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Инварианты художественной репрезентации истории Алесем Аркушам: контекст современной белорусской прозы

Инварианты художественной репрезентации истории Алесем Аркушам: контекст современной белорусской прозы

Author(s): Olʹga Lidenkova / Language(s): Russian Issue: 12/2020

The questions of historical past and cultural heritage have been central in Belarusian literature over the past decades. Moreover, their importance for both authors and readers is steadily growing. At the same time, a number of recurrent motifs and images, with the help of which the authors address the urgent problems of historical memory, identity and cultural continuity have resurfaced in the fiction of contemporary Belarusian writers, who are addressing the need for a modern reinterpretation of key moments in national history. The article aims to single out “invariant” approaches to the literary representation of the national past often determined by the historical trauma of the Soviet and post-Soviet periods.

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Да пытання аб мастацкiм метадзе Алеся Разанава

Да пытання аб мастацкiм метадзе Алеся Разанава

Author(s): Alâksandr Dakukin / Language(s): Belarusian Issue: 12/2020

The article discusses the creative method of Ales Razanau. The poet’s works and journalism are analyzed. The author has drawn the conclusion that A. Razanau is closer to modernism. He is a bright innovator, an inventor of new genres, thanks to whom Belarusian literature has reached world level. A. Razanau’s texts are small, but very informative, associative and suggestive. The poet does not stand out against tradition, in which he sees the origins of his own work. Texts have many references, precedent names, etc., but they are not of hybrid-quotation nature; game elements are not used to ridicule ironically phenomena of the previous culture, but rather to deepen the content of works. The writer takes the Word with seriousness and responsibility, emphasizes the importance of art in our life.

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„Jam pieśnią krzyczał swą, czyjeście wnuki...”
Profetyzm w liryce Feliksa Batoryna

„Jam pieśnią krzyczał swą, czyjeście wnuki...” Profetyzm w liryce Feliksa Batoryna

Author(s): Dzmitry Kliabanau / Language(s): Polish Issue: 35/2020

Belarusian poet Feliks Batorin is the author of many poems on philosophical and civic topics. A characteristic feature of these poems is that they draw inspiration from religious thought founded on the Judeo-Christian tradition. They contain numerous Old Testament allusions and evangelical reminiscences. Batorin’s poems are also characterized by their allegoric quality, and their parabolic, metaphorical, and creative synthesis of biblical themes and folkloristic motifs.Biblical motifs began to appear in Felix Batorin’s poetry in the 1980s, during a period of social and political transformation in Belarus. Reflecting on the reality, the poet often turns to the motif of prophetism and the figure of the prophet, which might prove conducive to trying to find answers to important questions - both universal and resulting from Belarusian historical and cultural specificity. The drama of being a prophet results from the overwhelming feeling of loneliness arising from opposing the society in order to fulfil the mission which has been entrusted to a prophet. The tragedy of the poet-prophet lies in the fact that he is aware of his weakness and helplessness in the struggle against the individual for the individual, in his attempts to reach the morose society.The destructive activities of the oppressive communist system against the culture, language and identity of Belarusians turned out to have serious consequences for the society of the post-Soviet Belarus. That is why it cannot be surprising that pessimism resounds in prophetic works of Felix Batorin. However, despite pessimism, there is still hope in his poetry – the hope to reverse the fate of the nation and homeland.

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Образ князя Витовта в народной культуре белорусов

Образ князя Витовта в народной культуре белорусов

Author(s): Julia Gurskaya / Language(s): Russian Issue: 30/2005

The author of the article investigates mechanisms of mythologization and semantical transformations taking place in the Belorussian folklore texts centered upon the key name of the Grand Duchy of Lithuania, the duke Vitovt the Great. According to the results of analysis, the name accumulates significant ethnic information, is incorporated into various semantic cultural codes, thus functioning as a concise national cultural text. The image of the duke Vitovt the Great is reconstructed according to the folklore materials and place-names. Having been related to the worldview and the system of values cherished by the bearers of folk culture, it thus constitutes an important fragment of the Belorussian folk image of the world.

