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Search results for: Annales Apulensis in All Content

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The strive for excellence: a social-constructivist view of performance evaluation in the university sector

The strive for excellence: a social-constructivist view of performance evaluation in the university sector

Author(s): Alexandra E. Jacobsen / Language(s): English / Issue: 2/2015

Keywords: institutional excellence; standard-based evaluation; performance indicators; socially constructed meanings

Starting from the premise that ‘excellence’ is a socially constructed concept, this paper examines the view of excellence in higher education as held by one of the important stakeholders, the state. To that end a number of documents are discussed pertaining to a methodological proposal for financing aimed at allocating additional funds for excellence to Romanian universities in 2015 on the basis of a set of criteria expressed through performance indicators. The analysis follows the steps of Carol Bacchi’s model of meaning construction in policy making, to which insights from the literature on quality assessment in higher education are added. Thereby a number of views are confirmed about the standard-based evaluation in higher education, a type of evaluation which relies on the assumption that excellence can be measured according to performance indicators.

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CONCEPTUAL METAPHOR IN ROMANIAN PRESENT TIME. ʺPOLITICS AND WARʺ ON TV

CONCEPTUAL METAPHOR IN ROMANIAN PRESENT TIME. ʺPOLITICS AND WARʺ ON TV

METAFORA CONCEPTUALĂ ÎN ACTUALITATEA ROMÂNEASCĂ „POLITICĂ ŞI RĂZBOI” LA TV

Author(s): Valerica Sporiș / Language(s): English,Belarusian / Issue: 2/2016

Keywords: Conceptual metaphor; transfer; Source Domain; Target Domain; Politics and War; media; broadcast journalism

Our research is an analytical approach of war and politics conceptual metaphors as captured by present Romanian broadcast journalism. We will mainly refer to the Source Domain WAR and the Target Domain POLITICS. Our research relies on the Lakoff and Johnson`s theory and the methods we resorted to in identifying conceptual metaphors include MIP and MIPVU. Our main tenet is that conceptual metaphors rely on analogy as well as on individual and collective experience, they associate cognition with the social element and with affect.For the case study under analysis we selected metaphors clustered around two terms: war and politics. We aim to analyze the means through which conceptual metaphors clustered around different target domains (including Politics) are expressed and restructured in terms of other domains (including War). It was an interesting experiment to capture modern individual`s perception on politics and on war. The corpus we relied on was amassed by the author and mainly consists of texts displayed on TV screens during the year 2016. We resorted to these sources, as we believe that through information and spectacular, television captures the attention of the audience exerting a powerful influence upon them. Starting from the conceptual metaphor POLITICS is WAR we tried to demonstrate the topicality of some conceptual categories and the particularities of these categories. The excessive publicizing and advertising of the political life which witnesses a continuous confrontation is a reality of our times. Political life is conceived and perceived as a continuous battle of opponents, the political war pursues different targets. As a conclusion we dealt with the following aspects:-the metaphoric reorganization of the domain Politics in terms of War;- the metaphoric reorganization of other domains in terms of War;- the metaphoric reorganization of the domain Politics in terms of other domains.

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MOBILE APPLICATIONS – A USEFUL TOOL IN TEACHING AND LEARNING FOREIGN LANGUAGES

MOBILE APPLICATIONS – A USEFUL TOOL IN TEACHING AND LEARNING FOREIGN LANGUAGES

APLICAŢIILE MOBILE – UN INSTRUMENT UTIL ÎN PREDAREA ŞI ÎNVĂŢAREA LIMBILOR STRĂINE

Author(s): Valentin Todescu / Language(s): Romanian / Issue: 2/2017

Keywords: smartphone; apps

Especially over the few past years we can see a growing digitization in our everyday life. Whether it’s about mobile phones, smart phones or tablets - this kind of gadgets have become extremely helpful in many fields of our everyday life. This thing has been noticed also by the educational institutions so that they began to react and to invest in the development of some applications for the sake of education. Here are also included the applications from the field of learning foreign languages.

