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“Aixo era y no era”: онтологічний парадокс метафоричної референції

“Aixo era y no era”: онтологічний парадокс метафоричної референції

Author(s): Galyna Dranenko / Language(s): Ukrainian / Issue: 101/2020

A quick look on the history of criticism and literary theory of the current period shows curious reversals and strange returns. Indeed one can see the slow and unrelenting disappearance of rhetoric, justly qualified as restricted, since it has been all too often limited to identifying and classifying of the various figures. It has been replaced by a new criticism, a fundamentally formalist one, the assumptions of which are akin to those of the “text sciences”; if the structure, the “poetical function” of the texts were underlined, it was to the detriment of their functional reference and their meaning to put it simply. There is no doubt that today this approach is running out of steam and is meeting some decline. For that reason, the history of literature is coming back in force and finds a new youth with the developments of the theories of perception. But there reappears also a new interest in a semantic approach of the texts, which is concerned with their references. This approach, which comes from logistics (G. Frege), undoubtedly opens a philosophical horizon, particularly on some kind of ontology. Thus it is not surprising to find that a great many studies question the metaphorical process again from that perspective given the paradoxical nature of its reference and thus of its ontology which could be summed up through the usual exordium of the Majorcan storytellers: “Aixo era y no era” (it was and was not). Paul Ricœur insists on the paradoxical nature of the metaphorical reference since “the metaphor is a way of working on the language which consists in giving the logical subjects predicates that are incompatible with the first ones” (From Text to Action).In his book The Living Metaphor, the French philosopher analyses the concept of the “ontological metaphor” from the idea of the “divided reference”. Ricœur moves away from a purely stylistic or linguistic approach, centred on the word (a deviant denomination) to describe the metaphorical process on the level of the phrase and of the discourse (a non-pertinent predication): “Then there is a metaphor, since we can discern <…> the resistance of words <…> their incompatibility on the level of a literal interpretation of a sentence” (From Text to Action). But that non-pertinence and the abolition of the reference in the everyday reality are not a purely gratuitous verbal game, for they liberate “another kind of reference to other dimensions of reality” (The Living Metaphor). It is that way of tension of the metaphor which we intend to present in our study for it expresses some kind of „ontological vehemence” as Ricœur puts it so well? Let us add that the metaphor seen as a new description of reality, can be conceived, so to speak, as a “model”, in the sense of a prototype which accounts of the way a literary text functions when it is a “opening on the world”, when it places itself “in the service of things that want to be expressed” and when it responds “to the need of a discourse that comes from all forms of experience” (Mimesis, Reference and new figuration in “Time and Narrative”).

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A Fable of Infection
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A Fable of Infection

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Author(s): Laurence Simmons / Language(s): English / Issue: 2/2020

Painting in the fifteenth century changed because the fragility of human life changed. Curiously, the bounty of Italian Renaissance painting was to flourish in the dark shadow of the plague. Art also infects: paintings contaminate, metaphorically, and perhaps even microbiologically. For, as has happened during our coronavirus closures, art galleries shut their doors. Viewing painting may also be a form of infection as the mind of the painter percolates, almost inexorably, into the mind of the viewer, as it seems to have done here, I hope, in my account of this work.

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A sokféleség két formája és a homogenizáció

A sokféleség két formája és a homogenizáció

Author(s): János Tóth I. / Language(s): Hungarian / Issue: 4/2019

Diversity is the unity of sameness and non-sameness (difference). In a basic situation, the more significant the difference, the greater the diversity. However, the organic systems based on relatively homogeneous groups, sub-units and structures are governed by special rules. The heterogenization of groups, that is, their dissolution decreases diversity. I propose to present this paradox effect of homogenization through examples taken from biology and social studies. The structural diversity of humanity is closely linked to the objective and subjective sameness and identity of individuals. There are three fundamental, political approaches to relate to human diversity: hierarchy, the approach that emphasizes difference; equality that emphasizes sameness, and equality that emphasizes difference. The first approach belongs to the outworn past, therefore the battle for defining the future takes place between the remaining two approaches. The aspect that these approaches are debating is whether it is the individual form of diversity (globalization, deconstruction) or its structural form (emancipation, sovereignty) that must be promoted.

