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Summary/Abstract: Katarzyna Lemańska begins her review of the newest play put on by the Polish Underground Theatre, “The Nation” (directed by Krzysztof Garbaczewski), by referring to the history of the collective which was created around the Polish Theatre in Wrocław in an act of defiance against theatre director Cezar Morawski. Lemańska describes the formal tools and texts which are used in this production such as Virtual Reality technology as well as writings by Jerzy Grotowski.

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