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Identities of French Classicism in Tudor Vianu's Literary Criticism

Identities of French Classicism in Tudor Vianu's Literary Criticism

CLASICISMUL FRANCEZ. MECANISMELE CONFIGURĂRII CONCEPTULUI

Author(s): Marius Popa / Language(s): Romanian / Issue: 2/2018

Keywords: French Classicism; literary paradigm; history of literature; exegesis; identity;

French Classicism is a notion that, through the instability of its own meanings and the "mistrust" of an exegesis that systematically questioned its conceptual legitimacy, has undoubtedly assumed a difficult destiny. Permanent approximations of literary history – always hesitant – in defining the classical paradigm prove, in fact, the difficulty with which the specialists have managed and continue to manage, to this day, the identity of Louis XIV’s epoch, thus placing it under the inevitable sign of the aporia. We will follow, in this article, the evolutionary lines of the genesis of French classicism, the multiple identities that it borrowed before "finalizing" – as a notion – after 1800, the turning points of the dynamic of the current, all of them generating, each time, important theoretical debates on the aesthetic "laws" that articulated the masterpieces of Corneille, Molière, Racine or Pascal.

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La Femme Comme Champ de Bataille by Matéi Visniec: The Sexual Fight in the Interethnic War

La Femme Comme Champ de Bataille by Matéi Visniec: The Sexual Fight in the Interethnic War

LA FEMME COMME CHAMP DE BATAILLE DE MATÉI VISNIEC : LES ACTES DE VIOLENCE SEXUELLE DANS LES GUERRES INTERETHNIQUES

Author(s): Vlad Dobroiu / Language(s): French / Issue: 2/2018

Keywords: violence; rape; inter-ethnicwars; refugee; European Union;

La femme comme champ de bataille by Matéi Visniec was created in 1997 at Théâtre des Roues in Avignon and published the same year by Éditions Actes Sud – Papiers. The author reveals that, in order to write this play, he was inspired by several books on inter-ethnic wars that took place in the Balkans in the late 20th century and by real testimonials that were collected by VeliborČolic in the volume Chronique des oubliés (1994, Éditions La Digitale). In this play, the author dramatizes the story of a woman who was raped by five men. Due to this tragic event, she suffers from posttraumatic stress disorder. Dorra initially refuses to talk with her psychologist, Kate Mc’Noil, who is specialized in psychoanalytic treatment. After a while, the two women begin to talk about their lives, the Balkans, the United States and the inter-ethnic wars.Nowadays, the far-right political parties, such as the National Front in France, gain ground slowly but surely across Europe. The economic crisis and the non-European immigration are often considered to be the causes of the rise of the far-right in some countries of the European Union. Victims of violence, the refugees from Middle East frequently experience difficulties in settling in EU. Many journalists from EurActiv, an independent European media platform, reveal that some refugees, who had to leave their countries, mostly following terrorist attacks, arrive in Europe, often become victims of violence and, in some cases, are even raped. Aline Robert publishes, for instance, on 10 November 2015, an article entitled “L’UE ferme les yeux face à la violence envers les migrantes” where she reveals the tragic fate of some female refugees who fled their homes since the outbreak of the civil war in Syria and who were exposed even in Europe to different forms of violence.

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Words Related to Popular Beliefs From Sălaj

Words Related to Popular Beliefs From Sălaj

DIN LEXICUL CREDINŢELOR POPULARE SĂLĂJENE

Author(s): Denisa Tout / Language(s): Romanian / Issue: 2/2018

Keywords: popular beliefs; local folklore; terminology; etymological perspective; semantics;

The current study entitled “Words related to popular beliefs from Sălaj” focuses on the authentic local folklore as well as on the terminology of this field. Throughout centuries, people from Sălaj forged their own folklore which is rich in artistic creations, popular customs and traditions, but besides this, the local people pay much attention to superstitions, popular beliefs and magical practices. Therefore, these people proved to be good keepers of popular beliefs and take “dangerous days” very seriously. The topic includes the lexical peculiarities of this region as well as the sociocultural and anthropological aspects. The linguistic area includes numerous words from the terminology of the topic in discussion where the richness of the material permits us to provide an analysis of the terms and syntagms. Therefore, the paper is going to focus on these terminologies, mainly from an etymological and semantic perspective.

