Przeciw formalizmowi. Teshigahary Hiroshiego dialog z tradycjami i współczesnością sztuk wizualnych w kinie
Against formalism. Teshigahara Hiroshi’s dialogues
with tradition and the present of visual cinematic art
Author(s): Marek Bochniarz, Przemysław SztafiejSubject(s): Visual Arts, Film / Cinema / Cinematography, Sociology of Art
Published by: Uniwersytet Adama Mickiewicza
Keywords: Teshigahara Hiroshi; Ikebana; Inochi: Sofu no chokoku; Rikyu; Go-hime;
Summary/Abstract: The authors examine Teshigahara Hiroshi’s little-known early documentary films Ikebana and Inochi, as well as his later historical films Rikyu and Go-hime. Their aim is to demonstrate how the director refers to the themes of art and the artist in the context of visual art and the work of his father, Teshigahara Sofo.
Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
- Issue Year: 19/2016
- Issue No: 28
- Page Range: 273-279
- Page Count: 7
- Language: Polish