Cookies help us deliver our services. By using our services, you agree to our use of cookies. Learn more.
  • Log In
  • Register
CEEOL Logo
Advanced Search
  • Home
  • SUBJECT AREAS
  • PUBLISHERS
  • JOURNALS
  • eBooks
  • GREY LITERATURE
  • CEEOL-DIGITS
  • INDIVIDUAL ACCOUNT
  • Help
  • Contact
  • for LIBRARIANS
  • for PUBLISHERS

Content Type

Subjects

Languages

Legend

  • Journal
  • Article
  • Book
  • Chapter
  • Open Access
  • Language and Literature Studies
  • Studies of Literature
  • Polish Literature

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Result 7221-7240 of 7348
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 361
  • 362
  • 363
  • ...
  • 366
  • 367
  • 368
  • Next
„Gdzie ziemia się kończy, a morze zaczyna”. Szkice polsko-portugalskie
7.00 €

„Gdzie ziemia się kończy, a morze zaczyna”. Szkice polsko-portugalskie

Author(s): Magdalena Bąk,Lidia Romaniszyn-Ziomek / Language(s): Polish

This volume presents a collection of essays which deal with Polish-Portuguese literary connections. It aims at bringing back selected Polish texts, representing various literary genres and types of writing, whose authors refer to elements drawn from the Portuguese history, culture, art, and literature or focus on the geography, topography and architecture of this land, situated at the very edge of Europe. The works discussed in this volume include writings of such authors as: Aleksander Przezdziecki, Adolf Pawiński, Zygmunt Bytkowski, Maria Danilewicz-Zielińska, Franciszek Ziejka, Renata Gorczyńska, Zbigniew Kadłubek, Marcin Kydryński and Magdalena Starzycka. The aim is to identify how Polish writers of the nineteenth, twentieth and twenty-first centuries perceived Portugal and to establish the reasons why they referred to it. The Polish perspective dominates throughout the volume, since it is the Polish perception of Portugal that is the object of reflection here. There is one exception to this rule, though. A separate chapter is devoted to the reaction of the Portuguese to the January Uprising. Confident that their unrestrained and intense response merits a mention, the authors include its short presentation in this collection of Polish-Portuguese essays. The increased interest in the land situated at the far end of Europe, demonstrated by nineteenth century Polish writers, is thus placed in a broader context, which shows that this was by no means a one-way involvement.

More...
Dramat słowacki w Polsce. Przekład w dialogu kultur bliskich
14.00 €

Dramat słowacki w Polsce. Przekład w dialogu kultur bliskich

Author(s): Lucyna Spyrka / Language(s): Polish

The book is devoted to the Polish translations of Slovak dramatic works in the context of the dialogue between both cultures. In the first part of the work an attempt is made at formulating a definition and arranging concepts, beginning from the concept of the dialogue between cultures, translation, the competence of the recipients and the translator proceeding through a discussion of the determinants of cultural proximity and the factors which specify the contribution of translation in the intercultural dialogue, including its functions and value. There is an outline of the contacts between Polish and Slovak cultures, with reference to the contribution of translations of Slovak literature into Polish. // The second part of the book contain a discussion of the particular translations of Slovak dramatic works and their reception, which is preceded by an outline of the development of Slovak drama as well as the discussion of the theoretical concepts of translating dramatic works and their possible participation in the dialogue between cultures. An attempt was made at determining the contribution of these works in the Polish-Slovak dialogue of cultures in reference to each work that was discussed and to indicate the reasons of the particular state of affairs in the case of a given translation. Reference has also been made to the information about the authors of the particular translations. // We may distinguish three periods in the history of the presence of Slovak playwriting output in Polish culture: the pre-war years, the post-war years and the period after the Velvet Revolution. Each of these periods has a peculiar nature of its own, determined above all by the historical context in which the cultural contacts between both peoples developed. // In the inter-war period Slovak dramatic works were not staged in Polish theatres, and only one work was published in print — a one-act play by Jozef Gregor Tajovský entitled “Matka” [“Mother”]. // Another phase of the Polish-Slovak dialogue of cultures begins in the years that followed the Second World War. Both the Polish literature as well as the Slovak literature was subordinated to the standards determined by the third, Soviet culture. The intercultural contacts were ideologised and politicised. Therefore the notion of a dialogue of cultures hardly applies here. In this context we may mention the translations of the following dramatic works: “Experiment Damokles” [“The Damocles Experiment”] by Peter Karvaš and “Kráľovná noci v kamennom mori” [“The Queen of the Night in the Stone Desert”] by Ján Solovič. // The text of the translation may assume various positions in the new cultural context: it may be domesticated, being subject to acculturation or on the contrary — it may become a rejected or even alienated translation. The last chapter of the book is devoted to problems of this kind. Among the Polish translations of Slovak dramatic works there were none that would be domesticated in our culture. Slovak drama participates in the Polish-Slovak intercultural communication but it struggles to participate in the dialogue between both cultures.

