Български и чешки еквиваленти на някои сръбски фразеологизми от „Моста на Дрина“ на Иво Андрич

Author(s): Pavel Krejčí / Language(s): Bulgarian Issue: 3/2015

The article presents sixteen Serbian idioms and phrasems from Ivo Andrić’s novel Na Drini ćuprija („The Bridge on the Drina“) and its Bulgarian and Czech translated equivalents. The idioms were selected from somatic and faunic sphere. Тhe aim it to present and describe 1. the difference between the translations in confrontation with the original and 2. the differences between the translations. In the paper we concentrate mainly on differences of formal character.

Преоткриване: Супрасълски сборник, старобългарски паметник от Х век/ Rediscovery: Bulgarian Codex Suprasliensis of 10th Century

Author(s): Dilyana Radoslavova / Language(s): Bulgarian Issue: 25/2012

Próba apologii badań nad recepcją literacką

Author(s): Petar Bunjak / Language(s): Polish Issue: 2/2016

The paper presents a new perspective on the traditional research on the reception of foreign literature within the context of national literary processes, discussing the applicability of some new methodological approaches. Specific issues are illustrated with a few facts from Polish-Serbian literary relations.

Književnost i umetnost u Jugoslaviji: (DIS)KONTINUITETI (1918 – 1992)

Author(s): Jana Gligorijević / Language(s): Serbian Issue: 3/2016

Interkulturalni dijalog u svetlu politike različitosti Laslo Blašković i Laslo Vegel

Author(s): Dragana V. Todoreskov,Aleksandra Đurić-Bosnić / Language(s): Bosnian,English Issue: 3/2016

This paper studies the cultural, in this case literary (prose),communication between writers-representatives of different nations. After the determination of the term interculturality and function of culture in slowing the stigma, ghettoisation, passes to the analysis of literary and social activities of two writers,members of the same minority in Serbia - Laslо Vegеl and Laslo Blašković. In the case of different strategies (writing in their native or second language, orientation towards his national community, the relationship to the majority, according to a former state – Yugoslavia – and present, Serbia, treatment of political issues, etc.) Establishes their relationship to their own entity stronghold and possibilities of overcoming its possible oppression (the term Gayatri Chakravorty Spivak) or oppressiveness (termed Susan Stanford Friedman).

„Мултикултурализъм и многоезичие”

Author(s): Aleksandra Aleksandrova / Language(s): Bulgarian Issue: 02/2017

Юбилеят на Татяна В. Цивян и XIV Балканистични четения в Института по славянознание към Руската академия на науките

Author(s): Irina Aleksandrovna Sedakova / Language(s): Bulgarian Issue: 1/2018

Anniversary; Scientific Life; Scholarly Conference

Домът на литературата: Югославски и постюгославски представи за литературната споделимост

Author(s): Ludmila Mindova / Language(s): Bulgarian Issue: 1/2018

The Home of Literature is a metaphor of the literature and literary community. However, this metaphor is connected with the home obsession in contemporary post-Yugoslavian literatures. After the collapse of the Former Yugoslavia and Bosnian war, the home is one of the constant themes in contemporary literature in all area. We can see that in the poetry of the Bosnian-Slovenian poet Josip Osti, but also in the novels and essays of the famous emigrant writer Dubravka Ugrešić, as well as in the works of Peter Semolič, Miljenko Jergović, Vida Ognjenović, Jasna Koteska etc. The home is often present even in the titles of their works (House of Language by Osti, House of Words by Semolič, The House of Dead Scents by Ognjenović), and what is more important – the home is a counterpart of the literature as a place of the sense in the world that every day loses a part of its sense and good taste. The literary home is not a utopian place, because it is a collective image and it could be the dystopian place as well. We mark that through the works about the prison and concentration camps – The Damned Yard by Ivo Andrić, the novels and stories by Danilo Kiš, Dragoslav Mihailović, Branko Hofman, Miroslav Popović etc. At all events, the literary home is always a place of the reinventing of the sense.

