Search results for: tamara constantinescu colocvii teatrale in All Content

LA FIGURE DE GJERGJ KASTRIOT-SKENDERBEG DANS LE THÉÂTRE ESPAGNOL DU XVII IÈME SIÈCLE

FIGURA E GJERGJ KASTRIOTIT – SKËNDERBEUT NË TEATRIN SPANJOLL TË SHEKULLIT XVII

Author(s): Anila Lani (Bitri) / Language(s): Albanian / Issue: 03-04/2002

Keywords: Albania; Albanian Language; GJERGJ KASTRIOT ; SKENDERBEG ; THÉÂTRE ESPAGNOL ; XVII IÈME SIÈCLE

Des études consacrées à la figure de Scanderbeg dans la littérature ibérique manquent jusqu’à maintenant. Il faut dire quand même que cette figure occupe une place considerable dans cette littérature et surtout dans celle espagnole, on pourrait même dire que c’est une figure populaire dans l’Espagne du XVième siècle et plus tard. A la différence de l’Angleterre, de la France et de l’Allemagne où il est le héros des poésies et des nouvelles, en Espagne Skenderbeg est présent sur la scène du théâtre. L’Acte sacramentel de Juan Lopez Montalban est l’unique drame religieux consacré à notre héros et s’intitule Escanderbeg. L’auteur de ce drame, Montalban, a eu beuacoup de sources pour écrire son oeuvre. Cette oeuvre est mise en scène au moins deux fois, en 1629 et en 1633. Histori e Skënderbeut de Barleti était traduit en espagnol depuis un siècle, mais les deux drames de Velez de Guevara demeurent la source principale de Montalban. Ce qui témoigne le fait que Escanderbeg est le premier drame publié en Espagne, mais pas le premier drame écrit. Le drame est traversé d’un profond esprit religieux où Scanderbeg est considéré comme le défenseur du christianisme. Alors que Luis Velez de Guevara, l’un des noms connus de la littérature espagnole, est l’auteur de deux drames sur Scanderbeg El principe esclavo et El principe Escanderbeg. On ne connaît pas la date de la publication, alors qu’ existent deux publications pour la deuxième, en 1634 et en 1679. Ces deux drames ont été les premiers à traiter de la figure de Scanderbeg dans l’Espagne du XVIIième siècle. Dans ces oeuvres Scanderbeg est toujours le personnage central. Il est un personage très complet, complexe, loins des traitements simplifiés et schématiques qui prédominent dans la littérature de l’époque. De Guevara a conservé une balance entre le facteur historique et celui artistique, où Scanderbeg est présenté comme le symbole de tous les vertus.

The principle of equality and its importance for social justice

Princip rovnosti a jeho význam pro sociální práva

Author(s): Iva Pikalová / Language(s): Czech / Issue: Coll./2010

Tento příspěvek se věnuje otázce rovnosti v návaznosti na sociální práva. Nejprve se zaměřuje na to, jakým způsobem je vůbec rovnost v demokratickém státě vynucována a jaké možnosti úpravy současný právní řád nabízí. Zmiňuje také související otázku diskriminace a ochrany proti ní. V další části se autorka věnuje specifikaci kategorie sociálních práv a zejména jejímu odlišení od práv osobnostních a politických. Jako poslední je rozebrán vztah rovnosti a sociálních práv a význam těchto institutů pro demokratickou společnost.

