Диптихот Доровски низ призмата на една машко-женска поетска енергија

Author(s): Vesna Mojsova-Čepiševska / Language(s): Macedonian Publication Year: 0

Ever since mythical days identity has been designed through the “Other one” prism, and consequently, these Dorovski couple verses, show the phenomena of their personal identity as well as the possibility of its double poetic consideration both in their own language, and in the language of the „Other one”. Hence the 17 poems of Dagmar Dorovska and the 16 poems of Ivan Dorovski have both a Czech and a Macedonian version, and thus become available / readable for both the Macedonian and the Czech reader. The 33 poems from “The town, the Water, the People” represent a poetic picture of their deepest insights, confessions never told to their very end, confessions wanted to be uttered but not, sometimes simply because it was not the right time, pictures that draw a possible first person plural selfportrait, creating a hyperbolic „WE” through the strong power of the dichotomy nature – culture.

Расказите на Карел Чапек на македонски јазик

Author(s): Lidija Kapushevska-Drakulevska / Language(s): Macedonian Publication Year: 0

The Reception of Karel Čapek’s short stories in Macedonian starts with Vera Janeva-Stojanovich, the author of the only PhD dissertation dedicated to the great Czech and world-wide writer which is named: “Karel Čapek and expressionism” (Skopje, 1973). Čapek’s work is also translated on Macedonian by: Dimitar Dimitrov, Dime Mitrevski and the most by Professor Donka Rous. Although Čapek’s short stories are written a hundred years ago, they have lost nothing of theirs freshness; nowadays, they are still admirable with their great sort of humanism.

Ozvuky čtvrtkovské poetiky v pohádkách Emila Šalouna a Jaromíra Kincla

Author(s): Jitka Zítková / Language(s): Czech Publication Year: 0

The chapter Ozvuky čtvrtkovské poetiky v pohádkách Emila Šalounaa Jaromíra Kincla [Resonance of Čtvrtek’s poetics in fairy tales by Emil Šaloun and Jaromír Kincl] deals with distinct motif and language features of their texts. She analyzes similarities and differences in their work – having a lot of common features – where we do not find only similar heroes but also books that stand outside the “Čtvrtekian” tradition of modern fairy tale due to their distinctive updating character and situational comicality.

Vyprávím pohádku obrazem (K obrázkovým knížkám Pavla Čecha a Martiny Skaly)

Author(s): Martin Reissner / Language(s): Czech Publication Year: 0

The topic of picture books is dealt with in Martin Reissner’s paper Vyprávím pohádku obrazem (K obrázkovým knížkám Pavla Čecha a Martiny Skaly). [Telling a fairy tale with pictures (Towards fairy tale books by Pavel Čech and Martina Skala)]. Among distinguished authors of picture fairy tale books is the painter, author of comics, illustrator and author of original books, Pavel Čech, who has been offering readers and spectators for two decades fairy tales full of sensitivity and nostalgia.

Lyrizace v prozaickém textu (Nad pohádkovou tvorbou Radka Malého)

Author(s): Miroslav Chocholatý / Language(s): Czech Publication Year: 0

Various literary works by Radek Malý include poetry, translations, drama, literary science and also books for children. Miroslav Chocholatý’s chapter Lyrizace v prozaickém textu (Nad pohádkovou tvorbou Radka Malého) [The poetic in a prosaic text (Towards fairy tales by Radek Malý)] is an analysis of the author’s modern fairy tale called František z kaštanu, Anežka ze slunečnic [Frank from the chestnut, Agnes from the sunflowers] (2006). He analyzes the author’s metaphors and peculiarities of the compositional build-up of that book. He also point out the postmodern character of the text, especially in the area of the multi-layer meaning character.

Pohádkové příběhy pro dvojího adresáta (Tvorba Michala Viewegha a Pavla Šruta)

Author(s): Naděžda Sieglová / Language(s): Czech Publication Year: 0

A consequence of the changing position of the child in the world of the adults, shifts within genres, syncretic tendencies in arts as well as in life, is the growing number of books labeled as books with uncertain orientation. Naděžda Sieglová deals with them in the chapter Pohádkové příběhy pro dvojího adresáta (Tvorba Michala Vieweghaa Pavla Šruta) [Fairy tales for a double addressee (Works by Michal Viewegh and Pavel Šrut)]. Out of individual personal experience respecting the possible child reader and reflecting parental experience arose the book by Michal Viewegh Krátké pohádky pro unavenérodiče [Short fairy tales for tired parents].

