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La place du grand frère. Les échanges culturels entre l’Union Soviétique et les démocraties populaires à l’époque communiste

Author(s): Jérôme Bazin,Lucia Dragomir,Alina Popescu / Language(s): French Issue: 1/2017

The role played by the USSR in the popular democracies in Central and Eastern Europe is both overestimated and underestimated in current works. It is overestimated in numerous studies, which consider the imposing force of the “Soviet model” to have been acquired when these countries fell under the Soviet sphere of influence at the end of World War II. The mere definition of a model is however anything but clear: its transplantation had many loopholes and showed significant discrepancies depending on the periods and areas taken into consideration. It is underestimated since the entire array of exchanges made with the USSR during the socialist period have rarely been fully considered. While much attention was paid to the relationship between the East and the West during the Cold War, this special issue aims to address an underresearched topic, the cultural relations between the popular democracies and the USSR. By focusing on different countries and on different forms of exchanges in literature, visual arts, architecture or cinematography, the various contributions to this special issue are hopefully expanding the study of East-East relations, while offering a necessary comparative understanding of how each country shaped its own communist experience.

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Doctor mirabilis, caelestis et diabilis
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Doctor mirabilis, caelestis et diabilis

Author(s): Laura Dumitrescu / Language(s): French Issue: 1/2012

"The Seventh Seal" is not only a major cinematographic work, but also a major form of reception of the Middle Ages during the XXth Century. The central role played by the Death is an essential bounding between the XVth Century, obsessed with the war, the deasese and the beginning of the XXth Century, facing the same demons.

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“The Play’s the Thing”: Re-imagining Shakespeare’s The Tempest in Forbidden Planet, Prospero’s Books and Hag-Seed

“The Play’s the Thing”: Re-imagining Shakespeare’s The Tempest in Forbidden Planet, Prospero’s Books and Hag-Seed

Author(s): / Language(s): English Issue: 2/2020

This paper examines a number of contemporary adaptations of The Tempest - Fred McLeod Wilcox’s Forbidden Planet (1956), Peter Greenaway’s Prospero’s Books (1991) and Margaret Atwood’s Hag-Seed (2016) - which indicate new avenues for exploring the phenomenon of past-and-present rebonding through re-telling. If adaptation theory suggests, at its best, that an adaptation may encourage the public to read the ad apted text, if unfamiliar, as Linda Hutcheon argues, these particular adaptations of Shakespeare’s play, I contend, take a step forward. Not only do they spur the ir readers/spectators on to (re) read The Tempest, but they elicit (re)considering the relationships amongst (certain of) Shakespeare’s plays. It is what happened to this author too whilst reading Hag-Seed, even before reaching the page where Atwood’s protagonist - Felix qua Prospero actor and figure - contemplates the opportunity offered by mounting The Tempest to unmask his usurpers. “The play’s the thing”, Felix thinks in Hamletian terms, allowing the readers familiar with Hamlet to complete mentally “wherein I’ll catch the conscience of the king”. More than being Shakespeare’s swan song, as typically regarded, The Tempest thus becomes the metatheatrical light on Hamlet’s own metatheatricality - also courtesy of the former’s adaptations.

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Lolita: Nabokov – Kubrick – Lyne. Adaptări și instanțe auctoriale

Lolita: Nabokov – Kubrick – Lyne. Adaptări și instanțe auctoriale

Author(s): Andreea Morar / Language(s): Romanian Issue: 1/2017

The purpose of this research article is to analyze adaptation as a form of expression that creates a bridge between the written word and the image. Given the fact that literature and cinematography are two intertwined arts and that the relationship between them is the object of research of many scholars, our analysis is focused on the role of the author (as the producer of the original text) and on the role of the auteur (the adapting film director). The central theme of our work revolves around the concept of narrativity which is a characteristic that defines both text and film. Vladimir Nabokov’s novel, Lolita, is the departing point in our research which deals with the way the text was adapted for the big screen by Stanley Kubrick and Adrian Lyne. In our study we will give answers to questions concerning the nature of adaptation, as well as its consequences.