More...
W stronę nieoczywistości. Teksty różne
6.00 €

W stronę nieoczywistości. Teksty różne

Author(s): Filip Mazurkiewicz / Language(s): Polish

The volume comprises indeed twelve miscellaneous texts representing various research idioms ranging from hermeneutics through intertextuality all the way to deconstruction and poststructural reading, as well as various themes which include: two texts each, devoted to the works of Teodor Parnicki and Witold Gombrowicz, pop culture-related problems (plastic survery and pornography), cultural and political issues (the problem of Polish socialism), the dialogues of the author with his masters within the framework of literary studies (Ryszard Legutko and Stefan Szymutko), and finally the questions of19-century Polish masculinity and the considerations about the condition of the contemporary university in Poland. According to the author, the most important texts are the ones which refer to Parnicki, who is presented as a writer of existence, as a writer of reality – a reality which is always too complex and unbearable ultra vires. Another important group of texts are the ones which discuss Gombrowicz. The interpretations of one of Gombrowicz’s stories that is presented here (Zdarzenia na brygu Banbury) and the final dramatic work of the writer (Operetka) are original: Gombrowicz is placed in the space of a debate between the work andthe text, where Gombrowicz becomes the supporter of the text, thus preventing the reader from making an interpretative move, as well as a reading of Operetka as a dramatic work about some new masculinity (known as atopical masculinity) which is possible in a somehow different way, presented on the basis of references to A la recherche du temps perdu by Marcel Proust. These two aspects heretofore were never researched. The texts which this publication contains present such modes of reading which emphasise the unobvious and the complexity of the phenomena that are described. There are also texts in which the author attempts to take a quasi oblique look into the existing state of research and the state of reflection concerning the questions which are engaged here.

More...
Literacki kapitalizm. Obrazy abstrakcji ekonomicznych w literaturze polskiej drugiej połowy XIX wieku
19.00 €

Literacki kapitalizm. Obrazy abstrakcji ekonomicznych w literaturze polskiej drugiej połowy XIX wieku

