Soziologie der theatralen Formen. Zur Versinnlichung des Sozialen auf der Bühne
Sociology of Theatrical Forms. On the Sensualization of the Social on Stage
Author(s): Raffael HidenSubject(s): Theatre, Dance, Performing Arts, Aesthetics, Contemporary Philosophy, Sociology of Art
Published by: Odsjek za germanistiku - Filozofski fakultet Sveučilišta u Zagrebu
Keywords: Georg Lukács; Milo Rau; aesthetics of form; sociology of the theatre; reverse mimesis;
Summary/Abstract: This article provides an outline of a sociology of theatrical forms by linking sociological diagnoses of the present with current theatrical practices. The aim is to exemplify a specific interrelation (not a homology) between society and theatre, which is to be understood as an ›aesthetic-subversive practice‹. In accordance with the idea of ›reverse mimesis‹ (V. Žmegač), theatre and society intertwine to form knowledge-poetological interpretations of reality; sociological and theatrical forms thus produce ›realities‹ in an interdependent way; a way to be investigated by a future sociology of theatrical forms. Milo Raus theatre projects offer a first methodological sketch for this.
Journal: Zagreber Germanistische Beiträge
- Issue Year: 2020
- Issue No: 29
- Page Range: 145-162
- Page Count: 18
- Language: German