Różnica i powtórzenie jako aspekty reprezentacji w "Variationen für Orchester" op. 31 Arnolda Schönberga

Author(s): Iwona Sowińska-Fruhtrunk / Language(s): Polish Issue: 02 (37)/2018

The article focuses on the issues of difference and repetition, as defined by Gilles Deleuze, and their possible application to Arnold Schoenberg’s dode­caphonic work, Variations for Orchestra Op. 31. Although Schoenberg’s re­flection on these problems comes from the earlier years than Deleuze’s, the correspondence of understanding the difference and repetition between them is striking. Two other terms by Deleuze and Guattari applied to the work are becoming and refrain. Repetition and refrain are associated with the representational moment in the work (motif B-A-C-H as a quote and as a type of refrain) while difference and becoming are associated with the anti-representational moment (dodecaphonic technique, developing variation technique, etc.).

Jadwiga Szajna-Lewandowska dzieciom

Author(s): Aleksandra Machura / Language(s): Polish Issue: 02 (37)/2018

In the second half of the twentieth century, music for children was en­riched by the works of Jadwiga Szajna-Lewandowska (1912–1994). The Wrocław’s pianist, composer and pedagogue wrote most of her pieces for the youngest and thus the most sensitive recipient. The vast majority of her works is stage music for children, mainly ballet. In this category, Szajna-Lewandowska has no equal. She is the one of the rare composers who devoted most of their works to children. Her music for the youngest comprises not only stage works, but also compositions written for children as performers or listeners. Among them, there are instrumental, vocal--instrumental and choral pieces. Therefore, it can be claimed that Jadwiga Szajna-Lewandowska is a composer who made a significant contribution to Polish children’s and young adult literature.

Transitions Online_Around the Bloc-Chinese Tire Maker Rolls Into Serbia

Author(s): TOL TOL / Language(s): English Issue: 08/28/2018

China has a lot of money invested in the country, but much less than Serbs think.

Ndërtimi i identiteteve nëpërmjet arkitekturës

Author(s): Vera Bushati,Bisej Kapo / Language(s): Albanian Issue: 12/2013

Ky punim fokusohet dhe ka për qëllim të kuptuarit e ndikimit të artit, në veçanti arkitekturës, në ndërtimin e identiteteve. Në këtë punim arkitektura shihet si tekst nëpërmjet të cilit ne kuptojmë modelimin dhe krijimin e një identiteti të caktuar social dhe nacional. Për të kuptuar këtë rol duhet të kuptojmë se cili është impakti i ndërsjellët midis identiteteve (kolektive, nacionale) dhe arkitekturës? Si modelohen identitetet nëpërmjet arkitekturës? Në çfarë raporti qëndron Arti dhe Arkitektura? A janë këta komplementarë të njëri-tjetrit? Cilat janë imazhet apo elementet e përdorura nga arkitektura për të ndihmuar në përbrendësimin dhe forcimin e një identiteti socio-politik dhe, mbi të gjitha, të një identitet kombëtar? Bazuar në një analizë vizuale ky punim priret të kuptojë atë pjesë të botës fizike të ndërtuar dhe të konceptuar në dhe nga përmasa njerëzore. Analiza në këtë punim do të jetë krahasuese midis periudhës së mbretit Zog me periudhën e sotme të post viteve 90-të, duke parë kësisoj sesi janë ruajtur, kultivuar, ndryshuar ose adaptuar shenjat e identitetit shqiptar. Punimi bazohet në një metodë cilësore ku qasja teorike është ajo e konstruktivizmit, mbështetur në interpretimin e objekteve sociale që gjejnë shëmbëlltyrën e tyre te veprat arkitektonike.

