Роль концертмейстера у процесі впровадження сучасних методик викладання естрадного вокалу
The accompanist’s role in the process of implementation of the pop vocal modern teaching methods

Summary/Abstract: The purpose of the article. Based on analysis of the most advanced techniques of forming the performing arts of pop vocalists to find out the specifics of the role of accompanist in the process of implementation in the pedagogical practice of the above methods. Methodology. The research methodology considers the historicity of the process of formation of various techniques and approaches to vocal pedagogy, as well as the connection of theoretical explorations and practice of musical performance in the context of the coverage of the role of an accompanist in this process. Scientific novelty of the article is that for the first time in this article an analysis of foreign sources, including available thesis devoted to the problems of reforming the teaching methods of pop vocal, has been carried out. In-depth knowledge of the specifics of the role of the accompanist in this process. Rehabilitation of the figure of an accompanist, which is usually considered as secondary, has been carried out. The importance of the accompanist’s work in the rehearsal process is emphasized. Conclusions. Modern conditions require from the accompanist of the pop vocal studio mastering the skills of possession of technical means. Also, there are several requirements that are more relevant to the traditional, classical set of techniques required to learn the accompanist. The activities of the accompanist are subject to the style and methodology of the team leader and are the basis for work on the repertoire. But the role of the accompanist is not secondary, because without his/her participation it is impossible to work on improving the performing skills of the vocalist entirely. A successful vocal arrangement and a well-formed vocal device make it possible to reveal the creative potential of the singer fully. This is the main work of the accompanist of the pop band because he must consider the specificity of the pop artist, who acts simultaneously both the singer and the actor. By these peculiarities, the accompanist has to select and require the complexes of approaches and techniques.

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