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CÂTEVA CONSIDERAȚII ASUPRA ARHEOLOGIEI STRĂZII ÎN SPAȚIUL URBAN MEDIEVAL ȘI PREMODERN AL EUROPEI CENTRALE ȘI DE EST

Author(s): Cătălin Iulian Hriban / Language(s): English,Romanian Issue: 1/2015

The street is one of the defining features of an urban setting, regardless of era and geography.Consequently, the archaeology of street is an important module of any urban archaeology, and the medieval towns of Central and Eastern Europe are no exception. The street of a medieval town is defined both as structure and function and, as such, its archaeology reflects both these definitions. In terms of archaeology of medieval street, one can also add the corpus of artifacts and small finds that are inherent to any historically defined space shared by a human community for a time of significant length. This corpus of small, mobile, finds are “parasitizing” the structural and functional characteristics of the street, forming its own category of characteristics. The archaeology of the historical street, ancient as well as medieval and modern, cannot be studied comprehensively unless one considers all three groups of features together (structural, functional and parasitic). However, all archaeological features of the street vary regionally, as a consequence of geography, cultural setting and politics, but the coherence of interpretation is achieved and maintain throughout by means of separating methodologically the structural, functional and parasitic features and then analyzing them together. Any source, apart from the archaeological finds, is to be considered and utilized, cartography, narratives as well as contemporary imagery.

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Vechi cercetări în peșterile de Merești, jud. Harghita

Vechi cercetări în peșterile de Merești, jud. Harghita

Author(s): Mariana Marcu / Language(s): Romanian Issue: 3/1976

L'ouvrage se donne pour but de faire connaître toute une série de fouilles archéologiques, effectuées dans les grottes de Mereşti (dépt. de Harghita) entre les années 1900—1935. Comme suite à ces recherches, une collection de céramique, outils, objets et parures, a été constituée, appartenant actuellement au patrimoine du Musée départamental de Braşov. Etant donné l'intérêt particulier de cette collection, on a entrepris de reconstituer cette recherche initiale par un dépouillement exhaustif des données fournies par les publications de l'époque et le registre de mise à jour du musée de Braşov. La conclusion qui se détache de l'analyse des matériaux archéologiques, est justement celle que les grottes de la Volée de Vîrghiş ont été pendant toutes les époques historiques des lieux de refuge pour les habitants des régions environnantes, aux moments défavorables.

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Recenzii si Note bibliografice

Recenzii si Note bibliografice

Author(s): Author Not Specified / Language(s): Romanian Issue: 1/2017

Reviews Books

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RECENZII ŞI NOTE BIBLIOGRAFICE

RECENZII ŞI NOTE BIBLIOGRAFICE

Author(s): Author Not Specified / Language(s): Romanian Issue: 1/2008

Book Reviews

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From STEM to STEAM in ancient age architecture

From STEM to STEAM in ancient age architecture

Author(s): Mustafa Cevik / Language(s): English Issue: 4/2018

This research aims to identify the effects of a science, technology, engineering, arts and mathematics implementation in the ancient age architecture field on the achievements of the undergraduate students and their science, technology, engineering and mathematics (STEM) perceptions. The research was based on the explanatory design, while the experimental design with pre-test and post-test control groups was carried out in the quantitative component of the study and the case study was carried out in the qualitative component. In the first stage, the study context, selections of the groups, development and implementation of the pre-test and formation of the project groups were realised. The second stage was accomplished by carrying out the study in accordance with the determined plan, implementations of the practices, realising the post-test and conducting the interviews. Finally, a significant difference was observed between the achievement test mean scores of the experimental group and the control group in favour of the experimental group.

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Kult Libera u antičkoj Seniji