Author(s): Paweł Tomczok / Language(s): Polish

The work entitled „Literary capitalism. The images of economic abstracts in the Polish literature of the second half of the 19th century” offers an analysis of capitalism based on literary historical sources. The three initial chapters Focus on theoretical aspects of the entire project. In the first chapter, I have systematized various traditions of the economy of literature developing mainly in the English- and German-speaking countries. Here, I distinguish two ways of talking about economy in literature, which stem from Marxist literaturę studies on the analysis of ideology and class divisions in culture, and the research on the relation between economy and a literary form. Chapter Two discusses the Marxist theory adapted to the studies on the economy of literature. Here, I refer to the transition from traditional Marxism to New Marx Reading (neue Marx-Lektüre). I validate the thesis that economic categories require a discursive legitimization to sustain their being in force and the validity of real abstracts. The discursive legitimization and its criticism may have their place in economy, but also in literature and in journalistic writing. This chapter also deals with the problem of using literary texts as “sources” for historical studies, including the social and economic history, and not merely the history of discourse or mentality. The point of departure is the analysis of the classical formulations of the methodology of historiography with a view to arrive at an extended theory of the source, which can be derived from the works of Walter Benjamin. The third chapter concerns the problems of the history of the second half of the 19th century. How can the tradition of the economy of literaturę be employed for the studies on Polish literary capitalism? Definitely, not by means of using foreign research as ready-made patterns that can be directly transferred to Polish literature. Therefore, I trace the problems of the complex duration of capitalism in various works of the historians of literature, ideas, society, and economy. I analyse the 19th-century field of power and its ideology. Moreover, I refer to the discourse of underdevelopment and marginality. In this chapter, I also justify the choice of chronological frames of the present book. The starting point is constituted by the middle of the century – the events of Galician Slaughter and the Spring of Nations are seen as a common experience which anticipated modern social conflicts. I have demarcated the year 1900 as the end-point, thereby renouncing the analysis of the texts that approximated the revolution of 1905 which redefined the political divisions of the Polish society. Between these dates, many important events and economic processes occurred, including the industrialization supported by customs policy and the global agrarian crisis, both of which deeply changed the economic and social structure of Polish lands. The analysis of various chronological patterns allows for the identification of civilizational, economic, social, and cultural processes that occurred at an uneven pace. The complexity of both local and global chronologies renders it impossible to form a great uniform narration on the extended duration of the Polish underdevelopment or marginality, compelling instead to trace the noncontinuous character of the peripheral location. Chapter Four presents the problems of agrarian, middle-class, and industrial capitalists. The basic interpretational category constitutes “the subject of capitalist desire”. Capitalism requires of individuals to become the personifications of commodity, money, and abstraction. Literature perfectly describes the dialectal adventures of individuals embroiled in capitalist desires, as well as the oppositions between various positions that were available for contemporary capitalists, such as ascetic, merchant, speculator, industrialist, or rentier. In the fifth chapter, I discuss subordinate groups: peasants, workmen, urban mob and proletariat. Here I research the ways of discursive enslaving of individuals, as well as the chances of emancipation and class struggle. The most important process that was taking place in the second half of the 19th century as regards the structure of subordinate groups is connected with the rejection of the feudal forced labour based on physical violence and replacing it with apparent voluntary contracts between the labourer and the capitalist, yet practically based on anonymous economic violence that affects the proletarians devoid not only of capital goods, but also of their livelihood. The final three chapters have been devoted to the interpretation of the problems of economy of the most important novels of the period under investigation: „The Doll” by Bolesław Prus, „The Promised Land” by Władysław Reymont, and „Homeless People” by Stefan Żeromski. These novels present three kinds of psychopathology of capitalist personification which stem from the inability of continuing the parents’ traditions, either due to social advancement, or social degradation. The literature of this epoch frequently portrays spectacular falls of fathers who can no longer impose their rules on their sons – they are too weak, because economic changes deprived them of their high social status. Their place, the place of the father who insists on respecting the rules, is being occupied by the capital, which obliges the sons deprived of their fathers to become the subjects of capitalist desire and to reject the tradition of their ancestry.

More...
Hermetica średniowiecza i renesansu. Studium z historii myśli europejskiej
7.50 €