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A strawberry, an animal cry and a human subject: Where existential semiotics, biosemiotics and relational metaphysics seem to meet one another

A strawberry, an animal cry and a human subject: Where existential semiotics, biosemiotics and relational metaphysics seem to meet one another

Author(s): Katarzyna Machtyl / Language(s): English / Issue: 3-4/2019

The article discusses some semiotic approaches to the relation between nature and culture. Starting with outlining the structuralistic approach to this issue, especially the ideas of Juri Lotman and Algirdas Julien Greimas, the author finds parallels between different views on the relation between the natural world and human beings. First, the juxtaposition of Eero Tarasti’s existential semiotics with selected concepts of biosemiotics is discussed. The following part of the paper is dedicated to Bruno Latour’s ideas on nature–culture relation, hybrids and mediations. Then the author refers to Lotman’s notion of the semiosphere as the common space for all living and inanimate elements. Closing the paper with a return to biosemiotics, the author comes back to Tarasti’s ideas and compares these with some ideas in biosemiotics, paying special attention to the concepts of unpredictability, choice and dynamics. The comparison shows that some intuitions, assumptions and theses of these different scholars turn out to be surprisingly convergent. The author believes that the outlined parallels between Tarasti’s view, Latour’s and Lotman’s concepts, and biosemiotics may be promising for further research, inviting detailed study.

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Agamben’in Siyasal Kuramı ve Türkiye’deki Suriyelilerin
Hukuksal Statüleri
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Agamben’in Siyasal Kuramı ve Türkiye’deki Suriyelilerin Hukuksal Statüleri

Author(s): Esin Hamdi Dinçer / Language(s): Turkish / Publication Year: 0

Suriye’de 2011 yılında başlayan iç savaşın belki de en sıra dışı sonucu yaşananmülteci hareketidir. Altı milyonun üzerinde insanın ülkelerini terk etmesiylesonuçlanan iç savaş, bugün itibariyle 3,6 milyonun üzerinde mültecinin Türkiyesınırları içinde yaşamını sürdürmeye çalışması ile sonuçlanmıştır (UNRA, 2019). Bukapsamda pek çok toplumsal araştırmanın konusu olan Suriyeliler özellikle Avrupave Türkiye hukuksal sisteminin yeni tartışmalarının da odak noktası haline gelmiştir.“Geri Kabul Anlaşması” (GKA) ve “Yabancılar ve Uluslararası Koruma Kanunu”(YUKK) ise bu bağlamda yapılan tartışmalarda öne çıkmaktadır.

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An Adieu to Europe: The Impossible Necessity of Balkan Politics

An Adieu to Europe: The Impossible Necessity of Balkan Politics

Author(s): Jelisaveta Blagojević / Language(s): English / Issue: 1-2/2008

“Our experience is provincial,” writes Radomir Konstantinović at the very begining of his book, now famous, Philosophy of the Provincial, published in Belgrade in 1969. “Province is our destiny, it’s our evil fate,” he continues by using the metaphor of the provincial in order to describe the way of life and thinking typical of small town mentality.

