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Majdanské plynové komory

Majdanské plynové komory

Author(s): Michal Chocholatý / Language(s): Czech Issue: 1/2017

This paper aims to analyse the gas chambers of concentration camp Lublin (Majdanek) not using only a descriptive perspective but also exploring the controversy in the interpretation of their function which appears as an integral part of historical conclusions they have been published on this topic. The structure of this paper is based on the analysis of each of Majdanek gas chambers with respect to the different opinion of particular historians they are exploring relatively thin source base. The big emphasis is put on the person of present director of State Museum at Majdanek, Tomasz Kranz, whose focus on the Majdanek gas chambers represents considerable part of his research carrier that gave an important impulse for transforming the appearance of museum’s information apparatus connected with former places where the killing by gassings took place at Majdanek. The paper uncovers the killing past of the camp as a place with homicidal gas chambers although they played more likely a shadow role in the comparison with Auschwitz-Birkenau. There is a rare source base of witnesses’ accounts they could serve for transparent reconstruction of gassing procedure in the camp as well as its background. Nevertheless some of these accounts were preserved and became an important source substance explored by the author of this paper.

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Šo’a v Slovenskom štáte očami evanjelickej cirkvi augsburského vyznania

Šo’a v Slovenskom štáte očami evanjelickej cirkvi augsburského vyznania

Author(s): Boris Kořínek / Language(s): Slovak Issue: 1/2021

This study examines the changing attitudes of the representatives of the Slovak Evangelical Churchof the Augsburg Confession towards the anti-Jewish measures implemented in the Slovak State during the period 1939–1945. Among other things, it familiarises the reader with the organisation of thechurch, the assistance it provided to some of the persecuted Jews, and the conditions under whichJews were accepted into the church. To a lesser extent, it also addresses the way in which Jews whohad been baptised by evangelical pastors were perceived in the Slovak State and the extent to whichtheir baptism protected them from further persecution.

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In Search of Truth:

In Search of Truth:

Author(s): Annalisa Cosentino / Language(s): English Issue: 38/2021

professor at New York University, was writing the first part of a trilogy. Helen Epstein, born in Prague in 1947 to survivors of Terezín and Auschwitz, grew up in New York City, as her parents left Czechoslovakia after the communist takeover of 1948: ‘In February of 1948, there was a Communist coup. Kurt saw the Communists as Nazis in a different color uniform and was determined to get out. My prescient father had applied for an American visa right after returning to Prague from koncentrák and with the help of relatives in New York, we flew out of Prague and joined the Czech refugee community there’ (Epstein 2017, p. 25).

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Protection for Jews and Persecution of Jews in the Albanian-speaking Area during World War II .An Overview of the Current State of Research
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Protection for Jews and Persecution of Jews in the Albanian-speaking Area during World War II .An Overview of the Current State of Research

Author(s): Bernd Borchardt / Language(s): English Issue: 04/2022

During the Holocaust, the Jewish population and about 2,000 Jewish refugees found protection and support in Albania, from the Albanian population and from parts of the Albanian government. Very few Jews became victims of German persecution or the war in Albania. About 450 Jews who lived in the German-occupied Northern Kosovo or had fled there were deported and murdered in 1941/42. The Italian occupiers of Kosovo deported 51 Jewish refugees in early 1942 to the Germans. They also were mostly murdered. After the German occupation in September 1943, German forces arrested – mainly through the Albanian SS “Skanderbeg”-Division – almost 600 Jews and deported them to concentration camps, where many were murdered. Few Jews lived in the Italian-occupied western part of today’s Republic of North Macedonia. A substantial number of Jews escaped through the region to Albania, mostly with help from the local population.

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Die Türkei und der Holocaust .Ihre Rolle während der Judenverfolgung und heutige Geschichtspolitik
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Die Türkei und der Holocaust .Ihre Rolle während der Judenverfolgung und heutige Geschichtspolitik

Author(s): Reiner Möckelmann / Language(s): German Issue: 04/2022

Turkey did not participate in World War II. It remained neutral and was thus a potential entry and transit country for Jews fleeing Europe. In practice, in the first years of the war Jews from European states with anti-Semitic legislation were prohibited from entering or transiting Turkey by a decree from August 1938. Under the impression of ship disasters in Turkish waters and pressure from the Western Allies, Ankara eased its transit restrictions for Jewish refugees from 1941 onwards. Entry visas, on the other hand, were only granted to Jewish exile professors and Jews of Turkish origin from France. Turkish politicians often refer to this when commemorating the Holocaust. The myth of Turkey as a savior nation dominates in their politics of history

