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Un topos de la refléxivité dans l’œuvre d’Octavian Paler*

Author(s): Carmina Simona (Stoian) Miron / Language(s): French Issue: 3/2010

This essay is an approach to a defining element of the literary of Octavian Paler, one of the most representative names of posttotalitare literature, a representative of contemporary Romanian literature essays area. Combining the memories, the confessions, the travel journal and the letter in boundary formula of the essay, Octavian Paler shapes an universe dominated by myths, but reflected in his inner world and contaminated with his existentiale obsessions. Whatever places he travels (Greece, Egypt, Italy or Mexico), his eye is always turned to himself. His universe, faithfully translated in his books, is a world of pure subjectivity in which myth and biography meet. Thus, a symbolic space is born, a place of birth and becoming . Regarded as a symbol of genesis, this topos is shaped both as a relief area, the mountain, and toponymy suggestion , Lisa. Octavian Paler aims not so much to the remembrance of an age, that of childhood, but to reshaping a world, a space of eternity. ("Something of a peasant in the urban luster I have left until now and, perhaps, in the depths of my melancholy, I kept the rain flavor of Lisa, remained like moisture in old trees grown in places far from the sun "- Desert forever)

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L’impossible retour : écrire l’exil postcommuniste dans la littérature roumaine francophone

Author(s): Dana Monah / Language(s): French Issue: 3/2010

Dumitru Ţepeneag’s novel Hotel Europa (1996) and Matei Visniec’s Despre sindromul de panică în oraşul luminilor (2009) have as protagonists writers that left Romania for France before 1989 and that become aware of the impossibility of either building a literary career in their adoptive country or returning to their native country after the 1989 Revolution. This paper sets out to examine a double experience of failure: personal (analysing the identity splits the experience of exile determines) and professional (both Hotel Europa and Despre sindromul... have a strong metafictional dimension, musing over the painful process of writing... in one’s mother tongue). However, I will argue that the two novels are the expression of a paradoxical come-back, as they mark the return of Ţepeneag and Vişniec to writing in Romanian.

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De vorbă cu academicianul NICOLAE BREBAN despre statutul scriitorului în perioada postdecembristă

Author(s): Author Not Specified / Language(s): Romanian Issue: 3/2010

N.B.: Aveţi o temă pretenţioasă. Dialogurile ideologice - m-au sunat deja la un mic interviu şi le-am spus deja că - şi cultura e ideologie. Deci e un sistem de idei. Din păcate, marea presă ideologică, dacă vreţi, politică, sociologică, nu prea se ocupă de cultură, cum nu s-au ocupat nici guvernele în ultimii 20 de ani. Vedeţi că bugetul culturii este penibil, 0,13 – 0,16, din care, mare parte merge la patrimoniu, nu merge la cultură, unde sunt licitaţii etc. Şi ceea ce e grav e că, şi asta o critic eu de multă vreme, după Revoluţie, faptul că statul român s-a retras din susţinerea financiară a culturii. La o întrunire, acum vreo 15 ani, l-am incitat pe un fost ministru a spune că ar vrea totuşi ca statul să intre in edituri, să susţină una, două edituri direct pentru a facilita apariţia acelor serii de scriitori naţionali, din literatura clasică română, literatura modernă, dintre războaie. Ţările din nordul României, foste comuniste, Ungaria, Cehoslovacia, Polonia, au astfel de interese, şi guvernamentale, să nu se piardă, să existe la îndemâna studenţilor, a profesorilor, a publicului larg, să existe ceea ce comuniştii chiar făceau - serii de mari scriitori.

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To write or not to write: censorship in "The Woman in the Photo" by Tia Șerbănescu and "A Censor’s Notebook" by Liliana Corobca

To write or not to write: censorship in "The Woman in the Photo" by Tia Șerbănescu and "A Censor’s Notebook" by Liliana Corobca

Author(s): Monica Manolachi / Language(s): English Issue: 1/2018

Censorship as a literary subject has sometimes been necessary in times of change, as it may show how the flaws in power relations influence, sometimes very dramatically, the access to and the production of knowledge. The Woman in the Photo: a Diary, 1987-1989 by Tia Șerbănescu and A Censor’s Notebook by Liliana Corobca are two books that deal with the issue of censorship in the 1980s (the former) and the 1970s (the latter). Both writers tackle the problem from inside the ruling system, aiming at authenticity in different ways. On the one hand, instead of writing a novel, Tia Șerbănescu kept a diary in which she contemplated the oppression and the corruption of the time and their consequences on the freedom of thought, of expression and of speech. She thoroughly described what she felt and thought about her relatives, friends and other people she met, about books and their authors, in a time when keeping a diary was hard and often perilous. On the other hand, using the technique of the mise en abyme, Liliana Corobca begins from a fictitious exchange of emails to eventually enter and explore the mind of a censor and reveal what she thought and felt about the system, her co-workers, her boss, the books she proofread, their authors and her own identity. Detailed examinations and performances of the relationship between writing and censorship, the two novels provide engaging, often tragi-comical, insights into the psychological process of producing literary texts. The intention of this article is to compare and contrast the two author’s perspectives on the act of writing and some of its functions from four points of view: literary, cultural, social and political.

