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„Pisać też będę ohydnie”. Praktyki piśmienne czeskiego undergroundu

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„Pisać też będę ohydnie”. Praktyki piśmienne czeskiego undergroundu

Author(s): Weronika Parfianowicz-Vertun / Language(s): Polish Issue: 4/2015

Parfianowicz-Vertun examines the role of literacy practices and verbal creativity in Czech underground culture. She focuses on ways in which underground artists used writing and the written words; the tension between writing and alternative culture, which was largely based on the spoken word; as well as situations in which the act of writing became a performance of sorts. The article explores various aspects of underground culture: music, poetry, fine art and samizdat publishing.

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Книги 2012 г.

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 25/2012

Selected bibliography in the field of Bulgarian Studies published in the current year

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Дисертации

Author(s): Nikola Kazanski / Language(s): Bulgarian Issue: 23/2011

Defended PhD theses in Bulgaria in the field of linguistics, literature, history, folklore, ethnography and art studies

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The musical and liturgical aspects of the great feasts of the Church services inserted in the Great Lent

Author(s): Shorena Metreveli / Language(s): English Issue: 03 (30)/2016

The culture of Georgian chant is variable and particular schools are different from each other. The vital schools are Gelati, Shemoqmedi (West Georgian chant traditions) and Karbelashvilebi (East Georgian chant traditions). The paper presents musical analysis of West Georgian chant traditions, using Gelati school as an example. Scores are taken from Georgian musical manuscripts from the 19th century, which are saved in National Centre of Manuscripts and were written by St. Pilimon the Chanter (Koridze) and St. Ekvtime the Confessor (Kereselidze). The article’s aim is to show how some of the Great Feasts in Georgia were celebrated. The first part contains the examination of some individual aspects of Georgian liturgical practice. The second part synthetises what is important in the process of researching Georgian chant. The analysis shows individuality of the chant material. Diversity and abundance of existing materials gives the opportunity to conduct further research on the topic.

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The Metropolitan Opera jako wiodący producent spektakli operowych. Strategia kreowania marki the Met

Author(s): Agnieszka Lakner / Language(s): Polish Issue: 02 (29)/2016

The aim of an article is to show a strategy of creating brand by Metropolitan Opera according to the theory of global culture industry by Scott Lash and Ceila Lury. The main process which plays a significant role in this strategy is a medialisation of the opera, which provides constant update of this genre and helps it to adapt its form for a contemporary consumer. This strategy changes the relation between product and its recipient on several levels and makes an opera a new, fresh and modern music genre, as well as a theatrical and cinematic experience. Expansive Met brand transforms the operatic industry and introduces numerous innovations as Live in HD, iPod applications, Met on Demand, a brand of a singer etc. There’s also a significant aura around this brand, which imposes a form of thinking and causes certain expectations in relation to the consumer goods made by Met. According to the Roland Barthes’ theory of modern myth, the perception of this brand depends also on its history, memory and tradition, as well as being created by the identity itself. Thanks to the innovations and the nature of the event, an access to the opera nowadays is much easier and becomes a sign of a modern era.

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Muzyka w filmie "Ewangelia wg św. Mateusza" Piera Paola Pasoliniego

Author(s): Julia Okołowicz / Language(s): Polish Issue: 03 (26)/2015

The Gospel According to St. Matthew (1964) was the third film made by an Italian intellectual Pier Paolo Pasolini. After many scandals and court trials which concerned seditious character of his earlier shortmovie La ricotta (making part of Ro.Go.Pa.G., 1963), he decided to dedicate his new film to the history of Christ, choosing the text of The Gospel According to St. Matthew, naming it the one which in the best way represents the human nature of Christ and his „being a man among men”. The film he made is an interesting work of art because of many reasons: it was filmed in the area of the South of Italy, it’s maintained in the neorealism aesthetics, and thanks to the actors who starred in the film (one of the Apostles was played by Giorgio Agamben, an Italian philosopher, Jesus was played by a Spanish student, a strong follower of communism and Mary was played by Pasolini’s own mother – Susanna). Nevertheless, The Gospel According to St. Matthew, among other Pasolini’s film, has the most complex and refined soundtrack list, because this time, the music is the element which plays the major role in the film, being the factor of the stylistic contamination he applied in his works. The story of Christ is portrayed by unusual music choices such as Sometimes I Feel Like a Motherless Child by Odetta Williams, Gloria from the Kongo mass Missa Luba, Prokofiev’s Alexander Nevsky and others. Thus, it is important to have a closer look at the film’s music, and by decoding the intertextual figures such as quotations and allusions, try to understand its narrative symbolism and hidden, autobiographical motives created by Pasolini.

