Przekształcenia melodyczne w notacji rękopisu nr 44 Archiwum Krakowskiej Kapituły Katedralnej na przykładzie introitu Introduxit vos
Melodic transformations in the notation of the manuscript No. 44 of the Archives of the Cracow Cathedral Chapter on the example of the introit Introduxit vos

Summary/Abstract: The article discusses the melodic transformations of the introit of Introduxit vos originating from the Krakow gradual of Jan Olbracht (1499–1506). For this purpose, a comparison was made between the work recorded in the line notation and the records of adiastematic notations (Sanktgallen and Metzene) and diastematic notation (Aquitaine notation). When analyzing the Krakow version of the introit, were also taken into account the historical-liturgical background, the text context with its literary structure, the melodic-rhythmic and melodic-verbal layers. The melodic identity of the introit and its modifications have been described in both cases. The article uses source materials (4) and other bibliographic items.

• Details
• Contents