„Нора Нора“ от Евалд Флисар и „Куклен дом“ от Хенрик Ибсен – от модерния мит до постмодерния стереотип
“Nora Nora” by Evald Flisar and “A Doll’s House” by Henrik Ibsen – from Modern Archetype to Postmodern Stereotype

Author(s): Elizaria Ruskova
Subject(s): Theatre, Dance, Performing Arts, Language and Literature Studies, Literary Texts, Fine Arts / Performing Arts, Theory of Literature, Drama
Published by: Национално издателство за образование и наука „Аз-буки“
Keywords: “A Doll’s House”; Ibsen; “Nora Nora”; Evald Flisar; Modernism; postdramatic theatre
Summary/Abstract: As a methodology the article uses the theory of adaptation, the postulates of intertextuality and of Postmodernism. It analyses the reasons for the selection of the new adaptation. “Nora Nora” revisits “A Doll’s House”, which generated Modernism in drama, through the technique of fragmentation, the reversal of power relations, and the predominance of game, exposed in language as well as in quotations and their ironic turning, so that it fits perfectly into the model of postdramatic theatre. The Slovenian play builds on Ibsen’s cognitive model of the relationship between gender, social structures and modernity using the principle of collage drawing from masterpieces by Ingmar Bergman and Thomas Ostermeier.

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