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THE SYNCHRONIZATION OF THE POETRY OF THE EIGHTIES 
WITH AMERICAN POETRY. 
CASE STUDY ON THE “LOVE” POETRY OF MIRCEA CĂRTĂRESCU

THE SYNCHRONIZATION OF THE POETRY OF THE EIGHTIES WITH AMERICAN POETRY. CASE STUDY ON THE “LOVE” POETRY OF MIRCEA CĂRTĂRESCU

SINCRONIZAREA POEZIEI OPTZECISTE CU POEZIA AMERICANĂ. STUDIU DE CAZ PE POEZIA DE ,,DRAGOSTE” A LUI MIRCEA CĂRTĂRESCU

Author(s): Ioana Botizan / Language(s): Romanian / Issue: 2/2020

Keywords: desentimentalization; demythification; anthropomorphization; irony; synchrony;

The synchronicity or diachrony of a minor literature in relation to a major literature (which emits, imposes poetic directions) can be observed in several ways: the choice of the imaginary, of the stylistic means, of the influences, of the motives, but especially by the way of dealing with themes of universal circulation. The way a poet treats a certain theme of universal circulation also reflects the stylistic procedures used, which in turn account for the synchrony or diachrony of the poetic manner in relation to the theoretical direction of the moment. The present paper discusses the ways of dealing with the theme of love in Cărtărescu’s poetry. A poetry that not only manages to synchronize with American poetry, but also manages to impose a new direction in Romanian poetry. Mircea Cărtărescu together with Florin Iaru, Traian T. Cosovei, Stratan and other poets of his generation aim to revolutionize poetry, to change the way of making poetry. This would not be possible without new mechanisms of stylistic approach such as: irony, deconstruction, intertextual means, different syntactic means, cultivating the paradox, insistence on images, on the sensory, etc. Love, one of the great universal themes, in which so much gravity has been invested over time, in Mircea Cărtărescu’s poetry is shaken by feeling, by emotion, only the attitude or the remnants of the “girlfriend’s” temperament remain. The feeling is desentimentalized, truncated and the ideal of love is easily set aside in favor of everyday frivolity. Poeme de amor are dialogic poems, written in the personal style promoted by Frank O’Hara. Mircea Cartarescu ostentatiously comes out with the volume Poeme de amor that overturns the perception of eros so exploited by the romantics, freeing him from the sentimentality still preserved by modern poets. The poet descends his beloved from the pedestal and adapts his languageto the new constructed reality. An adress such as “beast”, “freckled”, etc. is now suitable for the desecrated girlfriend, and the self-denial is opposed to the Eminescu’s call. Cărtărescu’s poetry can be seen as a manifest type of poetry, which seeks to reproduce a change of direction in Romanian poetry. Poeme de amor are poems of the figurative, the penumbra of sentimentality is removed, leaving only nuances of ridicule. Poetry does not actually convey an emotion, but becomes an antechamber of emotion, which shows its manipulative tricks, and the forbidden feeling becomes a metasentimen shrouded in frivolity. The deconstruction of sentimental poetry is also marked by the perversion of the human, once it has given way to objects animated by everyday problems, poetry is depersonalized, dehumanized (in the sense given by Ortega and Gasset in Dehumanization of Art..., not in the sense of inhuman). Love is now shared by anthropomorphized objects, it thus acquires a character of banality and indirectly a weakening of the intensity of living is obtained. Where love is not ridiculed, it is presented as an extinguished love, a domestic, captivating love that steals from the freedom of the self and its creative force, as is the case with the poems from the “Draga Cri” cycle, from the volume “Dragostea”.

