Діалогічні виміри творчості В. Івасюка у контексті соціокультурного розвитку України другої половини ХХ століття
Dialogical Characteristics of the V. Ivasyuk Creation in the Context of Socio-cultural Development of Ukraine in the Second Half of the Twentieth Century

Summary/Abstract: The purpose of the article is to analyze the main features of the artistic personality of V. Ivasyuk and note the dialogical indicators of the creativity of an outstanding representative of the Ukrainian musical culture of the twentieth century. The methodology is based on a combination of historical and biographical approaches in line with the culturological method, involving the theory of dialogue in the general aesthetic and concrete art directions. All relevant approaches are involved in a comprehensive study of the dialogical characteristics of V. Ivasyuk‘s creative heritage in the context of the processes of forming the cultural space of musical Ukraine by the end of the 20th century. The scientific novelty of the study lies in the fact that for the first time the dialogical aspects of the creative heritage and life of V. Ivasyuk were determined in the context of the cultural and historical factors of the development of Ukraine in the second half of the twentieth century. Conclusions. The author‘s lyrics of V. Ivasyuk, which is divided into poetic and musicalintonational ranks and levels, can be considered, ordered, in a certain way, differentiated and structured, respectively, with the cordocentric paradigm of Ukrainian sociocultural consciousness. Accordingly, the songwriting of V. Ivasyuk can be considered as a technological art phenomenon based on the culturological concept of cordocentrism - the most generalized archetype of Ukrainian national consciousness. The creativity of V. Ivasyuk represents his own author‘s method of musical and poetic cultural and stylistic synthesis, which allows combining system genre features of professional musical creativity, creation of a pop song lyrics. Not only the peculiarities of professional formation but also the general creative attitude, personal, semantic intentions prompted V. Ivasyuk to choose a mass song as the leading sphere of artistic self-realization. That made it possible to feel and convey in the creativity a deep involvement in the Ukrainian ethnos, and the single image of this ethnos is reproduced in a conditional meta-historical art space. Historical time is a constant basis of human activity, and the subject of dialogue is always the subject of history - only at its different levels, depending on the significance of the dialogue. V. Ivasyuk offers a special positive way of artistic communication, which is opposed to ordinary life prototypes, which endows them real noetic, highly understandable characteristics. Consequently, it becomes possible to attribute the category of ―language of culture‖ to the creative heritage of an outstanding artist as one that allows to: first, highlight the main directions and substantive content of human relationships; secondly, it corresponds to the ideas of modern man in the most appropriate context; thirdly, it has a sufficient degree of universality, the ability to become just a dialogue language, quite independent of temporary accidents and fluctuations.

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