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LE CODE DES USAGES DE GHEORGAKI LE LOGOTHÈTE ET SES RAPPORTS AVEC LA LITTÉRATURE BYZANTINE DE CÉRÉMONIAL
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LE CODE DES USAGES DE GHEORGAKI LE LOGOTHÈTE ET SES RAPPORTS AVEC LA LITTÉRATURE BYZANTINE DE CÉRÉMONIAL

Author(s): Andrei Timotin / Language(s): French Issue: 2/2018

The author studies the Book of Ceremonies written in 1762 by Gheorgaki, a chancellor at the court of the prince of Moldavia Gregory Callimaki (1761 – 1764 and 1767 – 1769), a unique work in ancient Romanian literature, which describes the political and religious ceremonies of the Moldavian court. In order to design such a work, the Moldavian chancellor resorted to Byzantine models, especially to Pseudo-Kodinos’ De oficiis, who had a particular fortune in the Romanian Principalities. The Byzantine influence is present not only in the general architecture of the work, but also in the presentation of the elements of religious ceremonial, in which the prince and the high dignitaries take part. Gheorgaki also uses indigenous tradition and his own experience at the Moldavian court. It can nevertheless be concluded that the Byzantine works of ceremonial have sharpened his spirit of observation and have fashioned his view of Moldavian political and religious ceremonies.

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Optzecismul pentru uzul strainilor

Optzecismul pentru uzul strainilor

Author(s): Virgil Podoabă / Language(s): Romanian Issue: 03+04/2016

Motivated by the preface of a literary anthology, the aim of this paper was to frame a phenomenological approach of the 80 ist Literary Movement for the Hungarian reader. The main focus was the emphasis the importance of this Romanian literary movement for the contemporary fiction.

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As spune ca suntem predestinati la toleranta...

As spune ca suntem predestinati la toleranta...

Author(s): Francisko Kocsis / Language(s): Romanian,Hungarian Issue: 07-08/2016

The text is an interview taken by Francisko Kocsis to the Hungarian writer and politician, representing the Hungarian minority in Romania, Marko Bela.

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LEXICAL-SEMANTIC CONFIGURATION OF TOPONYMS IN ROMANIAN FAIRY TALES

LEXICAL-SEMANTIC CONFIGURATION OF TOPONYMS IN ROMANIAN FAIRY TALES

Author(s): Veronica Oneț / Language(s): Romanian Issue: 14/2018

This communication aims to approach the names of places in the literary text, particularly in fairy tales. Starting from the premise that the fairy tale fictional world is structured on the duality principle, good vs. evil, we will show that the names of places that can be found in the fabulous discourse are also classified in good and bad. However, there is no clear delimitation between the two toponymic categories, some names changing, at some point, their meaning from good into evil and vice versa. Thus, we will investigate the lexico-semantic status of toponyms in the fabulous universe in diachronic perspective while focusing both on classical and modern fairy tales. At the same time, we will underline the similarities and the structural and content differences between the Romanian toponyms (the formation of the toponymic appellations, predominant in this type of text). The approach is interdisciplinary, the areas concerned being anthropology, ethnolinguistics and semantics. The corpus is taken from Romanian fairy tale anthologies, as well as from children / cartoon films.

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ASPECTS OF THE ROMANIAN ARTISTIC AND MUSICAL CULTURAL ACTIVITY IN PREMERGY AND AFTER PERIOD THE GREAT UNION OF 1918

ASPECTS OF THE ROMANIAN ARTISTIC AND MUSICAL CULTURAL ACTIVITY IN PREMERGY AND AFTER PERIOD THE GREAT UNION OF 1918

Author(s): Ramona Preja / Language(s): Romanian Issue: 14/2018

The Romanian artistic and musical cultural activity has to be analyzed not only from the moment when big Romania was formed. In this approach, it is necessary to take into account the Romanian perenniality in the main historical regions. In the second half of the nineteenth century we witness a sudden flourishing of Romanian culture. In the first two decades of the twentieth century, but especially after the Great Union in 1918, we witness an unprecedented cultural flourishing. The fulfillment of the national ideal had beneficial effects by affirming modern artistic schools and currents, by synchronizing with the European and world movement of ideas, by creators of Lucian Blaga (in philosophy and literature), Nicolae Iorga (in history and culture in general), George Călinescu (in literary history and criticism), George Enescu (in music), Constantin Brâncuşi (in sculpture).

