IMAGOLOGICAL POTENTIAL OF THE BELARUSSIAN IMAGE IN MODERN SLAVIC LITERATURE Cover Image

ІМАГОЛОГІЧНИЙ ПОТЕНЦІАЛ ОБРАЗУ БІЛОРУСА В СУЧАСНИХ СЛОВ'ЯНСЬКИХ ЛІТЕРАТУРАХ
IMAGOLOGICAL POTENTIAL OF THE BELARUSSIAN IMAGE IN MODERN SLAVIC LITERATURE

Author(s): Olena POGREBNYAK
Subject(s): Language and Literature Studies, Studies of Literature, Comparative Study of Literature, Belarussian Literature, Czech Literature, Polish Literature, Ukrainian Literature, Philology
Published by: ЮГОЗАПАДЕН УНИВЕРСИТЕТ »НЕОФИТ РИЛСКИ«
Keywords: Imagological image; іmage of the Belarussian; Belorussia; Slavic literature; Belorussian writer

Summary/Abstract: The author considers the phenomenon of the images of the Belorussian in the works of modern Slavic writers. The following structural components of its paradigm are analyzed: auto-images (images of Belorussians in Belarussian literature) and hetero-image (images of Belarussians in Polish, Czech and Ukrainian literature), their formal characteristics and inner content, modality and interaction, as well as the functional and strategic significance for the formulation of the principles of national Identity and outline of its boundaries at the time of creation (for auto-images). Taking as an example the works of Karpovich, Topol, Urban, Singaevsky, Andrukhovych and some others texts, the author shows that in the non-Belorussian writers’ works, the images of Belarus and the Belorussians have been generally stereotyped (in Ukrainian and Czech literarture) or grotesque (in Czech literature) or even stigmatized (in Polish and Czech litersture). Such images illustrate the cultural and civilization influences and fix certain typological coincidences between the corresponding literary receptions. The imagological image appears to be an extralinguistic phenomenon, a full-fledged subject of interethnic relations, the modality of which forms the scenario of such relationships and determines the role of the author as their social mediator. The article also compares the image of the Belarussian in classical and modern Belarussian literature. There are examples of postmodern ironic rethinking of Kupala autoreflections in the works of Belarussian poets of the 21st century, attempts to deconstruct stereotypical perceptions of Belarussian realities are demonstrated. There is a connection between the updating of the image of Belarus in the writings of modern Belarussian writers and the intensity of the processes of self-identification in the stream of Belarussian culture of the 21st century.

  • Issue Year: 17/2019
  • Issue No: 1
  • Page Range: 118-125
  • Page Count: 8
  • Language: Ukrainian