Границы постмодернистских нарративных стратегий (Акунин-Чхартишвили. «Аристономия»)
Border of Postmodern Narrative Strategies (Akunin-Chkhartishvili. “ Aristonomiya “)

Summary/Abstract: In modern Russian literary process observed an interesting phenomenon: sometimes the text seeks to move beyond the artistic reality splashed in life or, conversely, to let life in art space, build a complex game on the border of the text and the extra-textual space. Space art text often includes non-textual reality, playing an important role in copyright narrative strategies. The issue is worth about sharing a single stream of modern Russian literature in the primary and alternate on the types of discourse, including due to the difference of the conversion agreements narrative character. Thus, including the way implemented in modern Russian literature is one of the cornerstones of postmodern traits - transgression. It seems that installation itself on pluralism in contemporary Russian literature determines eligibility and even the inevitability of the existence of different models of text strategies. And these strategies can not be described without regard to their development in the mode of “author - reader”, and without thinking of the modern concept of filling Russian border in the artistic consciousness, for which the semantic content of literary works created in different situations of individual author choice is historically moving, changing: the traditional understanding of the border as a geopolitical phenomenon comes to replace the understanding and implementation of a new type of creative practice narrative writing. For some time among such authors is owned and Boris Akunin, who lives in France, but it belongs to the Russian literature.

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