Kult Libera u antičkoj Seniji

Author(s): Miroslav Glavičić / Language(s): Croatian Issue: 1/2002

The worshipping of Liber, roman God known as a protector of wine and winery, in full equalized with a Greek Dionysus (Bacchus), was spread over the whole ancient world. The author describes and analyses material traces of the cult of worshipping Liber at Senia. So, from the inscription, which in the memory of his mother Gavia Maxima was carved by her son Lucius Gavins Optatus, we discover about the arrangement of the Liber's sanctuary (Fig. 1), while the fragment of the dedicatory inscription is a proof of its enlarging (Fig. 2). The existence of the temple means the existence of a group of worshippers. The author further makes conclusion that, in view of the meaning of God's name (liber means to be free), his worshipping at Senia might have been still more popular among the liberated persons and their descendants, meaning by the social group which in that mercantile and seaport town was quite numerous and which actively participated in all the segments of the public life. Among the monuments, which might be somehow linked to the worshipping of Liber, the author included also finds of marble composition where in the central place was a young man with an armful of various fruits (Fig. 3). The temple of Liber was located on the north-east outskirts of the ancient town, on the place of today's Čopić's settlement. In 1997 its walls were discovered quite accidentally. The temple, in which Liber's believers performed their mystic rites, was renovated in the 2nd c. Based on the archaeological finds and, in the context of the development of socio-historical events at Senia, the author is of the opinion that the function of the temple ceased by the end of the 4th c. or in the course of the 5th c, when the burials of the late ancient Senian inhabitants took place just in it. In that moment tradition of that cult place disappeared and the logic assumption is that the temple was violently destroyed in fights between the Christians and pagan religion believers. During the urbanization of the ancient Senia, on the north-east outskirts of the town were formed properties and terraces with good conditions for the cultivation of vineyards. In the 14th c. greater number of documents proved the existence of vineyards on the outskirts of the town, which belonged to the Senian citizens, as well as the production of Senian wine, whose sale was regulated by the Senian statute which gave it preference over the imported one. Against the opinion of the author, the wine-growing and wine-selling of the Middle Ages citizens of Senj, lay on the traditions developed in the ancient times. In that context, very interesting is the renaissance illustration of the small Dionysus on the stone relief, framed by an abounding vine, which used to be a trade-mark of single wine-growers or some association, producer or wine-dealer of the Middle Ages Senia (Fig. 4).

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Bārdainā vīra krūzes – 16. gs. Reinzemes keramikas importa atradumi Latvijā
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Bārdainā vīra krūzes – 16. gs. Reinzemes keramikas importa atradumi Latvijā

Author(s): Ieva Ose / Language(s): Latvian Issue: 25/2021

The so-called Bartmann jug is one of the typical forms of the German stoneware tableware produced in the pottery workshops situated near the River Rhine, especially in the Cologne region, in the post-medieval period. The characteristic decoration on the neck of these jugs is a large and expressive bearded man’s mask. Bartmann jugs – just like other items of German stoneware – were widely exported to the Baltic Sea region. Some dozens of Bartmann jugs’ fragments have been found in Latvia during archaeological excavations in the second half of the 20th century. Using Latvian finds, this paper briefly describes the transformation of the bearded mask and the development of other decorative applications on these jugs during the 16th century. Foreign parallels have allowed us to determine the approximate date and place of production of the Latvian finds. Current research suggests that fragments of Bartmann jugs were mostly excavated in Riga Old Town. They are stored in the Riga History and Navigation Museum (published in: Reinfelde 2012). There are also several archaeological finds from the cultural layers of some castles situated near the Gauja River. Smaller stoneware jug fragments decorated with four bearded masks were excavated in Turaida castle, which belonged to the Archbishop of Riga till the mid-16th century. They are stored in the Turaida Museum Reserve (published in: Ose 2019). A large collection of ceramics was found during excavations at Cēsis castle, the residence of the Master of the Livonian Order in the first half of the 16th century. It includes large fragments of four Bartmann jugs with applications of bearded men’s faces and several smaller sherds with friezes and medallions that decorated the body of these stoneware jugs. It is possible that Bartmann jugs have also been in Āraiši castle, situated not far from Cēsis, but only small sherds with probable décor of the body were found there, not the bearded masks. Remains of the Bartmann jugs have also been found in two castles near the lower reaches of the Daugava River – in the excavations of the Ikšķile and Salaspils castle ruins. The archaeological ceramic collections from Cēsis, Āraiši, Ikšķile and Salaspils are stored in the Latvian National History Museum and have yet to be published. Fragments of Bartmann jugs were not found in the archaeological ceramic collections of Bauska, Sēlpils, Alūksne and other castles. It is not clear whether these jugs may not have been used there or may not have been found due to the relatively smaller volume of excavation areas.

