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Legend

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Między szopką a cyrkiem
4.50 €

Między szopką a cyrkiem

Author(s): Magda Nabiałek / Language(s): Polish Publication Year: 0

The article discusses the relationship between theatre and circus, cabaret, and puppetry. The author does not intend to merely reconstruct the associations but to show how the writers of interwar period used these spectacles in defiance of particular behaviours or social injustice. On the example of works by Witold Wandurski, Ewa Szelburg-Zarembina, and Adam Polewka, the author demonstrates that contemporary writers spoke about reality through such forms as circus, puppet theatre, and similar. They also used them to offer resistance and create a true bond with the audience.

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Mickiewicz i „duch luterski”
4.50 €

Mickiewicz i „duch luterski”

Author(s): Anna Kurska / Language(s): Polish Publication Year: 0

The paper attempts to present Adam Mickiewicz’s idea behind the ‘Lutheran spirit’ against a background of the vicissitudes of producing Poezje (Poetry), vol. 8 (1836). The author of the article ponders why the poet returns to the Lutheran mentality based on the need for forging an individual bond with God outside church. Consequently, the author’s interest revolves around Mickiewicz’s project of spirituality, created in the eight volume of the Paris edition, which goes beyond Catholicism and blurs the boundaries between Christian denominations.

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Julia Hartwig słucha dzieł luterańskich kompozytorów. O wierszach: "Kantata Schütza" i "Kantata Bacha"
4.50 €

Julia Hartwig słucha dzieł luterańskich kompozytorów. O wierszach: "Kantata Schütza" i "Kantata Bacha"

Author(s): Jerzy Wiśniewski / Language(s): Polish Publication Year: 0

The poems by Julia Hartwig, Schütz’s Cantata from the volume Obcowanie (1987) and Bach’s Cantata from Czułość (1992), constitute a poetic record of the reception of ancient musical works (which are gaining more and more popularity in modern times). The poet is interested in cantatas by Schütz i Bach — religious works of art of two baroque composers from 17th and 18th century, whose artistic activity was strictly connected with Lutheran spirituality and liturgy. For the poet these cantatas are not only the source of aesthetic experience. Its reception (most probably from the radio, recordings or concerts) becomes a great inspiration for existential and religious reflections. It also makes the poet recognise their uniqueness: as being examples of theocentric art and deep religiousness of their composers, these cantatas reveal the ability to harmonise the human psyche, and consequently they seem to be a perfect art form.

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Przechwycenie i przemieszczenie. Strategie zaangażowania w tomie „Natalia ist sex. Alex ist Freiheit” Siksy

Przechwycenie i przemieszczenie. Strategie zaangażowania w tomie „Natalia ist sex. Alex ist Freiheit” Siksy

Author(s): Monika Lubińska / Language(s): Polish Publication Year: 0

The text analyses the writing and artistic strategies of capture and displacement present in Siksa’s volume Natalia ist sex. Alex ist Freiheit as well as the broader context of Aleksandra Dudczak’s stage activity. First, the author focuses on the phenomenon of the accumulation of pseudonyms, names and characters used by the artist, which are crucial for the development of the book’s protagonist. She then discusses the problem of Siksa’s reclaiming of hate speech to communicate anti-violence and anti-patriarchal content and the ways in which parody functions in the book. Both the accumulation and displacement between various pseudonyms or characters and the reclaiming of hate speech are shown as strategies of engagement with strong political overtones.

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Radziecki wysiłek kolonialny, czyli socrealizm jako orientalizm. Uwagi na marginesie powieści „Człowiek zmienia skórę” Brunona Jasieńskiego

Radziecki wysiłek kolonialny, czyli socrealizm jako orientalizm. Uwagi na marginesie powieści „Człowiek zmienia skórę” Brunona Jasieńskiego

Author(s): Kasper Pfeifer / Language(s): Polish Publication Year: 0

This article describes the Soviet colonial project of the 1930s. On the example of Bruno Jasienski’s socialist realist novel Man Changes His Skin, the author analyzes the hegemonic discourse of the metropolis and various strategies of its application in Central Asia. The article focuses on such issues as the themes of Soviet mission civilisatrice, overrepresented in the work, the patriarchal entanglements of Russian colonial domination, and rule through the imposition of presence, i.e. the displacement of local issues and the appropriation/transformation of foreign geography.

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Żyd jako fetysz. O antysemityzmie w powieściach i pismach politycznych Romana Dmowskiego

Żyd jako fetysz. O antysemityzmie w powieściach i pismach politycznych Romana Dmowskiego

Author(s): Dezydery Barłowski / Language(s): Polish Publication Year: 0

The author of the article focuses on the issue of anti-Semitism in Roman Dmowski’s publications, with particular attention paid to his novel Legacy. In the following steps of the analysis, the author describes the National Democracy ideologist’s attitude towards Jews in his official political writings and long prose pieces published under a pseudonym, showing the interdependencies between these two spheres of activity (political and artistic). The research uses mainly the tools of psychoanalysis and gender studies.