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Belarus at sea
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Belarus at sea

Author(s): Tomasz Dominik Kamusella / Language(s): English Issue: 06 (44)/2020

The review of: Апошняя кніга пана А. (Mr A.’s Last Book). By: Alhierd Bacharevič. Publisher: Januškievič Publishing House, Minsk, Belarus, 2020.

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A book judged by its cover
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A book judged by its cover

Author(s): Maxim Rust / Language(s): English Issue: 03 (46)/2021

The review of: Revolution. By: Victor Martinovich. Published in Belarus by Knihazbor, Minsk 2020.

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УШТЕ ЕДНАШ ЗА ПРОБЛЕМОТ НА „ЗАБРЗАНИОТ РАЗВОЈ“ ВО СЛОВЕНСКИТЕ ЛИТЕРАТУРИ: ВРЗ МАТЕРИЈАЛОТ НА БЕЛОРУСКАТА И МАКЕДОНСКАТА КНИЖЕВНОСТ

УШТЕ ЕДНАШ ЗА ПРОБЛЕМОТ НА „ЗАБРЗАНИОТ РАЗВОЈ“ ВО СЛОВЕНСКИТЕ ЛИТЕРАТУРИ: ВРЗ МАТЕРИЈАЛОТ НА БЕЛОРУСКАТА И МАКЕДОНСКАТА КНИЖЕВНОСТ

Author(s): Milan Gjurčinov / Language(s): Macedonian Issue: 10/2012

In the introduction, the author persists to explain his view according to which the “rapid development” is more of a feature of some Slavic literatures, which lagged behind the most developed world literatures in its historical development, rather than a theoretical principle or imposed model. Then he summarizes the views of those specialists in literature that have paid attention to this phenomenon, indicating its complexity and non-synonymy: G. D. Gatchev, M. Bagdanovich, Al. Flaker, S. Petrovich; of the new ones: V. A. Maksimovich, Gorelih, and among the Macedonian: Al. Spassov, M. Gjurcinov etc.; as well as the Yugoslav authors that repeatedly pointed to the discontinued development of some of the literatures of the former Yugoslav community - Sv. Petrovic, Fr. Petre. In his analysis, he gives a special place to the Macedonian-Belarusian examples in which there are many similarities and coincidences. He does not forget to quote the opinion of one of the most prominent names of the Belarusian revival at the turn of the XIX and XX century, Maxim Bagdanovich, who wrote: “Over eight to nine years of its free development, our poetry passed all those roads, but partially also a detour paths, that European poetry has established through more than hundred of years. From our lyrics it could be easily made a ʼshort repetitorium' of the European literary directions in the last century. Sentimentalism, romanticism, realism and naturalism, finally - modernism, it sometimes, even in their various currents, has reflected in our own poetry ñ although, often superficial, incomplete, however, it has reflected”. Concerning the literary studies, especially in the Macedonian cultural area, the next step could be the answer to the question: how - after the setting of the postmodern paradigm, which in some Slavic literature, especially in Macedonian, coincided with a strong impact of national-historical and traditionalist euphoria, which, actually were moving towards annulling the results of the “accelerated development” - to overcome this “going backwards” and to accomplish a new value ascent of the contemporary Macedonian literature, which would denote a reaffirmation and continuation of the continuity achieved exactly with the results of the former “rapid development”.

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Сталін у беларускай савецкай літаратуры

Сталін у беларускай савецкай літаратуры

Author(s): Alexander Huzhalouski / Language(s): Belarusian Issue: 5/2020

The study traces the development of the 1930s–1950s fabrication of Stalin as ‘a best friend of Belarusian people’ and literary icon. The Belarusian Soviet writers constantly praised Stalin, describing as ‘Great’, ‘Beloved’, ‘Bold’, ‘Wise’, ‘Inspirer’, and ‘Genius’. They portrayed him as a caring yet strong father figure, with the Soviet Belarusian populace as his ‘children’. The article shows that Stalin’s role as putative ‘all-powerful all-knowing leader’ was partly the product of a cult of personality, and partly its driving force. New interpretations of a wide range of Stalin-inspired writing in various genres, including poetic letters of ‘the Belarusian people’ to Stalin, are given in the article. Some of these writings became part of the official canon, and some of them were instantly forgotten. Author’s attention to the personality cult literary dissenters is particularly valuable.