EDITORIAL

EDITORIAL

Author(s): Indrė Pikturnienė / Language(s): English / Issue: 09/2014

Editorial to the issue

Il carnevale nel teatro di Ivo Vojnović

Il carnevale nel teatro di Ivo Vojnović

Author(s): Lada Čale Feldman / Language(s): Italian / Issue: 1-4/2000

Theatre in the perspective of Jesuit pedagogy

Funcţia pedagogică a teatrului în şcolile iezuite

Author(s): Márta Bodó / Language(s): Romanian / Issue: 1/2007

Sfântul Ignatiu de Loyola nu a avut vedere în momentul înfiintării Societătii lui Isus orientarea spre activitătiile pedagogice. Încă din perioada convertirii lui si apoi în perioada retragerii sale în pestera Manresa, sufletul îi era animat de impulsuri misionare îndreptate spre Pământul sfânt, acestea datorându-se în special lecturilor sale. Prima călătorie misionară a membrilor societătii începuse deja chiar înaintea aprobării din partea papei a functionării societătii, căci Francisc Xavier era deja în drum spre China. Experientzele misionare au cauzat încă din anii 1540 schimbarea orientării initiale, aducând în prim plan si activitătile educationale. Aceasta se datora cerinŃelor contemporane si a experientelor din cadrul activitătii misionare Theatre in the perspective of Jesuit pedagogy. When thinking about the history of Christian education, the Jesuit educational system comes to anyone’s mind among the firsts because of its reputation, wild-spread character and most of all because of its tremendous effectiveness. In the colleges of the Jesuits not only did pupils learn basic knowledge to be able to survive, nor did they just learn to master Latin and Greek, recognize famous authors, but they became conscientious citizens and Christians with a firm faith, a firm connection to God and as a result, with a vivid social engagemant. So those who had left a Jesuit educational institution were not only able to do well in society, but had all the instruments necessary to become leaders of opinion of their time – and they actually did so. One of the educational methods of the Jesuit institutions was theatre. In this paper Ratio studiorum, the main educational methodological guide of the Jesuits is presented, and some of the rules of it are presented from the perspective of what they tell the teachers of the different classes about school performances and the pupils taking part in such activities. When thinking of effective educational models today, it is important to take a good look to all that those Jesuit institutions did, learn and apply as much as possible.

Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher

Receptarea critică a muzicii ieșene din a doua jumătate a secolului al XIX-lea. Alexandru Flechtenmacher

Author(s): Dalia Rusu-Persic / Language(s): Romanian / Issue: 18/2018

Keywords: ziare românești; secol XIX; presa muzicală; Iași; Alexandru Flechtenmacher;

În aparițiile periodice ale sfârșitului de secol XIX, critica muzicală a surprins puține detalii de compoziție muzicală, de organizare structurală sau ritmico-melodică sau de evaluare a interpretării vocal-scenice. Valorificarea în presă s-a realizat doar la nivel informativ, titluri – compozitori – interpreți, chiar și atunci cu unele omisiuni cauzate de indiferența autorităților față de fenomenul muzical sau de necunoașterea unor particularități stilistice, de limbaj muzical. În acest studiu am oferit o perspectivă actuală a contextului social-artistic. Noi surse au favorizat cunoașterea mai largă, mai detaliată a fenomenului critic din secolul al XIX-lea, completând informațiile aflate în studiile de istoria muzicii editate în România. Din aceste motive, o primă secțiune a cercetării am dedicat-o fenomenului extrem de dinamic al înființării revistelor, ziarelor în secolul al XIX-lea. Considerăm că putem să înțelegem într-un mod mai nuanțat dezvoltarea criticii muzicale, pornind de la ziaristica generală.Scopul acestei cercetări este de a descoperi noi dimensiuni ale muzicii ieșene, accentul fiind pus pe receptarea critică a compozitorului Alexandru Flechtenmacher, urmărind reflectarea în presa românească, de la primele consemnări, până la evaluările ulterioare acestei perioade, formulate în muzicologia secolului XX. Cu toate că textele cu profil muzical sunt destul de puține și aspectele sociale suscită, în primul rând, interesul comentatorilor, prin îmbinarea informațiilor oferite de surse de ordin general – literar, istoric, social – cu cele cuprinse în articolele de specialitate putem constitui o nouă perspectivă a componisticii ieșene din a doua jumătate a secolului al XIX-lea.