National Museums and Museums of Modern Art in Poland – Competition for Domination in the Field of Museums

Author(s): Elżbieta Nieroba / Language(s): English Issue: 2/2018

The objective of this paper is to analyse the transformations in the field of museums in Poland, and to study more closely the process of constructing a museum model that meets contemporary challenges. Two types of museums are analysed here, namely national museums and museums of modern art, to demonstrate how their respective activities affect the structure of the field in question, bringing about change. It is the assumption of this study, following Pierre Bourdieu’s framework of conflict perspective, that museums situated in the field of orthodoxy and the ones in the field of heterodoxy compete within the artistic field for a symbolic domination over other participants. At the core interest of this study, there is a question to what extent chosen Polish museums and staff apply the principles of the New Museology in their daily practice.

MÜZİK ÖĞRETMENLİĞİ BÖLÜMÜ ÖĞRENCİLERİNİN KEMANA UYARLANMIŞ AĞRI TÜRKÜLERİNİN I. VE III. POZİSYONLARA UYGUN OLARAK KULLANIMINA YÖNELİK TUTUMLARI (AĞRI İLİ ÖRNEĞİ)

Author(s): Emre Yüceland / Language(s): Turkish Issue: 39/2018

Our institutions that aim to train musical education in our country are a reality in which classical works and studies accepted all over the world are used in order to raise the quality of violin education and to train more qualified music teachers. In addition to this repertoire, which is expected to be used functionally in the profession of music teaching, it is thought that many works belonging to Turkish music culture, regardless of whether it is local or national starting from the later years of violin education, will contribute to the development of both technical and musical skills of students. The purpose of this research was to obtain a bachelor's degree from İbrahim ÇEÇEN University undergraduate III. and undergraduate IV. classroom violin students learn to use violin music together with position applications of Turkish melodies.

АНАЛІЗ І ТИПОЛОГІЗАЦІЯ ЕПІСТОЛЯРІЮ СОЛОМІЇ КРУШЕЛЬНИЦЬКОЇ

Author(s): Iryna Lavrentiyivna Bermes / Language(s): Ukrainian Issue: 2/2018

Purpose of the article. To analyze and classify Solomiya Krushelnytska’s letters to discover peculiarities of addresser’s spiritual world. The research methodology is based on the method of selection and systematization of the singer’s epistolary heritage. A mentioned approach makes possible to single out her professional and social interests, specific social skills and creative individuality. Scientific novelty. The author attempts to characterize and differentiate the addresser’s 63 letters, their genre, and particular stylistic features. Conclusions. Both analysis and typology of Solomiya Krushelnytska’s letters made it possible to classify them according to their content, kind of activity, function and the nature of relations. They enlighten general basics of the singer’s creativity, personal traits and esthetic views within the epoch’s cultural context.

Kin-dza-dza!: jeden z obrazov komunikácie moci vo filmovej fantastike

Author(s): Juraj Rusnák / Language(s): Slovak Issue: 25-26/2016

The study examines the parameters of a pop culture phenomenon of the spread of the film Kin-Dza-Dza! (1986) as the allegorical painting of communication power against the backdrop of history traditions of film fantasy. Special attention is devoted to the study of correlations between language and the totality of its design environment fantasy film and its source: the dictates of institutional power management information, and call for an across entertainment,

MODA TASARIMI ÖĞRENCİLERİNİN ETİK KAVRAMINA BAKIŞ AÇILARININ DEĞERLENDİRİLMESİ: ESKİŞEHİR ÖRNEĞİ

Author(s): Ayşe Seçil Tekin Akbulut / Language(s): Turkish Issue: 08/2013

Professionals are supposed to conduct their duties in accordance with a set of ethical standards accepted by all members of the profession. These standards determine what they should or should not do or what is right or wrong in the workspace. The classification and description of these moral questions are even more difficult when artistic creation is in question. Duplicating previous works, re-using some parts of the previous studies to create a new work and stealing from other designers’ productions can be observed in the profession. Moreover, the use of ecologically friendly materials is emphasized recently. However, the degree to which these behaviours are judged as ethical or unethical depends mostly on the rigour and conscience of the creators. In this regard, the current study administered a questionnaire to address above constructs among 135 fashion design students in Eskişehir, Turkey. Participant perceptions regarding the professional ethics of fashion designers were investigated. An exploratory factor analysis revealed a two-factor structure. Factors were named as ethics during creativity and environmental awareness. The analysis explained 46 per cent of the total variance and factors had high internal consistency coefficients. Participants’ averages did not differ with regard to gender whereas differences among classes were observed. Findings are discussed followed by implications and suggestions for further implementations.