Hermetica średniowiecza i renesansu. Studium z historii myśli europejskiej

Author(s): Agata Sowińska / Language(s): Polish

The work is devoted to the reception of hermetic literature in the Middle Ages and in the Renaissance in the works of Polish writers and it supplements the knowledge which was heretofore acquired in the field of the history of hermetic literature. The work focuses on two primary texts: a collection of dialogues entitled “Corpus Hermeticum” (in Marsilio Ficino’s Latin translation) and on a Latin treatise entitled “Asclepius”. The purpose of the work is to present a content-related and comparative analysis of works which contain quotations drawn from the aforementioned hermetic texts which are featured in: Bernard z Lublina (the so-called Philosophical Anthology), Jan z Trzciany (“De natura ac dignitate hominis”) and Jakub Górski (“Ad Magnificum Dominvm Stanislavm Miskovski Castellanvm Sendomiriensem et Capitanevm Cracoviensem Iacobi Gorscij Mercvrius sive de Trinitate contra Gregorium Bresinensem”), i.e. the figures who were mentioned only by Jan Czerkawski – a researcher of hermetism. The basis of the work is constituted by a manuscript of Bernard z Lublina which contains Latin excerpts from two most important hermetic texts: “Asclepius” and “Corpus Hermeticum”. The division is consistent with the division of the texts in the anthology of Bernard z Lublina: the first part comprises a content-based and comparative analysis of the excerpts from the treatise entitled “Asclepius”, the second part is devoted to the fourteen dialogues from the collection entitled “Corpus Hermeticum”. The study of the content of the anthology with reference to a comparison with the texts of other authors is supposed to bring about the separation of a tertium comparationis – a possible common strand of thought which reveals itself from an analysis and a comparison of the particular works. The analysis is supplemented by appendices which are devoted to works which heretofore have not received treatment: the works of Bernard z Lublina (in the form of tables which present the Latin, Greek and Coptic equivalent of the excerpts) and the works of Górski (in the form of an edition of the text).

More...
Myśl Myśliwskiego (studia i eseje)
10.00 €

Myśl Myśliwskiego (studia i eseje)

Author(s): / Language(s): Polish

The collective monograph of the works of Wiesław Myśliwski is not the first attempt at a comprehensive conceptualization of the work of the author of „Nagi Sad”. It has been preceded by a series of “anniversary” books published by The Jan Kochanowski University in Kielce as well as monographs by e.g. Bogumiła Kaniewska. The uniqueness and purport of issuing another exhaustive formulation of Myśliwski’s work is justified by, first of all, the importance of this work, and, secondly, the fact that the authors have made an attempt to conceptualize it in a novel way. The book ends with the re-print of the essay by Myśliwski entitled „Kres kultury chłopskiej”, which on the one hand is a text that has been slightly forgotten, and on the other hand many authors of the monograph have made reference to the theses of this very essay. The studies and essays presented in the book attempt at interpreting the complete literary output of the author of „Widnokrąg”, his individual works or motifs from his writing. The most complementary attempt at reading Myśliwski in the volume has been offered by Józef Olejniczak, who in his essay treats the six novels published so far as chapters of an autobiographical project of the writer, and, in conclusion, poses a question about a continuation. It is followed by a study into the presence of WW II in Myśliwski’s work seen as a traumatic experience and at the same time as an attempt of asking definite questions about the role of Polish peasantry in the tragic history of this war. Artur Żywiołek, in turn, analyses „Widnokrąg” from the point of view of “new humanities” and “opens up” the reading of this significant novel for hitherto undescribed philosophical contexts. In a similar way we can characterize the attempt of Tomasz Bocheński – the researcher points out to the interpretative contexts which have not been accounted for so far in the studies on Myśliwski, like, for example, the musicalness of this prose. Wiesław Sedlak describes the authorial subject of Myśliwski as “nomadic”, pointing out to the fact that it is a subject that is in a permanent journey, wandering, walking, which constitutes a reconsideration of the previous convictions about the solely peasant provenance of Myśliwski’s work. Bogumiła Kaniewska and Karolina Wawer reach to Myśliwski’ images of women, assuming various perspectives from the domain of feminist literary criticism and gender studies. Krystian Węgrzynek in his essay is interested in the attitude of Myśliwski towards religion, Karol Maluszczak deals with objects in the worlds represented in the novel as the elements of the material memory of the writer, the “catalysts of his memory”. Piotr Zając writes about the presence of animals in this work, while Antoni Lesiak focuses his interpretation of „A Treatsie on Shelling Beans” on the music motif, on the job of saxophonist performed for many years by the narrator-protagonist, and Paweł Otręba attempts to interpret „Stone Upon Stone” in the light of the Sigmund Freud’s drive theory. Another study, by Wojciech Kuska, is an interpretative attempt at the conceptualization of a dendrologic motif in Myśliwski’s work in the light of the concept of the Linguistc Picture of the World. Jolanta Betkowska, by contrast, demonstrates how a modern media culture devastates the primal peasant culture, in this way commenting on the theses of the essay „Kres kultury chłopskiej” and its consequences present in the novels and dramas of the author of „Ostatnie Rozdanie”. The monograph concludes with three studies on the dramaturgic work of Myśliwski and the theatrical staging of his dramas and novels. Ewa Wąchocka presents an attempt at a comprehensive approach towards the problems, Anna Podstawka focuses on the theatrical adaptation of „Widnokrąg” made by Bogdan Tosza, while Jan Ciechowicz offers a summary of various ways in which Polish theatres have been fascinated by the works of Myśliwski and have adapted them for their own use. The monograph „The Musings of Myśliwski (essays and studies)” aims at presenting the work of Myśliwski in many different contexts, and it also aspires to demonstrate how this work radiates and “influences” on various creative activities of man, such as the theatre, film, music, and the fine arts, therefore the cover features the portrait of the writer painted by Stanisław Baja, and also inside the book there is a drawing of the artist, which is a sketch to the portrait of Wiesław Myśliwski.