Promotion of the editions of MDFBIH and the Music Academy in Sarajevo

Promocija izdanja MDFBIH i Muzičke akademije u Sarajevu

Author(s): Dženana Aganspahić,Andrea Andrle,Emina Vrpčić / Language(s): Bosnian / Issue: 1/2015

Promocija izdanja MDFBIH i Muzičke akademije u Sarajevu, održana je 08. maja 2015. u Svečanoj sali Muzičke akademije u Sarajevu, čime su pomenute institucije javnosti obznanile neka od svojih najrecentnijih izdanja publiciranih tokom 2014. i 2015. godine. Promocija je otvorena prezentacijom najnovijeg broja Časopisa za muzičku kulturu Muzika (br. 1 / 2014), koji kvalitetom sadržaja već 18 godina plijeni pažnju bosanskohercegovačke, ali i regionalne naučne javnosti. Promotorica muzikološkog časopisa, ujedno i njegova glavna i odgovorna urednica, dr. Lana Paćuka istakla je da su promjene u strukturi redakcije koju čine afirmirani stručnjaci iz BiH, regiona i svijeta, rezultirale značajno izmjenjenim izdanjem. Posljednji broj jedinog muzikološkog časopisa na prostorima BiH, čine četiri rubrike koje obuhvataju naučne, stručne, sažetke radova priznanja i publicističke napise. Unatoč svojevrsnoj reformi programske koncepcije časopisa, postulati kvaliteta zacrtani još 1997, tj. po osnutku ove publikacije, su se dosljedno održali.

Watermill in the family Špoljarić (Korana village, Plitvice Lakes National Park)

Mlin-vodenica u obitelji Špoljarić (naselje Korana, Nacionalni park Plitvička jezera)

Author(s): Ana Mlinar / Language(s): Croatian / Issue: 29/2006

Keywords: watermill; family Špoljarić; Korana village; Plitvice Lakes; reconstruction;

Nakon što nastane od Plitvičkih jezera, rijeka Korana je tijekom 19. i početkom 20. stoljeća u naselju Korana, pokretala 5 mlinova koji su mljeli žitarice. Mlinovi-vodenice tradicijski su gospodarski objekti karakteristični za predindustrijsko razdoblje, a samo su rijetki u široj okolici još uvijek u pogonu. Mlin u obitelji Špoljarić u naselju Korana jedini je do danas očuvan i obnovljen. Zgrada je manjih dimenzija, izduženog oblika, građena sedrom i brvnima na podzidu od kamena, pokrivena daščicama šimlom. Izgrađena je u 19. stoljeću, do danas je u funkciji uz manje prekide u ratnom razdoblju.

In between ‘cheeky Parisian grisette’, ‘frivolous, light businesses’ and ‘respectable womanhood’

A „szemtelen párisi grisette”, „frivol, léha dolgok” és az erényes nőkép között

Author(s): Katalin Ágnes Bartha / Language(s): Hungarian / Issue: VI/2019

Keywords: theatrical role-types; actress’ image; normative female image; 19th century; performativity

Linked to the career of two prominent Hungarian actresses (Kornélia Prielle (1826–1906) and Lilla Bulyovszky (1833–1909)), the study focuses on some of the components of the actress’s image construction in relation to contemporary normative female images and theatrical role-types or lines of business. In fact, the two careers are seen within the framework of finding the right role/the fitting lines of business and working within it (ingénue, heroine or leading lady, ‘character’ actress or salon-actress) pointing out the different strategies used by them and the interferences of performative conventions used on and off stage. The analysis uses besides performance-criticism and other relevant historical sources, theatrical and textual self-representations of both actresses and in the case of Lilla Bulyovszky uses her fictional writings as well. The comparison may indicate the path that led to the creation of a new type of modern woman figure in the new century and so, too, we can gauge the extent to which these actresses participated in the transformation and remaking the norms of performativity for the new woman through their self-representation strategies and reception.

