"Only in Dying Life": Ursula K. Le Guin's Dry Land and Its Cultural Contestations

Author(s): Gabriela Debita / Language(s): English Issue: 10/2020

In his seminal essay theorizing the concept of heterotopia, “Of Other Spaces”, Michel Foucault insists that his focus is on external spaces. However, given the ability of certain spaces, especially those associated with trauma and torment, to simultaneously be inhabited and inhabit the psyches of their denizens, it stands to reason that some heterotopic spaces are internal as well. One such example is Ursula K. Le Guin’s Dry Land, an inner hellscape which appears throughout her Earthsea series. The Dry Land serves to mirror, invert, and contest not only the world of Earthsea, but also the pervasiveness of Western literary and cultural influences on the genre of fantasy itself. Inspired by classical and Renaissance sources (Homer and Dante) and modernist ones (Rainer Maria Rilke and T. S. Eliot), the Dry Land, a jarring spatial and literary aberration in the context of Earthsea’s Taoist framework, serves to confront both the resistance to the finality of death and the supremacy of the Western literary canon. In doing so, it demonstrates Le Guin’s desire to distance herself from Western canonical influences, while nevertheless highlighting the fact that, given the cyclicity of literary rebellion, she is, in fact, walking in Dante’s and T. S. Eliot’s shoes.

(DOMOVINA TU JE, DOMOVINA GDE JE?)

Author(s): Attila Balasz / Language(s): Serbian Issue: 442/2006

Da sam jedna mala ruža ja… Ili ne: da sam nekakav pantomimičar, zatražio bih minimum pola sata ćutanja, mada prvi ja nisam siguran da bih izdržao. Znam, međutim, i to, da nisam u stanju da dam zadovoljavajući odgovor, lišen svakog opsenarstva, na pitanje domovina gde je? Radije ću se praviti da mi – kao i većini sapatnika – kakvu-takvu, prenosivu i preseljivu, domovinu predstavlja moj manjkavi jezik, pa ću i dometnuti koju. Pokušaću, dakle, da napabirčim nekoliko rastočenih reči, raspolućenih rečenica, u točak zapletenih, zakukuljenih misli. Svojevrsni naramak ugaraka. Ali, da nisam već prekardašio?

(Self-)Portrayals of Mixed Cultural Identities in the Works of Emily Carr and István Fujkin

Author(s): Krisztina Kodó / Language(s): English Issue: 2/2021

The article examines the work of two artists, Emily Carr (1871 – 1945) and István Fujkin (1953), focusing on Carr’s early and mature “Indian paintings,” and Fujkin’s “Blue Owl” series, completed between 2001 and 2005. The paintings chosen from among Carr’s works are thematically linked to Klee Wyck (1940), her first fictional work describing her travels and experiences with the First Nations People in British Columbia. Though the two artists come from different cultural backgrounds, since Carr was descended from English immigrants and Fujkin is a Hungarian born in the former Yugoslavia, there are similarities in their work. Both artists depict work across time and make use of transnational imaginaries of nature and Native Canadian cultural symbols that ultimately function as a bridge between Native and western culture. Fujkin’s talent lies in his ability to “paint the music” composed and performed by Canadian Mohawk musician Robbie Robertson. Emily Carr’s paintings offer images of her visionary world that transcends cultural identities and provides an insight into nature infused with spiritual and magical elements.

2084. Kraj svijeta

Author(s): Boualem Sansal / Language(s): Croatian Issue: 20/2015

Neka čitatelj ne misli da je ova priča istinita i da se služi nekom poznatom stvarnošću. Ne, stvarno, sve je izmišljeno, osobe, činjenice i ostalo, a dokaz je taj što se priča odvija u dalekoj budućnosti, u daleku svemiru koji ni po čemu ne sliči našem.

22 MILJE DO NADE: ALEKSIJEV PRIKAZ ŽIVOTA U REZERVATU I VAN NJEGA

Author(s): Fahreta Fijuljanin,Adnan Hasanović,Aldin Rastic / Language(s): Bosnian Issue: 14/2015

The concept and structure of the novel The Absolutely True Diary of a Part-Time Indian greatly echoes the basic division of life-existence of good and evil, of white and black, thus framing a feeling of geographical division also. Alexie draws the maps using chronological access to certain events by sequencing them from bad to good, from the negative to the positive. Through the characters he has created in different environments, Alexie potrays a community, identity and people and deals with issues of racism, poverty and the need to preserve the tradition of the oppressed people for the purpose of personal and collective progress.