More...
W cieniu ojca. Awangarda prozatorska lat 30. XX wieku. Rudnicki, Napierski, Schulz, Tarn
10.00 €

W cieniu ojca. Awangarda prozatorska lat 30. XX wieku. Rudnicki, Napierski, Schulz, Tarn

Author(s): Magdalena Wasąg / Language(s): Polish

Adolf Rudnicki, Stefan Napierski, Bruno Schulz, and Adam Tarn debuted as authors of prose in the 1930s. In their works they all took the complex subject of the father’s image. Interwar literary critique included these debuts in avant-garde literature, which was strongly influenced by Sigmund Freud’s concept of psychoanalysis and Ulysses by James Joyce. The psychologism that was noticed in Rudnicki’s Rats, in Napierski’s Conversation with the Shadow in Schulz’s stories, and in Tarn’s The image of the father in four frames was criticized at that time. Today, the interpretation of these avant-garde prose projects allows us to see their more general, intention. This monograph significantly reinterprets avant-garde projects which were distinguished by their innovative language and narrative forms. In historical and literary terms, it aims to show a more faithful, multifaceted image of the interwar period, in which in addition to “traditional literature” there will be space for a novel experiment. Until now, the relationship between the works of Rudnicki, Napierski, Schulz and Tarn has not been noticed and it is in the works of these writers of Jewish origin that the ideas about the father, refer to tradition. The prose debuts of Rudnicki, Napierski, Schulz and Tarn have become a kind of timeless question: Will avant-garde literary projects create a new man, a son not burdened by the “father’s shadow”, by a “blemish” of his origins. In the interwar period, for Jewish writers, this was a particularly important question, and it affects every text interpreted in this monograph to varying degrees.

More...
Wiersze polityczne
10.00 €

Wiersze polityczne

Author(s): Jan Brzechwa / Language(s): Polish

Jan Brzechwa is mostly associated in readers’ minds with children’s poetry. However, a great part of his literary heritage are lyrics written for grownup audiences. Brzechwa would often express disappointment over his adult-oriented poems failing to win over readers and literary critics. The publication includes poems from Brzechwa’s entire literary output, selected on the basis of their subject matter which covered the current political, social and cultural events. The lyrics come from the following collections: Imię wielkości. Wiersze o Józefie Piłsudskim (The name of greatness. Poems about Józef Piłsudski) (1938), Palcem w bucie (Toe wiggling in a shoe) (1947), Pokój zwycięży (Peace shall prevail) (1951), Strofy o planie sześcioletnim (Stanzas on the six-year plan) (1951), Cięte bańki (Wet cupping) (1952), Wiersze wybrane (Selected poems) (1955, 1957, 1959), Miejsce dla kpiarza (A place for the mocker) (1967), but also Liryka mego życia (The lyric poetry of my life) (1968) – from the last volume published after the poet’s death.