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Ethical Dilemmas of Trauma Representation;
Considering Art Spiegelman as a Liminal Mediator

Ethical Dilemmas of Trauma Representation; Considering Art Spiegelman as a Liminal Mediator

Author(s): Maya Gal / Language(s): English Issue: 1/2022

Theodor Adorno famously proclaims that “to write poetry after Auschwitz is barbaric” (285). Undoubtedly, he does not attempt to silence narratives of the Holocaust through this oft-cited remark. With this paradox began a conversation that proceeds to this day and resulted in a paradigm that haunts all trauma narratives: “who has the right to speak or write? What are the appropriate forms for their utterance to take?” and finally, “who is speaking, to whom, on whose behalf, and in what context?” (Godard 18).An author inevitably distorts and modifies an original traumatic experience by inserting his voice into the narrative via stylistic choices, formatting, narration, etc. By default, he is thus positioned as a liminal mediator between the experiencer of the story and the reader. He must ethically avoid distortions of the subject’s story, despite such responsibility creating a difficult paradox to resolve. I consider this conflict through Art Spiegelman’s Maus volumes I and II. Maus raises the same questions of censorship, authorship, and responsibility through its subject matter of the Holocaust and its medium as a graphic novel. I focus primarily on Art, the narrator, as a mediator between Spiegelman the author, his father, mother, and the written page.

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“Beyond the Threshold of War, There Seemed to Be No Reality and No Past”: Third Generation Jewish American Writers and the Inherited Memory of the Holocaust

“Beyond the Threshold of War, There Seemed to Be No Reality and No Past”: Third Generation Jewish American Writers and the Inherited Memory of the Holocaust

Author(s): Laura Gimeno-Pahissa / Language(s): English Issue: 1/2022

“Beyond the threshold of war, there seemed to be no reality and no past” (Hoffman 13). In her celebrated book After Such Knowledge: A Meditation on the Aftermath of the Holocaust (2004), Hoffman discusses the pervading presence of the Shoah in Jewish culture and memory, its psychological, emotional, and the historical reverberations of such catastrophe but, above all, she analyzes the effects this has had on the survivors’ descendants. Also described by Hirsch, members of the second generation—like Hoffman and herself—established a strong relationship to “the personal, collective, and cultural trauma of those who came before” so much so that their parents’ memories “constitute memories in their own right” (Hirsch 5). This has had such a powerful influence on later generations who have grown up with such inherited memories of catastrophe and trauma, that many of them have started questioning some of these accounts. One such writer is the Jewish American author Nathan Englander who, in his critically acclaimed short story collection What We Talk About When We Talk Anne Frank (2012), engages in a discussion regarding postmemory and its influence on the creation of both a Jewish cultural narrative and collective memory, and how this affects the characters’ lives on many different levels, as well as the voices of third generation authors indirectly. In his work, Englander addresses the discussion of the memory of the Shoah and its later rewritings in quite a provocative way: by means of humor which, as scholars such as Rosenberg and Krijnen maintain, seems to constitute one of the main characteristics of contemporary Jewish writing (Rosenberg 2015; Krijnen 2016). Therefore, it is the aim of this article to analyze Englander’s use of such technique to provide new insights on what it means to be Jewish American today and the effects of the Shoah and its inherited memory on third-generation Jewish American intellectuals.

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Eliza Matusiak, Joanna Bachura-Wojtasik, Brzmienie Holocaustu. O reprezentacjach Zagłady w sztuce radiowej.

Eliza Matusiak, Joanna Bachura-Wojtasik, Brzmienie Holocaustu. O reprezentacjach Zagłady w sztuce radiowej.

Author(s): Anna Rozenfeld / Language(s): Polish Issue: 49/2022

Book roview of Eliza Matusiak, Joanna Bachura-Wojtasik entitled Brzmienie Holocaustu. O reprezentacjach Zagłady w sztuce radiowej.

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Joanna Bachura-Wojtasik, Eliza Matusiak, Brzmienie Holocaustu. O reprezentacjach Zagłady w sztuce radiowej.

Joanna Bachura-Wojtasik, Eliza Matusiak, Brzmienie Holocaustu. O reprezentacjach Zagłady w sztuce radiowej.

Author(s): Andrzej Juchniewicz / Language(s): Polish Issue: 1/2022

Book review: Joanna Bachura-Wojtasik, Eliza Matusiak, Brzmienie Holocaustu. O reprezentacjach Zagłady w sztuce radiowej.

