«Театр станів»: синестетична природа дієво-енергетичного початку
«Theatre of states»: synesthetic nature of action and energy-related origin

Summary/Abstract: This study reflects an attempt to give another insight into the world of modern theatrical art appealing to ideas of time as «the kingdom of visuality» and complication of forms up to the expression of opposition of contradictory aspirations. Methodology. The research methodology is based on the use of analytical and hypothetical-deductive methods for revealing and explaining the nature of this phenomenon as a combination of the deep relationship among the elements of the whole, multi-level intersections and overlay planes single semantic field. It analyzes intrinsic and substantive features of the «theater of contemporaneity», which the author perceives as turning emotional experience into esthetic vision of the «energy theater», «theater of forces», «theater of states» setting new angles of rethinking and a new experience of esthetic reflection. Scientific Novelty. The scientific novelty lies in the fact that the attempt to get better understanding of contemporary trends correlates with the marking of the dominant aspect of comprehending the «theater of contemporaneity» – its action- and energy-based plan serving, in author’s opinion, as the main force that drives theatrical experiment – visual connection with polemical rhetoric semantic entity and polyphonic form of self-irony. Conclusions. The determination of the action- and energy-based plan of «thinking creativity» of the theater is manifested via emotional synesthesia – imagery and inter-sensual interpretation.

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