More...
Zbiory poetyckie
11.00 €

Zbiory poetyckie

Author(s): Wincenty Ignacy Marewicz / Language(s): Polish

Wincenty Ignacy Marewicz, whose literary activity peaked during the Four-Year Sejm, counts among the “destitute writers” of the king Stanisław August Poniatowski times. Although he was sometimes labeled as a “graphomaniac”, such a summary assessment has been increasingly regarded as unwarranted or at least questionable. A careful interpreter of opinions on Marewicz's literary achievements, Anna Petlak presents the reader with the poet’s early works, originally collected in three volumes, Samotne zabawki wierszem (A lonely play with verse), Sielanki (Bucolics) and Różne wiersze (Miscellaneous poems), published in the years 1786–1788. The author of the study has compiled a critical edition of Marewicz's poems, which starts with an analytical and interpretative introduction including the poet's biography.“The publication of the poems – created in various aesthetics and taking on a wide range of themes – 230 years after their first edition aims to protect them from oblivion. Reading these poems can provide a lot of satisfaction to all interested in the culture of the Polish Enlightenment; moreover, it paves the way for further research on the poet's work.”

More...
Z historii antyleksykografii
14.00 €

Z historii antyleksykografii

Author(s): Mirosław Bańko / Language(s): Polish

The book offers an overview of Polish anti-dictionaries – from the beginning of the 17th century to the second decade of the 21st century – and several classic foreign works. These dictionaries are intended for reading, not for seeking information, and their ingenuity, original style, aesthetic values, satire and humour are more important than their fidelity to facts.

More...
Topografia wyobraźni anhellicznej. Modernistyczna recepcja Anhellego Juliusza Słowackiego
25.00 €

Topografia wyobraźni anhellicznej. Modernistyczna recepcja Anhellego Juliusza Słowackiego

Author(s): Milena Chilińska / Language(s): Polish

The subject of the book is Juliusz Słowacki's poem Anhelli – a work about the fate of Polish exiles in Siberia. The considerations focus on the imagination of the romantic poet, as well as the imagination of the modernist artist Witold Pruszkowski, and the transformation of the sensitivity of Anhelli's audience (readers, artists, critics) over the centuries.

More...
Stałe motywy metafizyczne w twórczości Mariny Cwietajewej
31.00 €

Stałe motywy metafizyczne w twórczości Mariny Cwietajewej

Author(s): Elena Janczuk / Language(s): Polish

The analysis of metaphysical motifs in Marina Tsvetaeva’s lyric poetry, their occurrence and tendency to continuous metamorphosis. Tsvetaeva made a profound change in understanding the essence of the 20th century poetry and her reflections on the world and man’s place in it brought her closer to philosophy. The motifs she used had been present in philosophical discourse as they referred to such notions as space and time, body and soul, life and death, light and darkness, silence and sound, god. To a scholar and a reader Tsvetaeva’s poetry means constant discovering and decoding senses and emotions hidden in sophisticated words.

More...
Dośpiew o twórczości wielkich romantyków polskich (Mickiewicz, Słowacki, Krasiński) z sędziwym klasykiem (Koźmian) w tle
13.00 €

Dośpiew o twórczości wielkich romantyków polskich (Mickiewicz, Słowacki, Krasiński) z sędziwym klasykiem (Koźmian) w tle

Author(s): Marek Piechota / Language(s): Polish

The term “swan song” used in the title is explained in the Foreword, which also contains the conviction that we have so far emphasised Romantic individualism too much, while nowadays, in the times of social relations dominated by leaders managing conflict (divide et impera), we should reassure the participants of cultural life that the Romantics also talked with the classics, and not only argued with them or fought with them – aesthetically, ethically, politically and socially. They also conducted a dialogue with each other, although sometimes the dispute became so heated that it looked like a duel. Romanticism will remain with us, sometimes as a warning, as long as we update our knowledge of this epoch and its creators. The publication consists of seven chapters very diversified in terms of subject and genre (there are essayistic statements, a classical historical-literary treatise and a scientific review of an important monograph...). Somewhat in the background, the book also reveals the backstage of the workshop of a scientist, humanist and erudite writer experienced in many years of research and writing practice...