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APORIJE DEMOKRATIJE

APORIJE DEMOKRATIJE

Author(s): Bernard Harbaš / Language(s): Bosnian / Issue: 1/2020

This article deals with postmodern understanding of the problem democratic politics is facing. Throughout history, democracy has had different determinations and thus cannot have a universal definition. Since in democracy everybody’s voice count, it should also support the one who rejects it, and thus this order, in its full realization, creates autoimmunity (Derrida). For Jacques Ranciere, democracy cannot be defined as agreement, but on the contrary, as hatred and disagreement, because only that way fundamental democratic principles and procedures can be respected. Since agreement and equality lead to passivity and annul ability of critical individual thinking, resistance towards democracy itself is necessary in an authentic democracy. For Alain Badiou, democracy means a possibility for everyone to do what he wants and without any criteria i.e., that everybody expresses his opinion without argumentation. Therefore, he understands such order as a space for fulfilment of petty needs. Jean-Luc Nancy understands democracy not only as political order, but a way in which existence appears. He prefers neither direct nor representative democracy but looks at it as a singular plural appearance of the sense. Contrary to some postmodern theoreticians, Chantal Mouffe considers democracy can be realized only in its representative form, but that it also needs to consist of dispute and discussion. When the disputable dimension of democracy disappears, we entre into the post-political state characterized by agreement and passivity. Purpose of this article was to present and analyse some of the characteristics of democratic principles such as conflict, dispute, agreement, indeterminacy but also to point out possibilities of thinking democracy not only as political order, but also as a way of living.

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Arhitektura i filozofija: paradoksi i metamorfoze njihova susreta

Arhitektura i filozofija: paradoksi i metamorfoze njihova susreta

Author(s): Chris Younès / Language(s): Croatian / Issue: 05+08/2019

Dobro je poznato da je Jacques Derrida isticao ideju o suštinskom suživotu filozofije i arhitekture, te je rekao: »Collège international de philosophie treba osigurati mjesto susreta (rencontre), susret mišljenja, između filozofije i arhitekture. Ne zbog toga da se konačno sukobe, već da promisle što ih oduvijek drži zajedno u najbitnijoj kohabitaciji.«

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Biopolitics, Microbiopolitics, Neuropolitics, Cosmopolitics and Other Posthumanist Views of the Global Society

Biopolitics, Microbiopolitics, Neuropolitics, Cosmopolitics and Other Posthumanist Views of the Global Society

Author(s): Denisa Kera / Language(s): English / Issue: 2/2007

The paper compares different views on technological society that develop the posthumanist position but avoid technological determinism or social constructivism. Special attention is given to the dichotomy between the concept of biopolitics (Foucault) and the concept of cosmopolitics (Latour) in relation to the issues of plurality and hybridity.

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Black Mirror Dizisinde Nöro-İmge ve Beyin Ekranlar

Black Mirror Dizisinde Nöro-İmge ve Beyin Ekranlar

Author(s): Ömür Şölen Soykan / Language(s): Turkish / Issue: Sp. Iss/2020

Neuro-image is a concept follows movement-image and time-image, generated by Patricia Pisters through Deleuze cinematography in the aim of characterize and clarify the new cinematographic image which has been assemblaged by neuroscientific and cognitive progresses based on the political occasion of demolition of Berlin Wall and 9/11. It belongs to third synthesis of time, future and formed in parallel neuroscienetifical and online internet cultural develepments. It's a cinematographic image is synthesized at the 3th synthesis under the political effect of pre-emptive design of future. The cinematography appeared in 21th century cinema that we see world within characters minds, not through eyes is assemblaged by themes which are given a lead by online and neuroscientific progresses. Patricia Pisters approached this new cinematographic component in the frame of Deleuze-Guattari schizoanalysis, researched in the frame of "brain is screen", brainscreens and conceptualized. In this paper, neuro-image at the 3th synthesis of time, brain screens and cognitive architectures in Black Mirror serial, Netflix, detected and explained in the aim of introducing neuro-image concept to Turkey cinema field and schizoanalysis utilized as a practice.