Pohádky Ludmily Klukanové a Jiřiny Salaquardové

Author(s): Jiří Poláček / Language(s): Czech Publication Year: 0

Jiří Poláček in the chapter Pohádky Ludmily Klukanové a Jiřiny Salaquardové [Fairy tales by Ludmila Klukanová and Jiřina Salquardová] analyzes two fairy tales by Ludmila Klukanová (Z pohádkových končin [From fairy tale parts], 1993) and Jiřiny Salaquardové (Pohádky ze stříbrných hor [Fair tales from silver mountains], 1996) within the context of their all production aimed especially at adult readers. First, he interprets individual fairy tales and then he defines their general features while comparing the analyzed books.

Antropomorfizace jako prostředek komunikace (Nad pohádkovými příběhy Pavla Brycze)

Author(s): Miroslav Chocholatý / Language(s): Czech Publication Year: 0

Pavel Brycz is among authors writing books for both adults and children. The subject of Miroslav Chocholatý’s chapter Antropomorfizace jako prostředek komunikace (Pohádky Pavla Brycze) [Anthropomorphization as a means of communication (Fairy tales by Pavel Brycz)] is the fairy tales Kouzelný svět Gabriely [The wonder world of Gabriela] (2006) that were originally broadcast as a radio series, the book Dětský zvěřinec [The children’s menagerie] (2008) on the basis of which Brycz wrote a script for a TV series of bedtime stories, and the latest publication Bílá paní na hlídání [The white lady as a baby-sitter] (2010).

Pohádková kouzla ve službách formativních cílů (Nad pohádkovou tvorbou Ivony Březinové)

Author(s): Milena Šubrtová / Language(s): Czech Publication Year: 0

The paper by Milena Šubrtová Pohádková kouzla ve službách formativních cílů (Nad pohádkovou tvorbou Ivony Březinové) [Fairy tale magic serving the purpose of formative goals (Towards the fairy tales by Ivona Březinová)] deals with fairy tales by Ivona Březinová. The authoress follows a few simple models differing in the degree of didactics and its implementation into the fairy tale. The first one is based on connecting the modern fairy tale and updated didactics. Fairy tales take place in a fictional world (which is often very close to the real life) retaining their basic genre characteristics including anthropomorphizing and poeticizing tendencies but their plots are motivated by outspoken educational intention.

Summary

Author(s): Author Not Specified / Language(s): Czech Publication Year: 0

Конверзиите автор – читател (едно можно читање на есеистиката на Милан Кундера)

Author(s): Marija Gorgieva Dimova / Language(s): Macedonian Publication Year: 0

The text is focused on essays of Milan Kundera, interpreted through their illustration regarding the author – reader conversion’s point of view. This conversion in Kundera’s essays has multiple demonstration: in the comments for himself as author/novelist, in the comments for himself as a reader not only of its own novels, but also as reader of other author’s novels, in the comparative analyses of specific texts, processes and topics that reveals his reading experience and contains wider implications regarding history and theory of the novel.

Патувањето и пишувањето во прозните дела на Петра Хулова

Author(s): Vladimir Martinovski / Language(s): Macedonian Publication Year: 0

The Italian theoretician Domenico Nucera remarks that travel literature nowadays forms an important part of the international and intercultural communication. From this perspective, in our research we attempt to analyse the relationship between travel and writing—as well as the Czech and Macedonian literary traditions—in two segments of the prose opus of the Czech authoress Petra Hůlová (1979): 1) in the travel short stories ‘Brno’ and ‘Třetí oko’, related the authoress’ travel experiences in the cities of Brno and Skopje, published in the book Kde nejeste doma (2012), as well as 2) in the novel Pamĕť mojí babičce (2002), related to her travel experiences in faraway Mongolia. Hůlová’s novel has also been considered through several parallels with works from the contemporary Macedonian prose production (Petre M. Andreevski, Kica Kolbe, Jagoda Mihajlovska-Georgieva, Lidija Dimkovska, Rumena Bužarovska and Petar Andonovski).

Obraz izraelsko-palestinského konfliktu v díle Tomáše Kolského

Author(s): Ondřej Pechník / Language(s): Czech Publication Year: 0

Příspěvek se zabývá vyobrazením izraelsko-palestinského konfliktu v próze Ruthie a barevnost světa Tomáše Kolského. Cílem příspěvku je nejen analyzovat, jaké mechanismy autor při práci s tematikou izraelsko-palestinského konfliktu využívá a jakým způsobem zasahuje do pásma postav, ale také zjistit, jakou funkci konflikt v rámci děje plní.

Tematizace exotiky v české próze po roce 2000

Author(s): Ondřej Pechník / Language(s): Czech Publication Year: 0

Příspěvek se zabývá podobami tématu exotiky jako jedné z výrazných tendencí současné české prózy. Exotický prostor může plnit v prózách různé funkce – od pouhé kulisy děje až po zásadní fabulační prvek. Cílem příspěvku je na příkladu děl vybraných autorů (mj. J. Rudiš, M. Ryšavý, P. Hůlová) popsat jednotlivé způsoby, jakými autoři s exotikou pracují.

