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Jumala jälgedel. Peko lahkumine

Author(s): Heiki Valk / Language(s): Estonian Issue: 03/2019

The cult of the Seto pre-Christian fertility God Peko has attracted research attention both from descriptive (Eisen 1909; 1936) and analytical aspects (Ränk 1933; Hagu 1975, 1997; Västrik 2017), the latter concentrating upon its geographical distributon and context among Finno-Ugric and Finnic deities. This article, based mainly on information collected in Setomaa since the 1990s, sheds light upon its latest phase of retreat and disappearance. The cult of Peko survived the longest in the small district of Mokornulk west of Obinitsa church village, historically extreme periphery of the Orthodox Pskov Government against the border of the Lutheran Government of Livonia. Last communal sermons of Peko were held in the hamlet of Ignasõ, 3 km southwest of Obinitsa, for the last time in the midle of 1930s when then the circle of participants was limited to ca. 6 old people from the same village. A living witness of the event remembers how women brought food to the idol covered by white cloth. Although the wooden image of the god disappeared from the public in the late 1930s already, it was kept and secretly worshipped by Peeter Ots (Otsa Petra) (1900–1980) (Fig. 1) in the neighbouring Navigõ hamlet until the end of his lifetime. The fact that the man was simultaneously a true and deeply religious Orthodox Christian, for years also the assistant of the priest of Obinitsa Church, gives evidence of the broad spectrum of vernacular religion. Another image of Peko which was widely used to get help in case of misfortune, trouble or poverty as late as in the late 1930s was secretly kept in Küllatüvä village until the late 1990s. In Ermakova village Akulina Mägi, a local healer (Fig. 3) used a wooden idol and a man-shaped image of rye straw (Figs. 4, 5) in rites related to first-time taking the cow out to the pasture in spring. Data of wooden idols, similar to Peko are also known from Setomaa from Saabolda hamlet, as well as from Lüütsepä (Fig. 6) and Palli hamlets near Ruusmäe/Rogosi manor in the southern part of Rõuge parish (Võrumaa) – also in remote periphery, near the Latvian border. The new data give evidence of broader distribution of the cult of Peko when compared to what was known before (Map 1), as well as about its longer duration. Although in Palli the image was called Peka, it must be noted that the variations Pek(k)o/Pek(k)a occur also in the tradition of eastern Finland and Karelia where the name also designates some supernatural being(s). Presumably, the cult of Peko relates to a broader ancient eastern Finnic tradition which once stretched from eastern Finland and Karelia over Ingermanland and lands east of Lake Peipsi to south-eastern Estonia. Although during the last decades Peko has obtained a new meaning among the Seto community – that of the sleeping god-king of whole Setomaa, waiting for its resurrection and new coming in the caves of Pskovo-Petchersky monastery – the topic of Peko as a god of the past is sometimes still not open for aliens.

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Eesti looduslikud pühapaigad suulises ja kirjalikus kultuuris „Kalevipoja” näitel

Author(s): Ott Heinapuu / Language(s): Estonian Issue: 04/2019

The article demonstrates differences between the symbolic landscapes of an oral vernacular culture and a literate culture, drawing on examples of perceiving and depicting sacred natural sites in Estonia. Vernacular oral culture and written national culture are considered as subsystems of a wider cultural system, following Yuri Lotman. In the literate Estonian culture from the 19th century onward, references to oak groves dominate as a typical image of ancient Estonian sacred sites. The symbol of the sacred oak grove is literary in origin, deriving from European examples of the Romantic Era. An important source contributing to the spread of the idea of ancient oak groves has been the Estonian national epic Kalevipoeg by Fr. R. Kreutzwald, first published as a full edition in 1862. An analysis of the text of the epic shows that most references to sacred oak groves and oaks in the epic are rhetorical in nature, featuring as poetic devices, figures of speech or abstract symbols signifying the idea of an ancient golden era. Only in two instances can they be considered to refer to concrete landscapes that can be precisely located. In the 20th century, sacred natural sites known to the local vernacular religion are increasingly interpreted in written national history as monuments of pre-Christian times. This is evidence of the hybridisation of certain features of written and oral culture after the national written culture has become established as the dominant subsystem.

