Ноематичні риси авторської мови В. Івасюка
Noematic Characteristics of the V. Ivasyuk Author’s Language

Summary/Abstract: The purpose of the article is to investigate and determine the indicators of V. Ivasyuk's author language to reveal the stylistic meaning of his song creative legacy. The methodology is based on a combination of historical and biographical approaches in line with the culturological method. The phenomenological-semantic method is integrative, with the enhancement of its noematic direction. All of these approaches operate in a comprehensive application to the phenomenon of personality of V. Ivasyuk as a sign for the dominant ethical features of the national Ukrainian consciousness. The scientific novelty of the study lies in the fact that the phenomenon of V. Ivasyuk's author's language in the pop song genre is comprehensively revealed for the first time, the author's style and style of the creator's songs are defined as a noematic phenomenon. Conclusions. The originality of the song vocal intonation at the present stage is based on several factors that contribute to the commonality of compositional ideas of various authors: the desire for sound performance; psychological depth and expressiveness of musical images; substantial complexity of the work and its structural basis. In general, it is possible to determine the ways and directions of interaction between the common opera and chamber-song vocal-declamatory stylistics that are relevant to the creative language of V. Ivasyuk. Song melody as an art-communicative phenomenon has increased reflexivity and semiotichnost, psychological objectivity, and weightiness. It is called upon to actualize the personal lyrical aspect of the musical image as an experience of human sympathy, overcoming psychological contradictions, and ensuring the semantic unity of artistic experience. The song style summarizes and represents certain psychological states, experiences, contributes to the enlargement and reification of feelings (total emotion), directly addressing the immanently "pure" absolute meaning of music. The main of the combination of characteristics of the individual style of V. Ivasyuk deepened to the intentional semantic foundations of his works, is dialogism, which can be defined as noematic.

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