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Ідэнтычнасць жыхароў Мінска ў XIX – пачатку XX ст.
у святле мемуарнай літаратуры

Ідэнтычнасць жыхароў Мінска ў XIX – пачатку XX ст. у святле мемуарнай літаратуры

Author(s): Viktar Korbut / Language(s): Belarusian Issue: 5/2020

The memories of the inhabitants of Minsk are a very valuable source for understanding the history of the city. Their special value is that they show the life of the city from the inside, with all its contradictions. Residents of Minsk, who considered themselves Poles, constituted a very significant part of its inhabitants until 1863, influenced the life of the city, they maintained these positions, although to a lesser extent, and later – until 1917. In the 19th and early 20th centuries, despite to be part of the Russian Empire, Minsk, as in the previous period, when it was part of the Grand Duchy of Lithuania and the Polish–Lithuanian Commonwealth, was part of the Polish-speaking cultural, mental space. Among the inhabitants of the city, mainly the Catholic faith, but also the Greek Catholic (after 1839 – among part of the Orthodox, former Uniates), gentry and philistines, the language of culture and daily communication was Polish, but at the same time there was an attachment to the traditions of the former Polish–Lithuanian Commonwealth. At the same time, Minsk, or Minsk Lithuanian, was understood as a city in Lithuania – i.e. on the territory of the former Grand Duchy of Lithuania, part of the former Polish–Lithuanian Commonwealth. In this article, based on the memoirs of the then residents and guests of the city – Tadeusz Korzon, Zofi a Kowalewska, Ferdynand Szabłowski, Ferdynand Ruszczyc, Jan Bułhak, Adam Bahdanovič, Anielia Bahdanovič, Mikalaj Ulaščyk and etc. – an attempt was made to reflect their perception of Minsk and the place of the city in the then Lithuania and Byelorussia, Poland and Russia.

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Беларускiя вершы Адама М-скага: Тэксты i кантэксты

Беларускiя вершы Адама М-скага: Тэксты i кантэксты

Author(s): Mikoła Chaustowicz / Language(s): Belarusian Issue: XXVI/2021

У артыкуле аналізуецца кантэкст беларускамоўных вершаў Адама-скага, робіцца спроба знайсці прычыны, якія падштурхнулі паэта да беларускамоўнае творчасці. На нашую думку, Адам М-скі з дапамогаю беларускамоўных вершаў-песняў планаваў вырашыць важную задачу: паставіць заслону перад пашырэннему краі расейскамоўнае масавае культуры і тым самым абараніць сваё, спрадвечнае, польскае. Захаваныя беларускамоўныя тэксты Адама М-скага – чатыры пераклад-ныя і адзін арыгінальны – узніклі на аснове высокамастацкіх польскіх твораў, штокарысталіся вялікаю папулярнасцю. Паэт меў надзею, што ягоныя вершы-песні будуць прынятыя беларускаю вясковаю грамадою.

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У СВОМЕ РОДУ И МЕЂУ НАРОДИМА

У СВОМЕ РОДУ И МЕЂУ НАРОДИМА

Author(s): Ivan Alexeyevich Charota / Language(s): Serbian Issue: 2/2021

The article represents an essay dedicated to the life and work of Belarusian poet Yanka Kupala written by Ivan A. Charota.