60/40

Author(s): Julian Barnes / Language(s): Serbian Issue: 453/2008

Bila je to ona nedelja kada se Hilari Klinton konačno povukla. Hrpa boca i čaša prekrivala je sto; i premda je glad bila utoljena, neka blaga društvena zavisnost i dalje je terala ruke da posegnu i zgrabe još jedan grozd, pokrenu odron sa litice od sira ili uzmu čokoladicu iz kutije. Razgovarali smo o Obaminim izgledima protiv Mekejna i da li je Hilari poslednjih nedelja pokazala da ima petlju ili je to bila puka samoobmana. Raspravljali smo, takođe, o tome da li se laburisti još uvek razlikuju od konzervativaca, da li su ulice Londona pogodne za autobuse sa harmonikom, kolika je verovatnoća da Alkaida izvrši napad za vreme Olimpijskih igara 2012, kao i o posledicama globalnog zagrevanja na englesko vinogradarstvo. Džoana, koja se nije oglašavala povodom poslednje dve teme, tada sa uzdahom reče: „Znate, baš bi mi prijala cigareta.“

A Critical Study of Character of Thomas Hardy’s Tess

Author(s): Naveen K Mehta / Language(s): English Issue: 17/2014

Tess Durbeyfield is the heroine of the novel. According to the concept of Greek Tragedy a hero or a heroine should be great figure by birth or achievement. But Hardy created his heroes and heroines from ordinary Wessex men and women. In tragic grandeur and sublimity she stands in front rank. The simplicity of her nature, the nobility of her soul, the capacity to suffer, the spirit of effacement, and her purity all make her one of the sublimest heroines of English Literature. Tess is the simple sincere and passionately faithful and as different as possible from those fickle and elusive young women was display, in some of his other tales affections as veering as weather-cocks. Her stoicism and her devotion to her husband win the admiration and sympathy of many generations of readers. She has dominated the novel not by the aggressiveness of her character but by her sweet and tender humility. The present paper is an attempt to explore the different shades of Tess’ vivacious character.

A festő váratlan látogatása. Részlet a Lázadók című regényből

Author(s): Imre Goldstein / Language(s): Hungarian Issue: 2/2021

A GLIMPSE OF CULTURAL DIVISION IN THE NOVEL MIDNIGHT AT THE DRAGON CAFÉ

Author(s): Cristina Nicolaescu / Language(s): English Issue: 1/2021

The huge issue of identity representation in fiction seems to have gained ever more weight over the past decades by an unprecedented variety of problematics in the “ethnic writing” by authors from minority communities that have been marginalized before the favorable cultural shift occurred in the Canadian society of a recent past through more hospitable legislation. Such ethnic writers expand the social concept of identity more often than not by blending sexuality and race, nationality and ethnicity in their narrated experiences with the struggles for recognition and integration. Cultural division in such a society is the focus of this article, in conjunction with a Chinese family’s drama which particularly affects the child protagonist and her personal experiences during the process of acculturation in the novel Midnight at the Dragon Café by Judy Fong Bates.

A Half-Formed Thing, a Fully Formed Style. Repetition in Eimear McBride’s A Girl Is a Half-Formed Thing

Author(s): Katarzyna Bazarnik / Language(s): English Issue: 2/2018

The article begins with addressing alleged similarities between Eimear McBride’s debut novel A Girl Is a Half-Formed Thing and James Joyce’s works to suggest that they cannot be systematically sustained. Her much praised, experimental style relies on the opposite of Joycean richness. Limited vocabulary, jumbled word order, and lexical and phrasal repetitions are one of the most salient features of her style. McBride applies rhetorical variants of conduplicatio to create an emotionally powerful idiom to narrate an anti-Bildungsroman about a loving sister and her dying brother, her sexual abuse by an uncle and final suicide. So despite some thematic parallels, and linguistic experimentation, A Girl bears only superficial resemblance to the modernist master, which is additionally evidenced by stylometric findings.

A hóember unokája

Author(s): Imre Goldstein / Language(s): Hungarian Issue: 1/2017

A Interview with Marcin Dolecki

Author(s): Joanna Roś,Marcin Dolecki / Language(s): English Issue: 2/2017

One of the Polish readers of Marcin Dolecki's quantitatively modest, but intellectually rich literary output, recognized that the story presented in his debut book Jeden z możliwych światów is like a philosophy lesson during extreme kayaking or jumping down a waterfall. The American version of the novel, Philosopher's Crystal: The Treacherous Terrain of Tassatarius, repeats this feat - when the whole world seems to flash before our eyes, our guide leads us through important considerations about the existence of the world and man.

A kivégzés (részlet a Zehu című készülő regényből)

Author(s): András Forgách / Language(s): Hungarian Issue: 837/2022

Forgách András - The Execution (Fragment from the novel "Zehu").

A közjó Bessenyei György Tariménes útazása című regényében (1804)

Author(s): Márton Szilágyi / Language(s): Hungarian Issue: 04/2016

The study analyses the state-novel that was written by György Bessenyei (1746?–1811) in the last section of his life, and remained unpublished then. It chiefly explores the picture the novel draws about ideal government, and the way it imagines the working of parliament in the world of idealized kingship. This work, a late Hungarian adaptation of a genre that had been representative throughout the 18th century, uses its utopia-like structure to present political questions that were on the agenda in contemporary Hungary: the key motif is the state that creates harmony in both the agrarian world and among the various religious confessions. In the novel this ideal monarchy also proves its strength on the battlefield: it defeats the aggressive country in its neighborhood, governed tyrannically, and exports its own form of government into the political vacuum that evolves after the fall of tyranny. The novel ends in a rather mysterious way: the ideal state, governed by a beautiful and wise queen, proves inable to integrate the novel’s hero, a visitor coming as a guest from outside. Married in the meantime, this protagonist, instead of settling there, decides to return with his bride to the provincial house of his parents. Thus, the ideal state, while embodying the common good, cannot serve as the worthy framework of individual happiness even in a fictional novel.