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SVETI JURAJ I SENJ

SVETI JURAJ I SENJ

Author(s): Mile Bogović / Language(s): Croatian,German Issue: 1/1992

Der Autor dieses Artikels sucht nach der Lösung des Problems des Wappens von der Stadt Senj. Die bisherigen Autoren, die die Senjer Vergangenheit bearbeitet haben, supponieren die Bestehung eines älteren Klosters des hl. Georg, das zuerst den Templern, und nach der Abfahrt derselben den Benediktinern gehorte. Bei diesem Kloster lag wahrscheinlich die Kirche des hl. Georg, nach der die Stadt Senj ihren Patron, und Sv. Juraj, der Ort siidlich von Senj, seinen Namen bekommen hat. Der Autor des Artikels setzt die Bestehung zweier Kirchen des hl. Georg voraus. Die eine lag auf der Stelle des heutigen Nehaj s; in dieser Kirche wurde der Patron von der Stadt Senj geehrt. Sie hatte schon vor den Templern existiert, die sie 1183/84 wie eine ausgebaute Kirche bekommen haben. Unabhängig von dieser Kirche existierte die Klosterkirche der Abtei des hi. Georg im Ort der heute den Namen dieses Heiligen trägt. Der Autor hat alle Daten gesammelt, die die paralelle Bestehung der Templer und der Benediktiner in der Nähe von Senj beweisen. Ihr Kloster wurde von der Mitte des 14. Jahrhunderts sehr oft "Abtei des hi. Georg de Lisac" genannt. Die Kirche des Patrons von der Stadt Senj auf dem Berg wurde wahrscheinlich in den dreißigen Jahren des 16. Jahrhunderts zerstort, und auf ihrer Stelle wurde die Festung Nehaj gebaut. Als Entschädigung für diese zerstörte Kirche erbauten die Senjer ihrem Patron eine andere Kirche, die sich neben der Domkirche befindet. Aus der Inschrift an dieser Kirche geht voraus, daß sie nach derjenigen vor der Festung Nehaj entstanden sei; und nach dem Relief der an ihr gestanden war, trägt sie die Zeichen des Senjer Patrons. Diese Zeichen haben ihre Stelle an der Spitze des Altars der erneuten Domkirche im 18. Jahrhundert gefunden. Dieser Altar wurde im zweiten Weltkrieg zerstört, und in der Nachkriegsrestauration entfernt, und darum blieb Senj nicht nur ohne die Kirche, sondern auch ohne die deutliche Kennzeichnung, daß der hi. Georg sein Patron ware. Es besteht doch ein Relief des hi. Georg am äußeren Teil des Chors in der Kirche der hi. Maria von Art, und in der Kirche des hi. Kreuzes in Senjska Draga befindet sich die Statue des gleichnamigen Heiligen. Das ist aber nicht nur örtliche, sondern auch bildende Peripherie, deswegen ist es notwendig iiber eine stärkere Bindung der Senjer Heutigkeit mit der Senjer Vergangenheit nachzudenken, und der Ritter der hi. Georg driickt den Geist der Senjer Vergangenheit am besten aus.

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Znalezisko olbijskiego „asa” w Ostroladowiczach na Białorusi

Author(s): Włodzimierz Kisza,Jarosław Bodzek / Language(s): Polish Issue: 27/2020

A cast bronze coin belonging to the 2nd series of the Olbian “aces,” dated to the second half of the 5th century BC, is included in the collections of the Jagiellonian University Museum. The coin was probably added to the university collection in 1871, as a gift of Baron Edward Rastawiecki (1805–1874) for the archaeological unit. According to the donor, the “ace” was found during the excavation of a barrow in the village of Ostrohladovich in Minsk province – currently Astrahlady/Astrahliady/Ostrogliade (Belarusian Астрагля́ды, Russian Острогляды) in Belarus in the Gomel region, in the Brahin district. In the first millennium BC this area was occupied by the Miłograd culture. Finds of coins produced in Olbia, in particular the Olbian “aces,” have not been recorded outside the Black Sea region until recently. In recent years, however, finds of early Olbian coins (known as “dolphins” and “aces”) have been recorded in the forest-steppe zone. These new discoveries give credence to the finding of the “ace” from Ostrohladovich. The coin arrived in the area of the Miłograd culture probably via the Scythians.