Marek Piasecki

Author(s): Author Not Specified / Language(s): Polish Issue: 670/2017

Zajmował się fotografią, grafiką oraz rzeźbą. Tworzył instalacje i asamblaże. Jego twórczość sytuuje się na pograniczu różnych technik i nurtów artystycznych, odnaleźć w niej można związki z przedwojennym surrealizmem i neodadaizmem lat 60. Przez wiele lat dokumentował działalność Teatru na Tarczyńskiej oraz Teatru Osobnego Mirona Białoszewskiego. W latach 50. i 60. związany był ze środowiskami artystycznymi Warszawy i Krakowa, uczestniczył w najważniejszych prezentacjach polskiej sztuki współczesnej. Od 1957 roku należał do II Grupy Krakowskiej.

Witraże koszalińskiej katedry w świetle źródeł archiwalnych

Author(s): Krystyna Rypniewska / Language(s): Polish Issue: 6/2018

During many centuries of existence, the present church under the invocation of the Immaculate Conception of the Blessed Virgin Mary in Koszalin changed its architectural shape and the character of the interior. The principal changes in its architecture were mainly due to the extensive restorations and numerous renovation works with a smaller scope. The second important pre-war temple restoration, carried out in 1914, was connected with the creation of colored glazed windows of the presbytery, the nave and the side naves of the church. For nearly one hundred years the stained-glass windows of the cathedral in Koszalin remained anonymous. Only recently, the hundred-year-old files found in the church’s office revealed priceless facts from the point of view of research on stained glass of West Pomerania, concerning the process of creating these interesting works of art. In the preserved rich correspondence from 1914 and the beginning of 1915, we find information about the previously unknown cathedral performers, whose design and implementation, after a previous competition, was finally commissioned by Ferdinand Müller’s studio in Quedlinburg. Unknown church archives also reveal the client of the whole work, founder of the presbytery window and many details of the process of creating projects in the field of the overall concept and execution of stained glass. Above all, however, this significant group of documents, currently stored in the Archives of the Koszalin-Kolobrzeg (Kołobrzeg) Diocese, significantly supplements the catalog of stained glass windows drawn up by the German researchers by the studio in Quedlinburg.

JAKUBOVSKÁ, Viera – ZIMANOVÁ, Lucia: Filozoficko-estetické reflexie profánneho a sakrálneho. Nitra: Univerzita Konštantína Filozofa v Nitre 2013. 110 s.

Author(s): Jana Migašová / Language(s): Slovak Issue: 21-22/2015

Determinante ispoljavanja kulture i umjetnosti u savremenim okolnostima djelovanja

Author(s): Srđan Vukadinović / Language(s): Bosnian Issue: 6/2009

The modern tendency in culture total areal Europe to result to strive for democration concrete social reality, before all in Southeast Europe. Althought that is structure to mention social ambient transformation in cultural code whose to recognize specific determinare freedom civil initiative and organization to act state and him institutions with support nongoverment organization , fondation and association that is this roundish home to act main in (non)successful to take the process transition. Cultural sphere and him transformation important is segments all transition society of Southeast Europe. Without successful to lead out perform transition in culture non must successful to lead out neither political, neither economic transition, as transition consciousness in that (non)circumstance must no neither calling. And near significance which is had cultura ( individuals and institutions) caught in the to enter in nightmare transition. Targets transition in culture is not must to accomplish the more for starting had nosystematic knowlage and experience politicians, managers and expert employers. For this necessary is formal and essence strategy of transition to turn development culture as across him and total develop society.

Ciało jako nowe medium społeczne w performatyce litewskiej: jak dyskurs wchodzi w materię?