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Statutul femeii în secolul al XIX-lea: emancipare sau transformare în opresor? Analiză comparativă între ,,Lady Macbeth din Siberia’’ (1865) și adaptarea cinematografică ,,Lady Macbeth’’ (2016)

Statutul femeii în secolul al XIX-lea: emancipare sau transformare în opresor? Analiză comparativă între ,,Lady Macbeth din Siberia’’ (1865) și adaptarea cinematografică ,,Lady Macbeth’’ (2016)

Author(s): Anisia Anghel / Language(s): Romanian Issue: 1/2022

This paper analyzes the broadening of feminist discourse from the idea of emancipation portrayed by Nikolai Leskov in Lady Macbeth of Mtsensk District (1865) through the lenses of intersectionality in William Oldroyd’s film Lady Macbeth (2016). Although the director and the screenwriter Alice Birch do not insist on race as a pivotal theme in their work, the portrayal of black characters in roles subordinated to their white counterparts showcases the discourse on intersectionality as an important device in contemporary feminist theory.

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SIMBOLIČKI JEZIK FILMA POST-DEJTONSKE BOSNE I HERCEGOVINE U KULTURNOM PAMĆENJU RATNE TRAUME – ANALIZA FILMOVA QUO VADIS, AIDA? I U ZEMLJI KRVI I MEDA

SIMBOLIČKI JEZIK FILMA POST-DEJTONSKE BOSNE I HERCEGOVINE U KULTURNOM PAMĆENJU RATNE TRAUME – ANALIZA FILMOVA QUO VADIS, AIDA? I U ZEMLJI KRVI I MEDA

Author(s): Tahani Komarica / Language(s): Bosnian Issue: 24/2023

The purpose of this study is to show the impact on the creation of cultural memory in which film, as an element of prosthetic memory, is one of the significant mass media forms of the artistic framework, easily accessible and viral convergent digital environment through the analyzes two films In the Land of Blood and Honey and Quo Vadis, Aida? produces in post-Dayton Bosnia and Herzegovina, which treat the most severe war traumas of raped Bosnian women and genocide against Bosniaks occurred during aggression against Bosnia and Herzegovina in the period 1992-1995. The analysis of these two films was done according to the concept of Astrid Erll which includes three categories of communication: intra–medial (experiential, mythical, antagonistic, and reflexive), inter-medial (premediation and remediation), and pluri-medial communication creating context for film reception as social-integrative collective phenomenon. The results of the analyses of films show that pluri-medial communication is not fully realized for the constructing and stabilizing the historical narrative as a social integrative phenomenon, and the film as a fictional prosthetic memory is not realized as a cultural memory of war traumas of Bosnian society. The film as a platform of prosthetic memory in the digital age has the potential to bypass rigid, censored, and propaganda ofpluri-medial communication emphasized in the mass media of Bosnian entity Republikof Srpska as well as Serbia which disables and limits the context of reception of social-integrative collective phenomenon of war traumas based on historical facts.

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Kronika kulturnih događanja u Mostaru, srpanj - studeni 2023.

Kronika kulturnih događanja u Mostaru, srpanj - studeni 2023.

Author(s): Mira Pehar / Language(s): Croatian Issue: 134/2023

Kronika kulturnih događanja u Mostaru, srpanj - studeni 2023. / Chronicle of cultural events in Mostar, July - November 2023.

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The Invention of Hugo Cabret: From Novel to the Oscar-Winning Film Hugo

The Invention of Hugo Cabret: From Novel to the Oscar-Winning Film Hugo

Author(s): Ioana-Georgiana Mititelu / Language(s): English Issue: 1/2023

The present paper aims to discuss the journey from page to screen of ”The Invention” of Hugo Cabret, a gripping novel written and illustrated by Brian Selznick. Throughout this process, critical approaches will be examined to understand how specific narrative elements have been condensed or reimagined for the purpose of cinematic flow. This article delves into the fascinating world of film production and emphasizes the harmonious relationship between film and literature.