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Rezensionen

Author(s): Author Not Specified / Language(s): German Issue: 16/1984

Review of: Olaf Leitner: Rockszene DDR. Aspekte einer Massenkultur im Sozialismus. Hamburg 1983. Rororo 7646, 509 Seiten, öS 150.50/DM 19.80 Ossip Mandelstam: Die Reise nach Armenien. Bibliothek Suhrkamp, Frankfurt 1983,138 Seiten Edward Topol & Fridrikh Neznansky: Red Square. Corgi Books, London 1983,413 Seiten, £1.95 Alexander Nemow: Geschäfte in Baku. Scherz Verlag, Bern und München 1983, 288 Seiten, öS 232.40/DM 29.80 Sowjetunion 1982/83: Ereignisse, Probleme, Perspektiven. Hg. vom Bundesinstitut für ostwissenschaftliche und internationale Studien. Hanser Verlag, München-Wien 1983, 366 Seiten Hans-G. Wehlin (Hg.): DDR. Verlag Kohlhammer TB 1064, Stuttgart 1983, 239 Seiten, öS 156.-/DM 20.- Rudolf Ströbinger: Der Mord am Generalsekretär. Stalins letzter Schauprozeß — Das Tribunal mit Rudolf Slansky in Prag. Burg Verlag, Stuttgart-Bonn 1983, 144 Seiten Iring Fetscher: Der Marxismus. Seine Geschichte in Dokumenten. Philosophie, Ideologie, Ökonomie, Soziologie, Politik. R. Piper & Co Verlag, München 1962, 1983. 960 Seiten, öS 193.40/DM 24.80 Jerzy Holzer: »Solidarność« 1980- 1981, Geneza i Historia. Herausgegeben von: Institut Literacki, Paris 1984, 357 Seiten, öS 275.- Wolfgang Seiffert: Kann der Ostblock überleben? Der Comecon und die Krise des sozialistischen Wirtschaftssystems. Gustav Lübbe Verlag, Bergisch Gladbach 1983, 254 Seiten

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BALKAN CULTURAL STUDIES PUBLISHED IN ÉTUDES BALKANIQUES (2014 – 2023)

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BALKAN CULTURAL STUDIES PUBLISHED IN ÉTUDES BALKANIQUES (2014 – 2023)

Author(s): Gergana Doncheva / Language(s): English Issue: 2/2024

The text summarizes a corpus of articles in the field of Balkan Cultural Studies published in the journal Études balkaniques during the period 2014 – 2023. In view of the plethora of topics and methodological approaches, the review is structured in three main categories covering the following areas: Literature and Cultural Relations, Theatre and Cinema, Visual Culture. The text outlines the general tendencies and contributions observed in the above-mentioned publications.

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Към „медийната археология“ на грамофона в България

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 15/2024

The study on the music recorded and reproduced on commercial media places in the framework of the research interest the early recordings of military bands in Bulgaria, recorded and published by the Gramophone Company in the first decades of the twentieth century. The emphasis is on the role of gramophones and gramophone records in Bulgaria as functioning objects (advertisements from periodicals from the first decade of the 20th century, literary works and memoirs are analyzed), symbols (labels are analyzed). Starting from the general picture, the study focuses on the place of the army and professional musicians in early Bulgarian gramophone records, shown as fields of cultural production and habitus. The ratios of genre arrays in early recordings are described and analyzed: "folk" music (folk, potpourri), military music (marches), popular music (Western dance idioms), art music, sound pictures. The relationship of contexts with contents has been sought, bringing out some encounters in military band recordings of Western and local, modern and traditional, political and popular.

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„Слънчевите изгреви“ на фолклорна музика като „спектакъл“: преливания между фестивална сцена и телевизионен ефир.

Author(s): Lozanka Peycheva / Language(s): Bulgarian Issue: 15/2024

The proposed article examines the relationship between two institutions that normatively frame and manage sustainable practices of reproduction and modernization of folklore music in Bulgaria in the 21st century - a city festival for folk art and television media (and related digital platforms) that reflects it. The Folklore Sunrise Festival and Sunrise Music TV (Kiss M+) together create a vibrant "folk" scene that is socially and culturally significant, and attractive to communities connected to Bulgarian music-folk traditions.

