NARRATIVE CONCEPTS OF MICHAIL SHUKH’S OEUVRE Cover Image

НАРАТИВНІ КОНЦЕПТИ ТВОРЧОСТІ КОМПОЗИТОРА МИХАЇЛА ШУХА
NARRATIVE CONCEPTS OF MICHAIL SHUKH’S OEUVRE

Author(s): Viktor Stepurko
Subject(s): Psychology, Music
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: postmodern narrative, patterns of musical thinking; meditative; psychological reality; "Bahianism"; dissonant sounds;

Summary/Abstract: The purpose of the article. Definition of the conceptual component of composer M. Schuh's work in the context of the specificity of the postmodern narrative, taking into account the multifaceted and stylistic orientation of his work. The methodology of the research is based on the application of general scientific and special methods of analysis of the narrative essence of creativity of the composer, in particular: analysis, synthesis, logical method. A comparative analysis of the essence of the linguistic content of one's creativity at the level of the musicological aspect of certain works is made. The scientific novelty is to establish in the work of M. Schuh the essence of therapeutic approaches in understanding the role of music, as well as to analyze it for the first time in the context of narrative psychology and the theory of historical narrative. Conclusions. The instrumental type of composer's work is expressed in the form of interest in the ideas of sound and intonational symbolism, meditativeness, and detachment from reality, at the level of use of oriental narrative concepts of immersion in the inner world. The spiritual work of the composer on religious texts is expressed at the level of the ecumenical narrative nature of the understanding of God. Thus, the architectonics of the work is built on its compositional principle, based on rhetoric that combines thought through improvisational transitions from one "tropes" to the other. It is believed that the basis of human activity - its ability to self-identification. The German philosopher G. Hegel calls this process the transformation of a spiritual substance into an object of his own "I." Spirituality is the essence of personality, but at the same time, it is "otherness and being for oneself, something that, in its part, remains in itself." In other words, this entity is a manifested object, it is a reality that the Spirit has built-in himself, but because of this, he has not lost his universal existence.

  • Issue Year: 2019
  • Issue No: 36
  • Page Range: 193-198
  • Page Count: 6
  • Language: Ukrainian