FUAT SEZGİN’İN SANAT ESERLERİ ÜZERİNE YAPTIĞI ÇALIŞMALAR HAKKINDA BİR KRİTİK
A CRITICAL ABOUT FUAT SEZGİN'S WORKS ON ARTWORKS

Summary/Abstract: The history of Islamic science is one of the hardest areas to summarize. The legacy of a gigantic civilization is wide enough to fit into a few volumes of books. This situation forces researchers and scientists working on the field to work on samples. The works of art, which constitute an important place in the history of Islamic science, are one of the areas where even the employees in the field have difficulty in preparing catalogs. For this reason, studies conducted by periodic and regional distinctions naturally bring some deficiencies. In this context, Sezgin's work on the history of Islamic science is naturally the most incomplete field of art works. Fuat Sezgin stated this with a brief introduction to the architectural section and criticized both that he did not have any command over the subject and that the models he made were not sufficient in comparison to the existing works. In this study, the general status of the works examined by Fuat Sezgin under the title of architecture and the comparisons of Sezgin's contributions to the architectural work will be made.

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