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POLISH EXEGESIS ON ELIADE’S VISION OF SACRED AND PROFANE

POLISH EXEGESIS ON ELIADE’S VISION OF SACRED AND PROFANE

Author(s): Magdalena Filary / Language(s): Romanian Issue: 13/2018

Polish reception of Mircea Eliade's scientific work was mainly focused on the fundamental topics and concepts of the phenomenologist and historian of religion, the most important of them being sacred and profane. Two important works concentrated on the notions of sacred and profane appeared in Poland: the preface of Marcin Czerwiński to the book «Sacred, Myth, History» and an essay entitled «Between the Sacred and Profan», signed by Andrzej Tokarczyk. Our paper presents the way of perceiving Mircea Eliade's fundamental concepts, as well as the appreciations and main reproaches brought to Eliade by these two exegetes.

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ION CHINEZU IN THE ROMANIAN-HUNGARIAN INTERWAR LITERARY ATMOSPHERE

ION CHINEZU IN THE ROMANIAN-HUNGARIAN INTERWAR LITERARY ATMOSPHERE

Author(s): Mirela-Iulia Cioloca / Language(s): English Issue: 12/2017

The purpose of this study is to make a literary journey into the interwar literary landscape to observe the development of Romanian-Hungarian relations. Improvement and increasing interest in Romanian literature by Hungarian readers can be observed. Hungarian-Romanian translations are encouraged. An important aspect in this regard is Ion Chinezu's book, Aspects of Transylvanian-Hungarian literature (1919-1929), which investigates the works of Hungarian writers for ten years. His study captures the Hungarian literature numbness awakening which develops qualitatively and quantitatively. Through his study, the Transylvanian critic revealed his appreciation of Hungarian literature and its writers, creating an approachable atmosphere towards Hungarian literature understanding and opening the eyes of translators; it can even be said to have demonstrated the closeness to Hungarian literature and its study. He certainly wanted to correct the injustice of ignorance concerning this literature. Just as neither gold is a noble metal in fact, except when there is a miner to bring it to light and a craftsman to process it, the valuable Hungarian literature does not come to be really known until someone discovers it and presents it to those who are eager to find out the literary secrets. Ion Chinezu had taken over these cultural responsibilities.

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THE POETRY OF A FLOWER OF EVIL

THE POETRY OF A FLOWER OF EVIL

Author(s): Margareta Onofrei / Language(s): Romanian Issue: 12/2017

The two poets, Charles Baudelaire and Tudor Arghezi, demonstrate that ugliness can generate beauty through literary creation. This article focuses on the following aspects: the depiction of the actions of the three guests of a poem, the aesthetic points of view concerning the relation between beauty and ugliness/ good and evil, the analysis of two poems, "To the Readers", by Charles Baudelaire and "Flowers of Mold", by Tudor Arghezi. In conclusion, evil is a productive aesthetic category mainly expressed by the lexico-semantic level of the language.

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Rolul lexicului neologic în imaginarul poetic al Anei Blandiana

Author(s): Daniel KIȚU / Language(s): Romanian Issue: 17/2017

Notre recherche suivra le trajet de l’analyse du rôle du lexique néologique au niveau de l’exprésivité poétique dans la création d’Ana Blandiana après les années '90.Nous considérons ainsi les trois volumes de poésies que la poète les publie en 2004, 2010 et 2016, c'est à dire Refluxul sensurilor, Patria mea A4 et Orologiul fără ore.On va mettre en évidence les divers contextualisations que le néologisme les retrouve dans les créations de cette dernière étape du trajet lirique blanndien.On considère, premièrement, le thème de la désacralisation, richement représenté dans un univers du monde qui commence à ne le contenir.En s'agissant de ce chapitre, on va suivre les effets expressifs du lexique urbain sur la plage des sémantismes du champ d'application technique.Le niveau lexicologique urbain arrive à dessiner aussi l'antithèse entre la perception du soi poétique sur l'extériorité et la condition de l'homme de l'horizontale (concept appartenant à Ovidiu Hurduzeu), de l'existence soumise aux difficultés du consumérisme. Dans ce contexte, Ana Blandiana dénonce au niveau de son création, premièrement dans les vers du volume Patria mea A4, la déspiritualisation accentuée de l'homme postmoderne.Ana Blandiana emploie souvent même les effets contrastives du mélange de la terminologie néologique et de l'archaïque où populaire.On s'arrêtra aussi sur l'insertion, au niveau du poétique, du langage scientifique, en suivant même le rôle expressif des lexèmes du niveau médical.Il est évident aussi le fait que l'auteur emploie souvent le niveau néologizant en tant que prétexte de pensée philosophique sur le thème de la solitude du créateur.