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Motywy roślinne w architekturze sakralnej gminy Kiełczygłów i okolic (województwo łódzkie) – wybrane obiekty

Author(s): Alicja Zemanek,Aleksandra Jędrzejska / Language(s): Polish Issue: 27/2020

Interdisciplinary studies on the role of plants in culture are rare, that is why a rich plant ornamentation of the churches in Poland is little known. This article presents the first documentation of the plant ornaments in nine Roman Catholic churches of Kiełczygłów Community and surroundings in Łódź Voivodeship, which were built from the 16th into the 20th centuries. The first stage of work was to take 385 photographs, then to organize a basis with 505 records, one record containing one plant ornament. As a result of botanical analysis 39 taxa were determined, including 17 species, 18 genera, and 4 families. Some of the plant motifs could not be identified because of strong stylization. The most frequent taxa were the old useful plants popular in sacral art, originating in southern or south-eastern regions of Europe and in West Asia: bear’s-breech (Acanthus sp1.), rose (Rosa sp.), Madonna lily (Lilium candidum L.), and grape-vine (Vitis vinifera L.). Some ornaments present the plants occurring in wild in Poland or as field and meadow weeds, e.g. bellflower (Campanula sp.) or poppy (Papaver sp.). The greatest number of ornaments was identified in the neo-Gothic St. Casimir Church in Osjaków. Captivating in their colors and diversity of shapes, the plant ornaments serve not only decorative functions, but symbolic ones as well. This article hopes to contribute, at least to a small extent, to the reflection on the presence of plants in our culture and to raise the awareness of how important it is to protect local species that perish irretrievably due to anthropogenic activity.

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Характер использования долины р. Большой Бабки в средневековье
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Характер использования долины р. Большой Бабки в средневековье

Author(s): Ghennadii E. Svistun,Viktor I. Kvitkovskij / Language(s): Russian Issue: 5/2021

The authors have summarized the materials from a number of archaeological sites accumulated during many years of investigations by several generations of archaeologists in the Bolshaya Babka river valley. Despite their different quality of exploration and documentation of the research, the following areas were brought to light: general trends in exploration of this territory in temporal and spatial dimensions, preferred locations for settlement in certain landscapes, its usage and perception by various ethnocultural communities. The authors managed to determine some interdependencies between the river valley landscape, shaped by fluvial processes with frequent streamflow changes, and its usage dynamics. It was also discovered that stable flood land regions played an important role; they were not exposed to constant degradations in its widest segment — in its middle and lower reaches. It explains the multilayer nature of the most sites occupied by the population with the similar pattern of economic activity over the wide time line — from the Bronze Age to the Middle Ages. Moreover, some naturally emerged within the same landscape lines of communication with neighboring settlement enclaves had to play a significant role in determination of locations for residential areas.

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Природные условия и адаптация к ним у средневекового населения лесостепей
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Природные условия и адаптация к ним у средневекового населения лесостепей

Author(s): Sergey V. Vasilyev,Tatyana A. Puzanova,Svetlana B. Borutskaya,Gennadiy Yu. Starodubtsev,Fatima G. Kurbanova,Alexandr V. Zorin,Olga V. Rudenko / Language(s): Russian Issue: 5/2021

The article presents the results of research on the reconstruction of natural and climatic conditions and human adaptation to them. In order to identify the stages of the evolution of the natural environment of the forest-steppe zone (Kursk region) in the Middle Ages, buried sub-kurgan soils and bone remains in the Gochevo burial mound were analyzed. Spore-pollen, anthropological and isotope analyzes were carried out on soil and bone samples. Bioclimatic fluctuations of the natural environment were established based on the reconstruction of paleolandscapes (soils, vegetation) and associated changes in socio-cultural factors (changes in paleo-diet, anthropological characteristics).

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Природные катаклизмы 1120-х гг. и население запада Новгородской земли
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Природные катаклизмы 1120-х гг. и население запада Новгородской земли

Author(s): Vladislav Yu. Sobolev / Language(s): Russian Issue: 5/2021

The change in the burial rite and introduction of new funerary practices are explained by Christianization of the populace and appearance of a Christian community. In studies of the emergence of medieval Rus’ burial rite, a feature is discriminated with regard to continuation of the tradition of raising burial mounds. The earliest phase of the formation of the medieval mortuary rites still remains poorly studied since there are practically no reliably dated sites before the mid-11th century. After this date, we find inhumations across the Novgorod Land documenting different variations in the rite but which nevertheless keep within the frame of the Christian norms. As the main rules on the rite of interment set by the Church were complied with, some details of the mortuary practice not regulated by the Orthodox canonic law continued to evolve, drawing on the pre-Christian tradition. Of these, raising of burial mounds was the most prominent. Differences in the method of construction of the burial mounds indicate a partial change in the population which took place in the western area of the Novgorod Land in the second half of the 12th century. Throughout the 13 th century, across this region, the funerary rite becomes much more uniform. Everywhere the kurgan-zhalnik and flat zhalnik cemeteries become widespread.The emergence of a new form of burials may be associated with migration of the population. The reason for the migration, in my opinion, could be the famine that happened in the Novgorod land in the late 1120s.

