Балетмейстерська діяльність Вадима Федотова в контексті розвитку українського музичного театру останньої чверті ХХ століття
Vadim Fedotov's Ballet Mastering Activities in the Context of the Development of the Ukrainian Musical Theater of the Last Quarter of the 20th Century

Summary/Abstract: Purpose of the article is to analyze the choreographical work of V. Fedotov and the ways it was realized on the stages of leading musical theatres of Kyiv: Kyiv Musical Theatre for kind and youth, Kyiv Theatre of the Classical Ballet, National opera and ballet theatre named after T. Shevchenko. Methodology: use of the next culturological methods of research: historical and comparative, structural and functional, semiotic, systematical. Scientific novelty: the study of the choreographical heritage of V. Fedotov, which was created and realized during his work on stages of leading musical theatres of Kyiv. Conclusions: The main points of staging conception lied in the convincing display of choreographical characters, successful combination of classical and folkstaged choreographic systems, a creation of the logical compositional structure of ballet performances, getting rid of excessive illustrative and domestic detailing.

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