Laboratorium pamięci. Trauma i afekt w spektaklach Krzysztofa Warlikowskiego
The laboratory of Memory. Trauma and affect in Krzysztof Warlikowski’s theatre

Author(s): Aleksandra Łabędzka
Subject(s): Theory of Literature, Sociology of Art
Published by: Wydawnictwo Uniwersytetu Łódzkiego
Keywords: Krzysztof Warlikowski; memory; trauma; affect; staging
Summary/Abstract: The aim of this article is to examine how Krzysztof Warlikowski explores the themes of memory, difficult experiences, trauma and affects in his theatrical productions. An analysis of his directorial strategies is also conducted - how these issues are presented and whether they can impact the audience. Drawing on research into the visuality of Ernst van Alphen and post-memory in the approach of Marianne Hirsch, the text illustrates how theater can be utilized to convey and explore themes related to the Holocaust, memory, and post-memory. The analysis of plays such as "Odyssey. A Story for Hollywood", "Elizabeth Costello" or "(A)pollonia" also includes a discussion of theatrical techniques and methods helpful in influencing the audience’s awareness and encouraging reflection on traumatic experiences. Warlikowski, by creating a collage of micro and macro histories, an archive of human experiences and desires, tests various narrative approaches, tries different forms and discourses, multiplying perspectives of characters entangled in numerous fears and affects. He raises questions about the role of sacrifice, selflessness, and unconditional love and suffering. In this way, the article sheds light on the role of theater as a space for shaping historical sensitivity and awareness, and allows for further research into memory and post-memory in audio-visual arts.

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