Coincidentia oppositorum in the theatre of ideas (Camil Petrescu and Henrik Ibsen)

Coincidentia oppositorum in teatrul de idei (Camil Petrescu si Henrik Ibsen)

Author(s): Tincuţa Racheru / Language(s): Romanian / Issue: 2/2013

Keywords: game; death; photography; time; destiny;

This paper analyse the way in which Henrik Ibsen and Camil Petrescu present an illusory game of cognitive system. The freedom of thinking offers the premise of creation which here has the role of changing the human being. Everything which appears in the shadow of time can be seen as a gregarious system, and the stereotipie amplifies the anguish of not being himself. The release from time leads to the identification of the spontaneous dimension which outlines the characters and they will be transposed, beyond their inner struggle, in middle of the intelectual effort, accepting the death. The spiritual life of the characters is seen as a photo inside of an univers which contributes to the creation of essential moments of fights

NOTES ON HENRIK IBSEN SCHOLARSHIP TODAY: POTENTIALS AND CHALLENGES IN COMBINING HISTORIOGRAPHICAL METHODS, DIGITAL HUMANITIES, AND THEATRE/LITERARY STUDIES

NOTES ON HENRIK IBSEN SCHOLARSHIP TODAY: POTENTIALS AND CHALLENGES IN COMBINING HISTORIOGRAPHICAL METHODS, DIGITAL HUMANITIES, AND THEATRE/LITERARY STUDIES

Author(s): Gianina Druță / Language(s): English / Issue: 3/2020

Keywords: Henrik Ibsen; IbsenStage; theatre historiography; digital humanities; theatre studies; literary studies; potentials; challenges; methodology;

Notes on Henrik Ibsen Scholarship Today: Potentials and Challenges in Combining Historiographical Methods, Digital Humanities and Theatre/Literary Studies . This paper explores the potentials and challenges encountered in the recent Henrik Ibsen scholarship emerging from the methodological combination of historiographical methods, digital humanities, and theatre/literary studies. In the first part, the article discusses the methodological intercrossings through examples from the Ibsen field. For this purpose, it takes theatre historiography, theatre/literary studies and digital humanities as different yet interconnected methodological portals to access the Ibsen world. In the second part, the article takes the methodological discussion further, by bringing into light the main four steps generally taken by researchers when working with this methodological combination. In this account, the IbsenStage Database is the most powerful example of a research tool at crossroads between historiography, digital humanities, theatre and literature in the Ibsen field. Finally, the article concludes that the potentials and challenges in combining historiographical methods, digital humanities and theatre/literary studies revealed in the examples demonstrate the inescapable interconnectedness of quantitative and qualitative approaches not only in the Ibsen research, but also in the humanities in general.

Poems by Loretta Bodnár

Bodnár Loretta versei

Author(s): Loretta Bodnár / Language(s): Hungarian / Issue: 810/2021

Exposure and Disclosure of Artworks

Exposure and Disclosure of Artworks

Author(s): Raphael Sassower / Language(s): English / Issue: 1/2021

Keywords: philanthropy; capitalist appropriation; aesthetic racism; public art; funding

The artworld’s ongoing imbrication in and complicity with the ever-growing web of hypercapitalism is evident in the United States. Any pretense to the contrary exposes hypocritical conduct on the fronts of artistic production, distribution, and consumption. Only public engagement with and support of the art community writ large can offer potential protection against the unwarranted and unwanted financial and political intrusion.