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Съвместна изложба „Двоица“ на Венцислав Димов и Орлин Спасов

Author(s): Ventsislav Dimov,Orlin Spassov / Language(s): Bulgarian Issue: 15/2024

Presentation of the first joint exhibition by Orlin Spassov and Ventsislav Dimov "Dvoitsa" /"Both of us" (February 15 - March 20, 2024, Faculty of Journalism and Mass Communication) by the authors and photos of their works.

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Артистичен порив без чадъра на професионалните регламенти и йерархии.

Author(s): Georgi Lozanov / Language(s): Bulgarian Issue: 15/2024

Speech by Georgi Lozanov at the opening of the exhibition "Dvoitsa" on February 15, 2024.

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Да направиш снимка е най-лесният и същевременно най-изтънченият фокус.

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 15/2024

Ventsislav Dimov's interview with Orlin Spasov on the occasion of the exhibition “Both of us”(“Dvoitsa”). Spassov's answers show photography as a hobby and part of his professional interests.

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Нещотърсачеството като бягство и любов, която измисля света с образи.

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 15/2024

Orlin Spassov's interview with Ventsislav Dimov on the occasion of the “Both of us” (Dvoitsa”) exhibition. Dimov's answers present art as a child's play, as an escape from words, as a search for meaning through invention.

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За книгата: Румяна Л. Станчева. Сравнително литературознание. Фаталната жена и 5 европейски кройки на романа. София, Изд. Колибри, 2023. [Roumiana L. Stantcheva. Littérature comparée. La femme fatale et 5 coupes européennes du roman]

Author(s): Dina Mantcheva / Language(s): French Issue: 1/2024

Book review: Румяна Л. Станчева. Сравнително литературознание. Фаталната жена и 5 европейски кройки на романа. София, Изд. Колибри, 2023. [Roumiana L. Stantcheva. Comparative Literature. The Femme Fatale and 5 European “Cuts” of the Novel. Sofia, Colibri Publishers, 2023./ Littérature comparée. La femme fatale et 5 coupes européennes du roman.]

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Anotace

Author(s): Jiří Křesťan,Martin Dolejský,Václav Chalupný,Hana Bortlová-Vondráková / Language(s): Czech Issue: 1/2024

BEZDÍČEK, Viktor: Hledání světla: Portrét skladatele Zdeňka Šestáka. Praha, Nakladatelství Akademie múzických umění v Praze 2022, 552 s., ISBN 978-80-7331-615-0; BRÝDL, Miroslav – BOŠTÍK, Martin: Nezouvat, prosím! Vyprávění emeritního litomyšlského starosty Miroslava Brýdla o jeho životě a moderní architektuře. Litomyšl, Regionální muzeum v Litomyšli 2022, 302 s., ISBN 978-80-88464-02-0; FIDLER, Jiří: To ví přece každý: Zažité interpretace československých dějin. Praha, Fortuna Libri 2022, 272 s., ISBN 978-80-7546-433-0; FRIEDL, Jiří: Domů, a za svobodou: Role Československa v migracích obyvatel Polska v letech 1945–1948. (Edice 1938–1953.) Praha, Academia – Historický ústav AV ČR, v. v. i., 2020, 463 s., ISBN 978-80-200-3110-3 a 978-80-7286-353-2; HRUBÝ, Karel: Věřil jsem v budoucnost. Ed. Petr Zídek. Praha, Torst 2022, 316 stran, ISBN 978-80-7215-692-4; NAYA ORTEGA, Ramón – PRADES ARTIGAS, M. Lourdes: Hablamos diferentes idiomas, pero una misma lengua: Multilingüismo y pedagogías en las Brigadas Internacionales. Cádiz, Universidad de Cádiz 2023, 215 s., ISBN 978-84-9828-861-2.

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Go woke, go broke? On black elves, anthropological perspective and critical approach to “culture wars”

Author(s): Tomasz Raczkowski / Language(s): English Issue: 23/2023

The text reflects on the issues of wokeness and culture wars in regard to mainstream cinema and its reception. Building on the author’s own ethnographical fieldwork within film industry, it addresses the question of desired anthropological approach to the discourse about representation in popular culture. The case of backlash against certain elements of popular fantasy live action series The Lord of the Rings: Rings of Power and The Witcher is used by the author to argue for intersectional analysis rooted in economic perspective that exceeds identity-oriented, binary discursive setup, in search of more nuanced social knowledge, which is something that should constitute anthropological presence in public debate.