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ЗБИРКА ПЕСАМА „НАСЛЕЂЕ“ ЈАНКА КУПАЛЕ НА СРПСКОМ ЈЕЗИКУ

ЗБИРКА ПЕСАМА „НАСЛЕЂЕ“ ЈАНКА КУПАЛЕ НА СРПСКОМ ЈЕЗИКУ

Author(s): Dajana Lazarević / Language(s): Serbian Issue: 2/2021

ЗБИРКА ПЕСАМА „НАСЛЕЂЕ“ ЈАНКА КУПАЛЕ НА СРПСКОМ ЈЕЗИКУ. Наслеђе / Јанко Купала ; прир. Иван А. Чарота; превела с белоруског Дајана Лазаревић. – Београд: АЛМА, 2020.

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Czas przełomu i nadziei – percepcja schyłku XX wieku we współczesnej literaturze białoruskiej

Czas przełomu i nadziei – percepcja schyłku XX wieku we współczesnej literaturze białoruskiej

Author(s): Katarzyna Drozd / Language(s): Polish Issue: XXVI/2021

W artykule omówiony został obraz schyłku XX wieku we współczesnej białoruskiej beletrystyce. Na Białorusi, podobnie jak i w innych państwach Europy Wschodniej i Środkowo-Wschodniej, był to okres intensywnych przemian społeczno-politycznych.Po niemal 30 latach od tych wydarzeń możliwa jest ocena leżących u ich podstaw założeń i oczekiwań, które niejednokrotnie nie wytrzymały konfrontacji z trudną rzeczywistością tranzycji. Koniec minionego stulecia wielokrotnie powraca w narracji jako z jednej strony czas nadziei, z drugiej zaś rozczarowań. Podkreślana jest więc ambiwalentna rola tego okresu.

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Час i чалавек у кантэксце аўтарскай тыпiзацыi героя (на матэрыяле беларускай прозы першай трэцi ХХ стагоддзя)

Час i чалавек у кантэксце аўтарскай тыпiзацыi героя (на матэрыяле беларускай прозы першай трэцi ХХ стагоддзя)

Author(s): Alena Biełaja / Language(s): Belarusian Issue: 13/2021

In the article social and artistic phenomena of time and man depicted in interliterary context in the prose of K. Chorny, K. Krapiva, Z. Byaduli and M. Zaretsky are discussed. The analysis includes the uniqueness of the authors’ vision of reality, the characters’ diversity and dynamics, the peculiarities of artistic typification, universal human features and national diversity of the concept of man. Special attention is paid to the peculiarities of personality self-identification in the critical period as well as to the principles and methods of artistic depiction of a character in the context of the era. The article examines the key existential principles and humanistic dominants embodied by Belarusian writers in their artistic concept of personality in the era of wars and revolutions.

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Экзiстэнцыяльнае вымярэнне чалавечага быцця ў прозе Максiма Гарэцкага

Экзiстэнцыяльнае вымярэнне чалавечага быцця ў прозе Максiма Гарэцкага

Author(s): Waleryj Maksimowicz / Language(s): Belarusian Issue: 13/2021

In the article the works of Maxim Garetsky, a classic of Belarusian literature have been analyzed. The author directs his attention to multidimensionality, pluralism of artistic and aesthetic search, connection with existential-philosophical discourse, specificity of the writer’s approach to the essence of “existential” conflict, the problem of moral choice, responsibility for the evil. It is stated that the main line of the works is associated with the search for axiological priorities directly related to the problem of individual existence, to the option of “choice”, to the idea of preservation of human sovereignty and the protection of the right for a decent life.

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Погляды Кузьмы Чорнага на лiтаратурны працэс 1920-х – 1930-х гадоў

Погляды Кузьмы Чорнага на лiтаратурны працэс 1920-х – 1930-х гадоў

Author(s): Jaugen Haradnicki / Language(s): Belarusian Issue: 13/2021

In order to reveal the completeness of the literary process of a certain epoch, not only the researches of literary critics, but also writers’ non-artistic texts, which reveal their views on literature expressing attitudes to the phenomena and trends of literary development are essential. Kuzma Chorny, the classic of Belarusian literature, left many texts of different genres, which belonged to non-artistic heritage and in which his views on the literary process of that time were expressed. In his texts (autobiographies, articles) Chorny draws attention to the social status of the writer and conditions of his work. He gives the utmost importance to the artistic aspects of literary art as well as to the linguistic and stylistic expressiveness of a literary work.