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Животный мир в искусстве и реальности: от раннего железного века до раннего средневековья (по материалам Среднего Подесенья)
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Животный мир в искусстве и реальности: от раннего железного века до раннего средневековья (по материалам Среднего Подесенья)

Author(s): Evgenii A. Shinakov,Arthur A. Chubur / Language(s): Russian Issue: 5/2021

The authors aimed to compare the real animal world of a particular region and its reflection in the minds of people of different historical eras, represented in works of applied art and small plastic arts. The choice of the Middle Desna region was determined by its transitional character for Eastern Europe in almost all historical and archaeological periods (both in physical-geographical and ethno-cultural aspects). The authors considered materials of the Yukhnovo culture of the early Iron Age, the Great Migrations, the “antiquity of the Antae”, as well as the beginning of the authentically early Slavic period (Volyntsevo-Romny antiquities). The greatest contamination of the real animal world (first of domestic) is observed in the early Iron Age. Later, in applied art, masters gradually would withdraw from the reality into a higher degree of abstraction, into the realm of mythological and totemic-religious images, in which, however, at times, some real representatives of the fauna were fancifully reflected, both typical and exotic ones for the region. The image of horse is a continuous image in the region — from ceramic figurines and ridge attachments of the end of the 1st millennium BC to the time of the Old Rus. In addition, evolution is noted from simple images associated with a species to composite images — “chimeras”, “shapeshifters” — combining features of various animals, sometimes with the inclusion of anthropomorphic elements (binary opposition “human-animal”).

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Образы кошачьих в каменной пластике средневековой Абхазии (по данным новых находок Маркульской экспедиции)
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Образы кошачьих в каменной пластике средневековой Абхазии (по данным новых находок Маркульской экспедиции)

Author(s): Galina V. Trebeleva,Suram M. Sakania,Vasilii A. Lobkovskii,Andrei S. Kizilov / Language(s): Russian Issue: 5/2021

Two items with feline images were found in 2019 in the course of works at the Markul settlement: the first was a bas-relief depicting the paws of a leopard on a slab discovered during excavations at the Dalniy Tower of the Markul settlement, and the second was a drawing of a lion’s figure on a stone which was found in the area of the Jal-Akuaskia temple. The authors offer for scientific discussion these recent discoveries and highlight the two major tendencies in use of the classical image of the lion in the Christian Art of Abkhazia. The first tendency is the replacement of lion with leopard, which is found on a slab from the excavations of the Markul settlement and on the Lashkendar Temple in the Tkvarchal region; the second tendency is a continued tradition of depicting the “Fierce Beast” on the bronze axes of the Kobano-Colchis culture. To validate these tendencies, the analysis involves the available images of felines on stone in archaeological finds in Abkhazia and Sochi, Abkhazian toponymy and linguistic data, a review of features of the fauna and climate of the Abkhaz region.

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Погребения в шкурах лося и северного оленя в железном веке и раннем средневековье в Северной Европе: этно-археологический аспект
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Погребения в шкурах лося и северного оленя в железном веке и раннем средневековье в Северной Европе: этно-археологический аспект

Author(s): Nataliia R. Mykhailova,Tuija Kirkinen,Kristiina Mannermaa / Language(s): Russian Issue: 5/2021

Archaeological evidence of the use of animal hides in burials have recently become known in the Late Iron Age and the Middle Ages (800—1300 AD) in Finland and Karelia (Russia). The purpose of the article is to interpret the ritual of wrapping the dead in hides of Eurasian elk and reindeer. For the first time, the authors use a combination of innovative methods of archaeozoological analysis to study the remains of fur, and the method of ethnoarchaeological reconstruction to study the burial rite.Wrapping bodies in hides of wild animals is a widespread long-term tradition, which was practiced in Northern Europe by the Stone Age hunters. This funerary rite was supposed to ensure the “transformation” of a person into an ancestor animal. Reminiscences of hunting religious beliefs were preserved in the ideology of Northern Europe after the transition to agriculture.