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NOMINA ACTIONIS IN ROMANIAN AND SPANISH IN THE 17TH CENTURY

NOMINA ACTIONIS IN ROMANIAN AND SPANISH IN THE 17TH CENTURY

NOMINA ACTIONIS ÎN VEACUL AL XVII-LEA ROMÂNESC ȘI ÎN CEL SPANIOL

Author(s): Andreea Ionica Micu / Language(s): Romanian / Issue: 2/2020

Keywords: derivation; action names/nomina actionis; abstract derivatives; suffixes; Romanian; Spanish;

This paper presents the abstract derivatives which form both action names and action result names, from morphological and semantic perspectives. We will briefly follow the suffixes used in the formation of these nouns in Romanian and Spanish languages, from 17th century. Considering the evolution of the suffixes -tu and -ti from Indo-European and of the Latin formations in -tus and -tio, we will analyse the action names suffixes from both Romance languages, according to their etymology: inherited, borrowed or created. Through this study, we will try to have a short description of these suffixes which can encompass their origin and evolution, but, especially, to capture their appearance and transformation by comparing them. In order to investigate the derivatives with these suffixes, from the mentioned period, we will build an inventory of words from a relatively small, but very significant corpus, more exactly, from two representative works of each language, namely, Divanul sau Gîlceava înțeleptului cu lumea sau Giudețul sufletului cu trupul by Dimitrie Cantemir and Historia de la vida del Buscón, llamado don Pablos; ejemplo de vagamundos y espejo de tacaños by Francisco de Quevedo. Even though, in Latin language, the abstract names were used day to day with minimal frequency, once the Romance languages were formed, they have become widespread in different environments. The diverse nature of these nomina actionis will be studied in the light of formations from verbal and adjectival bases, to which suffixes, such -tione, -itia, -tu, -mentu/ -men, -antia, -tura, -sura, -antia will be added. Since the many derivatives are built according to the participle of the main verbs, we will focus on the verbal base types and the characteristic suffixes, like in the case of -antia. The continuation of these action names and the usage of the suffixes from their structure will be observed in Romance languages, which generate a multitude of varieties, applying, with priority, infinitive and supine bases. In Romanian language, the abstract derivatives are formed from verbal bases, to which lexical suffixes can be added, for example, -tură, -ciune, -anie, -eală, -ie, -mânt, -toare, -enie, -et, -ință, -iș, -șag, -șug, -re, from which there can be distinguished the suffixes -re and -tură having the biggest productivity. Similarly, in Spanish, we detect action names derived from verbal bases and Latin suffixes, such as -ado/-ada, -dero, -ero, -ido, -miento, -ción, -ón, -zón, -ura. By means of this corpus, we will grasp the utilization frequency of these suffixes, the formed derivatives and their values.

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From anthropocentrism to ecocentrism: an ecocritical interpretation of The Hunger Games trilogy

From anthropocentrism to ecocentrism: an ecocritical interpretation of The Hunger Games trilogy

DE LA ANTROPOCENTRISM LA ECOCENTRISM: O INTERPRETARE ECOCRITICĂ A „JOCURILOR FOAMEI”

Author(s): ADINA-MIRELA FEȘTEU / Language(s): Romanian / Issue: 1/2021

Keywords: The Hunger Games; new critique; spatiality; ecocriticism; dystopian fiction; pastoral;

The interdisciplinary character of contemporary literary discourse offers us new epistemological frameworks for interpreting a text. The dialogue of criticism is intertwined with scientific, philosophical, anthropological, psychoanalytic disciplines. The focus of critical practices is on the "conceptual constellations" offered by the theme of spatiality, spectrality, ecology, trauma, or gender study. The problematic context caused by climate change and environmental degradation forces the change of anthropocentric perspectives with some ecocentric ones. The Hunger Games trilogy by Suzanne Collins presents an eco-apocalyptic fictional directive whose thematic multilayer presents the perfect background for interdisciplinary analysis, at the level of ecology and literature. The questions to which this article is intended to be answered are: To what extent does the “new critique” replace/complement the traditional critical act? How can we use science to deepen the content of Suzanne Collins' Hunger Games trilogy? The present study aims to make a foray into the paradigm of new critiques, focusing on ecocriticism, to demonstrate how science can become the theoretical framework in literary analysis, and to use the theoretical framework of ecocriticism to deconstruct nature-humanity dialogue in The Hunger Games trilogy by Suzanne Collins. Following the model given by Greg Garrard in the book Ecocriticism from the series The New Critical Idiom, namely, structuring the work on the pillar concepts of ecocriticism, an interpretation of The Hunger Games trilogy was made, focusing on the main tropes around which ecocriticism is built: Apocalypse, Wilderness, and Pastoral.