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Džez štampa u Srbiji od 1953. do 1965. godine

Author(s): Ljubica Milosavljević / Language(s): Serbian Issue: 2/2024

The aim of the paper was to introduce the specialized press oriented towards jazz music and its practitioners that was published from 1953 to 1965 on the territory of the Republic of Serbia. The marked period was chosen for consideration since it represents the most fruitful stage in the development of the press of a specific thematic profile, but also because of the significant changes in the entire Yugoslav society. These changes, as it was possible to show, influenced the complex processes that shaped the press of the time, as well as the attitude towards this musical genre and its practitioners. The processes in question include, first of all: certain internal political movements that consistently modeled the cultural policy of the time, within which jazz attempted to obtain a favorable position; integration of the former socialist state into polarized international currents that implied the use of jazz as a means of affirming the foreign policy orientation of Yugoslav society; and the creation of the operational power of artists for self-organization and the acquisition of certain labor and social rights within the Association of Jazz Musicians. The association was founded in 1953 in Belgrade with the aim of advocating for the rights of contemporary musicians, while at the same time initiating the publication of the first newspaper Jazz: Journal of Popular and Jazz Music (Jazz. List za pitanja zabavne i džez muzike). Under this name, the journal was published from 1953 to 1954, and during the publication period from 1957 to 1958 it changed its name to Bulletin of the Association of Jazz Musicians (Bilten Udruženja Jazz muzičara). After that, in Novi Sad, in 1962, Rhythm – Yugoslav Review of Jazz and Popular Music (Ritam – Jugoslovenska revija za džez i zabavnu muziku) began to be publish by NIP Dnevnik, and later changed its name to Rhythm – Yugoslav Review of Popular Music (Ritam – Jugoslovenska revija za zabavnu muziku), under which it continued to be published until it ceased publication in 1965.

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Предизвикателства при медийното "подгряване" за гостуващи мегаспектакли („Малкият принц” от Бродуей, Леденото шоу на ШОУ на Сирк дьо Солей "Хогуордс", концертът спектакъл „Чаплин Пианисимо”)

Author(s): Petia Alexandrova / Language(s): Bulgarian Issue: 16/2024

The coverage of mega-spectacles is adequate to the scale of the events themselves: we are well informed in advance by the press releases bloated with facts and names. In this text, I pay attention to the cracks, when something veiled appears in the explanations and misleads in the expectations. There are three examples - the Broadway performance "The Little Prince", the "Hogwards" ice show of Cirque de Soleil and the concert performance "Chaplin Pianissimo".

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‘Dirty or Clean – Immoral or Moral’ – Differences in Perception between Two Different Cultures (Finnish Main Population and Roma Minority) – COVID-19 in Finland

Author(s): Kai Viljami Åberg / Language(s): English Issue: 4/2022

COVID-19 shocked and shook the whole world. Hardly anyone could have predicted a similar pandemic. Romani communities in Europe face a much higher risk of death, as their situation, already marked by extreme racism and poverty, has been worsening in the last decade. Many Roma are not covered by social welfare, and the most vulnerable are informal workers and emigrants. Those in the informal economy are not eligible for aid, while current measures prevent them from earning an income (Asenov, 2022: 1129–1153). Thereby Gypsy, Roma, Travellers, Kaale etc. communities are at higher risk of being infected by COVID-19 and at greater risk of severe outcomes as a result of contracting pandemic. Problems in Roma health care are often caused by cultural perceptions, value and norm systems and beliefs (Alexiadou, 2018: 261–283). In Finland, the problems arising from the healthcare practices of the Romani population are often related to both linguistic and wider cultural differences in relation to the main population. In this paper, I will give a few examples of the inside perspective of the Roma in Finland based on my intensive fieldwork since 1994. I will reflect on the reasons and consequences of living in the middle of two cultures, both linguistically, culturally, and socially causing global health and healthcare to crumble. I ask, why and how COVID-19 gets a different linguistic and cultural significance among the Finnish Roma in relation to the majority population.

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