CENTRAL FEMALE CHARACTERS FROM VERISTIC OPERAS IN THE REPERTOIRE OF THE MARIA BIESU NATIONAL OPERA AND BALLET THEATER FROM CHISINAU

PERSONAJE FEMININE CENTRALE DIN OPERELE VERISTE ÎN REPERTORIUL TEATRULUI NAȚIONAL DE OPERĂ ȘI BALET MARIA BIEȘU DIN CHIȘINĂU

Author(s): Tatiana Busuioc / Language(s): Romanian / Issue: 2 (39)/2021

Keywords: verism; opera; female roles; the Maria Biesu National Opera and Ballet; vocal interpretation;

Veristic operas occupy an important place in the repertoire of the Maria Bieșu National Opera and Ballet Theater in Chisinau. The following operas are played regularly: Cavalleria Rusticana by Pietro Mascagni; Pagliacci by Ruggiero Leoncavallo; La Bohème, Tosca, Madama Butterfly and Turandot by Giacomo Puccini; Adrianna Lecouvreur by Francesco Cilea. The roles of female leads in the verist operas staged in Chisinau were played by vocalists at the beginning of their careers, as well as great personalities, such as Elena Obrazțova — Russia (Santuzza), Maria Nistor Slătinaru — Romania (Santuzza), Veronica Tello — Spain (Mimi), Nicoletta Mayer — Romania (Mimi), Olga Busuioc — Germany (Mimi). More examples include: 2010 — Olga Perrier — France (Cio-cio-san), 2012 — Tatiana Anisimova — Ukraine (Cio-cio-san), 2017 — Ina Loss-USA (Cio-cio-san), etc. Among the soloists of the Maria Biesu National Opera and Ballet Theater who have created powerful female roles, both from the acting point of view and the vocal interpretation, we can name: Tamara Ciornaia, Valentina Calestru, Liliana Lavric (Santuzza); Anastasia Buruiană, Oxana Cobzev, Rodica Picereanu (Nedda); Angela Pihut, Anastasia Cusnir (Mimi); Valentina Calestru (Turandot) etc. Evidently, the great Moldovan singer of international value — Maria Bieșu — manifested her talent and professionalism in all the female roles of veristic works.

Cyberspace, the Final Frontier? Concluding and Performing Agreements. Unfair Terms in B2B Adhesion Contracts

Cyberspace, the Final Frontier? Concluding and Performing Agreements. Unfair Terms in B2B Adhesion Contracts

Author(s): Carmen Tamara Ungureanu / Language(s): English / Issue: 4/2021

Keywords: adhesion contracts; B2B contracts;unfair terms;

If a few years ago the virtual space was a „place” considered exotic for concluding contracts, now it is a common practice. The vast majority of contracts can be concluded online and most of them are adhesion contracts. Adhesion contracts (take-it-or-leave-it) are a consequence of trade modernization and are absolutely necessary. Nevertheless, they carry their own special risks, no matter the adherent’s quality, that of a consumer or a professional. One of the risks is that of acceptance by the adherent of unfair terms imposed by the other contractual party. We will not discuss the unfair terms in consumer contracts, but those embedded in B2B contracts. Starting from the relatively recent legislative changes in European law and the laws of certain member states (Germany and France in particular) we will show that the current trend is to sanction abusive clauses/unfair terms in adhesion contracts, irrespective of the contract type, B2C or B2B.

SCIENTIFIC CONFERENCES ON MEDIA AND INFORMATION LITERACY: DEMOCRACY AT THE END OF THE DIGITAL BEGINNING

SCIENTIFIC CONFERENCES ON MEDIA AND INFORMATION LITERACY: DEMOCRACY AT THE END OF THE DIGITAL BEGINNING

Author(s): Emina Adilović / Language(s): English / Issue: 4/2021

Keywords: Media and information literacy; Democracy; Media trust; Multimedia in education;

Two international media and information literacy (MIL) conferences were held at the Faculty of Political Science, University of Sarajevo from November 28th to 30th, 2021. The Institute for Social Science Research of the Faculty of Political Sciences took the main role in organizing conferences with the support of the University of Hildesheim and UNESCO. Since the Institute has recently developed and published several documents and books to integrate media and information literacy curricula in schools, these conferences served as a forum for capacity building of educators, teachers, librarians, academics, IT experts, and students.