More...
Kontynenty. T. 2: Studia i szkice o twórczości Bogdana Czaykowskiego
37.00 €

Kontynenty. T. 2: Studia i szkice o twórczości Bogdana Czaykowskiego

Author(s): / Language(s): Polish

The edited volume "Continents. Vol. 2: Studies and essays on the work of Bogdan Czaykowski" attempts a multifaceted reinterpretation of the work of one of the most interesting Polish poets of the 20th and 21st centuries, boasting a rich, dramatic biography. Bogdan Czaykowski (born in 1932 in Poland, died in 2007 in Canada) was, among other things, a poet, member of the London-based Continents poetry group, translator, literary critic, anthologist, editor of numerous academic works, and long-time lecturer at the University of British Columbia in Vancouver. The 27 articles in this volume offer a comprehensive look at Bogdan Czaykowski's work — his poetry, prose, essays, literary criticism, sociology, translation and editing, and activity as an epistologist and interlocutor. In view of the number of inedites left in the writer’s archives, this volume also contains lesser-known works, such as "Diary from India", the poems “The Epitaph” and “Farewell”, important critical and literary sketches originally written in English, and, additionally, a "Calendar of the Life and Works of Bogdan Czaykowski", as well as an extensive bibliography of his oeuvre.

More...
ĄĘ – [Wirtualny] Festiwal Języka Polskiego w Gruzji
0.00 €

ĄĘ – [Wirtualny] Festiwal Języka Polskiego w Gruzji

Author(s): / Language(s): Polish

The publication sums up the first four editions of "ĄĘ". [Virtual] Festival of the Polish Language in Georgia, organized in 2020–2022 by the Polish Institute in Georgia, the Polish Embassy in Georgia and the Polonicum Centre of the University of Warsaw. The authors discuss the idea of the Festival and the character of subsequent editions, each of which had a watchword, a notion key to getting to know a sphere of the Polish culture. In the autumn of 2020 that word was hope, the spring of 2021 was a time of futurological considerations centred around the works of Stanisław Lem, in the autumn of 2021 the participants looked into the notion of home in the Polish language and culture, and the spring of 2022 was devoted to tastes and aesthetics and to the works of that year’s patron, Bruno Schulz. The authors have shown how the experiences of a cultural institution familiar with local realities and an educational institution which in its daily activities deals with research and didactics can go hand in hand. The publication also features interactive links to all the video footage of the Festival’s lectures and workshops. Bringing this material together not only serves to document the Festival but also renders it available to teachers, students, and everyone interested in learning Polish as a foreign language.

More...
Metafikcja komiczna i komizm metafikcyjny w dramatach Luigiego Pirandella i Witolda Gombrowicza
0.00 €

Metafikcja komiczna i komizm metafikcyjny w dramatach Luigiego Pirandella i Witolda Gombrowicza

Author(s): Nadzieja Bąkowska / Language(s): Polish

This comparative Polish-Italian study explores the comic potential of metafiction, and illustrates it with the examples drawn from drama works of Luigi Pirandello and Witold Gombrowicz. It is the first publication which juxtaposes this aspect of both writers’ works, and the theoretical model elaborated by the author allows reading works by other authors in this context.

More...
Sypałem ziarna maku…
19.00 €

Sypałem ziarna maku…

Author(s): Maria Kalinowska / Language(s): Polish

In the course of several trips to Greece, Zbigniew Herbert visited places that are the most important, fundamental even, for Greek culture and the classical European tradition, such as Athens, Delphi, Corinth, Mycenae and Sparta. His Greek travels resulted in great works: essays and poems that show the poet’s fascination with Greek culture. The book is an account of the most important themes and unique aspects of his Greek travel writing, captured against the background of other examples of writers’ literary journeys to the same country.

