Pohromy v dejinách miest Skaza alebo nový začiatok?
Pohromy, katastrofya neš ťastia v dejinách našich miest 18. – 20. október 2016, Slovenskáhistorická spoločnosti pri SAV –Sekcia pre dejiny miest
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Pohromy, katastrofya neš ťastia v dejinách našich miest 18. – 20. október 2016, Slovenskáhistorická spoločnosti pri SAV –Sekcia pre dejiny miest
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Beran, Lukáš – Valchářová, Vladislava – Zikmund, Jan et al.: Industriální topografie. Kraj Vysočina. Praha, ČVUT, VCPD FA 2014. 274 s.
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Documentary about the birth of skateboarding in Czechoslovakia shows the lengths passion and creativity can go to.
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The unpaid position for the B-movie star, who has been a Russian citizen since 2016, is similar to that of a UN Goodwill Ambassador.
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The article is dedicated to the culturological analysis of the pipes as to the things with the utilitarian and art appointment. Here are allocated the following basic directions of the research: historical, social and psychological, philosophical, esthetic, and the direction of the art criticism. The culturological interpretation of the attribute of the small plasticity in the context of the cross-disciplinary disciplines of the humanitarian knowledge allows the comprehending of the history and the evolution of a pipe, its contents and the specific functions in society, interaction with other art forms. The attention is focused on the cultural aspects of “reading” of the pipes in the space of the art picture of the world. In this regard, there are considered the style, the specifics of the language of the object of art that is represented in signs and symbols. It is summarized that the approaches and the methods of the cultural science in the study of the pipes as the works of the art, enrich and expand the common cultural meanings which art brings in general.
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The paper proposes an Integrated Model on Intercultural Axis of the Baroque Esthetics, based on the concept of Synthesis of Arts, which unites different art forms into artistic whole. It continues the scientific research achieved by publishing other studies and articles in some journals or proceedings of international or national conferences, which were devoted to intermediacy. The author proves that synthesis of arts in the Baroque era is a result of actualization of interspecific interaction of spatial and temporal kinds of arts, aimed at the intention to recover the elements of lost synthesis in dialectics of development of art as such. Its kinds were historically generated forms of art activity, that allowed the specific means of material embodiment (sound in music, word in literature, plastic and coloristic means in fine art, etc.) to represent artistic picture of life. The work can be useful to both theorists and practitioners in the field of Art, Cultural and Comparative Studies.
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