Hache and Bruno Latour’s advocacy of “resensitization,” and Derek Woods’s call for attention to scale variance and boundaries of our scalar epistemic framework, this article argues that the interrelation of sound, weather and our senses in Man in the Holocene sheds light on the limits of an anthropocentric framework of understanding, the discontinuities between different scales, and how we can reposition ourselves across and inhabit multiple epistemological scales without losing sight of their discontinuities. Weather is a profoundly intermingled sensory experience and carries temporally and geologically vast, non-human agency. By focusing on meteorological phenomena and atmospheric sound, this paper aims to contribute to the scarce literature on sound in ecocriticism and on natural soundscapes in the studies of acoustic ecology.

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DAMLANIN YOLCULUĞUNA FARKLI BAKIŞLAR: SEYR Ü SÜLÛK VE MONOMİT ÇERÇEVESİNDE ÂŞIK DÂİMÎ’NİN BİR ŞİİRİ

DAMLANIN YOLCULUĞUNA FARKLI BAKIŞLAR: SEYR Ü SÜLÛK VE MONOMİT ÇERÇEVESİNDE ÂŞIK DÂİMÎ’NİN BİR ŞİİRİ

Author(s): Süleyman Fidan,Gülbeyaz AYDOĞAN / Language(s): Turkish Issue: 43/2023

The concepts of road and journey have been conceived in various ways by different branches of art. Despite this diversity, there are common motifs in many narratives about the journey. In this study, the concepts of the eternal journey of the hero, which developed within the framework of the monomyth theory put forward by the mysticism doctrine and Campbell, were chosen to be examined. By evaluating the similarities on the journey conceptions of these two concepts, Âşık Daimî's poem “I Belt on a Truth” is examined. The emergence of the Islamic faith has transformed the Sufi culture into a culture that directs the way of life, moral rules and personality of Muslims. In this process, sects began to emerge and however, Sufi rituals that differed from sect to sect were seen. The purpose of Sufism is to reach the truth by suffocating. Being a sulûk, under the leadership of a person called a murshid-i kamil, is expressed with the concept of seyr ü süluk, which is the set of rules that the Sufi volunteer, who is a Sufi volunteer, should apply on the way he aims to reach God. One of the other concepts that we come across when traveling is called Monomite theory. Campbell; Starting from the structure he called Monomite, he formulated the paths followed by the heroes and resolved the partnerships with this method. It is seen that the monomyth theory can be applied especially in the majority of works that adhere to the classical narrative. The aim of this study is to examine Âşık Dâimî's work I Believe in a Truth from two different perspectives, as a view of a devotee who navigates in Sufi culture and as a view of the hero's journey stages in Campbell's Monomyth theory. The first part of the study covers the examination of Âşık Dâimî's “I Belt on a Truth”, with the view of the devotee who watches in Sufi culture. According to this approach, the mixing of the drop with the river, finding the universe in the drop and returning to itself again shows the understanding of unity of existence. The next part covers the analysis of Âşık Dâimî's “I Belt on a Truth” from the perspective of the hero's endless journey in Campbell's Monomyth theory. According to this approach, it was considered as a devotee hero whose journey is described in the work and examined under the headings of departure-initiation-return. While preparing this study, the concepts of patrol type, understanding of Sufism and navigation in Sufism were examined. These concepts have been analyzed with the work studied. In the next stage, Campbell's Monomyth theory and its adaptation to various works were examined and combined with the work in question. As a result, there are common universal traces in the journey of initiation, whether it is a literary text hero or a dervish.

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TÜRK EDEBİYATINDA PARNASYEN ŞÂİRLERİN BESTELENMİŞ ŞİİRLERİNİN TÜRK MÛSİKÎSİNE YANSIMALARI

TÜRK EDEBİYATINDA PARNASYEN ŞÂİRLERİN BESTELENMİŞ ŞİİRLERİNİN TÜRK MÛSİKÎSİNE YANSIMALARI

Author(s): Semih Okcu / Language(s): Turkish Issue: 43/2023

In this study, which examines the musical elements in line with the images most used by the Parnasian poets in Turkish literature, firstly, information about the Parnassism movement is given and information is given from general to specific about Yahya Kemal Beyatlı and Tevfik Fikret, the representatives of this movement in Turkish literature. Qualitative research method was used in the data collection process of this study, which was created by making use of the interdisciplinary structure of literary and musical arts. After this process, literature review was made and related articles, books, theses and web resources were used. In line with the analysis process of the data obtained, Yahya Kemal Beyatlı has the “sea” image most used by the parnasian movement; his poems “Dün kahkahalar yükseliyorken evinizden, Perestij, Geçmiş Yaz, Ses, Mevsimler, İstinye, Gece, Kar Mûsikîleri, Sessiz, Gemi, Şu kopan fırtınalar ve Süleymâniye’de Bayram sabahı, Dalgın Geceler, Çubuklu Gazeli,” and Tevfik Fikret's Hân-ı Yağmâ, Haluk’un Sesi, Küçük Asker and Çal Meleğim in this study, the reflection form of the poems, which were selected by the random sampling technique named "Special", on the music is discussed. By determining which tunes and by which composers the examined poems were used, the reflection form of the composed poems on the music was analyzed within the framework of composition and lyrics harmony, poet and composer mood harmony, it was aimed to gain new studies for both literature and music fields and to be a reference for interdisciplinary studies. . It has been determined that the composed works analyzed within the scope of the subject, as in the poems of the parnasian poets, are kept in the forefront of art, therefore, they have taken their place in the literature as Classical Turkish Music compositions in general. However, it was determined that the works were created correctly and in parallel with each other in terms of composition and lyrics, as well as poet and composer mood harmony.