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Да праблемы спецыфiкi аўтарэфлексii ў беларускай ваеннай прозе ХХ стагоддзя

Да праблемы спецыфiкi аўтарэфлексii ў беларускай ваеннай прозе ХХ стагоддзя

Author(s): Zoya Tratsiak / Language(s): Belarusian Issue: 13/2021

The article is devoted to some self-reflection examples in the 20th century Belarusian military prose. The role of Lev Tolstoy’s ouvre in the formation of the artistic method of Belarusian writers who embodied the events of the First and the Second World Wars has been considered. The ways how to awake the interest to Belarusian literature devoted to 1914–1918 thanks to the national historical prose of the second half of the 20th century are determined (for example, the novel ‘Refugees’ by V. Karamazau). The references to foreign military prose (books by E.M. Remarque or E. Junger) present in the books of Belarusian writers of the second half of the 20th century have been discussed.

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Мадэрнiсцкi дыскурс у прозе Уладзiмiра Караткевiча пачатку 1960-х гадоў

Мадэрнiсцкi дыскурс у прозе Уладзiмiра Караткевiча пачатку 1960-х гадоў

Author(s): Walentyna Nawickaja / Language(s): Belarusian Issue: 13/2021

The article discusses and identifies the renewal of ideological and semantic content of V. Korotkevich’s creative explorations in the early 1960s as well as an artistic-aesthethic development of his talent during studies in Moscow (1958–1960, 1960–1962). The novelty and significance of the obtained results are manifested in scientific and conceptual understanding of the peculiarities of aesthetics, characteristic to the author’s artistic thinking in “The Legend of the Poor Devil and Satan’s Lawyers” and in the novel “The Rook of Despair”. The author reveals the essence of romantic, realistic and fantastic relationships in an artistic image of reality. Not only does the author define principles of using Biblical contents and images, historical facts and literary processes in various epochs but she also recommends to reread V. Korotkevich’s books and find the writer’s understanding and artistic treatment of a Belarusian. Moreover, the author discusses the functions of intellectual aesthetics in the artistic and typological structure of the image of the impoverished Rogochev nobleman Gervasiy Vylivakha and she outlines the nature of the writer’s creative experiments, which determined the intellectual discourse in the novels “Christ landed in Gorodnya” and “Black Castle Olshansky”.

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Праблемна-тэматычная i жанрава-стылëвая полiфанiчнасць у раманах Вiктара Марцiновiча

Праблемна-тэматычная i жанрава-стылëвая полiфанiчнасць у раманах Вiктара Марцiновiча

Author(s): Hanna Nawasielcawa / Language(s): Belarusian Issue: 13/2021

Viktar Martsinovich’s novels reveal the aesthetic searches conducted in modern Belarusian literature. In the work “Sphagnum” the classical form of the social novel is originally reproduced, where various representatives of the society are convincingly shown in colorful images-types. The novels “Lake of Joy” and “Revolution” reveal first of all the psychological reflection of main characters, who act as symbolic incarnations of the spiritual aspirations of our time. Novels with assessments of psychological anti-utopia “Language” and “Night” represent the author’s prediction of the loss of national identity and spiritual literary tradition.

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Bieloruské ľudové rozprávky v slovenčine

Bieloruské ľudové rozprávky v slovenčine

Author(s): Viera Žemberová / Language(s): Slovak Issue: 1/2021

Review of: Viera Žemberová - Láska zradu premôže. Bieloruské ľudové rozprávky. Zostavila Sviatlana Bohuš. Preložili Peter Milčák a Sviatlana Bohuš. Ilustrovala Alena Hil. Levoča: Modrý Peter, 2020. 160 s. ISBN 978-80-89545-82-7

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