A true filmmaker cannot work only in his homeland. A conversation with Krzysztof Zanussi about his co-operation with the German film industry by Ewa Ciszewska Cover Image

Filmowiec nie może działać wyłącznie lokalnie. Z Krzysztofem Zanussim o współpracy z kinematografą niemiecką rozmawia Ewa Ciszewska
A true filmmaker cannot work only in his homeland. A conversation with Krzysztof Zanussi about his co-operation with the German film industry by Ewa Ciszewska

Author(s): Krzysztof Zanussi, Ewa Ciszewska
Subject(s): Recent History (1900 till today), Sociology of Culture, Film / Cinema / Cinematography
Published by: Uniwersytet Adama Mickiewicza
Keywords: cultural transfer; Krzysztof Zanussi; co-productions; Germany; Poland; GDR; FRG;

Summary/Abstract: The paper presents an interview with Krzysztof Zanussi (born 17 June 1939), one of the most renowned award-winning Polish film directors. Some of his numerous films for television and cinema have been made in co-operation with German producers, including Manfred Durniok. His film Roads in the Night (Wege in der Nacht, 1979) was presented in 1980 in Cannes as part of the section “Un certain regard”. In Germany, Zanussi filmed not only some of his own screenplays, such as Imperative (Imperativ, 1982 – Special Jury Prize at the Venice International Film Festival in 1982), but also adaptations of Polish and German literature, for example House of Women (Haus der Frauen, 1977) based on a play by Zofia Nałkowska and Bluebeard (Blaubart, 1983) based on a novel by Max Frisch. In addition to those productions, he concurrently made films in Poland. Director of the TOR Film Studio since 1979. He produced films by such directors as Krzysztof Kieślowski and Agnieszka Holland. He currently works on a feature film entitled Ether.

  • Issue Year: 23/2018
  • Issue No: 32
  • Page Range: 177-184
  • Page Count: 8
  • Language: Polish