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Calcurile lingvistice în Orthografia sau Dreapta scrisoare pentru îndreptarea scriitorilor limbii româneşti de Constantin Diaconovici-Loga, Buda, 1818

Author(s): Loredana-Liliana Buzoianu / Language(s): Romanian Issue: 17/2017

The work „Orthography or the correct spelling to guide Romanian language writers”, by Constantin Diaconovici – Loga, Buda, 1818 fits during the end of 18th and the beginning of the 19th century, thus making it easier to read. Regarding the lexical specificity, we can say that the vocabulary used in Diaconovici-Loga’s Orthography is varied and including, among other well known words, dialects, neologisms, linguistic calques, also derivates formed within the language. Also noticeable is the effort to introduce derivates and lexical families and, most important, the idea to impose new modeled forms. An inventory of modeled forms has been done with a close look on how they were formed. While researching, there is also a comparative analysis of some examples of terms formed by modeling and neological loan taken from the text. The main focus was to compare the words with some similar terms from previous works. There are many noticeable adaptation lexical phenomena of neologisms and that is due the Romanic languages influence. The grammatical terminology is modern. This fact is also due that the text fits a faze when loans from Latin – Romance languages were necessary. Sometimes neologisms come up as a duplicate for the modeled terms. Furthermore, next to the large number of loans from latin we can also notice the preference for the linguistic calques sporadically indicating the neological equivalent for the used calque. Thus, we can remark the casual use of language, the author’s ease of expression which gave him the possibility of constructing a new grammatical terminology, filled with accessible linguistic calques, to define the newly introduced terms, and to clearly and briefly explain them by adding the neological equivalent which is usually Latin origin.

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RUMÄNIENDEUTSCHE SCHRIFTSTELLET IM VISIER DES KOMMUNISTISCHEN GEHEIMDIENSTES SECURITATE

RUMÄNIENDEUTSCHE SCHRIFTSTELLET IM VISIER DES KOMMUNISTISCHEN GEHEIMDIENSTES SECURITATE

Author(s): Stefan Sienerth / Language(s): German Issue: 18/1/2017

After the Nobel laureate for literature Herta Müller 2009 publicized their files, which were commissioned by the Romanian security service, in the weekly DIE ZEIT and then in their book Cristina and their dummy or what (in the files of the Securitate), the observation of the Romanian - the Communist Intelligence became a popular subject not only of the media, but also of literary research. According to a brief account of the history of the German minority in Romania, the author describes in a first part how, after the end of the Second World War, the Romanian communist secret service was founded, which officially commissioned the new social order against enemies from outside and protect from the interior. In reality, however, the new rulers were concerned with stifling critical utterances in the germ, silencing other thinkers, and, if necessary, shutting them down or even eliminating them. All this was done with the intention of spreading a general climate of fear and uncertainty to prevent any rebellion against the politically unauthorized authority.

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MACHT VERSUS OHNMACHT. DIE PROBLEMATIK DER DEPORTATION, EXEMPLARISCH DARGESTELLT ANHAND AUSGEWÄHLTER WERKE RUMÄNIENDEUTSCHER AUTOREN

MACHT VERSUS OHNMACHT. DIE PROBLEMATIK DER DEPORTATION, EXEMPLARISCH DARGESTELLT ANHAND AUSGEWÄHLTER WERKE RUMÄNIENDEUTSCHER AUTOREN

Author(s): Maria Sas / Language(s): German Issue: 18/1/2017

In Romanian-German history, deportation is probably the most momentous event for the representatives of the German minority of Romania. The events are set in the period 1945-1949, but no work on the subject could be published because of the censored literature scene in communist Romania. After the political turn of 1989, a vast number of literature on the theme of deportation has been written and published, the events have also been scientifically documented in historical and sociological studies. The aim of the present work is to analyze the literary strategies which contemporary Romanian-German authors use in their texts to process and mediate the theme of deportation. The analysis is to be carried out on a text corpus consisting of three novels: -- Januar‘ 45oder die höherePflicht [January ‘45 or the higher duty] (1998) by Erwin Wittstock,Bestätigtund besiegelt [Confirmed and Sealed] (2003) by Joachim Wittstock and Atemschaukel [ The Hunger Angel] (2009) by Herta Műller.