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The Epoch of the 1848 Revolution in the Romanian Principalities as seen by a Contemporary

The Epoch of the 1848 Revolution in the Romanian Principalities as seen by a Contemporary

EPOCA PAȘOPTISTĂ VĂZUTĂ DE UN OM AL TIMPULUI – G. SION

Author(s): Iuliana Wainberg-Drăghiciu / Language(s): Romanian / Issue: 1/2021

Keywords: Romanian writers; 1848; Moldova; memoires; personal experiences;

Affected by many political and thus social events, the Romanian society inthe middle of the XIXth centurywent through many pressures, this being a particularly important period in terms of its changes and evolution both nationally and culturally. It is a period in which the intellectuals of the time try to get involved, to find solutions for the freedom and emancipation of Romanians. Moreover, many writings from the three Romanian countries reflect and denounce the events, abuses and aspirations of freedom and union.Subsequently, out of the desire to leave to future generations notes, sometimes detailed, and explanations on a wide range of issues, many writers considered it necessary to publish their memoirs. G. Sion is one of them andhe manages to offer us remarkable pages, in which the rendering of observations, but also of thoughts, feelings and personal experiences are intertwined with an admirable sensitivity and modesty of their author.

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The groupe of suffixes with collective meaning in Castilian and Romanian

The groupe of suffixes with collective meaning in Castilian and Romanian

EL CONJUNTO DE LOS SUFIJOS CON SENTIDO COLECTIVO EN CASTELLANO Y RUMANO

Author(s): Ionica-Andreea Micu (Rad) / Language(s): Spanish / Issue: 1/2021

Keywords: Castilian; Romanian; Latin; suffix; collective; derivation;

This work seeks to find and describe the suffixes that create collective names in the Castilian and Romanian languages from 16th and 17th centuries, aiming to mark the Latin inheritance and to justify the analogy between both Romance languages. In Latin there are numerous and specific feminine lexical groups, like plants, objects, abstract nouns, ‘pluralia tantum’, fruits that, in the late and medieval periods of Latin, suffered a transformational process from neutral plural in -a to feminine singular, naturally preserving the collective meaning. Subsequently, the collective derivatives are classified in two main categories: firstly from adjective themes and secondly from nouns. The relevant suffixes from both sections could be distinguished as: -etum/ -eta, -aria, -alia with their variants -ilia, -ulia and -mentum/ -menta, -amen, -imen, -umen, -atura. Furthermore, in Castilian, on one side we found ourselves before the Latin inheritance and we pursued the modality in which the following collective suffixes have been transferred and persevered in the spoken and written language: -men, -menta,-amen/ -ambre, -imen/ -imbre, -umen/ -umbre, -edo/ -eda, -dura/ -adura, -ero/ -era, -ería/ -ería, -al/ -alla. On the other side, the collective characteristic is adopted in the new Castilian forms, phenomenon that is driven by the Iberian Peninsula speakers who tend to perceive the derivate methods inthe process of words’ formation and to experiment the versatility of the language. Therefore, this fact exposes us the path of collective meaning of the subsequent suffixes received from Latin or other languages: -ar, -ario/ -aria, -ajo/ -aja, -ía/ -ío, -aje, -ado/ -ada, -zón, -eno.In Romanian, the series of Latin suffixes (-ame/ -amă/ -ami,-ărime, -ime/ -âme/ -imi, -ét/ -ăt, -ură/ -tură, -ătate, -mânt/ -minte, -ar, -ăreț, -eață, -it, -ărit, -ină, -ie, -ărie) exceedthe suffixes from different origins (-enie, -iș, -iște), while the collective derivatives are more locally created rather than inherited from Latin. Afterwards, the description of the suffix types becomes more explicit during the study of the corpus,which is a representation of the religious and literary characters of the 16th and 17th centuries.