Author(s): Basia Nikiforova,Kęstutis Šapoka / Language(s): English Issue: 22/2017

This article deals with the concept of new materialism and examines the issue of how new materialism tackles visual art in innovative ways – though the intersections of artistic practice, art-as-research, and philosophical analysis. Selected artworks by S & P Stanikas and Evaldas Jansas are analyzed in this paper as body reconceptualization in Lithuanian art, employing the approach of new materialism. We will explore the geopolitical and ideological background, in which Lithuanian and Polish visual artists grapple with cultural binaries from the 1960s to the 1990s: male-female gendered bodies, traditional or contemporary art, and the artist as free individual or the one tied to ideology. Employing Rossi Braidotti’s term “affirmative”, this article poses a question whether it is possible to argue on the analyzed cases that “affirmative politics combines critique with creativity in the pursuit of alternative visions and projects”.

Art education as a way of preserving the traditional ethnocultural identity of indigenous minority peoples from the North, Siberia and the Far East

Author(s): Maria Alexandrovna Kolesnik,Natalia Mikhailovna Libakova,Ekaterina Anatol’evna Sertakova / Language(s): English Issue: 4/2018

Introduction. This paper presents analysis of the opportunities offered by a modern art education as an effective tool for the preservation of the cultural identity of indigenous peoples residing in the North, based on material from the Krasnoyarsk Territory. The objective of the paper is to conduct a comprehensive study of the existing educational practices in the field of art education in the north of the Krasnoyarsk Territory, clarify their role in formation of students' ethnocultural identity–representatives of the minority indigenous peoples of the North, Siberia and the Far East. Materials and Methods. This article is based on analysis of field research completed within the period from 2010 onwards in the Northern areas of the Krasnoyarsk Territory (Evenk Municipal District, and Taymyr Dolgan-Nenets Municipal District). Semi-structured expert interviews were employed as the main method. The respondents were specialists engaged in implementing educational programs in the field of art education, as well as artists who emerged during the development of these programs. Results. A comprehensive study on art education in the north of the Krasnoyarsk Territory has been carried out. The authors have conducted the analysis of contemporary practices in the academic process of working with representatives of the indigenous peoples of the North attending educational institutions of various levels, and a number of expert interviews have been conducted. Based on the analysis of the data collected during fieldwork, it has been concluded that modern educational practices in the area of art education among representatives of the minority indigenous peoples of the North serve as a tool which contributes to shaping a positive ethnocultural identity. Issues both in the area of art education and in its future development have been revealed. Conclusions. The comprehensive study of art education in the north of the Krasnoyarsk Territory has led to the identification of the most successful practices for enabling new generations of the minority indigenous peoples of the North to be familiarized with their ancestors' traditions. Drawbacks have also been found. In the interviews, experts cite the absence of consistent cohesion between different levels of art education as a problem. However, the educational program, as the experts in the area of art education and the students themselves note, serves as a powerful factor in the formation of an ethnocultural identity: at both the supplementary and professional levels of education.

Discourse on So-called Śiva Vāman Image: A Comprehensive study of the Mansar’s Brick structure

Author(s): Rohit Ukey / Language(s): English Issue: 1/2018

The so-called Śiva Vāman image from Mansar is presently placed in the National Museum, New Delhi. There are several controversies on its religious identification. Earlier scholars were of the opinion that it is a Buddhist deity but later, many scholars have identified the image as a śaivite Brāhmanical deity. This religious controversy still continues about Mansar site i.e. Hidimba hill/MNS 3 where the so-called Śiva Vāman was discovered. The present paper is an attempt to trace the religious identity of the controversial figures from the Mansar by investigating the religious identity of the brick structure and the images obtained from Hidimba hill/MNS 3 from Mansar.

