Lars von Trier Sinemasında Muhalif Duruş ve Yapı Karşısında Failliğin Sinematografik İzleri: Dancer in the Dark Müzikali Örneği
Opposing position in Lars von Trier Cinema and Cinematographic Traces of the Perpetrator in front of the Structure: Dancer in the Dark Musical Example

Summary/Abstract: The social structure includes areas that reproduce it with its components, as well as areas of opposition and resistance. The cinema, which is seen as a form of strong expression and art of creating meaning, can be used both as a top policy and a sub-policy field in the context of rebuilding current power / power relations, as well as opposing or resisting the forms of domination normalized by society with these relations. A great deal of cinematographic approaches, from the positioning of the camera, to the perspective of the character or the object it takes to the center, to the color and light filters preferred from shooting techniques, from editing modes to composition created in the frame, are produced by the director, it produces the forms of character formation, therefore the director’s attitude towards life can be characterized by the scripts. In the context of this study, the analysis of Lars von Trier’s films, his opposition to the social structure, and the dance sequences of Dancer in The Dark musical film’s have been tried to be analyzed.

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