Some of Vladimir Axionov’s musicological outlook on Gheorghe Neaga’s compositions
Some of Vladimir Axionov’s musicological outlook on Gheorghe Neaga’s compositions

Summary/Abstract: Artistic figure of the composer Gheorghe Neaga is an elaborate and indispensable phenomenon for the autochthonous musical art. Among those who offered to the posteriority important musicological researches is found Vladimir Axionov. His investigations – whose object of study is the symphony and symphonic music genres, the evolution or periodization of the autochthonous symphonic music, folklorism and the influence of folklore on the composing techniques, the problem of style, etc. – remain fundamental for the national musicology, and the frequent analysis of the opuses of the composer Gheorghe Neaga in virtually all his studies – separately or together with the research of the compositions of other authors – shows the important role that Neaga’s compositional repertoire plays in the creative processes performed in the local music and in its many trends. However, in almost all investigations signed by Vladimir Axionov – it addresses repeatedly different problems of the history and theory of music – musicologist found masterly examples from the work of Gheorghe Neaga, proposing them up as a model for subsequent musicological researches. Therefore, this article contains some findings of musicologist on various lines of research based on Neaga’s opuses, as three symphonies, vocal symphony Perpetuum Mobile, suite for orchestra, symphonic poem Danco, violin concerts, Quartet No. 1 – all considered samples both for each gender separately and for all autochthonous musical art.

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