"Vidi coelum novum et terram novam". Treści ideowe i geneza form Kaplicy Matki Boskiej Karmelitańskiej we Frydmanie

Author(s): Maria Kazimiera Staniszewska / Language(s): Polish Issue: 17/2017

The paper deals with the chapel located by the parish church in Frydmanin the Spiš (Scepusium) region, founded by the local parish priest Michał Lorencs in 1764.The interior of the octagonal building, is fitted with a homogeneous set of furnishingsconsisting of a centrally located two-sided retable surmounted by a unique shrine inthe form of a glazed star, and numerous wooden sculptures decorating niches in the walls.The chapel used to be a pilgrimage site and became the founder’s resting place. The paperdiscusses the history of the chapel, the religious and political context of its foundation aswell as problems explored in earlier studies, both popular and scholarly ones, with specialattention devoted to the article by Jan Białostocki and Adam Miłobędzki, from 1957, thathas served as a crucial point of reference in the existing interpretations of the chapel.Further, the article attempts to elucidate the still unresolved problem of the origins of thechapel’s plan and forms of its retable, pointing to the traits they share with the sacred architectureof pilgrimage sites, particularly shrines. The Chapel of the Holy Shroud in Turin hasbeen suggested as the closest counterpart for the Frydman chapel as far as its architecturalplan, the retable type and the way of displaying relics are concerned. The soft, flowing linesof the a-tectonic forms of the retable, in turn, seem to resemble South-German small-scalearchitectural church furnishings from the mid-eighteenth century.As far as the message carried by the decoration of Our Lady of Mount Carmel Chapel isconcerned, selected Old- and New Testament figures, depicted in the retable and wall niches,have been identified, and particular themes represented in the above decoration have beendetermined. The first, sepulchral, theme is manifested in the unmarked burial site of FatherLorencs, located ad sanctos, in the immediate proximity of the relics of catacomb saints.The next, Carmelite, theme is related to the Scapular Confraternity that had been associatedwith the chapel and church. The paper discusses also the Marian symbolism of the chapel,already explored to some extent in earlier literature, and its prominent Christological andEucharistic themes, which have hitherto not been adequately examined. In conclusion, OurLady of Mount Carmel Chapel is considered as a symbolic representation of the HeavenlyJerusalem and a powerful profession of faith in the intercession of saints and the Virgin Marybefore God.

Към разбирането на медийната музика

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 1/2018

The study presents the need to explore media music by providing theoretical and terminological bases for its understanding. There are two types of understanding of the concept: instrumental (narrower and concrete) and cultural (broader and more general). The choices of basic approaches to studying media music are justified: cultural, sociological, anthropological, media studies.

Връзката политика-естрадна музика в българските вестници в периода 2006 – 2009 г.

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 1/2018

The text presents part of the results of a larger research about what and how the media write about the „estrade” and the „pop” music after 1990. How was the connection between music and politics during socialism and the transition to democracy portrayed in the newspapers after 1990? What are the political messages in the journalistic stories that come from the figures of the estrade music? Here you will find the results and the analysis of the selected research questions only between 2006 and 2009. This is a period after and before elections during which rallies, and party concerts are not key events. Instead the TVs start to use the estrade musicians in a new way. They invite them to be part of the juries of blooming TV reality shows. The Estrada musicians are turned into a public „censor” dictating what is the role or the musician in the society.

Визуални тенденции в коричното оформление на съвременни български романи през 2013 – 2017 година

Author(s): Zhana S. Popova / Language(s): Bulgarian Issue: 1/2018

Graphic design is one of the most important sectors in the present-day book publishing. The choice of appropriate visualization and typography plays a major role for the promotion of modern Bulgarian novel. An object of investigation in this article are the visual trends in presentation of book covers of contemporary Bulgarian novels, published by „Siela”, „Janet 45”, „Hermes” and „Colibri”. The ground of choosing this object was the rise of Bulgarian novel between 2013 - 2017 and causative growing interest from the side of these publishers. The purpose of this survey is to analyze the trends in the thematic directions of recent Bulgarian novels and to present the visualization and typography of their book covers. The research involves the rating of bestseller books of the biggest book store in Bulgaria – „Helikon”. The analysis of this selection shows best-selling Bulgarian novels in 2013 - 2017, published by the four biggest publishing houses in Bulgaria, their thematic features and the visual trends in graphic design.