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Capital Immunodeficiency and the Viral Contagion of Capitalism
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Capital Immunodeficiency and the Viral Contagion of Capitalism

Author(s): Jason J. Wallin,Jennifer A. Sandlin / Language(s): English / Issue: 3/2020

As rates of COVID-19 continue to surge across North America, the ‘immunocompromised’ status of the West has come into plain view. The immunological deficiency of the West, we argue, is founded on and exacerbated by the conditions of ‘capitalist realism,’ as described in the work of Mark Fisher, wherein reality becomes annexed into the circuits of capitalist monetization and exchange value. Where life itself is born in forced equivalence to capitalism, COVID-19 emerges as an exception to this state of capitalist realism, circumventing the ubiquitous belief that the future will reflect in the ‘business as usual’ attitudes of Western culture and its vision of education. In contrast, we argue that COVID-19 introduces conditions that enable us to speculate on a future that does not simply reflect the ubiquity of capitalist thought. In consideration of capitalism’s terminal state, we draw from the thinking of Jean Baudrillard, Mark Fisher, and Jason Moore in order to issue a challenge for educators to rethink education and its aims absent a singular capitalist futurity.

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CLASSICISM AND ORIENTALISM IN THE LIGHT OF THE NEW GLOBALIZATION THEORIES

CLASSICISM AND ORIENTALISM IN THE LIGHT OF THE NEW GLOBALIZATION THEORIES

Author(s): Ljuben Tevdovski,Ile Masalkovski / Language(s): English / Issue: 3/2021

The intense and dichotomous relationship between orientalism and classicism that has been created over the last decades of the XX century, reaches new dimensions through the rapid scientific growth, the discoveries of new historical sources and artifacts, and, most importantly, through the paradigms change in many scientific disciplines. This development is also influenced by the rapid and multifaceted societal transformations in the intensively globalizing world of the new millennium. In this context, the paper explores the new understandings of these two important conceptions in the research of the past, and their redefined scope and relation in the light of the globalization theories and through the paradigm of ancient globalization.

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CLAUDE LÉVI-STRAUSS, JACQUES LACAN I CZAROWNICTWO

CLAUDE LÉVI-STRAUSS, JACQUES LACAN I CZAROWNICTWO

Author(s): Michał Żerkowski / Language(s): Polish / Issue: 1/2019

The relations linking cultural anthropology of Claude Lévi- -Strauss to psychoanalysis of Jacques Lacan have not yet been properly criticized in the anthropological literature. Whereas published in 1949 works of psychoanalytically informed Lévi-Strauss played a key part in Lacanʼs “return to Freud” in the spirit of structural linguistics. A closer examination of these texts as well as central concepts of structural anthropology and Lacanian psychoanalysis, taking into account not only the historical development of the latter, but also their ethnographic and clinical sources, raises fundamental questions about falsifiability, consistency, explanatory power and plausibility of structuralist hypotheses. The direction of inspiration was defined and always led from anthropological to psychoanalytic structuralism, although the former was often built on the basis of unjustified analogies, factual inaccuracies and excessive generalizations, and the latter additionally on the basis of manipulations present in both Freud’s and Lacanʼs writings.

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Creating a Space of Their Own: Diasporic Women in Ravinder Randhawa’s 'A Wicked Old Woman'

Creating a Space of Their Own: Diasporic Women in Ravinder Randhawa’s 'A Wicked Old Woman'

Author(s): Mária Palla / Language(s): English / Issue: 2/2018

A Wicked Old Woman is the first novel published, in 1987, by Ravinder Randhawa, a first-generation immigrant writer of South Asian descent, residing in Britain. In it, she recounts the wanderings of the female protagonist called Kulwant among her friends and family members in London. This fragmented account of her past and present focuses on her desire for identification and struggle in a life lived in between cultures, that of the metropolis and that of her ancestral land on the Indian subcontinent. As the life-stories of Randhawa’s characters unfold, London itself is seen being transformed into a multiracial and multicultural location, becoming the site where fictional hybridization takes place. Hybridity and liminality are experienced in multiple ways in the diasporic space where new identities are formed. While raising the issues of authenticity and colonial stereotypes, Randhawa represents identity as an unfolding process rather than a static given. Her topics also include arranged marriages, mixed marriages, abusive relationships, as well as healing as a communal activity, and the possibilities of accommodation of a diasporic community by the mainstream society.