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A Prologue to apology and futurism: Projections of nineteenth-century American Historicism in Nathaniel Hawthorne’s “The Custom-House”

A Prologue to apology and futurism: Projections of nineteenth-century American Historicism in Nathaniel Hawthorne’s “The Custom-House”

Author(s): Yonca Denizarslanı / Language(s): English Issue: 4/2023

Distracted by the contesting political debates between aristocratic republicanism of the Revolutionary era and democratic republicanism of the Antebellum; Nathaniel Hawthorne’s narrative tone in his prologue, “The CustomHouse” carries out the ideological assets of nineteenth-century American historicism in accord with which he laid ahistorical fictional elements failing to portray the entirety of early colonial New England in his 1850 novel, The Scarlet Letter. In this respect, “The Custom-House” portrays Nathaniel Hawthorne’s Romantic projections aimed at consoling the contemporaneous polarization on the futurity of the nation as much as his redemptive quest for his ancestral past in colonial Salem. Thus, as the dean of American Renaissance authors and a fervent Romantic, Nathaniel Hawthorne’s concern for an absolute-oriented moral vision, his apologetic perspective of the past, and his affirmative tone for the futurity of American democracy are most out loud in his writing. This study aims to focus on Hawthorne’s apologetic and futurist projections of nineteenth-century American historicism in his prologue, “The Custom-House” for his 1850 novel, The Scarlet Letter, concerning his responses to the anxieties of Antebellum America.

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Ingmar Bergman et Véronique Vogler : Lit de parade, oiseaux maladifs et cauchemar

Ingmar Bergman et Véronique Vogler : Lit de parade, oiseaux maladifs et cauchemar

Author(s): Noemina Câmpean / Language(s): French Issue: 2/2023

The present article represents a psychoanalytic reading not only ofIngmar Bergmanʼs film The Hour of the Wolf/ Vargtimmen (1968), but also ofBergmanʼs personal hour of the wolf, related to an inner pain, to an atmosphericsilence and to the irreducible scar of anxiety. On the other hand, the article presentsthe expressionistic influences of the German school on the creation of the Swedishdirector, regarding the terror of the artist, the adventure of light and whiteness, thesomnambulism, the soul and its double – the shadow, and so on. The nightmare ofthe main character Johan Borg starts with his visit to the von Merkens family: themembers of this strange family can represent projections of his own psychoticreactions – cannibals, ghosts, vampires, living dead, parasites, spiders. In thiscontext, the bed where Johan meets his “perfect” lover, Veronica Vogler, integratesa binary topos of agony and raw sexuality, a pietà and also a lying-in state of thecorpse which allows the ovation and the consumption of the breath of the deceasedby the participants. Ultimately, the bed hides the dramatization and the voyeurismof the self.

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Night, Dream, Nightmare. An Oneiric Reading of Chekhov’s Seagull

Night, Dream, Nightmare. An Oneiric Reading of Chekhov’s Seagull

Author(s): Călin Ciobotari / Language(s): English Issue: 2/2023

The present study proposes a reinterpretation of Chekhovʼs play from the perspective of the relationship the characters have with the night, with sleep, with dreams and nightmares. A very complex oneiric web is created by Chekhov by means of several factors: certain disturbances of temporality, slowness of themovement of the characters, boredom as a background state, drowsiness, insomnia, forgetfulness, identity disorders and so on.

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LA DANSE – TENSION DE LA COMMUNICATION EN LITTERATURE

LA DANSE – TENSION DE LA COMMUNICATION EN LITTERATURE

Author(s): Carmen Dărăbuş / Language(s): French Issue: 2/2022

The aim of investigation: is the role of dance as social coagulation and background for intense feelings, in connection with the new branch of neuroscience. The method of research: is a comparative one, choosing writer from different cultural spaces and epochs: Gustave Flaubert, Henrik Ibsen, Nikos Kazantzakis, Liviu Rebreanu, L. N. Tolstoi. Conclusion: neurosciences analyze the intersection of corporal contact with the control of movements, learning by imitation, emotional expression and the psycho-dynamic of subliminal. The article analyzes the function of emotional communication by dance, with reference to Dionysian manifestation of art, and to neuroscience. The authors and the works to which it refers are: Madame Bovary by Gustave Flaubert, A doll’s House by Henrik Ibsen, Anna Karenina by L. N. Tolstoy, Ciuleandra by Liviu Rebreanu and Zorba the Greek by Nikos Kazantzakis - three female characters and two male character. Their common element it is the feeling of an internal liberation and the communication of an erotic tension, the fusion with the person you love and with the universe.

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CEEOL is a leading provider of academic eJournals, eBooks and Grey Literature documents in Humanities and Social Sciences from and about Central, East and Southeast Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, researchers, publishers, and librarians. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. CEEOL supports publishers to reach new audiences and disseminate the scientific achievements to a broad readership worldwide. Un-affiliated scholars have the possibility to access the repository by creating their personal user account.

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 102056
VAT number: DE300273105
Phone: +49 (0)69-20026820
Email: info@ceeol.com

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