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Kontvõõrana vanas eesti pulmas

Author(s): Ken Ird / Language(s): Estonian Issue: 06/2019

Review of: Vanaaja pulm. Valitud tekste ja pilte 16. sajandi keskpaigast 19. aastasaja viimase veerandini. Kokku seadnud Ants Hein. Tallinn: Tänapäev, 2018. 423 lk.

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Noorte hääled 2013

Author(s): Piret Koosa,Inge Annom / Language(s): Estonian Issue: 07/2013

Report on the conference “Noorte hääled” held at Estonian Literary Museum from April 24th to 25th, 2013.

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От съставителите – Миграцията към селото. Социокултурни измерения и изследователски перспективи

От съставителите – Миграцията към селото. Социокултурни измерения и изследователски перспективи

Author(s): Desislava Pileva,Violeta Periklieva / Language(s): Bulgarian Issue: 1/2022

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Erzurum’un Şenkaya İlçesine Bağlı Ormanlı Köyünde Bulunan Erken Dönem Türk Kültürüne Ait İnsan Biçimli Taş Heykeller ve Balballar

Erzurum’un Şenkaya İlçesine Bağlı Ormanlı Köyünde Bulunan Erken Dönem Türk Kültürüne Ait İnsan Biçimli Taş Heykeller ve Balballar

Author(s): Yavuz GÜNAŞDI,Ahmet Cüneydi HAS,Burak BİNGÖL / Language(s): Turkish Issue: 31/2022

The Eastern Anatolia Region has been the first stop for the tribes coming to Anatolia from Eurasia. The wide plateaus and water resources in the region, which is a mountainous geography, have made this region a center of attraction for equestrian nomadic cultures that live on sheep and goats since ancient times. Although the Caspian Sea was a natural obstacle for these tribes who wanted to enter Anatolia from Central Asia, these cultures entered Anatolia using the Caucasus in the north and the Zagros in the south. These cultures left behind many cultural elements such as kurgans-graves, stamps-heaps, runic writings, rock paintings, toponyms and stone statues-balbals. In the article, Şenkaya Stone statues and balbals, which are among these elements, were examined. Stone sculptures were depicted and their motifs were evaluated, and then they were dated by comparing them with the Anatolian and Eurasian stone sculpture tradition.

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Занаятчийството в Кюстендил през Възраждането

Занаятчийството в Кюстендил през Възраждането

Author(s): Shteliyan Shterionov / Language(s): Bulgarian Issue: 2/2022

The main goal of this study is to establish the nature and specifics of craftsmanship carried out in Kyustendil and its surroundings during the period of the Bulgarian National Revival. The analysis of the available source materials shows that during that period, in the development of craftsmanship in the region significant changes occur, which become the basis for the establishment of more progressive production relations in this area of the regional economy. However, the implementation of these changes is accompanied by a number of opposing factors that determine the slow pace of their implementation. This is the main reason why the establishment of these relations could not take place during the historical epoch under study.

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БРАТЯ МИЛАДИНОВИ И ЗВЕЗДАТА НА ЕПИСКОП ЩРОСМАЙЕР
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БРАТЯ МИЛАДИНОВИ И ЗВЕЗДАТА НА ЕПИСКОП ЩРОСМАЙЕР

Author(s): Plamen Bochkov / Language(s): Bulgarian Issue: 21/2022

The article recalls lesser-known facts from the relations between the Croatian bishop Josip Strossmayer and the brothers Konstantin and Dimitar Miladinovi in the period around the publication of the collection of folk songs from 1860. The bishop is among the main supporters of the idea of Bulgarian liberation a collection with the conviction that it helps the spiritual uplift of a glorious people in the past. The work of Bishop Strossmayer is an example of political courage and cultural foresight, and he emerged as a recognized leader of Slavic unity in the long service of his spiritual fast.