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Zarys biografii i twórczość poetycka Jakuba Przyłuskiego
4.50 €

Zarys biografii i twórczość poetycka Jakuba Przyłuskiego

Author(s): Maria Wichowa / Language(s): Polish Publication Year: 0

Jakub Przyłuski was born around 1512. He came from Jeżów, in the Rawa region, in Mazovia. He was the son of Mikołaj and came from a noble family. It is known that he died at the beginning of 1554. The poet signed himself as Jacobus Priluscius, but he also used the following forms: Jessovius, Jeżowita, Jeżowita — a bachelor. On July 30, 1528 Przyłuski began studies at the Krakow Academy. Little is known about this period of his life. For many years he was associated with the court of the Kraków voivode, Piotr Kmita (1477–1553), where he was employed as a secretary. From the will of a patron, from April 1540, for eight years he was a town writer in Przemyśl. Jeżowita, as a Przemyśl town writer, described the meaning of court books in a Latin verse. He parted with Przemyśl for good, when in 1551 he took over the position of a Kraków land writer after Jan Taszycki. Przyłuski established cooperation with the Prussian prince Albrecht, who, as we know, created the center of Lutheran Reformation thought in the capital city of Königsberg, which has little impact on the literary work of Jeżowita. In his poetry, Przyłuski has a lot of occasional poems, including laudatory ones, praising the literary successes of befriended authors and texts on funeral subjects. The works by Przyłuski that have been waiting for his researcher are discussed here, as well as Latin texts printed as elements of the publishing framework of books, the importance of which was praised by Jacobus Priluscius. Jeżowita’s literary output has been partially lost. What is left is urgently waiting for the philologist-editor and translator to prepare a volume of collected works by Jakub Przyłuski, in a bilingual version. Latin texts for the study of meticulous researchers, texts in Polish translation for a wide circle of readers.

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Stanisław Orzechowski jako pisarz polityczny ze szczególnym uwzględnieniem „Mowy do szlachty polskiej”
4.50 €

Stanisław Orzechowski jako pisarz polityczny ze szczególnym uwzględnieniem „Mowy do szlachty polskiej”

Author(s): Andrzej Wicher / Language(s): Polish Publication Year: 0

This paper is primarily a presentation of the remarkable figure of Stanisław Orzechowski (1513–1566), an outstanding Polish writer and political and religious polemicist. His attitude may raise doubts, considering that he was first associated with the Protestant Reformation, but then he became a champion of the Catholic Counter-Reformation, but in his writings he shows himself to be a foremost expert on the Polish political scene and systemic issues. His Speech to the Polish Nobility (1560), which was an introduction to the work of Jakub Przyłuski, entitled The Laws, Statutes and Privileges of the Kingdom of Poland, praises, on the one hand, the Polish political system and the political mind of the nobility, but on the other hand, it contains some premonitions about the future threats that were soon to materialize. The author of the paper emphasizes the organic relationship of this work with the study by Przyłuski and tries to bring out such threads of Orzechowski’s thought that were continued also in our contemporary times.

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Korespondencja Jakuba Przyłuskiego
4.50 €

Korespondencja Jakuba Przyłuskiego

Author(s): Anna Ryś / Language(s): Polish Publication Year: 0

The article presents the correspondence between Jakub Przyłuski, Stanisław Orzechowski, Marcin Krowicki and Piotr Kmita from the years 1547–1551. The main problems presented in the letters are three issues: the role of Przyłuski as a critic of Orzechowski’s publications, the conflict between Orzechowski and Kmita, and the marriage of Krowicki.

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Estudios subalternos postransicionales como propuesta de acercamiento comparativo a la narrativa polaca y española contemporánea

Estudios subalternos postransicionales como propuesta de acercamiento comparativo a la narrativa polaca y española contemporánea

Author(s): Agnieszka Kłosińska-Nachin / Language(s): Spanish Publication Year: 0

The paper aims to develop a comparative perspective that allows the reader to explore the traces of authoritarian systems in contemporary Polish and Spanish culture. The point of departure is the research of Polish scholars from the Post-Dependence Studies Centre, who examine Polish culture with postcolonial tools adapted to the post-communist context. From there, the article attempts to formulate a methodological framework — the so-called post-transitional subaltern studies — applicable to post-Franco and post-communist culture, particularly the presence of subaltern characters in contemporary cultural texts. In accordance with the proposed methodology, the author analyses two novels, namely “Visión del ahogado” (1977) by Juan José Millás and “Czytadło” (1992) by Tadeusz Konwicki, in which it is possible to detect similar panoptic strategies concomitant with the recourse to violence.

