Wybrane aspekty twórczości Wandy Karczewskiej w perspektywie powieściopisarstwa Nathalie Sarraute

Author(s): Magdalena Kowalska / Language(s): Polish Issue: 5/2015

The aim of this essay is to discuss selected novels of Wanda Karczewska. The analysis includes only specific aspects of Karczewska’s writing, such as narrative techniques, and its major aim is to situate her literary works in the context of the New Novel, a French literary movement which had a significant influence on the development of modern prose, including the postmodern novel. The second, equally important, aim of this text is to present some of the virtues of Karczewska’s forgotten novels to a wider audience.

Od kazališta u romanu do romana u kazalištu: “Slučaj” Gospođe Bovary

Author(s): Lada Čale Feldman / Language(s): Croatian Issue: 67-68/2017

Uzevši u obzir recentne teorijske i deskriptivno-poetičke dijagnoze razloga zbog kojih suvremena pozornica ustupa mjesto ne samo raznovrsnim oblicima “romanizacije drame”, nego i učestalim adaptacijama romana (usp. Sarrazac, 2012) – čitavome zasebnom izvedbenom “žanru” koji je u posljednje vrijeme reklo bi se zavladao i hrvatskim kazalištima – možda ni pojava Gospođe Bovary na daskama zagrebačkog Dramskog kazališta Gavella u jeseni 2016., romana koji je dramatizirala Ivana Sajko, preinačivši mu naslov u Bovary – slučaj zanesenosti, i nije tako slučajna.

Prostor cenzure

Author(s): Sarah Kofman / Language(s): Croatian Issue: 23/2018

Odlazeći u teatar, upućujemo se na mjesto njemu posvećeno, u zgradu gdje se prikazuju »predstave«, u dvoranu namijenjenu priredbama: uglavnom nikakva iznenađenja za gledatelja koji uvijek ima posla s istim dispozitivom, dispozitivom klasične pozornice. Idemo dakle na predstavu i kao gledatelji pokoravamo se određenu broju konvencija: odjeveni katkad u »večernje odijelo«, u ovoj ili onoj dvorani obavezno, podređujemo se tako istinskom ritualu. Taj ritual, koji se čini zastarjelim i bez značenja, čini se, ipak nužnim da bi djelovala katharsis po koju smo došli u teatar, pa makar ona bila u tome da za vrijeme predstave »zaboravimo« na svakidašnje brige. [...]

Curriculum Vitae of Alexander Fol

Author(s): Author Not Specified / Language(s): English Issue: 17/2007

VIS Jukić u akademskoj godini 2017/18.

Author(s): Josip Ivić / Language(s): Croatian Issue: 1+2/2018

Proteklu akademsku godinu VIS Jukić započeo je nastupom u Bučićima 2. listopada 2017. gdje su framaši proslavljali primanja i obećanja, a istog dana Jukići su nastupili i u Gučoj Gori na slavljenju svete mise. Nekoliko dana nakon toga obilježen je najznačajniji dan naše visokoobrazovne ustanove, a to je spomendan blaženog Ivana Duns Skota, na kojem je bogoslovski bend odsvirao poznatu pjesmu „Uhapšen u svojoj magli‟.

Ne mogu se nasititi od Marije besiditi. Uz 250. obljetnicu smrti fra Petra Kneževića (1701–1768) - autora našeg najpjevanijeg Gospina plača

Author(s): Marko Čuturić / Language(s): Croatian Issue: 1+2/2018

Ne mogu se nasititi od Marije besiditi naslov je pjesme kojim je autor fra Petar Knežević izrekao veliku istinu o sebi i svome svećeničko-redovničkom profilu. U njegovu bogatom književno-umjetničkom opusu glavno mjesto zauzima lik Blažene Djevice Marije. U Bosni Srebrenoj ga poznajemo kao autora Gospina plača punog naziva „Muka Gospodina našega Isusa Krista i plač majke njegove“ (1753.). koji se i danas tijekom korizme pjeva u mnogim našim župama.

Obdarzanie obopólne. Refleksja na marginesie książki Steinera i paru innych lektur

Author(s): Maria Dudzikowa / Language(s): Polish Issue: 2/2018

Специфика речевого воздействия в рекламе (на примере российских женских журналов)

Author(s): Joanna Wasiluk / Language(s): Russian Issue: XXIV/2019

This article analyses advertising texts published in the Russian magazines for women and indi-cates the importance of the selection of appropriate graphics and lexical means (including word-for-mation). The aim of the analysis is to present the typology of linguistic means which are most commonly used in advertising texts, especially considering the contemporary of life in society. Cur-rently, we increasingly feel the lack of time and we are bombarded by new objects and concepts that appear at almost every step. The creators of advertising texts try to attract the attention of consumers in a variety of ways, so as to encourage them to buy goods. The big, if not the leading role is played by the language of advertising, which is reflected in the various forms of play on words as well as in the form of newly created words.