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BOOK REVIEW: PLAY THAT DADA

BOOK REVIEW: PLAY THAT DADA

Author(s): Daniela Șilindean / Language(s): English Issue: 2/2023

Review of: Dada se dă-n spectacol (Dada Shows Off), by Ștefana Pop-Curșeu, Ioan Pop-Curșeu and Ion Pop, Școala Ardeleană Publishing House, Cluj-Napoca, 2023

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Artyści w filmach kina moralnego niepokoju

Artyści w filmach kina moralnego niepokoju

Author(s): Dorota Skotarczak / Language(s): Polish Issue: 2/2022

The second half of the 1970s saw the birth of a trend in Polish cinematography later described as the cinema of moral anxiety. Films created as part of this trend grew directly out of a specific socio-political reality. On the one hand, they spoke of universal values such as truth and goodness, to which they owe their universality and topicality, and on the other hand, they showed the reality of Poland in the 1970s. Although not an absolute rule, the plot of films of moral anxiety was often set in intellectual, journalistic and artistic circles. However, the theatres, ballrooms and television corridors described in the films were a metaphor for the Polish People’s Republic. By setting the action in artistic and creative circles, especially rather mediocre ones, among small-town masters of ceremonies, heads of small student theatres, provincial actors, it was possible to circumvent the bans and slip under the censors’ radar. All the problems and conflicts occurring in the real life of all people living in a real socialist country were reflected in these films. They all faced similar situations, being oppressed by cliques and arrangements in the workplace and in public life.

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Towards a Historical Be(com)ing into Universal Benevolence: Anastasia and Geopolitical Reconfigurations in Late Modernity
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Towards a Historical Be(com)ing into Universal Benevolence: Anastasia and Geopolitical Reconfigurations in Late Modernity

Author(s): Maria Grajdian / Language(s): English Issue: 41/2023

Focusing on two iterations of the Anastasia topos – the 1997 animated musical movie produced and released by Fox Animation Studios and Takarazuka Revue’s Japanese theatrical musical live performance from 2020 –, this article analyzes the significance and impact of historical events and their dialectic renegotiation by means of mass entertainment in crosscultural cross-media perspective. Drawing on extensive fieldwork and archive research, the current analysis attempts a realistic diagnosis of future international developments based on live theatrical representations as well as their crucial reformulations of reality resulted from the empathic exchange between performers and audiences. Moreover, Japan’s attempts at reconfiguring geopolitical relations crisscrossing increasingly nationalist discourses in the public sphere during the 2010s are projected on the – likewise increasingly – polarized global narratives juxtaposing individual freedoms, rights, aspirations with collective expectations, pressures, anxieties.

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Pious protagonists: Using the screen to expand images of the Muslim faith beyond the dichotomy of “good” and “bad”

Pious protagonists: Using the screen to expand images of the Muslim faith beyond the dichotomy of “good” and “bad”

Author(s): Tomas Axelson / Language(s): English Issue: 1/2023

This article analyses how movies have been reproducing pejorative and stereotypical storytelling regarding Muslims and Arabs for more than a century, mainly along a narrowminded dichotomy between “bad” fanatic religious extremists or “good” non-religious secularized Muslims. The article explores alternative storytelling combined with using a model to discuss emotional engagement among moviegoers. The conclusion is that mainstream movie culture is still indebted to stereotypical images of Islam/Muslims. However, things are changing. More nuanced storytelling has been taking place lately, giving room for a broader spectrum of Muslim religious identity positions, including examples of religious wisdom and spiritual integrity, offering the audience imagery beyond the stereotypical “good” and “bad” dichotomy. Looking outside Hollywood and European mainstream films, new voices are being heard, making way for a wider spectrum of views.

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Między światem antropologii, kultury, teologii a kinem

Między światem antropologii, kultury, teologii a kinem

Author(s): Michał Stachurski / Language(s): Polish Issue: 1/2023

Review of: Wawrzynów, Joanna Kazimiera i Wojtyra, Wawrzyniec Zbigniew. 2021. Adamie, gdzie jesteś? Kino wobec tajemnicy świata i człowieka. W setną rocznicę urodzin Jana Pawła II. Wrocław: Wyższe Seminarium Duchowne Franciszkanów Prowincji Świętej Jadwigi we Wrocławiu, ss. 267.