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Deconstruction and Self-reflection – Polish Ethnographic Atlas in the Perspective of Selected Memory Theories: An Attempt at Theoretical Approach

Author(s): Anna Dróżdż / Language(s): English / Issue: 2/2019

The purpose of this text is to critically discuss the method of collecting source materials as part of the Polish Ethnographic Atlas project and the ways to interpret them and to develop innovative interpretation strategies for these data, which until now are stored in the archives of this Atlas. These strategies will allow to use messages that have been rejected in ethnogeographical analyses and interpretations so far. These are primarily the records of spontaneous representations of narratives and the memory of the inhabitants of the village. What determined their significance and the role they played in learning about the reality examined was the fact that they constituted an individualized form of narrative. They were not triggered by a question in any way, so they were unique. These features made comparative studies impossible. Nevertheless, thanks to them, the interpretation of reality contained in the performances gained a context. Understanding the significance of these performances during the research was almost impossible, it took place at the level of the researcher’s intuition. The change of the paradigm allowed to extract a new cognitive value from them and gave the possibility of their redefinition and re-evaluation.

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Deconstruction, Logic, and ‘Ordinary Language’: Derrida on the Limits of Thought

Deconstruction, Logic, and ‘Ordinary Language’: Derrida on the Limits of Thought

Author(s): Christopher Norris / Language(s): English / Issue: 2/2010

This essay argues – contra received opinion amongst disciples and detractors alike – that Derrida’s work is centrally concerned with issues in philosophy of logic and language that have been a main focus of interest for philosophers in the ‘other’, i.e., analytic or mainstream Anglophone tradition. Moreover, it engages them in such a way as inescapably to raise further issues of an epistemological and ontological character that are also very active topics of debate on the analytic side. They include the ongoing dispute between realists and anti-realists with respect to the question whether truth can properly or intelligibly be conceived as transcending the limits of available evidence, present-best knowledge, or attainable proof. My essay sets out the opposing arguments and then makes the case – again strongly counter to the standard view of his work – that Derrida espouses a realist position not only in logico-semantic terms (the terms on which this discussion is most often conducted nowadays) but also as a matter of ontological commitment.Indeed, if this were not the case, then there could be no justification for the claim – implicit throughout his work – that a deconstructive reading can discover (rather than project or invent) hitherto unrecognised complexities of sense and logic. These in turn serve to indicate hitherto unrecognised problems or shortfalls in the current state of knowledge concerning one or other of those numerous topic-areas that Derrida addresses by way of such a reading. Hence his insistence, as against the routine charge, that he is not for one moment rejecting or ignoring the referential component of language but rather pointing up the kinds of complication – the uncertainties of scope or instances of contextual under- or over-determination – which tend to escape notice on other, more simplified or doctrinaire accounts. My essay thus seeks to re-situate Derrida’s work with regard to some of the most prominent debates within present-day analytic philosophy.

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Dekonstruktion und Medialität

Dekonstruktion und Medialität

Author(s): Ulrike Ramming / Language(s): German / Issue: 3/2011

It seems that the media is not subject to philosophical disputes: the media theory is treated as a scholarly discipline, whereas Derrida, in philosophy, treats script as the second to none media. When one reads earlier works by this philosopher more closely, one can notice a subject and reflexive dimension of deconstruction, which shows that Derrida, in his thoughts on a written sign, always raises an issue of constitutive moments that both enable and precede a certain theory. The aforementioned reflexive dimension points to that level of mediality that can be useful for approaching the issue of media in a philosophical fashion.