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ОБРАЗЪТ НА БЪЛГАРСКИТЕ СВЕТЦИ В ПРАВОСЛАВНАТА АГИОГРАФИЯ (ИКОНОПИС)
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ОБРАЗЪТ НА БЪЛГАРСКИТЕ СВЕТЦИ В ПРАВОСЛАВНАТА АГИОГРАФИЯ (ИКОНОПИС)

Author(s): Dimitar Dobrevski,Russana Goleva / Language(s): Bulgarian Issue: 21/2022

“We walk on a land soaked in martyr’s blood, in the footsteps of saints we know little about ...” As an ancient Christian people, we Bulgarians honor saints, monks and martyrs in their universal integrity. This spiritual pantheon includes ancient prophets, apostles and fathers, bright and familiar to all sacred names of the rank of Archdeacon Stephen, George the Victorious, Dimitar of Thessaloniki, Nicholas of Myra and hundreds of notable figures in human Christian history. The moment when Bulgaria joined the large family of Orthodox countries is indisputable but in fact, it was long before the christening of the Bulgarians by St. Prince Boris that many Bulgarian Orthodox saints shone in people’s memory and gratitude. For this good reason, the Bulgarian Orthodox Church has established a separate holiday – “Sunday of All Bulgarian Saints”, celebrated on the second Sunday after Pentecost. Unfortunately, the pantheon of our saints is still lacking a number of names, some of which were present centuries ago. Notably, there can be no doubt that this topic has not only “purely” ecclesiastical, but also its cultural and social dimensions.

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СВЕТИ МИНА И ВЪЛЦИТЕ В ЕДНА НЕОБИЧАЙНА ИКОНОГРАФСКА КОМПОЗИЦИЯ ОТ ГЕРМАНСКИЯ МАНАСТИР
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СВЕТИ МИНА И ВЪЛЦИТЕ В ЕДНА НЕОБИЧАЙНА ИКОНОГРАФСКА КОМПОЗИЦИЯ ОТ ГЕРМАНСКИЯ МАНАСТИР

Author(s): Vladislava Spasova / Language(s): Bulgarian Issue: 21/2022

The object of the present study is an unusual iconographic composition from the German Monastery, exhibited today in the exposition of the Sofia Museum, combining the figures of our famous saints warriors St. George and St. Mina, presented at first glance in his role as savior of a girl (princess), to which St. Mina hands over keys, and two wolf dogs are tied to the stirrup of his left leg. This is a very rare theme in the iconography of the holy martyr, brought by the folk cult of St. Mina, known among all Balkan nations for his mythical rule over wolves, and the icon was commissioned because of the prayed miracle St. Mina performed for the shepherds.

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ВИЗУАЛИЗАЦИИ НА ФОЛКЛОРНИ ТЕКСТОВЕ В ТВОРЧЕСТВОТО НА НИКОЛА КОЖУХАРОВ (1892–1971) В КОНТЕКСТА НА БЪЛГАРСКОТО ИЗКУСТВО ОТ 20-ТЕ ГОДИНИ НА ХХ В.
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ВИЗУАЛИЗАЦИИ НА ФОЛКЛОРНИ ТЕКСТОВЕ В ТВОРЧЕСТВОТО НА НИКОЛА КОЖУХАРОВ (1892–1971) В КОНТЕКСТА НА БЪЛГАРСКОТО ИЗКУСТВО ОТ 20-ТЕ ГОДИНИ НА ХХ В.