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Building a Fashion Influencer Image on Instagram

Building a Fashion Influencer Image on Instagram

Author(s): Dilyana Molerova / Language(s): English Issue: 1/2024

This article examines the shift from analogue to digital transmission of information, the metaphor of virtual community, and the everyday life of social networks. It also studies the construction of virtual identity taking place under the influence of the influencer system on the Internet. Viewing fashion as a process of constant production and reproduction of the social, of imitation as a means of social adaptation, the text examines the transformation of fashion into a primarily digital representation through influencer marketing. The analogue and digital evolution of codes is distinct, and the need of media and digital literacy are a growing challenge for modern society. This work will provide a clearer delineation of the fluid nature of identity and social belonging as well-articulated behaviors.This article examines the shift from analogue to digital transmission of information; the metaphor of virtual community, and the everyday life of social networks. It also studies the construction of virtual identity taking place under the influence of the influencer system on the Internet. Viewing fashion as a process of constant production and reproduction of the social, of imitation as a means of social adaptation, the text examines the transformation of fashion into a primarily digital representation through influencer marketing. The analogue and digital evolution of codes is distinct, and the need of media and digital literacy are a growing challenge for modern society. This work will provide a clearer delineation of the fluid nature of identity and social belonging as well-articulated behaviors.

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O wyobrażeniach kulturowych i percepcyjnych w monografiach Stefanii Skwarczyńskiej. Czego możemy dowiedzieć się od romantyków?

O wyobrażeniach kulturowych i percepcyjnych w monografiach Stefanii Skwarczyńskiej. Czego możemy dowiedzieć się od romantyków?

Author(s): Mariusz Gołąb / Language(s): Polish Issue: 3/2022

The article deals with the problem of the literary image presented in the research by Stefania Skwarczyńska. The conception of the ‘image chains’ [polish: ‘łańcuchy obrazowe’] is analysed in Skwarczyńska’s theoretical works and monographs about J. Słowacki and A. Mickiewicz. The author argues that the Polish theorist’s conception of a literary image is shaped by the impact of two complementary media lines. The first is the meaning of the static and petrified in language formula of culture tradition. The other, is the problem of visual perception. Romanticism is interpreted as a general example of this process in Skwarczyńska’s monographies. The reference of the “isomorphism” notion by R. Arnheim is used to explain how Skwarczyńska’s works present this process of shaping literary image. The artistic categories of a colour and shape and the emotional aspects of poetic language are presented as the predominant problems for Skwarczyńska’s theory. These elementary aspects of poetic language can be interpreted as the phenomena that represents the activity of observation. The author reveals how these selected categories let Skwarczyńska construct the preliminary aspects of the visual problems of contemporary culture. Such theoretical perspectives, as observed in the works of the Polish theorist, results in Romanticism appearing as an example of a new way of seeing which results in aesthetic and perceptual changes in contemporary culture. Thus, Romanticism is shown as the example that leads Skwarczyńska to elaborate on the concept of “applied literature” as well. It shows how her theoretic take is linked to the description of culture changes or non-linguistic perception and the cultural phenomena of the likes of photography and film.

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Kategoria przestrzeni w studiach nad adaptacją. Reprezentacja społecznych peryferii w Sąsiadach (Adriana Markowskiego i Grzegorza Królikiewicza)

Kategoria przestrzeni w studiach nad adaptacją. Reprezentacja społecznych peryferii w Sąsiadach (Adriana Markowskiego i Grzegorza Królikiewicza)

Author(s): Robert Birkholc / Language(s): Polish Issue: 2/2023

The article is devoted to the category of space in adaptation studies. As the author argues, it is necessary to develop transdisciplinary tools that link formalistic and cultural approaches in comparative studies. The author proposes to use spatial properties such as center-periphery, internal-external, open-closed, as analytical tools in studies of space that can break the above divisions. As he argues, these notions should be treated in research not only as textual qualities, but also as conceptual frameworks triggering many different associations and discourses. The text that shows the benefits of using these analytical tools are Sąsiady, a collection of short stories by Adrian Markowski, and its film adaptation by Grzegorz Królikiewicz. Creating a representation of people from the social peripheries, the director makes significant changes in relation to the literary text. Królikiewicz tries to make a viewer take a different look at the social peripheries. Various formal experiments serve this purpose, above all the play with space, which is at the same time a play with social discourses. The author characterizes center-periphery, internal-external, open-closed relationships in both texts. He not only points out differences between literary and film text but shows how both media can think “about space” and think “through space.”

