FRAGMENT RĘKOPIŚMIENNEGO UTWORU WYKŁAD NABOŻNY PIOSNKI „SALVE REGINA” (POŁ. XVI WIEKU) JERZEGO ARGIGLOBYNA W KONTEKŚCIE REFORMACJI. NAZWY SEKWATYWNE I NAZWY WŁASNE
A FRAGMENT OF THE MANUSCRIPT WYKŁAD NABOŻNY PIOSNKI „SALVE REGINA” (A PIOUS INTERPRETATION OF THE SONG “SALVE REGINA”) (MID-16TH CENTURY) BY JERZY ARGIGLOBYN IN THE CONTEXT OF THE REFORMATION. SEQUATIVE NAMES AND PROPER NAMES

Summary/Abstract: The aim of this paper is to present a fragment of Wykład nabożny piosnki „Salve Regina” (A pious interpretation of the song “Salve Regina”), a ca. mid-16th-century manuscript by Jerzy Argiglobyn, in the context of the Reformation by means of a lexical and semantic analysis of the sequative names (Lat. nomina sequativa) and proper names occurring there. The selection of the fragment was determined by the fact that, on the one hand, it is the essence of the discussed manuscript as a polemic work, which arises from the accumulation of references to the Reformation, and on the other hand, this fragment is the most problematic one when it comes to a lexical and semantic analysis. The author of the manuscript, when referring to the Reformation, enumerates the names of the theologians associated with it and mentions the places important to the new faith and the followers of the proliferating Reformation denominations. He provides each piece of such information in a manner presenting it in a negative, at times even insulting, light.

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