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Developing the Sense of Writing with One’s Class through a Cooperative Novel

Developing the Sense of Writing with One’s Class through a Cooperative Novel

DÉVELLOPER LE SENS DE L’ÉCRITURE AVEC SA CLASSE PAR UN ROMAN COOPÉRATIF

Author(s): Rodica Gabriela Chira / Language(s): French / Issue: 1/2021

Keywords: cooperative novel; multidisciplinary approach; theater; fable; letter; poetry; music and history;

Yves Baticle and Christophe Pavie, both trainers of young teachers in connection with the INSPÉ (Institut National Supérieur du Professorat et de l’Éducation) of the University of Caen, Normandy, France,come to us with a method of didactic approach to writing by the creation of a novel. Dedicated to students aged 8 to 12, this book can expand its target audience up to 18 years. Based on specialized sources as well as on the didactic experience of the authors, the book proves to be an important tool not only for the teacher of French as a mother tongue, but also for any other teacher who would like to apply this method with another mother tongue.This “two-handed” work devoted to adults, and therefore to teachers, includes nine chapters, the first three explaining the principles and the steps to follow, the importance of a brief perspective on the genre. The other six propose “6 totally independent courses of writing a cooperative novel”, through the treatment of “6 fundamental themes which resonate with the novel from school to high school: the theater, the fable, the letter, poetry, music and history” (10). Each course indicates “the core competences at work” (10), in a multidisciplinary approach.

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Romanian Principalities through the Eyes of Foreign Travellers in the Nineteenth Century: Spatial Representations

Romanian Principalities through the Eyes of Foreign Travellers in the Nineteenth Century: Spatial Representations

PERSPECTIVE ALE CĂLĂTORILOR STRĂINI ASUPRA PRINCIPATELOR ROMÂNE ÎN SECOLUL AL XIX-LEA: REPREZENTĂRI SPAȚIALE

Author(s): Lavinia Sabou / Language(s): Romanian / Issue: 2/2021

Keywords: literary geography; memory of places; national identity; representing landscapes; Eastern Europe;

For the Romanian Principalities, which were under the protection of the Allies throughout the Crimean War, the direct consequence of the Peace Treaty of Paris of 1856 was the exit from the Russian protectorate and the abolition of the Organic Regulations. If until then the Romanian countries were an unknown point on the world's map, the multitude of news about the course of the Principalities towards national autonomy and about the management of diplomatic relations with the expansionist Russian and Turkish powers that competed on the political scene of the Romanian space generates the formation of a curious Western public. In this context, the travel writings of foreign diplomats do not only provide some pieces of information, but outline an entire cultural framework that is claimed from the memory of the Orient, one of the very debated topics in the Western tradition.

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Anthropological accents in Mircea Cărtărescuʼs Rem and Mendebilul, from the play  perspective

Anthropological accents in Mircea Cărtărescuʼs Rem and Mendebilul, from the play perspective

ACCENTE ANTROPOLOGICE ÎN NUVELELE LUI MIRCEA CĂRTĂRESCU, REM ȘI MENDEBILUL, DIN PERSPECTIVA JOCULUI

Author(s): Sandra Bianca Bocșa / Language(s): Romanian / Issue: 2/2021

Keywords: cultural anthropology; symbol; childhood games; imitation; degradation;

Known as a theoretician of Romanian Postmodernism, Mircea Cărtărescu is read through a premeditated formula, in an almost guided lecture, the texts being decrypted in postmodern form. Even though it has a lot to offer, the anthropological realm of Cărtărescuʼs texts has not been sufficiently explored. The playful references, which regularly appear in Mircea Cărtărescuʼs prose, are not variations on the narrative, but on the contrary, definitive elements for the sociocultural contour of the texts. Therefore, the following paper investigates the anthropological realm of two short stories included in the volume Nostalgia, Rem and Mendebilul, which revitalise, in a combination between reality and imaginary, a universe of play which is reminiscent of magic rituals, mysticism and accents of anthropology. Quantifying Jean Cuisenier and Andrei Oișteanuʼs anthropological studies, which identify the common elements in the psychology of the child and the psychology of the primitives, the paper follows the two major trajectories from the two of them, with the aim of the children to take elements from the adult world. If in the short story Mendebilul, the organisation and the childrenʼs attitude in play time highlight the idea of taking over through imitation of the behavior models manifested in their immediate reality, put into discussion by Jean Cuisenier, in the short story Rem, the game of the Queens emphasizes the idea of taking over through the degradation of rituals of passing in the adult world, highlighted by Andrei Oișteanu. Both trajectories place great importance on the place and the role of the child in the conservation of culture, childhood games, through the excellence of the cultural actions, being a way to propagate the identity spirit.

