The concept of aura in Walter Benjamin's philosophy
The concept of aura in Walter Benjamin's philosophy

Summary/Abstract: The principal focus in this paper will be to highlight the concept of "aura" as it was developed by W. Benjamin in the context of aesthetic-philosophical reflection, in connection with the discourse on the problematic features of modern and contemporary art, determined by the evolution of the technological world. Benjamin's writings propose a multidimensionality of the concept of "aura". Thus, the aura can be illustrated with reference to the nature, to historical objects and phenomena, to sensitive experiences, to storytelling, but also to the aesthetic world and works of art. Describing works of art and some natural objects as having an aura, Benjamin identifies in the aura the features of authenticity and uniqueness that constituted them, as something that requires contemplation and immersion from the viewer. A special role in the philosopher's argument goes to the aura approach in connection with the evolution of the world of technology, especially in connection with the development and evolution of photography and cinema.

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