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Reflecting on Pipes’s and Brzeziński’s works: Vittorio Strada and the nature of totalitarian dictatorships

Reflecting on Pipes’s and Brzeziński’s works: Vittorio Strada and the nature of totalitarian dictatorships

Author(s): Francesco Berti / Language(s): English Issue: 3/2022

Vittorio Strada, one of the most distinguished Italian scholars of 19th- and 20th-century Russian literature and political history, formulated his final interpretation of the Russian revolution and its internal stages, the relationship between Marx, Lenin and Stalin’s thought, the concept of totalitarianism and the troublesome comparison between Nazism and communism between the 1980s and the 1990s. Expanding upon Richard Pipes’s thesis about the preservation of a czarist, authoritarian spirit and corresponding institutions in the Soviet state and Brzeziński’s and Friedrich’s refinement of the well-known concept of totalitarianism, Strada perfected his own interpretation of Soviet communism and in turn made it more useful to analyze totalitarian systems and ideologies.

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Archeologia totalitaryzmów — możliwości i perspektywy badawcze

Archeologia totalitaryzmów — możliwości i perspektywy badawcze

Author(s): Maciej Trzciński / Language(s): Polish Issue: 3/2022

Contemporary methods used by archeology create prospects for a fuller investigation of crimes against peace and humanity and of war crimes. Due to the lack of written sources or the limited scope of information that results from them, attempts can be made to find and interpret material sources directly related to the events under study. The methods used by archeologists can finally effectively verify information already obtained from archival sources. Today’s archeology extends its reach to the present, and new specializations such as archeology of armed conflicts or archeology of totalitarianisms contribute to a better identification of, among others, the contemporary history of Poland. These specializations are used all over the world in the process of investigating crimes against humanity and accompany ongoing criminal investigations.

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Włoski faszyzm i niemiecki narodowy socjalizm w interpretacji Zygmunta Cybichowskiego do 1939 roku

Włoski faszyzm i niemiecki narodowy socjalizm w interpretacji Zygmunta Cybichowskiego do 1939 roku

Author(s): Maciej Marszał / Language(s): Polish Issue: 3/2022

The subject of the article are the views of Zygmunt Cybichowski (1879–1946), professor of law at the University of Warsaw, on Italian fascism and German National Socialism. This Polish lawyer made a very interesting analysis of totalitarian systems. He was a supporter of the national method of interpreting law. He defined law as a product of the living conditions in a given country, “exclusive” to the solutions adopted in this field in other countries. He argued that the law cannot be invented, but only discovered through the exploration of specific living conditions. In his opinion, not all the law is to be found in the codes, so one should get to know a nation well to discover its laws. Cybichowski, as a supporter of the national-radical movement, looked at the German social and political transformations in the Third Reich with great sympathy. He was impressed by Adolf Hitler.

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Nazistowski kolonializm prawny. (Nie)porządek prawny Generalnego Gubernatorstwa (1939–1945)

Nazistowski kolonializm prawny. (Nie)porządek prawny Generalnego Gubernatorstwa (1939–1945)

Author(s): Hubert Mielnik / Language(s): Polish Issue: 3/2022

The article aims to provide a comprehensive description of the legal order of the General Government (1939–1945) and thus systemize the sources of the reconstruction of legal norms used in the processes of applying the law in the studied area. The analysis will be focused on issues related to jurisprudence and extra-legal axiologies to which the law in the General Government was subjected. The article is based on a comprehensive approach to the law of the General Government. It describes the creation of law in the GG (where it came from), the application of the law, and the factors that influenced this process. The presented characteristics provide the basis to describe the synthetic features of the GG’s legal order. It also argues that the German authorities deliberately created a politicized, colonial, uncertain, unclear, and racist legal order in the GG. Despite emerging from the sources of European civilization (including the legal one), the Nazi German legal order in the General Government was a contradiction of legalistic principles, guarantees, and values developed over the centuries. Therefore, the term “legal (dis)order” should be considered a proper definition of the described phenomenon. The article uses the research methods appropriate to jurisprudence and to interpreting historical sources.

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Katyń before the “népbíróságok”: How the Hungarian people’s courts suppressed the truth on the massacre of Polish officers

Katyń before the “népbíróságok”: How the Hungarian people’s courts suppressed the truth on the massacre of Polish officers

