Деякі теоретичні аспекти аналізу сценічно-хореографічного образу в бальному танці
Some theoretical aspects of stage-choreographic image analysis in ballroom dance

Summary/Abstract: Goal of the article is the analysis of the theoretical aspects that connected with the stage-choreographic image specificity, its creation and embodiment with the help of ballroom dance. Methodology of the research work is grounded on the problematic- logical method which allows to divide this problem on narrower items, and also on the analytically-synthetically approach thanks to which the look on the stage-choreographic image in ballroom dance forms as on the complex phenomenon. Scientific novelty is that in the article was analyzed the specific of stage-choreographic image creation by means of ballroom dance. It was proved that the artistic image in the context of becoming and enriching choreographic art has been achieving not only because of dance plastic action but also with the help of promoting the synthesis of various arts (literary, architectural and spatial, musical, etc.) with provides emotional and content filling of the choreographic creation and successfulness of the compositional plan. Conclusions. The thesis is substantiated according to with the image in stage-choreographic representation becomes more dynamic creation with is involved with help of different means and materials, has dramatic logics according to which admits its own exposition, beginning, culmination, conclusion and also completes of the leitmotifs system getting different plastic modifications during dancing, according to the choreographer’s plan.

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