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Cultura and Decay

Cultura and Decay

CULTURĂ ȘI DECĂDERE

Author(s): Odette Arhip,Cristian Arhip / Language(s): Romanian / Issue: 2/2021

Keywords: decline; fiction; history; myth; moral principle; hero; symbol;

Our contribution reads the theme of the historical disaster represented in Romanian literature. The observations highlight an era of decline in which Moldova is seen through the prism of a foreigner and a local character. Fiction combines with reality and the comments point to the real elements and those that add romantic features intertwined with some classic ones. The love intrigue, the real historical information offers a lot of credibility and gives the opportunity to analyze and bring into attention an important historic novel of Romanian literature. The sacred past with mythical implications forms the background of this interesting and generous fiction.

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The Linguistic and Cultural Imagery of the Epitaphs at the ”Merry Cemetery”, Săpânța

The Linguistic and Cultural Imagery of the Epitaphs at the ”Merry Cemetery”, Săpânța

IMAGINARUL LINGVISTIC ȘI CULTURAL AL MORȚII ÎN EPITAFURILE DIN „CIMITIRUL VESEL” DE LA SĂPÂNȚA

Author(s): Anca Lorena Sacalîș / Language(s): Romanian / Issue: 2/2021

Keywords: linguistic imagery; cultural imagery; epitaphs; funerals; conceptual metaphors;

A strictly conceptual approach to death, over the ages and in all places, starting in the most primitive times, depicts it not as an end to life, but rather as a passage towards a different state of being. The Romanian peasant has built a whole conceptual diversity around the idea of death. He embraced the objects intrinsically related to demise with metaphors, by means of rituals or poetry, turning this extinction imagery into a possibly vast research area. By personifying death and providing it with human characteristics, adding elementsof space and time to it immutable and somehow abstract nature, the simple, ordinary man managed to put in words,often spontaneously, a specific, familiar perception of death.In this study, we would like to present, in the most vivid colors possible, those passages in the epitaphs at the “Merry Cemetery” that speak of the intimate relationship between man and death, and for this purpose we will focus on certain linguistic testimonials that are relevant in this sense. The conceptual metaphors and the images suggestive of death, present in the epitaphs, do not belong to the Romanian heritage only; they can be retrieved in other cultures as well. Therefore we should approach this thesaurus at its very roots, at the very "womb" of which it sprang out, in order to gain a better view over the symbolism it carries. Of course, we will not omit the local cultural side either, expressed through the so-called bocete and verșuri that repeat themselves as letimotives along the epitaphs. These peculiar lyrics represent, without discussion, not so much of a refined reaction of man when confronted to his transience, but rather a spontaneous, visceral reaction, already existing for ages and thus valuable for the ancient tradition it evokes.

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FROM THE HISTORY OF LIVING TO THE EXPERIENCE OF HISTORY - A PROJECTED DESCRIPTIVE PANORAMA OF ROMANIAN LITERATURE

FROM THE HISTORY OF LIVING TO THE EXPERIENCE OF HISTORY - A PROJECTED DESCRIPTIVE PANORAMA OF ROMANIAN LITERATURE

DE LA ISTORIA TRĂITULUI LA TRĂIREA ISTORIEI - O PROIECTATĂ PANORAMĂ DESCRIPTIVĂ A LITERATURII ROMÂNE

Author(s): Diana Câmpan / Language(s): Romanian / Issue: 1/2022

Keywords: literary criticism; history; Mircea Anghelescu; Romanian literature;

This paper is an analysis of some of the principles and points of view of the literary critic and historian Mircea Anghelescu, one of the most relevant analysts of the Romanian cultural phenomenon. I highlight how the literary historian manages to debate the issue of adapting national literature, in each era, to the European and universal aesthetic, cultural, social, political and religious value system. At the same time, we bring to the center of interest an ample project of the literary historian Mircea Anghelescu, to achieve an ample descriptive panorama of the Romanian literature.

