Lucian Blaga, Înviere: autohtonizarea absolutului expresionist
Lucian Blaga, Înviere (Ressurection): the localisation of the expressionistic absolute

Summary/Abstract: The aim of this paper is to point out the aesthetic perspective the philosopher, poet and playwright Lucian Blaga offers in his unique pantomime, Inviere (Resurrection, 1925). The author made full use of Silence as an aesthetic textual technique and a virtual feasible stage device in order to experience and to appropriate a passage to (and a revelation of) “the absolute”. Mythology and mythological reason are transitional steps in this spiritual journey, which is made up of a combination of successive “synthesis images”, similarly found in the folk ballad Vochita, along with the pagan rituals and beliefs of the Romanian patriarchal world.

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