Мая Петрова-Танева. “Помощница на царете”: света императрица Теофана в южнославянската традиция

Author(s): Dilyana Petrova-Bankova / Language(s): Bulgarian Issue: 38/2019

Международна конференция „Маршрути на книжовно общуване на източните и южните славяни през XI–XX век

Author(s): Andriana Spasova / Language(s): Bulgarian Issue: 39/2019

La synecdoque dans le roman Le Pont sur la Drina d’Ivo Andrić : analyse contrastive de la structure et de l’emploi

Author(s): Dragana M. Vučković / Language(s): French Issue: 20/2019

This article is based on the analysis of semantic, syntactic and stylistic characteristics of synecdoche in Ivo Andrić’s novel The Bridge on the Drina, in Serbian and its translation into French. This is a lexeme-based study where parts of the body are used to represent the whole through the synecdochic process, sometimes metonymic. The aim of this article is to prove that by using a part of the body (with a precise motivation) the author refers to its whole, which leads to a wider view of reality. The obtained results from the contrastive and descriptive analysis have to demonstrate that synecdoche is an independent figure of speech, that the mechanisms of its formation are similar in these languages, but opposed to the metonymic processes, and that the change of the synecdoche form in the context of translation influences the stylistic effect of the text.

ПРЕДАЊА БЕЛИЦЕ – ОД ТЕРЕНА ДО ТЕКСТА

Author(s): Ana Stanković / Language(s): Serbian Issue: 69/2019

This paper deals with the process in which a collection of oral legends found on the terrain of the Belica locality was created. Its objective is to get an insight into the terrain which would include a geographical and cultural aspect as well as up-to-date records of the transmissions. This position creates an explanatory start- ing point for the need to repeat and expand the research in a way in which different theoretical and methodological assumptions can be appreciated. The presentation of the collection relates to the pre-terrain, terrain and post-terrain stages, and it focuses on the advantages and disadvantages of the research procedures that have been ap- plied so far. The material collected will be classified and described in line with the classifications adopted in folkloristics. Moreover, an attempt will be made to point out the possibilities for some future research, not only of this terrain, but also of legends in general. The fluidity of the borders of genres and the difficulties arising from the attempts at definition and classification are the issues that even impose a need for a contemporary researcher to look for different new approaches. This paper indicates the selected aspects of study that open up in a dialogue with the existing paradigms in contemporary humanistic sciences. Accordingly, the research tends to observe the oral legends originating in the Belica terrain through the lens of the theories of nar- ratology and imagology with the aim to reveal the material in a different spectrum of concepts that could affirm the existing scientific assumptions or possibly point to the new approaches in understanding this folklore genre.

MITOLOGICA HEROICA (I): ГРАМАТИКА МИТА О НАХОДУ СИМЕУНУ

Author(s): Đorđe N. Kebara / Language(s): Serbian Issue: 69/2019

В этой работе мы представим терминологическое дистинктивное значение понятия „мифологика”, учрежденного французским антропологом Клодом Леви-Строссом. Понятие „мифологика” будет интерпретироваться в контексте странствующих мифологических мотивов, присутствующих в коллективном бессознательном (брошенный ребенок, герой-подкидыш, герой совершающий инцест, миф о рождении героя, культурный герой). Надстройка „героика” относится к героям сербской героической народной поэзии и мифологическим моделям, с которыми они были объединены. Следовательно, методом работы является сравнительный мифоанализ древной поэзии. Предметом будут модели и вариации, общие для античной, средневековой и сербской народной поэзии. Цель работы – показать, как эти мотивы развиваются с точки зрения сербского устного творчества. Тема относится к мотиву „брошенного ребенка”, а в связи с двумя песнями о Находе Симеуне, которые были собраны Вуком Стефановичем Караджичем.