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Етнолошкиот аудиовизуелен  материјал и етнолошкиот документарен филм како медиуми на  етнолошки знаења

Етнолошкиот аудиовизуелен материјал и етнолошкиот документарен филм како медиуми на етнолошки знаења

Author(s): Vladimir Bocev,Joanna Rękas,Vladimir Bocev,Јoana Renkas / Language(s): Macedonian Issue: 85/2024

When we talk about ethnological audiovisual material and ethnological film, we should always take into account the entire recorded video material and the recorded sound from the field. This allows us to be closer to the events we are interested in and provides closer observation, which is the most suitable opportunity for research. Raw audiovisual material and ethnological documentary can be shared with interlocutors and the general audience. Feedback is obtained. Such a procedure allows us to understand how people view their own culture and what our mistakes and omissions are. Ethnological audiovisual material and ethnological documentary can also be invaluable in the education process.

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Translation of Problematic Humour in Gender-Focused Bewitched
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Translation of Problematic Humour in Gender-Focused Bewitched

Author(s): Lorena Oprița / Language(s): English Issue: 2/2023

Broadcast from the early 1960s until the early 1970s, Bewitched was brought into being with the intention of providing the conventional American family with a constructive emotional outlet for when they would all gather around the TV and spend quality time together. The key demographic at that time consisted of young to middle-aged couples or newlyweds with or without children, basically the real-life versions of the characters portrayed in the show. Nowadays, the target audience has considerably diminished in number as the beloved TV series is no longer on TV. It remains available online for cinephiles and movie amateurs alike. The aim of this article is to methodically translate and analyse the potential setbacks of various comic and outdated instances encountered in the TV show Bewitched. It also consists of a thorough investigation of possible problematic linguistic aspects, as well as different sources of humour. Moreover, the target audience will be provided with alternatives in translation and additional explanations and reasonings behind the choices made.

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NEPRIJATNI NAJBLIŽI ROĐAK: NAUČNE I POKRETNE SLIKE MAJMUNA

Author(s): Predrag Krstić / Language(s): Serbian Issue: 1/2019

This paper outlines the performance of monkeys in the film and, more broadly, in western cultural tradition. The pattern of ambivalent reception of that liveform is detected: recognizing the closest relatives uncomfortable resemblance to a common origin. In principle, movie used to augment ape and make him irresistibly threatening (King Kong); to personalize and with paternalistic sentimentalism assimilate him to human (Tarzan’s Cheeta), to distort the whole relation of humans and apes and signalize political consequences of species domination (Planet of the Apes), and finally, to resolve an uncomfortable closeness – with complete approximation of humans and monkeys in common catastrophic accidents (12 Monkeys, Congo, Gorillas in the Mist). It is demonstrated that, in whatever version, it is more interesting now to reverse the famous Marx’s formulation –„the anatomy of man is the key to the anatomy of the ape“– and think it not only methodologically any more.

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Odnos fiktivnog i realnog u Hanekeovom filmu "Smiješne igre": "Četvrti zid" kao parabola o prisustvu

Odnos fiktivnog i realnog u Hanekeovom filmu "Smiješne igre": "Četvrti zid" kao parabola o prisustvu

Author(s): Stefan Elezović / Language(s): Serbian Issue: 4/2023

The subject of this paper is a reflection on Haneke’s film “Funny Games” from 1997. The thematic focus is related to a sociological analysis of the content of the mentioned film and the correlation of this content with Heidegger’s conception of technology, Adorno’s and Horkheimer’s critique of mass culture, Jonas’s ethics of responsibility, and Baudrillard’s concept of simulation. The film in question highlights the issue of media representation of violence in the context of post-reality. Violence is presented as a form of entertainment, and the act of torture itself is depicted as a performance. The wall between the audience and the actors in the film is broken down, and the role of the film viewer is hypostasized as that of an actor. The basic assumption of this paper is based on the idea that action on a micro level forms a macro effect that leads to the establishment of a new reality. Haneke’s film “Funny Games” affirmatively responds to the aforementioned assumption. Exposure to the influence of the virtual space through actions on subjects has consequences on reality. Through the breaking of the “fourth wall,” the film “Funny Games” problematizes the relationship between the audience and the media, i.e., the relation between the fictional and the real. By focusing on the content of the film and the methods of analysis, synthesis, deduction, and induction, we come to the conclusion that the film “Funny Games” is a metaphor for the image of the contemporary era. Visual representation influences the objectification of the virtual world, so the analysis of the content of visual media opens up as one of the most pregnant perspectives for insight into the nature of objectivity in the contemporary context.

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