More...
Poetyka kulturowa a praktyka Joanny Bator
10.00 €

Poetyka kulturowa a praktyka Joanny Bator

Author(s): Angelika Siniarska-Tuszyńska / Language(s): Polish

The book is devoted to the cultural practices of Joanna Bator – a cultural expert and researcher dealing with artistic writing. Her texts, which are part of the trend of engaged literature, have been subjected to analytical procedures in the area of cultural poetics. Cultural poetics, also called new historicism, was initiated by Stephen Greenblatt in the 1980s and is still a leading method of reading cultural works, taking into account the historical background. As a bundle of interdisciplinary discourses, it gives researchers endless interpretative possibilities in the fields of art and science. Artists, in turn, draw on Greenblatt's concept when they creating works. In Joanna Bator's texts, cultural poetics serves as a building block for expression, becoming a consistently repeated practice. The confrontation of theory with the artist's practical ways of approaching problems sheds new light on the coexistence and interpenetration of the terms: poetics and practice. Moreover, it allows you to take a look at contemporary writing trends. Cultural poetics and practice of Joanna Bator supplements the research issues within cultural studies and also expands the issue of creative writing. This is the first monograph devoted entirely to the Joanna Bator’s works, taking up cultural studies tropes such as: feminism, Others and Strangers, micro-narratives, place and non-place, generational and social conflicts, transgenerative traumas, cultural determinism, relationships with parents, psychoanalysis, somatopoetics, language constructing reality, travel as therapy, constructing identity, writing - a way of survival, therapeutic role of sadness, anthropology, autoethnography, postmodernism, wound, scar, lack, loss, consumerism, lifestyle trends (vegetarianism, minimalism, wabi-sabi).

More...
Anioły i demony. Antologia romansu popularnego
19.00 €

Anioły i demony. Antologia romansu popularnego

Author(s): / Language(s): Polish

The anthology consists of several dozen original commentaries on the most famous examples of Polish popular romance published before World War II. Excerpts of the novels are interwoven with the author's sometimes comical comments, creating an interesting and enjoyable reading collage. At the same time, it is also a publication with scholarly qualities that can illuminate many contexts of Polish literary history that are now forgotten.

More...
Autoportret wiersza. Wokół autotematycznej poezji kobiet
21.00 €

Autoportret wiersza. Wokół autotematycznej poezji kobiet

Author(s): Joanna Grądziel-Wójcik / Language(s): Polish

It is difficult to find a female poet who has not written a self-titled poem. Most comment on the creative process, the understanding and tasks of the art of words, poetry’s relationship to reality or the role of the woman writer. Meta-poetic reflections in the women's texts does not so much serve to problematise the poetic medium and language as direct us towards a reality reinforced by the poem and rooted in personal, psycho-corporeal experience – a world appearing ‘at the tip of the tongue’. Meta-reflection also fosters the self-knowledge of the writer's ‘self’ and its condition, threatened by transience, the modes of history, illness or death. Hence the proposals of ‘disappearance’ as ars poetics by Urszula Kozioł, the meta-poetic description by Joanna Pollakówna, or the ‘out of blue’ self-thematism of Julia Hartwig. Interpretative close-ups also present the meta-poetic projects of Wisława Szymborska (in dialogue with Stanisław Barańczak), Anna Kamieńska, Julia Poświatowska, Bogusława Latawiec, Marzanna Bogumiła Kielar or Julia Fiedorczuk (in juxtaposition with Julian Przyboś), as well as many other contemporary poets."

More...
Result 7221-7240 of 7348
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 361
  • 362
  • 363
  • ...
  • 366
  • 367
  • 368
  • Next

About

CEEOL is a leading provider of academic eJournals, eBooks and Grey Literature documents in Humanities and Social Sciences from and about Central, East and Southeast Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, researchers, publishers, and librarians. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. CEEOL supports publishers to reach new audiences and disseminate the scientific achievements to a broad readership worldwide. Un-affiliated scholars have the possibility to access the repository by creating their personal user account.

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 102056
VAT number: DE300273105
Phone: +49 (0)69-20026820
Email: info@ceeol.com

Connect with CEEOL

  • Join our Facebook page
  • Follow us on Twitter
CEEOL Logo Footer
2025 © CEEOL. ALL Rights Reserved. Privacy Policy | Terms & Conditions of use | Accessibility
ver2.0.428
Toggle Accessibility Mode

Login CEEOL

{{forgottenPasswordMessage.Message}}

Enter your Username (Email) below.

Institutional Login