Ciała pozbawiane powierzchni. Imago

Author(s): Stanisław Rosiek / Language(s): English,Polish Issue: 13/2019

Both drawings (the one from the first page of the fascicle and the other from the outer side of the cover) show two degrees, two stages of the decomposition of form. In the same process, bodies lose their integrity. They were shown by Schulz as a series of leaping aspects which are disconnected, hence discontinuous. The drawings were made in the 1930s. The beginning of the draughtsman’s development did not anticipate such a great catastrophe of bodily forms. In his works from the second and in part also third decade of the 20th century Schulz defined human figures precisely and unambiguously. Then, however, the proud poses which he took when drawing himself (e. g., in his narcissistic Lvov portrait) or other figures (Budracka or Weingarten) probably could not be repeated. In the final decade of his life (and artistic activity) Schulz was drawing differently, perhaps because he perceived himself and the others in a different way. The body? The draughtsman presents it as just a cluster of vibrating lines. A self-portrait? It is possible only as a psychological study, an exaggerated caricature that stresses individual traits or an icon of oneself (the big head with a hat on top, a small size). In hundreds of compulsive sketches drawn in the 1930s even those principles were not respected any more. The bodies that Schulz drew then, no matter if it was his own body or someone else’s, often approach a boundary behind which there is only trembling. Displacement and movement. Schulz’s sketches do not search for form. They are testimonies of its destruction or maybe better, its palpitation, solution and scattering. For the eye, the body is a phenomenon of the surface. It is only the reduction of distance in an act of love (or aggression) or even a common handshake that change that state. Perhaps then the problem of Schulz’s representation of the body is reduced to perception. The drawn body has no smell or weight (or taste – it is not “meaty”). One cannot even touch it. A hand that makes an attempt to touch naked women, who in Schulz’s drawings take majestic and provocative poses, touches only a sheet of paper. The drawn body exists just for the eye. Thus the last chance for the existing body is keeping its surface. Why is it then that the body from Schulz’s late drawings loses its integrity, why does it so often fall apart under our eyes? What is the body for Schulz-the draughtsman and Schulz-the writer? How does he experience his own corporeality? How does he see himself? How do others see him?

Беларускaя культурна-aсьветніцкая дзейнасьць у Польшчы на старонкаx часопіса "Бацькаўшчына"

Author(s): Nina Barszczewska / Language(s): Belarusian Issue: V/2000

К проблемe польско-восточнославянскиx культурных отношений XVII - началa XVIII века

Author(s): Vasilij Pucko / Language(s): Russian Issue: IV/1999

Pisarze trzeciej emigracji wobec tradycji puszkinowskiej

Author(s): Alicja Wołodźko-Butkiewicz / Language(s): Polish Issue: III/1998

Kontrowersje wokół Karoliny Sobańskiej

Author(s): Ewa Uzar / Language(s): Polish Issue: III/1998

К проблемe рецепции в Польше "Повестей Белкина" А. С. Пушкина

Author(s): Małgorzata Wrzosek-Stachurka / Language(s): Russian Issue: III/1998

Miejsce i rola Polski w wizji rosyjskich panslawistów drugiej połowy XIX wieku i neoslawistów z początków XX wieku

Author(s): Antoni Giza / Language(s): Polish Issue: II/1997

Religijność mieszkańców późnośredniowiecznego Szadku w świetle aktów ich ostatniej woli

Author(s): Agnieszka Bartoszewicz / Language(s): Polish Issue: 18/2018

The municipal records in Szadek contain 42 testaments from the period 1446–1502, which is a considerable number compared with e.g. the neighbouring cities. There also is information about four bequests that do not have the character of testaments, but are indicative of the main traits of the citizens’ religiousness. The analysed material comprises dispositions given by 61 burghers (some of the legacies were done jointly by married couples). The parish church was the main beneficiary of the bequests for religious purposes (which were quite frequent).The form of the analysed testaments shows that they were made orally, while the written version was secondary, and was sometimes made after the donor’s death. The great variety of the bequests and the number of entries informing about them in city records cannot be regarded as typical of a small town. It is an interesting evidence of the high cultural level of Szadek – a town small but actively participating in modernization processes taking place in the 15th century in the Kingdom of Poland.

SPYCIMIERSKIE KWIETNE DYWANY NA BOŻE CIAŁO - TYPOLOGIA I SYMBOLIKA WZORÓW

Author(s): Katarzyna Smyk / Language(s): Polish Issue: 8/2019

The aim of the article is to present the tradition of creating flower carpets for the Corpus Christi feast in Spycimierz (Łódź voivodeship, Poddębice county, Uniejów commune) from one perspective: interpretation of the symbolism of the patterns employed. In order to achieve this goal,the author uses the photographic material collected during the Corpus Christi feast in 2018 andinterviews with the inhabitants of Spycimierz parish, recorded among others by the author in 2018.In the first part of the text the author presents the state of research on the analysed tradition. For the sake of organization of the discussion, the author proposes that the flower carpets of Spycimierzshould be studied as culture texts, to which the second part of the article is devoted. In the final,main part, the author specifies groups of patterns and analyses their content successively: geometrical figures, floral patterns, zoomorphic patterns, anthropomorphic patterns, Christian motifs,patriotic symbols and verbal elements.

Metropolita Piotr Mohyła : człowiek dialogu na pograniczu kulturowym grecko-słowiańskim i łacińsko-polskim

Author(s): Ryszard Łużny / Language(s): Polish Issue: I/1996

Vétkes hőseink

Author(s): Anna Réz / Language(s): Hungarian Issue: 1/2020

Art and morality

Vernacular Psalters and the Early Rise of Linguistic Identities.

Author(s): Vladimir Agrigoroaei,Ana Dumitran / Language(s): English Issue: 3/2019