Pious protagonists: Using the screen to expand images of the Muslim faith beyond the dichotomy of “good” and “bad” Cover Image

Pious protagonists: Using the screen to expand images of the Muslim faith beyond the dichotomy of “good” and “bad”
Pious protagonists: Using the screen to expand images of the Muslim faith beyond the dichotomy of “good” and “bad”

Author(s): Tomas Axelson
Subject(s): Sociology, Islam studies, Sociology of Culture, Film / Cinema / Cinematography, Sociology of Art, Sociology of Religion
Published by: Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego w Olsztynie
Keywords: religion; Muslims; film; islamophobia; thick viewing; cultural change;

Summary/Abstract: This article analyses how movies have been reproducing pejorative and stereotypical storytelling regarding Muslims and Arabs for more than a century, mainly along a narrowminded dichotomy between “bad” fanatic religious extremists or “good” non-religious secularized Muslims. The article explores alternative storytelling combined with using a model to discuss emotional engagement among moviegoers. The conclusion is that mainstream movie culture is still indebted to stereotypical images of Islam/Muslims. However, things are changing. More nuanced storytelling has been taking place lately, giving room for a broader spectrum of Muslim religious identity positions, including examples of religious wisdom and spiritual integrity, offering the audience imagery beyond the stereotypical “good” and “bad” dichotomy. Looking outside Hollywood and European mainstream films, new voices are being heard, making way for a wider spectrum of views.

  • Issue Year: 19/2023
  • Issue No: 1
  • Page Range: 9-22
  • Page Count: 14
  • Language: English