KLASİK MÜZİK EĞİTİMLİ MÜZİSYENLERİN KOMA SESLERİYLE ÇOKSESLİ DÜZENLENEN TÜRK MÜZİĞİ ESERLERİ ALGILAMASI
CLASSICAL MUSIC EDUCATED MUSICIANS PERCEPTION OF MICROTONAL WORKS WHICH ARE ARRANGED WITH TURKISH MUSIC MICROTONNOTES

Summary/Abstract: In the polyphonic arrangements of Turkish music monopoly according to equal tamperer system notes, it is seen that mostly micro-tones are not used or only used in melody and not used in sub-parties. These arrangements are performed by musicians educated in Western classical music and are generally compatible with the influence of education. However, in these arrangements, the Turkish music work itself has lost its own maqam timbre/original tones. In order to prevent the loss of the maqam timbre, the Turkish music works which were arranged in polyphonic music were used by the musicians who were under the influence of Western classical music education. Participants opinions about the Turkish music works were performed in polyphonic style with the polyphonic music of the Western classical music without the use of microtons. While more than half of the participants found microtone polyphonic arrangements compatible with the problem of intonation, they found and liked the polyphonic arrangements according to equal tamperer system notes without any problems and liked the intonation.

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