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L’histoire de la Pologne révisitée ou le jeu de l’implicite et de l’explicite dans la traduction française de “Jak zawsze” de Zygmunt Miłoszewk

L’histoire de la Pologne révisitée ou le jeu de l’implicite et de l’explicite dans la traduction française de “Jak zawsze” de Zygmunt Miłoszewk

Author(s): Joanna Warmuzińska-Rogóż / Language(s): French Publication Year: 0

The present article analyzes the translation of Zygmunt Miłoszewski’s novel “Jak zawsze” (“As usual”) into French (translation: Kamil Barbarski, title: “Te souviendras-tu de demain?”) and focuses particularly on the play between implicit and explicit elements related to the history and culture of Poland. The protagonists of the novel travel back in time fifty years to Poland, where it occurs that history unfolded completely differently than in reality. They have the opportunity to relive their lives in a different world, but it occurs that although their private lives will turn out differently, the history of Poland will end as usual. Miłoszewski uses stereotypes and allusions which, without explication in translation, will be incomprehensible or will lose their “raison d’être”. The author analyzes the translator’s strategies and the ability to understand the text by the recipient of the translation.

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Transpozycje motywu triady nierozłącznych cnót w polskim piśmiennictwie okresu pozytywizmu i Młodej Polski

Transpozycje motywu triady nierozłącznych cnót w polskim piśmiennictwie okresu pozytywizmu i Młodej Polski

Author(s): Bogdan Mazan / Language(s): Polish Publication Year: 0

Response of the Polish positivist and modernist writers to the biblical triad: faith, hope, and love has been the focal point of my research project. My aim was to trace a representative variety of references to these three motifs, both in their historical and timeless dimension. I was particularly concerned with outstanding, but all too often forgotten literary texts. A combination of traditional and contemporary research methods and critical approaches were used, such as hermeneutic fusion of cognitive horizons, intertextuality, and comparative cultural studies. My research brought to light numerous literary responses to faith, hope and love, of various artistic value, dealing mostly with basic human affairs but also with reactions reaching deeply into transcendence.

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Alegoryczne interpretacje mitów antycznych w literaturze staropolskiej

Alegoryczne interpretacje mitów antycznych w literaturze staropolskiej

Author(s): Maria Wichowa / Language(s): Polish Publication Year: 0

Allegory is about seeing a double meaning in a work of art. In this particular text, literal and hidden meaning has a long history of both practical use in creating utterances and creating theories of pictorial communication. In the Old Polish era, the most representative examples of allegorical reading of myths are Andrzej Zbylitowski’s Renaissance translation of the story of Acteon from Ovid’s “Metamorphoses” and Walerian Otwinowski’ commentary in his translation of this work, which he intended to be used by students. Therefore, in the explanations placed on the margins of the translated text, he extracted the myth’s moral, theological, and philosophical truths. He also made an allegory of a Christianization of “pagan” beliefs, treating them as stories about false gods, under which the authors passed on knowledge about the Christian God, probably under his inspiration, because they did not know the Bible.

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Metafikční strategie nedůvěry polské básnické generace 68 ve vybraných filmech krzysztofa kieślowského

Metafikční strategie nedůvěry polské básnické generace 68 ve vybraných filmech krzysztofa kieślowského

Author(s): Michael Alexa / Language(s): Czech Publication Year: 0

The article summarizes the current research state of the key filiation of the Polish poetry Generation 68 and early films by Krzysztof Kieślowski, which is defining against “the undepicted world” (Julian Kornhauser a Adam Zagajewski) or “the fight against fake representation of language” (Slavoj Žižek), as described by Marek Haltof, a film scientist, in his work. In this respect, Haltof’s monograph draws on the literary-critical collection called “Świat nie przedstawiony” (1974) by Kornhauser and Zagajewski which is recognized as a program manifesto for Generation 68. He sees the filiation with Kieślowski’s films as various manifestations of one cultural tendency in 1968–1975 and thus he is limited to early documentary films. The aim of the paper is to broaden Haltof’s concept by the conclusions of the second key work characterizing Generation 68, which is the study by Stanisław Barańczak called “Nieufni i zadufani” (1971) and describe the metafictional strategy of the distrust of language as a significant feature of Kieślowski’s film work in all its periods as well as genres, that is both documentary and fiction films from 1968 to 1994.