RODINA A POSTAVY OTCE, MATKY A SOUROZENCŮ V DÍLE JANA BALABÁNA OPTIKOU ANTROPOLOGIE LITERATURY

Author(s): Martin Markoš / Language(s): Czech Publication Year: 0

The aim of this conference paper is the interpretation of Jan Balabán’s literary work through the lens of literary anthropology using sociological theories focused on the evolution of the society in postmodern period (A. Giddens, Z. Bauman). The attention is focused on the family as a value and metaphor of (broken) order, its members and relationships between them. Characters offathers, mothers and siblings are studied based on their symbolical meanings and based on how Balabán’s literary work supports them or on the contrary, calls into question. To this sincere communication and (self)-reflection of one’s own life or family history which would lead to possible reconciliation.

Domov slovenského drotára (J. K. Tyl – Pomněnky z Roztěže a téma domova)

Author(s): Jana Bujnáková / Language(s): Slovak Publication Year: 0

The mutual development of Czech-Slovak relations naturally led to the emergence of literary works with home as the main theme. The arabesque, Pomněnky z Roztěže by Josef Kajetán Tyl, also falls into the period of 19th century. After the unpleasant relationship experience a Slovak tinker loses the meaning of life and feeling of having a home. Being lonely, he wanders around missing his homeland, thinking of his family, childhood and home village. However, on the mental side, the homeland was represented by his love to Hanka and their future plans. The unfulfilled love is ultimately existentially and personally liquidating for the tinker, who lost his home, understood not only as a physical place.

Národnostní identifikace v románu Václava Prokůpka Ztracená země

Author(s): Vladimíra Derková Derková / Language(s): Czech Publication Year: 0

This paper covers the projection of national identity in Václav Prokůpek’s novel Ztracená země (1938). This work focuses not only on the identification of the main characterʼs origins and the presented region of Hlučín but also on the influence of historical events on the present perception of the novel.

David Zábranský (prostřednictvím Herce a truhláře Majera) mluví o stavu své domoviny

Author(s): Marek Lollok / Language(s): Czech Publication Year: 0

The contribution deals with the new Czech play Actor and Joiner Majer Talks about the State of his Home which was written by David Zábranský for Studio Hrdinů Theatre in Prague. This play is conceived as a polemic with the majority political view and lifestyle of certain social groups; it is constructed as a text a là thèse. We are especially analysing the linguistic (stylistic), structural and argumentative aspects of the Zábranský’s text with regard to the following performance by Kamila Polívková (2016, performed by Stanislav Majer) and its context.

Kateřina Tučková: roztříštění rodiny vlivem historických událostí, paměť, hledání identity

Author(s): Martin Markoš / Language(s): Czech Publication Year: 0

The present paper deals with Kateřina Tučková’s literary work, concretely with the novels The Expulsion of Gerta (Vyhnání Gerty Schnirch), The Goddesses of Žítková (Žítkovské bohyně) in terms of family memory, relationship decline, narration of personal and family history, confirmation and reproduction of family myths (both presumed and real) and in terms of destructive influence of historical events on families and individuals. The attention is paid to (non-)functional communication, honesty (or alienation) and to (non-)dealing with set up life roles and strategies. Methodologically, this paper is based on studies by M. Castells (Power of Identity), A. Giddens (The Transformation of Intimacy: Love and Eroticism in Modern Societies) and J. Derdowska (Oscillating Mosaic: Urban Space and Literary Work) which can be used for anthropology of literature.

Svět mladých lidí v současné české a ukrajinské próze (román Serhije Žadana Depeš Mod a Jaroslava Rudiše Nebe pod Berlínem)

Author(s): Krystyna Kuznietsova / Language(s): Czech Publication Year: 0

The writers very often address the basic question of the direction of life, which can be seen in the literature of all countries and times. However, the history and transformations of the society are significantly reflected in the way of looking at human existence. Therefore, this comparative study focuses on the comparison of two authors of contemporary Ukrainian and Czech prose in order to portray the perception of the modern world by young people. The selected novels are closely interconnected by a number of common features: the tendency of pop-literature, the search for one’s own identity in a time of indefiniteness and uncertainty (which is typical for contemporary literature), characters are lost in their ways which lead to nowhere, where a way (depicted as trains and tracks) and losing a home are distinctive images in the authors’ work. Through the exploration of the main characters, their state of mind and thoughts as well as the environment in which they live, we conclude that both the Ukrainian and the Czech writer use their characters to reflect the conscience, nervousness and unease of their generation in the uncertainty of today’s times.