СИНЕСТЕЗИЈСКА МЕТАФОРА У СРПСКОЈ КЊИЖЕВНОСТИ ЗА МЛАДЕ

Author(s): Jelena Lj. Spasić / Language(s): Serbian Issue: 69/2019

The paper aims to determine the role of synesthetic metaphor in Serbian youth literature. The analysis has been conducted on contemporary Serbian prose and poetry for youth. The approach of the research is qualitative-stylistic, while the primary method used in the study is the linguistic-stylistic one. The focus is on the morphological and semantic analyses of synesthetic metaphor. Synesthetic metaphor is represented as a special linguo-stylistic category that is evaluated primarily from the point of view of the purpose of synesthetic transference. The synesthetic meta- phor, as any other kind of metaphor, communicates complex images and feelings to young readers. It sharpens one’s imagination, represents a specific way of thinking and appeals directly to the senses of young readers.

ПОЕТСКА ТРАНСФОРМАЦИЈА ПРОСТОРНИХ ИЗРАЗА У ЗБИРЦИ УТОПЉЕНЕ ДУШЕ ВЛАДИСЛАВА ПЕТКОВИЋА ДИСА

Author(s): Jelena M. Pavlović Jovanović / Language(s): Serbian Issue: 69/2019

The paper examines the poetic transformation of spatial expressions in the poetry collection Drowned Souls by Vladislav Petković Dis. The basis for the analysis was the structuralist point of view that a poetry collection is a unique artistic sign of which spatial expressions represent an integral part. We assumed that the choice and the modification of spatial expressions are determined by the specific perception of space, influenced both by the poetics of the epoch (the view that life is a fall, present in the Serbian poetry before World War I) and the view of life held by the poet himself.

ЧУДО ЗАДАНОГ СВЕТА

Author(s): Olja S. Vasileva / Language(s): Serbian Issue: 70/2019

Simbolismul și ipostazele lui slave (recenzie la volumul „Simbolismul în literaturile slave”)

Author(s): Mara Șchiopu / Language(s): Romanian Issue: 1/2022

Review of: Camelia Dinu (ed.), Simbolismul în literaturile slave, București, Pro Universitaria, 2020, 263p., ISBN 978-606-26-1233-7

"Un attardato filologo tuttofare": Sante Graciotti e "Ricerche slavistiche"

Author(s): Luigi Marinelli / Language(s): Italian Issue: 65/2022

The essay presents the biographical and scientific profile of Sante Graciotti, one of the greatest Slavists of the last seventy years and for many years editor in chief of “Ricerche slavistiche”. The author retraces the development of Graciotti’s university career and outlines the main themes that interested the scholar, stressing his incessant effort towards the recovery of the idea of a Slavia equally receptive to the treasures of the East and West of Europe. The essay is accompanied by a complete bibliography of Sante Graciotti’s publications in “Ricerche slavistiche” and a survey of particularly memorable and inspirational quotations taken from his essays.

Взаємопроникнення стилістичних елементів магічного реалізму, слов’янського фольклору, художньої фантастики в контексті граматичної репрезентації часових координат у романі В. Стевановича Убогi

Author(s): Weronika Jarmak,Olena Vashenko / Language(s): Ukrainian Issue: 3/2024

The article examines the relationship, interaction and grammatical repertoire of different tense forms of the Serbian verb in the context of verbal representation of time coordinates in the novel The Wretched by the famous Serbian writer V. Stevanović. The linguistic aspect, the mechanism of layering in the time paradigm of a perfect sample of magical realism, is analyzed. In this research, data from related scientific fields were involved and an attempt was made to determine which features inherent in the poetics of the mentioned work in terms of time plan unite it with examples of postmodernism, and which methods are related to the peculiarities of the temporal characteristics of the Serbian folk-song epic tradition, Serbian lyric poetry, with time formulas in bugaršticas, with poetic techniques of artistic fiction. The stylistic role of synthetic preterite forms of the Serbian verb, various shifts in the semantics of the present etc. are characterized.

Strani legami. A proposito della convivenza di lingue e culture nell’Europa centrale e orientale

Author(s): Annalisa Cosentino,Libuše Heczková / Language(s): Italian Issue: 66/2023

Considering the long-lasting co-existence of different languages and cultures in Central and Eastern Europe provides an interesting perspective on the cultural history of that part of continental Europe, full of fruitful intersections, and of conflicts. This section of “Ricerche Slavistiche” contains some articles dealing with relations, connections and intersections within the Slavic and the Germanic world, and in its vicinity.