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Home of All Fears—Poland. Metaphor of Poland As a Home In Dawid Kornaga’s Local Anaesthesia

Home of All Fears—Poland. Metaphor of Poland As a Home In Dawid Kornaga’s Local Anaesthesia

Author(s): Michał Wolski / Language(s): English Publication Year: 0

The aim of the paper is to philologically analyze Dawid Kornaga’s novel Local Anaesthesia (Znieczulenie miejscowe, 2008) from the perspective of using the metaphor of Poland as a home of all vampires and other creatures. Kornaga presents in his work 25 profiles of demonic characters (19 of them are vampires and 6 are other wraiths known from Slavic folklore), and all of them in different ways—involving irony, cynicism and humour—represents specific approach to thinking of Poland as a home, but also homeland, burden or duty. Construction of the novel is similar to silva rerum and allows great transparency of plot elements, time periods, relations between characters and their sentiments concerning their living place. It leads to the peculiar collage of attitude towards Poland, which is annotated with ironic narrative commentary and allows to recognize a group portrait of Poles, who are (in Kornaga’s novel) nothing less than a nation of vampires.

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Vade-mecum Norwida jako pierwszy polski przykład nowoczesnej liryki

Vade-mecum Norwida jako pierwszy polski przykład nowoczesnej liryki

Author(s): Mateusz Grabowski / Language(s): Polish Publication Year: 0

The volume of Vade-mecum is one of the most important accomplishments not only of Polish but also European Romanticism. Joseph Brodsky—the illustrious poet and Nobel Prize winner—said that Norwid’s opus magnum is far more notable than Baudelaire’s Les Fleurs du mal, and it is proposing the new paradigm of modern lyric. In the introduction to the first German edition of Vade-mecum Hans Robert Jauss noticed that Norwid’s poetics is innovative and precursory. In planned paper I am going to define what exactly modern lyric is—the genre or phenomenon which is not standard for simple definition (studies of Jonathan Culler and Hans Robert Jauss)? The answer to this question will give the opportunity to outline a broad horizon for research on Norwid’s poetics.

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Alternate History Novels in Modern Polish Literature

Alternate History Novels in Modern Polish Literature

Author(s): Claudia Słowik / Language(s): English Publication Year: 0

The alternate history novel is a young genre which consist of the novels about alternative histories—the ideas of what could happen and how the world might look like if something occurred in the past differently than it did in our reality. In the first part of the paper, I will focus on the theory, presenting the genre’s definition(s), its history, name (as it is being called differently among the scholars) and the problems with drawing a line between alternate historical novel and related, similar genres. The second part will be focused on Polish literature and the specificity of Polish novels among their western genre prototypes.

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Пост-галицька багатокультурна нарація в сучасній українській та польській літературах

Пост-галицька багатокультурна нарація в сучасній українській та польській літературах

Author(s): Olha Voznyuk / Language(s): Ukrainian Publication Year: 0

The problem of post-Galician multicultural narration is analyzed in the article on the example of Ukrainian and Polish contemporary literature. The author shows the phenomenon of Galicia and it results on todayʼs cultural and literary space of Ukraine and Poland on the examples of the works of contemporary writers of both countries: Juri Andrukhovych, Juri Prokhasko, Natalia Sniadanko, Andrzej Stasiuk, Zemovit Scherek and others.

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DEBUT DOROTY MASŁOWSKEJ A JEHO PREKLAD DO SLOVENČINY

DEBUT DOROTY MASŁOWSKEJ A JEHO PREKLAD DO SLOVENČINY

Author(s): Miroslava Kitková / Language(s): Slovak Publication Year: 0

The focus of this paper is on the debut novel of a contemporary Polish writer Dorota Masłowska and its Slovak translation by Thomas Horvath. An attempt is made to perform a linguistic analysis of the source text and the Slovak translation. The goal is to point out selected linguistic devices Dorota Masłowska employs at all levels as well as the strategies, processes and methods of the translator. The conclusions are drawn on the basis of the analysis and comparison of both texts with selected examples included. The areas outlined above are to be be further explored in the dissertation on the topic.

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PRINCÍPY MÝTOPOETIKY V DIELE BRUNA SCHULZA

PRINCÍPY MÝTOPOETIKY V DIELE BRUNA SCHULZA

Author(s): Jaroslava Smejkalová / Language(s): Slovak Publication Year: 0

For Bruno Schulz, a Polish writer of Jewish descent, myths are the point of departure in creation of his works. It is impossible to imagine a collection of his stories that does not dabble in myth in one way another. Indeed, the primal mythical world forms the basis of his writings. Mythical narrative of the inception points to the existence of ideal primordial state. This state unifies the human being and the universe. In his work, Schulz constantly goes back to his childhood. From that period of his life, he borrows basic schemes and imagery for his work. He creates his own mythology and space-time relationships from these images.

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