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Валы или стены: к вопросу о реконструкции оборонительных сооружений Большого Шепетовского городища
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Валы или стены: к вопросу о реконструкции оборонительных сооружений Большого Шепетовского городища

Author(s): Kirill A. Mikhailov,Anna A. Peskova / Language(s): Russian Issue: 5/2021

The first detailed description of the defensive structures of the Large Fortified Settlement near Shepetovka (Khmelnytsky region, Ukraine) at the end of the 12th — first half of the 13th century was published in 2009 (Peskova 2009). A new and more detailed study of the field documentation of the expedition carried out at the present time made it possible to clarify some details of both the layout of the remnants of the fortifications and their construction, and to propose a new version of the reconstruction of the inner ring of the multi-row fortifications of the settlement.

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НУМІЗМАТИЧНЕ ЗІБРАННЯ НАЦІОНАЛЬНОГО ІСТОРИКО-ЕТНОГРАФІЧНОГО ЗАПОВІДНИКА «ПЕРЕЯСЛАВ»

НУМІЗМАТИЧНЕ ЗІБРАННЯ НАЦІОНАЛЬНОГО ІСТОРИКО-ЕТНОГРАФІЧНОГО ЗАПОВІДНИКА «ПЕРЕЯСЛАВ»

Author(s): Victor Kotsur / Language(s): Ukrainian Issue: 4/2020

The aim of the study is to introduce into the scientific circulation of the materials of the numismatic collection of NHER «Pereyaslav», to study it’s structure and to identify the most interesting samples in the context of the history of Pereyaslav region coin. Research methodology. In the process of scientific study of the collection of the museum were used generally scientific methods: analytical, illustrative, chronological, typological, as well as source methods: critical, metrological and iconographic. The scientific novelty is in the first comprehensive study of the entire numismatic collection of the reservation that has been introduced into scientific circulation, as well as the data of the archeological finds of the Pereyaslav Region that have been included in the museum. The catalog (inventory list) published in the article will serve as an additional source for the researchers of the history of money circulation in Kyiv region. The Conclusions. In the conditions of active distribution of the so-called «black archeology» with low reliability and often doubtfulness of the received data, with limited possibility of use in the numismatic researches, actual for modern numismatic science is the introduction into the scientific circulation and research of the museum collections. The numismatic collection of the museum was investigated quite fragmentarily: the researchers introduced counterfeit coins of the Polish-Lithuanian Commonwealth and the traditional women’s jewelry «dukach», and the staff of the archaeological expedition of the museum regularly published the results of searches for perehodlavlav. The numismatics collection has more than 12,000 coins from the Roman Empire to the XX century. Some of the numismatics items are displaying in the exposition at the reserve’s premises. Coins of the XVIIXVIII centuries, minted in Western Europe, Commonwealth and Muscovy are on display in the Museum Department of the Covenant. During the last 20 years, the museum was receiving coins excavated by archaeologists in Pereyaslav: ancient coins of the Roman Empire, coins of the Kyiv principality, Byzantium and Polish-Lithuanian Commonwealth and it’s vassal lands in the XVII century. The numismatic collection contains 47 thalers of Western Europe, which fully correspond to the specifics of the circulation of the region. The decoration of the museum collection is «efimok with signs» minted during the reform of Alexei Mikhailovich in 1655. A considerable part of the collection are the coins of the Russian Empire. The greatly interesting are the coins of Peter the Great – altinas, hryvnia, rare poltina and ruble of the ruler. Decorated with detailed portraits of the Russian Empresses Anna Ioannivna and Catherine the Great and the silver rubles of the 1730s are also presented in the museum’s collection. Common on the Right Bank were coins minted in the Kingdoms of Poland at the Mint in Warsaw, which during the reign of Emperor Nicholas I had double denominations in rubles, kopecks, zloty and grosz. The museum’s collection presents the rare ¾ rubles / 5 zloty coin minted in 1838. In addition to circulating coins, the Alexander III coins also preserved by commemorative rubles, issued in honor of the emperor’s coronation in 1883. Most of the Russian imperial coins in the museum collection were minted during the reign of the last emperor of the Romanov dynasty - Nicholas II, combining practically the entire nominal series of copper and silver coins. In the special inventory book was mistakenly entered a coin that, according to the results of the research, did not show the content of precious metals. It is highly probable that this is a product of a counterfeiters being made for the purpose of treat. The museum’s collection contains 70 ducachs originating from the ethnographic zone of the Middle Dnieper region (Poltava, Chernihiv, Cherkasy and Kyiv regions), the products can be dated to the end of XVIII – the beginning of XX century. The collection contains also several treasures. This are the treasure of one and a half grosz (poltorak) of Sigismund III Vasa in the amount of 291 coins, and the treasure of the wire kopecks of the Moscow Kingdom of the time of Peter I the Great in the amount of 265 pieces. The most recent coins kept in the collection are the coins of the Soviet Union. For the most part, these are the silver shades of the RSFSR of the sample of 1921-1922, the ruble of 1921, and also minted during the NEP the «blacksmiths» type of 1924–1927. As the prospects of further research we see the introduction into the scientidic circulation of new additions to the numismatic collection, as well as to study and introduce into the circulation materials from collections of numismatics of other museums in Ukraine. In addition to the numismatics items, the museum’s stockpile also houses items of phaleristics: awards, medals and insignia, which also require a separate detailed study.