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SIGNIFICANT INSIGNIFICANCES: WINSTON SMITH’S DIARY AND OTHER RECLAIMED HISTORIES

SIGNIFICANT INSIGNIFICANCES: WINSTON SMITH’S DIARY AND OTHER RECLAIMED HISTORIES

Author(s): Tom Phillips / Language(s): English Issue: 26/2019

The construction of counter-narratives which reclaim and rename history by challenging hegemonic discourse cannot simply be a question of replacing one metanarrative with another. Genuine counter-narratives also challenge the category of “the historical” itself, blurring its parameters and making value-claims for what is often regarded as historically insignificant or marginal. In this chapter, I examine works by three authors – George Orwell, Charles Olson and Georgi Gospodinov – who, despite the diversity of their outlook, output and circumstances, exhibit a shared interest in the significance of the seemingly insignificant and in its potentiality as a foundation for ethical challenges to the assumptions and definitions of hegemonic metanarratives. Winston Smith’s diary in Orwell’s 1984, the autobiographical anecdotes, obscure historical documents and local mythology included in Olson’s Maximus Poems and the fragmentary texts of Gospodinov’s Всички нашите тела are discussed in relation to Kierkegaard’s notion of dignity in personal history, Lyotard’s definition of postmodernism as an “incredulity towards metanarratives” and Auerbach’s discussion of modernism in Mimesis, which also serves to illuminate continuities between the different “epochs” of the modernist/post-modernist age as well as identifying a possible need to interrogate the way literary history itself is defined and narrated.

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Cronici literare, cronica filmului, cronica teoriei

Cronici literare, cronica filmului, cronica teoriei

Author(s): Alex Goldiş,Mihnea Bâlici,Rita Chirian,Anamaria Mihăilă,Senida Poenariu,Mihaela Vancea,Amalia Cotoi,Florina Daniela Moldovan Lircă,Denisa Bud,Nina Corcinschi,Andreea Pop,Andrei Gorzo,Alex Cistelecan,Cornel Ban,Dan Marian Ungureanu,Claudiu Gaiu / Language(s): Romanian Issue: 01-02/2018

This section contains a large number of different reviews, applied to either contemporary literature, cinema or latest appearances in the field of political theory.

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Un prozator par excellence - Petru Cimpoeșu

Un prozator par excellence - Petru Cimpoeșu

Author(s): Cristina Timar,Petru Cimpoeșu,Ioan Groşan,Dan Perșu,Victor MUNTEANU,Vasile Dan,Adrian Jicu,Iulian Boldea,Claudiu Turcuş,Andrei Moldovan,Cătălin Sturza,Dan Bogdan Hanu,Nicoleta Cliveţ,Francisko Kocsis,Vasile Spiridon,Georgeta Moarcăş,Marian Ilea,Melinda Crăciun / Language(s): Romanian Issue: 01-02/2018

This section of the publication focuses on creating a profile of the Romanian contemporary writer, Petru Cimpoeșu, thru the interview he offered, the original fragments from works in progress and the commentaries on his books, written by various literary critics.

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CONCEPȚIA COSMOLOGICĂ A LUI LUCIAN BLAGA DIN LUCRAREA DIFERENȚIALELE DIVINE

CONCEPȚIA COSMOLOGICĂ A LUI LUCIAN BLAGA DIN LUCRAREA DIFERENȚIALELE DIVINE

Author(s): Ioan Scheau / Language(s): Romanian Issue: 2/2019

Abstract. The present paper presents Lucian Blaga’s concept from the paper The Divine Differentials, the first volume of The Cosmological Trilogy, which is considered by him the dome of its metaphysical system, but not the ending of it, because “metaphysics is not complete without an ensemble vision of cosmological nature”. The divine differentials becomes the place where minus-knowledge – as a method of capturing mysteries – may be applied, and this thing was impossible in the papers where this was theorized. The paper deals with all the matters of a cosmological system: the cosmic genesis, the generator (The great Anonymous), the human. Blaga asserts an indirect genesis accomplished through the divine differentials that represent infinitesimal fragments of the Whole. These integrate on the principle of the sufficient matching forming the formative units.

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