Author(s): Aleksander Gubrynowicz / Language(s): English Issue: 3/2022

As the judicial practice of the Hungarian people’s courts (népbíróságok) in matters related to Katyń remains relatively unknown, this article’s objective is to address this area of historical (as well as legal) research. It focuses on demonstrating general outlines of the problem by a detailed analysis of some of the most notable cases against Hungarian major war criminals. It seeks to explain the role these proceedings played within the the policy of obliterating the memory of Katyń and why the members of pre-war ruling elite were charged on the grounds of their activities concerning the Katyń massacre. Furthermore, this article attempts to demonstrate in what way these accusations were important in proceedings against major Hungarian war criminals. What was the legal basis invoked whenever the defendants were accused of Katyń-related issues? How did the People’s Courts handle these charges? And finally, what (if any) was the eventual role of the Soviets in the proceedings? As the matter under examination lies at the crossroads of history and law (as legal judgments that mentioned Katyń in their content are the center of the analysis), the methodology used compiles the process traditionally used in historical research with standard legal interpretation tools. Combining both methods while analyzing the object through the lens of the judiciary perspective, this article places the outcomes of the examined legal proceedings in a broader historical context that allows noticing the legacies produced by People’s Courts sealing the Soviet lies in mid 1940s. This article posits that during proceedings and in judgments, Katyń was only discussed at the margins of primary considerations. Besides, at the current stage of scientific development, there’s a lack of evidence that the Soviets exerted any pressures on the Hungarian judiciary, at least in the aspects concerning matters related to Katyń. Neither were they interested in using Hungarian judiciary channels to pursue their own specific Katyń-related goals, still less to use them as a tribune to minimize their failure in attributing the responsibility for this crime to the Nazis in Nuremberg. It seems, therefore, that Katyń-related cases before the népbíróságok were solely intra-domestically oriented, and their goals never went beyond one of the instruments of obliterating the memory of Katyń within Hungarian society. Still, they produced some concrete social effects nonetheless. Firstly, as the criminal prosecutions were just only one of the plethora of instruments set in motion to eradicate the memory about Katyń in Hungary, their deterrent or dissuasive effect (especially during the Stalinist era) should not be underestimated. Secondly, by placing Katyń within the context of the antisemitic crimes for which some of the defendants were sentenced to death, the legacy left by the People’s Courts dramatically complicated the decoupling process of the Soviet murder of Polish officers from the rest of Nazi/Arrow Cross propaganda. This confusion makes the Katyń tragedy a hostage of the discussion on the People’s Court’s role as such. Finally, as the analysis below is limited to some most notable cases of Hungarian major war criminals, this article plays only an indicatory role. Therefore, setting aside these conclusions, one should not forget that many additional questions (e.g. the total number of people sentenced or otherwise punished for “Katyń propaganda,” comparative approaches with similar processes in other East-Central European states) still beg further research.

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Pismo szefa sztabu Obozu Zjednoczenia Narodowego do przewodniczącego okręgu łódzkiego Obozu dotyczące członków grupy „Jutro Pracy”

Pismo szefa sztabu Obozu Zjednoczenia Narodowego do przewodniczącego okręgu łódzkiego Obozu dotyczące członków grupy „Jutro Pracy”

Author(s): Kamil Andrzejczak / Language(s): Polish Issue: 3/2022

The decomposition of the political camp of Józef Piłsudski after 1935 led to the increasing influence of supporters of stronger cooperation with nationalist groups, which concluded with the creation of the Camp of National Unity in 1937. The Camp was composed (among others) of a group of nationalist members of the ruling political camp, the so called “Jutro Pracy” group. After a period of harmonious cooperation, the number of clashes between leaders of the Camp and the group’s members led to the latter’s exodus from the Camp. In response to this exit, the chief of staff, and a supporter of totalitarianism, colonel Zygmunt Wenda, published a missive describing actions that should be taken by the leaders of the Camp in this situation. The analysis of content of the missive and parallel political events leads to a conclusion that the consolidation declared by political leaders of the Camp was only a facade, and differences of opinion within the ruling group were clearly visible.

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In the Captivity of One’s Own Beliefs, or Who is Inconvenienced by Our New Knowledge Regarding the Ładoś Passports

In the Captivity of One’s Own Beliefs, or Who is Inconvenienced by Our New Knowledge Regarding the Ładoś Passports

Author(s): Jakub Kumoch / Language(s): English Issue: 4/2020

A Polemic with the Article Paszporty złudzeń. Sprawa paszportów południowoamerykańskich widziana z Będzina [Passports of Delusion. The Case of the Latin American Passports as Seen from Będzin] by Michał Sobelman (“Zagłada Żydów. Studia i Materiały” 2020, vol. 16, pp. 700–717)

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W niewoli własnych wierzeń, czyli komu przeszkadza nowa wiedza o paszportach Ładosia

W niewoli własnych wierzeń, czyli komu przeszkadza nowa wiedza o paszportach Ładosia

Author(s): Jakub Kumoch / Language(s): Polish Issue: 4/2020

Najnowszy numer rocznika „Zagłada Żydów. Studia i Materiały” zawiera ciekawą, choć moim zdaniem całkowicie chybioną, próbę rozprawienia się z Listą Ładosia (Kumoch i in., 2019), publikacją pod moją redakcją wydaną po polsku w grudniu 2019 roku przez Instytut Pileckiego i przedstawioną w angielskiej – uzupełnionej i poprawionej – wersji (Kumoch i in., 2020) w lutym 2020 roku w londyńskiej Wiener Holocaust Library oraz siedzibie Światowego Kongresu Żydów.