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DELEUZE’O IR GUATTARI GEOFILOSOFIJA PRIEŠ ANTROPOCENĄ

DELEUZE’O IR GUATTARI GEOFILOSOFIJA PRIEŠ ANTROPOCENĄ

Author(s): Sigita Dackevičiūtė / Language(s): Lithuanian / Issue: 14/2019

The term ‘Anthropocene’, which emerged in the general context of anti-anthropocentric tendencies, has been criticized for its universalization of the subject, for considering human as superior to other species, as well as for its appreciation of geoingeneering solutions to the problems associated with climate change. The article highlights the relevance of the philosophy of Gilles Deleuze and Félix Guatari in the context of these tensions caused by the term ‘Anthropocene’. The Geophilosophy of Deleuze and Guatari proposes a concept of nature which includes dynamic system of layers with transversal interconnections. This system challenges the anthropocentric “hierarchy” of nature. Their theory of artistic becomings connects to specific material bio- or geo- situations and in this way acts against both the universalization of the Anthropocene subject and the universalized visuality of the Anthropocene. The article also discusses art installations created by Olafur Eliasson and Lara Almarcegui which engage in a specific relationship with matter and in this way act against the universalized visuality of the Anthropocene.

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Deleuze’o ir Guattari tapsmo mažuma koncepcija ir negalia

Deleuze’o ir Guattari tapsmo mažuma koncepcija ir negalia

Author(s): Eduardas Saprykinas / Language(s): Lithuanian / Issue: 74/2020

In contemporary philosophy and other branches of the humanities, the situation of minorities is becoming an increasingly discussed topic. Modern society seeks to integrate minorities in such a way that although not meeting the standards of the majority they are able to take pride in their differences. Gilles Deleuze’s and Felix Guattari’s research, which presents the concept of becoming a minority in their book “A Thousand Plateaus: Capitalism and Schizophrenia”, becomes particularly relevant. This article aims to reveal how such groups function and expand. Efforts are also made to show that the group dynamics are directly related to concepts such as multiplicity, affects, assemblages, and other important terms. However, the physical, mental, and psychical characteristics of some members of society are significantly different from those of the majority. The concept of becoming a minority can help to realize that the perception of one’s limitations through socio-political participation can open up new opportunities for the disabled. The article seeks to link the concept of becoming a minority with the concept of disability and to determine what has to be the case for the process of becoming a minority to begin. Toward the end of the article we review how the exclusion of the disabled increases, how the social integration practices of the disabled function under quarantine conditions and why becoming a minority becomes impossible during the pandemic.

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Derrida, Chomsky and Wittgenstein: Grammatologist / Grammarian / Grammatist

Derrida, Chomsky and Wittgenstein: Grammatologist / Grammarian / Grammatist

Author(s): Prakash Kona / Language(s): English / Issue: 4/2011

That there is no fixed point but point(s) of origin is the point of origin of this essay that begins with a play on the word gram. It could be the Derridean gramme or Chomskyean grammar. It could also be “language-game” meant to bring Wittgenstein into the conversation. I used Alfred Hitchcock’s statement on psychoanalysis taken from the 1945 classic “Spellbound” as a point of “origin” for the discussion on grammar. The statement concentrates on the “origins” of the problems of the mind that psychoanalysis hopes to cure. In using Hitchcock, more of artist of language than a language-theorist, I problematize the idea of origin itself; whether it ought to come from a serious-minded philosopher like Freud - the so-called “right” source or a secondary source such as Hitchcock playing with the Freudean idea of psychoanalysis through his narrative. The origin of discussion thus turns out to be a false start. It serves a purpose in showing the apparent nature of the text that psychoanalysis is a construction like any other discourse that dominated Western philosophy from Plato to the present. Yet origin must exist in the literal sense of the term. Freud did off er psychoanalysis as a form of therapy to open the text to meaning - in this case, the text is the human mind itself. In the process, psychoanalysis itself is a multifaceted text that becomes a stage for the entrance of the gram. The idea is to show philosophy as a narrative; the narrative dimension of philosophy and philosophy itself as a form of narration. From a Derridean perspective, the point of origin is a null, which opens the text to diverse readings. It is both the anarchy of the text as well as silence at the heart of language.

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