A Lifetime Memory Quest: Identity, Places and Characters in John McGahern's Memoir

Author(s): Dana Radler / Language(s): English Issue: 2/2015

Childhood and youth emerge and re-emerge, time and again, as durable concerns and difficult intervals to reach adulthood, as John McGahern describes his experience in novels and short stories. In Memoir (2005), the writer adopts a more detached vision than in his earlier writings, yet he does not admit it to be a typical autobiography. How are conflicts shaped and reconverted by the passage of time? Where does imagination start and where do facts determine the narrative? Is Memoir a piece of fiction, a well-documented and rather neutrally-written volume, or something in between? This article aims at exploring the way in which the narrator’s identity is infused with difficult, tormenting memories of a distant past, while the writer undergoes a difficult process. To understand the process, the analysis relies on major cultural concepts: collective memory (Halbwachs), communicative memory (Assmann), remembering as remediation (Erll) and memory seen as migration (Glynn and Kleist).

A Literary approach to Gglobal Terrorism – Ian McEwan’s Saturday

Author(s): Valentina Stînga / Language(s): English Issue: 20/2013

In the intellectual climate of our time, “terrorism” represents one of the most frequently used and, probably, one of the most contested keywords at the same time. Beyond the immediate and purely physical effects of terrorist violence, what matters in the European cultural paradigm is the effect that terrorism produces on imagination. In this context, the present paper sets out to depart from the ‘conventional’ instruments of deciphering terrorist violence (for example, political and mediatic discourses) and to resort to literature as a meaningful way of representing and understanding the mechanisms of this complex phenomenon. Our endeavour will focus mainly on a new hypostasis of terrorist violence, i.e. global terrorism, and on its representation in the British literature produced at the beginning of the third millennium – in 2005, the British novelist Ian McEwan published “Saturday”, a novel which analyses global terrorism from the viewpoint of its potentiality.

A Portrait of the Failed Artist. The Metamorphosis of Stephen Dedalus in “A Portrait of the Artist as a Young Man” and “Ulysses”

Author(s): Jelena Ž. Mandić / Language(s): English Issue: 7/2013

This paper centres on the character of Stephen Dedalus in James Joyce’s novels A Portrait of the Artist as a Young Man and Ulysses. Joyce presents the late nineteenth-century Irish society and its complex sense of historical, political and religious forces which influence or reinforce an individual’s perception and behaviour. Through the character of Stephen Dedalus, Joyce struggles to break free of Irish stereotypes, and thus, challenges the stereotypical relationships between church and state, religion and parishioner, family and tradition. Also, the paper focuses upon the shift in the sensibility and development of Stephen Dedalus. This shift enables him to expand psychologically and transcend beyond the fixity of the traditional ideas and values. The paper suggests that Stephen Dedalus is a modernist character – he seeks his own identity in the complexity of modern experience, choosing the hermetic life of an artist rather than accepting the role given to him by society and culture. However, his strong sense of identity later turns out to be no more than a delusion. He remains a brooding, apathetic young man whose creative muse seems to have let him down; he is a poet that barely rises above the level of mediocrity.

A POSEBNO, MAČKE

Author(s): Doris Lesing / Language(s): Serbian Issue: 448/2007

Kuća se nalazila na brdu, pa bi sokolovi, orlovi, svakakve grabljivice koje su se spiralno kretale iznad šipražja koristeći vazdušne struje, često lebdele u nivou očiju, ponekad i ispod njega. Gledao bi odozgo u crna i braon krila koja su se presijavala na suncu, dva metra raširenih krila, nagnutih u stranu dok se ptica uspinje krivolinijskom putanjom. Dole, u poljima, mogao si nepomično da ležiš u brazdi, najbolje tamo gde je plug prodro duboko, pri zaokretu, pod slojem trave i lišća.

A Powerful Russian Novel: Laur, Evgheni Vodolaskin

Evgheni Vodolaskin, Laur, Roman neistoric, / Laur, A nonhistorical novel, translation from Russian and notes by Adriana Liciu, Humanitas Fiction Publishing House, Bucharest, 2014, 328 pages.

Author(s): Paula-Andreea Onofrei / Language(s): English Issue: 2/2016

A Study of Joyce’s Novel “A Portrait of the Artist as a Youngman” in the Light of Modernistic Theory

Author(s): Wahid Pervez / Language(s): English Issue: 4/2018

The present study focuses on the aspects of modernism found in the novel. The most findable aspects of modernism are individualism, stream of consciousness, exile, and loss of faith. This paper highlights the role of modernism in changing thoughts and ways of living. Furthermore it describes modernism as the opener of new door for the people determined to get rid out of the boundaries of family, religion and country. Individualism is the centre of modernistic novel around which all aspects revolve. How modern novel gives preference the inner self of an individual to society’s nets and obstacle? This paper discusses in detail the quest of the protagonist of the novel Dedalus who is in search of new ways to see men’s role in the world.