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Die Kunst als Refugium der Selbstrettung und  Selbstfindung. Das Lesen und Verstehen  von Charlottes Salomon autobiographischen Werk Leben? oder Theater?

Die Kunst als Refugium der Selbstrettung und Selbstfindung. Das Lesen und Verstehen von Charlottes Salomon autobiographischen Werk Leben? oder Theater?

Author(s): Karin Anna Wawrzynek / Language(s): German Issue: 2/2022

The aim of this article is to show, in which way art can be used as an instrument, of self-conquest, self-finding and self-rescue as not to be forgotten by creating the appropriate distance, saving us from brutality and severity of reality and given times in which we live. The example of the Jewish artist Charlotte Salomon of approximately 1325 painted sheets, from which 769 represent her biographic-historical masterpiece Life? or Theatre? A song play. It illustrates like a play in the form of a storyboard in word and picture her quite short life, her childhood and adolescence in the times of Weimar Republic, her antisemitic experiences at the Academy of Art, the machinery of the Nazi regime. She created her series of paintings over the duration of approximately eighteen months between 1940 and 1942. Salomon intertwined factual details from the memory of her childhood and adolescence and exile life. It is a reenactment, a conflation that raises compelling questions about the formation and operation of memory, showing both sides: the traumatic memory of the tragic family history and the present historical events of the Second World War, which she experienced and witnessed by herself. Charlotte Salomon created a multimedia work by combining colour, literature and music in an expressionistic way, using techniques from painters like van Gogh, Chagall, Munch and Nolde, to visualize in form of comics and musical settings, consisting of the chosen palette of music pieces from classical music to modern pop songs. Her complex drama is divided into three parts in a prologue; a main part and an epilogue like a theatre play. Her work is nothing else as a synthetic depiction of life and unfulfilled love, suffering and death, created to survive. This intention of Charlotte Salomon confirms especially her own words, of the last gouache from the postscript on her back: Life? or Theatre?

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Adalékok Ligeti Ernő és családja életrajzához

Adalékok Ligeti Ernő és családja életrajzához

Author(s): Gábor Bujk / Language(s): Hungarian Issue: 06/2023

The biography of Ernő Ligeti (1891‒1945), a writer, journalist and Holocaust victim from Cluj, and his family in Budapest, is rather incomplete and often inaccurate in Hungarian literary history sources. Using the results of his research, the author has now filled in or clarified some of these data. Accordingly, many biographical data on the members of the Ligeti family are now being published publicly for the first time, with the sources indicated. The persons concerned are the author's parents, József Ligeti (Lichtenstein) (1860‒1924) and Júlia Diamant, his son Károly Ligeti (Charles Moshe Ligeti; 1928‒2015), his wife Margit Szántó (1899‒1945) and her parents Soma Szántó (Steiner) (1864‒1935) and Szeréna Schück (1876‒1961).

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AUSCHWITZ PRZED SĄDEM — JURYSTYCZNY AKT OSTATNI

AUSCHWITZ PRZED SĄDEM — JURYSTYCZNY AKT OSTATNI

Author(s): Witold Kulesza,Jan Kulesza / Language(s): Polish Issue: 1/2024

The aim of the article is to briefly summarize the evolution of the approach of the German judiciary to the prosecution of the perpetrators directly involved in the extermination of Jews, pri- marily in the Auschwitz-Birkenau and Sobibór camps. Initially proposed by Fritz Bauer, the model of responsibility for aiding extermination by everyone belonging to the camp staff (the so-called Bauer formula) was immediately rejected by the judiciary, which, together with the dogma of criminal law and the legislator (the Dreher Act), dealt with searching for such interpretations and legal solutions which made it possible not to bring charges against any of the members of the death camp staff. This approach was abandoned only in three judgments, against Ivan Demianiuk in 2011, Oskar Gröning in 2015 and Reinhold Hanning in 2016. In opposition to the original approach of the German judiciary, the position of the Polish judicature remains as presented in the process of the Auschwitz-Birkenau camp in 1947. The model of responsibility adopted at that time is still valid, both in terms of the legal foundations still in force (the so-called August decree) and in terms of the dogmatic model of assessing complicity to genocide.

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