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ПІДРОБКИ РОСІЙСЬКИХ ГРОШЕЙ КІНЦЯ ХІХ – ПОЧАТКУ ХХ СТОЛІТТЯ У ЗІБРАННІ НАЦІОНАЛЬНОГО МУЗЕЮ ІСТОРІЇ УКРАЇНИ

ПІДРОБКИ РОСІЙСЬКИХ ГРОШЕЙ КІНЦЯ ХІХ – ПОЧАТКУ ХХ СТОЛІТТЯ У ЗІБРАННІ НАЦІОНАЛЬНОГО МУЗЕЮ ІСТОРІЇ УКРАЇНИ

Author(s): Andrii Boiko-Haharin / Language(s): Ukrainian Issue: 4/2020

The need of study of the aspect of money counterfeiting in Russian empire for a long time went beyond the views of numismatists. The aim of the study in this article is to introduce into the scientific circulation of the counterfeits of the circulation coins of the time of the Russian Empire, which are stored in the collection of the sector of numismatics, phaleristics, medallions and bonistics of the National Museum of Ukrainian history (NMUH), indicating the history of their receipt and the attempt to localize their manufacture. We were able to detect the previous study and publish the examples of the forgeries of coins and paper money of that time from the museum collections of the Odessa Archaeological Museum, the Museum of Kyiv History, the National historic-ethnographic reservation of «Pereyaslav», as well as in the collections of foreign museums: the Hermitage Museum in St. Petersburg, the National museum of history of the Republic of Belarus in Minsk and the Museum of the National Bank of Lithuania in Vilnius. Research methodology. Scientific knowledge of the processes of counterfeiting is not limited only to the list of facts of counterfeiting, which is typical of most works devoted to this topic. Illustrative, metrological, and iconographic methods were used in the process of studying the specimens of the fakes of the time in the museum collection. Additional data were used to thoroughly investigate counterfeit coins by photographing them and measuring technical parameters, editing photos in graphic editors by PC, and matching descriptions in historical sources – materials from pre-Soviet newspapers and the criminal cases in the historical archives. The scientific novelty is that most of the sources used in the study (punitive cases material from historical archives, reports from the old newspapers, and items from museum collections) are published for the first time. Museums are collecting, storing, studying, and promoting the antiquities. By collecting materials that comprehensively cover the history of the region, in order to promote the features of everyday life in the historic area, used objects of everyday life, museums regularly collect evidences of the historical past for its further study and display. In this article we have introduced into scientific circulation the contemporary counterfeits of the coins made on the prototype of circulating money of the Russian Empire, which are stored in the collections of the Numismatics, Phaleristics, Medallion and Bonistics sector of the National Museum of Ukrainian History. Anyway the counterfeits for the loss of the cash circulation are rare examples among the museum collections. Unfortunately, most of the counterfeits studied at that time in the museum collections did not record the locations and circumstances of the counterfeit, inventory and entry books with information about the origin of these coins in the museum collection indicate that most of these coins were transferred from private collections. So it already makes impossible to add these coins to the topography of the finds and to draw additional conclusions about these specimens, etc. In most museums, the overwhelming absence of specimens of contemporary coin counterfeiting is caused not only by the destruction of the latter after the investigation, but also by an imperfect strategy of collecting in museums, based solely on replenishment through free transfer to permanent storage by private persons and objects to the property of the state with their further transfer to the museum. Fake securities were no less popular than making counterfeit money. Technologically, the degree of complexity was even slightly smaller, and the potential amounts of the non-legal profit could be obtained from counterfeit bills sometimes reached impressive levels, as documented in the sources. A sample of 50 rubles promissory note paper was stored in the NMUH collection, which could be used by counterfeiters to forge paper money – the credit bills. With the rising costs of World War I, the need for money increased rapidly, prompting the Government of the Russian Empire to significantly increase the issue of paper money that completely filled the money supply. In order to save time and production resources, banknotes with a nominal value of 1, 3, 5 and 10 rubles were assigned the same, much shorter than the previous issue, number and letter series printed on the banknotes. It is a matter of course that such banknotes instantly caused distrust among the public, as the existence of identical serial numbers is often characteristic of counterfeits. The NMUH collection contains the samples of Russian credit bills with identical series and numbers issued during the First World War and, of course, that are the authentic government money. At that time, the counterfeits of the coins, the prototype for which were circulating coins of the Russian Empire, were stored in the NMUH in the amount of 9 pieces, all of which can be dated from the end of the XIX – the beginning of XX century. Some of the counterfeits belong to the storage group «AE», which unites the copper coins. Part of the forgeries belongs to the group of storage of silver coins «AR», because they came as a part of a single complex collection, or the fact of making these samples from precious metals was revealed by acid testing and determination of the composition of the metal on the test stone. The Conclusions. In the collection of the National Museum of Ukrainian History we discovered 9 old contemporary coins of the Russian Empire. Among them are 2 copies of 10 kopeck coins, 1 piece of 15 kopecks, two samples of counterfeits of 20 kopecks coins made by the prototype of the coins minted in 1878, as well as one-half and three counterfeit rubles: the sample of the most common years of minting of the original coins in 1899, 1901 and 1912. The coins were made of tin alloy, which was supposed to mimic the color of silver and the coating. One coin is made by soldering of the two plates. The source of the receipts of more than half of the coins is unknown, the funds documentation records the receipt of two coins from individuals, including a part of the collection, as well as a transfer from the Finance Department of the Ministry of Internal Affairs of the USSR. It can be assumed that the forged collections of the NMUH coins originate from the findings of the Kyiv region and could have been produced in the territory of the former Kyiv province of Russian empire, since the facts of the detection of such counterfeits are known to us from a number of archival criminal cases and reports from the pre-Soviet newspapers. We believe that such a category of coins (as well as banknotes and money surrogates), as old private counterfeits made for the purpose of damage losses to money circulation and fraud, must be brought to a separate storage group in museum collections of both public and private institutions. Appropriate adjustments are also required in the museum’s accounting instructions. From the prospects of further research we see the detection, study and introduction into the scientific circulation of the contemporary counterfeit banknotes and coins from other museums in Ukraine and former Russian empire modern independent states. We hope that this publication will encourage museum staff to collaborate on the scientific elaboration of counterfeits of the materials of the museum collections.