The image of the West in postmodernist Ukrainian prose

Imaginea Occidentului în proza ucraineană postmodernistă

Author(s): Aliona Bivolaru / Language(s): Romanian / Issue: 1/2016

Keywords: identity; western myth; demythologization; postcolonialism;

Наше исследование направлено на изучение образа Европы в украинской современной литературе, на презентацию отношений между Украиной и Западом, а также определение образа Другого в культурном и литературном плане. Особое внимание уделяется проблемам изучения межкультурного взаимодействия, а также этнической и национальной идентичности.

Document Serving the Conclusion of a Contract and Conveyance of a Right: Interweaving of the Roman and Greek Legal Traditions in Byzantine Private Law

Document Serving the Conclusion of a Contract and Conveyance of a Right: Interweaving of the Roman and Greek Legal Traditions in Byzantine Private Law

Author(s): Tamara Ilić / Language(s): English / Issue: 1/2022

Keywords: Byzantine law; ancient Greek law; Roman law; ownership; Byzantine documentary practice; traditio ficta

The purchase contract, often referred to as sale and purchase (πρᾶσις καὶ ἀγορασία) as an illustration of its twofold nature derived from the Roman legal tradition, or simply as sale (πρᾶσις), is suitable for analyzing different legal issues. In light of typical Byzantine document named πρατήριον ἔγγραφον, we aim to define the nature of purchase contract in this medieval legal system. Diplomatic formulae contain data about consensus of contractual parties, as well as the fact that a document was drafted “for security”, which raises the question of solemnity of this contract. The role the deed has is also discussed in the paper, as in some cases it is uncertain whether the composition and delivery of the document also implied the passing of title. Applied methodological approach takes into account the linguistic interpretation of documentary clauses and legal provisions in codes, and relies on comparative-historical method.

Marking Significant Anniversary - 1150 Years of Slovenian Literacy

Obilježavanje značajnog jubileja − 1150 godina slovenske pismenosti

Author(s): Nataša Jovović / Language(s): Montenegrine / Issue: 9/2013

Keywords: Njegos; Slovenian Literacy; Anniversary;

Na samom kraju 2013. godine ili Godine Njegoša, kako smo je na Studijskom programu za crnogorski jezik i južnoslovenske književnosti nazvali zbog velikog broja aktivnosti koje smo povodom 200 godina od rođenja najvećeg crnogorskog pjesnika preduzeli da bi se dostojno proslavila ova važna godišnjica, 27. decembra naš Studijski program obiježio je još jedan značajan jubilej – 1150 godina slovenske pismenosti. Na predavanju koje je bilo posvećeno civilizacijskoj misiji Ćirila i Metodija, u Svečanoj sali Filozofskog fakulteta, govorili su prof. dr Rajka Glušica i doc. dr Draško Došljak.

About tattoos and copyright in the digital era

Despre tatuaje și drepturi de autor în era digitală

Author(s): Carmen Tamara Ungureanu / Language(s): Romanian / Issue: 07/2023

Keywords: tattoo; tattoo artist; copyright; right to one’s own image; right to free expression; trademark;

Freedom of expression can take many forms. Tattooing is one of these, which has recently become a common and widely accepted practice. When tattoos are original works and are „worn” by famous people, whose image is frequently used in commercial advertising, a conflict may arise between the tattoo artist’s copyright in his work (of the tattoo) and the right to the tattooed person’s own image. If the tattoos are not original, being taken from images, photos, drawings, protected by copyright or, in certain cases, by trademark rights, the tattoo artist can be held liable for the violation of intellectual property rights. After placing the practice of tattooing in the Internet era (1), the legal aspects of tattooing at the intersection of art and law are analyzed (2) establishing, first, whether the tattoo is a work of art and whether a copyright can be recognized on the tattoo (2.1.). A „reconciliation” is then attempted between the copyright of the tattoo and the personality rights of the tattooed person (2.2.). Finally, the problem of the violation of the rights of third parties by tattooing is briefly addressed (2.3.).