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ARCHETYPAL STRUCTURES AND FUNCTIONS OF MYTH IN ACTUALITY

ARCHETYPAL STRUCTURES AND FUNCTIONS OF MYTH IN ACTUALITY

STRUCTURI ARHETIPALE ȘI FUNCȚII ALE MITULUI ÎN ACTUALITATE

Author(s): Constantin-Andrei Pătrăucean / Language(s): Romanian / Issue: 1/2022

Keywords: myth; archetype; evolution; collectivity; sacred; profane;

The concept of myth has permanently known different interpretations, which has led to a diachronic analysis of it, in order to observe the evolution and the stages it has gone through over time. As a repository of an archaic mentality, the myth reaches as far as contemporary society, but is altered by the specifics of the postmodern era, where new myths and archetypes appear, which seem to radically change the paradigm of the myth. The old archetypal structures that we encounter since the first forms of social organization (clans, tribes, etc.) and which were later transmitted in the traditional societies of past centuries are gradually disappearing, being replaced by values of the contemporary world. However, the myth in its original form has not finally disappeared, still being noticed sporadically, especially in rural society, through rites of passage (birth, wedding, funeral) or during certain ceremonial moments. The archetypes are preserved in the collective minds of mostly elderly people, while in the young population, new myths with another symbolic value appear, such as the myth of singer Michael Jackson, Coca Cola brands, Starbucks or parades, events or processions, whether religious or secular: pilgrimages to monasteries, processions with the relics of saints, music festivals, etc. The archetypal structures thus depend on the functions of the myths that the collective imagination continues in one form or another, either by giving them sacred valences or by anchoring them in the profane of the present age.

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TEMPORAL ALTERNATIONS IN THE FICTION GAME OF THE NOVEL THE MASTER AND MARGARITA, BY MIHAIL BULGAKOV

TEMPORAL ALTERNATIONS IN THE FICTION GAME OF THE NOVEL THE MASTER AND MARGARITA, BY MIHAIL BULGAKOV

ALTERNANȚE TEMPORALE ÎN JOCUL FICȚIUNII DIN ROMANUL „MAESTRUL ȘI MARGARETA”, DE MIHAIL BULGAKOV

Author(s): Maria Holhoș,Andra Gabriela Holhoş / Language(s): Romanian / Issue: 1/2022

Keywords: transitory; conscience; drama; outdatet; maze;

The novel, although in appearance seems symmetrical, proves to be an intricate maze of alternations of time segments. Moments of the penetration and consolidation of communism in the cultural muscovite structures alternates with those occurred almost two thousand years ago, the trial and conviction of Ha-Nozri (Iisus Hristos) to death by crucifixion. The time of the narration is placed during The Holy Week, and lasts only a few days, from Wednesday to Saturday. The novel focuses on the existential issues filtered through the character’s own conscience. The significances are inferred from the conflicts of ideas dominating the content giving it a satirical tint. The discrete, persistent jewelry is captivating and draws the reader’s attention to the philosophical under layer completed by the drama of the intellectual seeking for knowledge. The beauty of this structural filigree sustained by outdate triggers a permanent reflexive attitude in the reader.

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THE PHENOMENOLOGY OF SPACE OR THE PHENOMENON OF SPATIALITY?

THE PHENOMENOLOGY OF SPACE OR THE PHENOMENON OF SPATIALITY?

FENOMENOLOGIA SPAȚIULUI SAU FENOMENUL SPAȚIALITĂȚII?

Author(s): Alice (Geogean) Jurcoveț / Language(s): Romanian / Issue: 1/2022

Keywords: space; spatiality; travel;

The aim of this paper is to make a distinction between the terms of space, and also a discrimination between phenomenology and phenomenon, concepts related to the term space.

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