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Rezumatul Discuţiilor

Author(s): Author Not Specified / Language(s): Romanian Issue: 3/1976

Pe marginea comunicărilor prezentate la secţia „Investigaţia istorico-orheologică, sursa fundamentală de îmbogăţire a patrimoniului muzeal", în subsecţia cu tema: „Procesul formării poporului român — premise", au luat cuvîntul tovarăşii: Hadrian Daicoviciu, directorul Muzeului de Istorie al Transilvaniei, Cluj-Napoca; Mircea Babeş, de la Institutul de Arheologie; Gheorghe Bichir, de la Institutul de Arheologie; Tiberiu Bader, de la Muzeul Judeţean Satu Mare; Liviu Petculescu, de la Muzeul de Istorie al R. S. România; Ştefan Constantinescu, Caracal; Virgil Mihăilescu - Bîrliba, de la Muzeul de Istorie Piatra Neamţ; Constantin Petolescu, de Ia Muzeul de Istorie al R. S. România; Gheorghe Poenaru-Bordea, de la Institutul de Arheologie; Carmen Maria Petolescu, de la Muzeul de Istorie al R. S. România ; Alexandru Vulpe, de la Institutul de Arheologie; Dardu Nicolaescu - Plopşor, de la Institutul de Antropologie Bucureşti; Eugen Comşa, de la Institutul de Arheologie; Mihai Brudiu, de la Muzeul de Istorie Galaţi; Ion T.Dragomir, directorul Muzeului de Istorie Galaţi; Valeriu Leahu, de la Muzeul de Istorie al R. S. România; Ion Chicideanu, de la Muzeul Judeţean Dîmboviţa; Simion Ştefan, de la Institutul de Arheologie; Victor Teodorescu, de la Muzeul de Istorie al judeţului Prahova, Plo­ieşti; Vasile Dupoi, de la Facultatea de Istorie Bucureşti; Mariana Marcu, de la Muzeul de Istorie Braşov.

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