FUM PENTRU CLARINET SOLO DE DOINA ROTARU - ASPECTE STILISTICE ŞI INTERPRETATIVE
SMOKE FOR SOLO CLARINET BY DOINA ROTARU - STYLISTIC AND INTERPRETATIVE ISSUES

Author(s): Daniel Paicu
Subject(s): Social Sciences, Education, Fine Arts / Performing Arts, Music, Vocational Education, Pedagogy
Published by: Biblioteca Ştiinţifică a Universităţii de Stat Alecu Russo
Keywords: Smoke; clarinet; analysis; archetypes; effects;
Summary/Abstract: Written for solo clarinet in 1996, the work of composer Doina Rotaru, the Smoke, proposes the illustration of the symbolic element declared in the title by a particular sonority dependent on a space that implies the presence of another instrument, the piano, borrowing from the vibration of its resonance assimilating and absorbing the harmonics. More evident than the piece architecture is the technical means of sound organization, variation principle prevailing in it and causing a certain formal circumstance by rhythmical entity around which the mechanisms are focused. A permanent oscillation between acute and the grave register, rhythmic oscillation between long and short sounds, the contrast between very small and very strong colors, the game between vibrato and non-vibrato, frullatto and non-frullatto, calmo - nervoso - calmo are elements that predominate the whole work, intensifying the emotional intensity many times as an authentic dirge.

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