Author(s): Daniela Petrova / Language(s): Bulgarian Issue: 21/2022

After the end of the World War I, Bulgarian artists turned their attention to the folklore tradition and the Orthodox faith in order to culminate in a process that began about ten years earlier by authors such as Haralampi Tachev and Stefan Badzhov. At the forefront is the search for the native and its contemporary reading. This long journey in Bulgarian fine art began with the late Art Nouveau aesthetics and the rediscovery of medieval Bulgarian ornamentation from frescoes or handwritten illuminations and reached its most significant moment in the Bulgarian artist’s view of the folklore text, tradition, folk faith. The newly established in 1919 society “Rodno izkustvo (native art)” provides a haven for many different creative personalities, but all united 147 by the main motive for the search for the “native”. The main figure in the “Rodno izkustvo” movement is Nikola Kozhuharov (1892–1971), who soon returned from studying in Paris, taking an active part in the artistic life in Bulgaria. His early work is related to the aesthetics of symbolism – very late, but popular among Bulgarian artists. Gradually, Kozhuharov’s experiments with the universal symbolist narrative took on a characteristically Bulgarian appearance. The nymphs in his paintings turn into samodivi and zmeitsi, the women, unnamed by nationality and universal in aesthetic characteristics, wear Bulgarian folk costumes. Among his plots, there are titles such as: “Samodiva rides a grey deer”, “Zmeyove and zmeitsi are stealing Radka”, “Sun steals a beautiful Grozdanka” etc. The choice of titles for the author is not accidental. Upon closer examination, behind these names the outlines of specific folklore texts are clearly visible. Such a study of the text and its close connection with the pictorial image is most clearly observed in the work of Kozhuharov, which clearly speaks of his interest in folklore and the derivation of the image with the characteristics of the “native”. The modern of its time reading of the authentic Bulgarian folklore, although a topic of many art studies, poorly concretizes the role of the text, which is the basis for the creation of a visual image. In my article, I will try to textually read Kozhuharov’s paintings based on the texts of folk songs and legends, I will compare the characteristics of the textual and visual image and I will try to find the border between the creative imagination and the concreteness of the word.

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ПРОЛЕТНИТЕ ПРАЗНИЧНИ ОБИЧАИ ОД СЕЛО ИСТИБАЊА, ВИНИЧКО
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ПРОЛЕТНИТЕ ПРАЗНИЧНИ ОБИЧАИ ОД СЕЛО ИСТИБАЊА, ВИНИЧКО

Author(s): Alexander Dimitrijevski / Language(s): Macedonian Issue: 21/2022

Only a fragment from the complex and vast Macedonian music folklore will be presented in this paper thru the example of the village of Istibanja, Vinica region in which very strong bond with the tradition and active performance of the customs during one year still exists. The focus of the paper will be on the customs of the spring cycle in which intermingling of the spiritual and profane segments shows unique example of amalgam between pagan, orthodox Christian and local traditional beliefs and customs. Special attention will be dedicated to the meaning of the music segment from the festivities and during the performance of the customs.

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„ЖИВОТО“ И „МЪРТВОТО“ НЕМАТЕРИАЛНО НАСЛЕДСТВО НА БОТЕВГРАД
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„ЖИВОТО“ И „МЪРТВОТО“ НЕМАТЕРИАЛНО НАСЛЕДСТВО НА БОТЕВГРАД

Author(s): Desislava Ivanova / Language(s): Bulgarian Issue: 21/2022

Entering the global world of the XXI century, we are increasingly aware of the need to return to the roots, to our original nature, to not be left alone and being lost in the new global reality. In this report my aim is to identify and highlight the intangible heritage of Botevgrad, which is endangered and, what is nowadays a part of our way of life and our faith, and traditions came from grandmothers. The report is based on comparison and analysis, raises questions and is an attempt to preserve the rich intangible heritage of Botevgrad.Entering the global world of the XXI century, we are increasingly aware of the need to return to the roots, to our original nature, to not be left alone and being lost in the new global reality. In this report my aim is to identify and highlight the intangible heritage of Botevgrad, which is endangered and, what is nowadays a part of our way of life and our faith, and traditions came from grandmothers. The report is based on comparison and analysis, raises questions and is an attempt to preserve the rich intangible heritage of Botevgrad.

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ЕЗИКЪТ НА ЕДИН РАНЕН РЪКОПИС НА СТОЯН РОБОВСКИ ОТ 1852 ГОДИНА
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ЕЗИКЪТ НА ЕДИН РАНЕН РЪКОПИС НА СТОЯН РОБОВСКИ ОТ 1852 ГОДИНА

Author(s): Ivo Bratanov / Language(s): Bulgarian Issue: 21/2022

The report shows the linguistic peculiarities of an early manuscript written by the Bulgarian Revival teacher and writer Stoyan Robovsky. It is a draft contract between Stoyan Robovsky and the chorbadzhii (rich members of the rural elite) in the village of Bebrovo. The manuscript is kept by Veliko Tarnovo State Archives. The report examines the graphic and spelling features of the text.

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THE PERSONAL NAMES OF THE BULGARIANS FROM THE VILLAGE OF LIPNITSA, KYUSTENDZHA1 COUNTY, ACCORDING TO THE ARCHIVAL DOCUMENTS, CREATED IN CONNECTION WITH THE TREATY OF CRAIOVA (1940)
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THE PERSONAL NAMES OF THE BULGARIANS FROM THE VILLAGE OF LIPNITSA, KYUSTENDZHA1 COUNTY, ACCORDING TO THE ARCHIVAL DOCUMENTS, CREATED IN CONNECTION WITH THE TREATY OF CRAIOVA (1940)

Author(s): Snezhanka Gencheva / Language(s): English Issue: 21/2022

Статията анализира личните имена на 1 417 българи от севернодобруджанското село Липница, както са вписани в опис-декларации от 1940 г. – по групи, честота на употреба и като източник на допълнителна информация за етно-демографските процеси в Добруджа и България.

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ДЕСАКРАЛИЗАЦИЯ НА ИМЕНАТА В БЪЛГАРСКИЯ И РУСКИЯ ЕЗИК
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ДЕСАКРАЛИЗАЦИЯ НА ИМЕНАТА В БЪЛГАРСКИЯ И РУСКИЯ ЕЗИК

Author(s): Krasimira Petrova / Language(s): Bulgarian Issue: 21/2022

The desacralization of lexemes such as Бог, Господ ‘God, Lord’ in interjections and figurative meanings in Bulgarian and Russian is studied within the framework of the linguоcultural concept of linguistic picture of the world, or worldview. According to the Bulgarian spelling norms, in sacred texts Бог, Господ, Божията Майка ‘God, Lord, Mother of God’ are written with capital letters as a sign of their sacredness, and in figurative meanings, inserted and interjected phrases it is recommended to write with a small letter, probably as a sign of desacralization. There are similar prescriptions in the Russian language.

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ЕРМИНИЯ НА ХРИСТО ЙОВЕВИЧ ОТ САМОКОВ
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ЕРМИНИЯ НА ХРИСТО ЙОВЕВИЧ ОТ САМОКОВ

Author(s): Rositsa Manova / Language(s): Bulgarian Issue: 21/2022

Managed to be preserved for centuries, the iconic painting of Bulgaria intrigues and involves connoisseurs and researchers of Bulgarian art in reflections related to the work of the old masters. The technique of ancient images is studied with the help of ancient treatises and erimines, affecting all technological issues and methods used by artists, creators of Bulgarian art. The knowledge gained from them, together with modern research on authentic monuments, makes it possible to determine with great accuracy the nature of iconic works and the technology of their creation. Among the sources from the era of Christianity, which are the most complete and of the greatest interest to European researchers, today ranks the hermione of Hristo Yovevich stored in IM – Samokov.

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Lühikroonika

Author(s): Not Specified Author / Language(s): Estonian Issue: 05/2017

Chronicle of events.

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Lühikroonika

Author(s): Not Specified Author / Language(s): Estonian Issue: 08-09/2017

Chronicle of events.

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Could humour make advertisements worse?

Could humour make advertisements worse?

Author(s): Vytautas Dikčius,Karina Adomavičiūtė,Ieva Venskuvienė / Language(s): English Issue: 4/2022

The aim of this study is to assess the impact of sexist advertisements on the perception of advertisements’ violation, ridiculousness and consumers’ intention to purchase a product by considering different cases of interaction between the type of advertisement (sexism without humour and sexism with humour), the direction of sexism and the respondents’ gender. The study uses a two-by-two factorial design experiment to investigate data obtained by means of a questionnaire (183 responses). Data analysis revealed that the involvement of humour in sexist advertising has a negative impact on the perception of the advertisement and consumers’ intention to purchase. Furthermore, the direction of sexism (against women vs men) appears significant when it is paired with humour. The results of the study fill a research gap regarding the impact of the interaction between the type of advertising, the direction of sexism, and the respondents’ gender on the perception of specific advertisements and intention to purchase the advertised product.

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